This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
BISCOMBE GARDNER William (1847-1919)
Half-timbered cottage next a Mere.
Ink and gouache. Circa 1880. Signed.
7x10 inches. Framed: 15.5x17.5 inches.
CAMPBELL NAIRN Cecilia (1791-1857) (Daughter of J H Campbell)
Ireland: ‘South View of Bray’.
Ink and watercolour. Inscribed verso ‘ Coote Carroll’.
6x8 inches.
CABASSON Guillaume-Alphonse Harang (1814-1884) ‘La Patrie en danger’. Ink and gouache. Signed. Circa 1848. 4.75x3.5 inches.
CABASSON Guillaume Alphonse Hareng (1814-1884) A Truce. Sepia washes and gouache. Signed. 4.5x3.5 inches.
CADENHEAD James R.S.A. (1858-1927) The High Sands. Watercolour. 10x14 inches. Circa 1910. Signed.
CADENHEAD James R.S.A. (1858-1927) Scottish river. Etching and aquatint. Signed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 8x10inches.
CAINE Osmund (1914-2004) ‘Vote For …’; Street Altercation, Birmingham. Pencil. Signed and dated, 1934. 11.5x18 inches. Framed: 19.25x24.5 inches.
CALCOTT Sir Augustus Wall R.A. (1779-1844) Boats off shore. Watercolour. Exhibited: Albany Gallery, Autumn 1968. 4x6.25 inches.
CALDECOTT Randolph (1846-1886) The grandchild. Pencil. Signed. Exh: Gerald Norman. 4x3.5 inches. Framed: 11.5x10 inches.
CALDECOTT Randolph R.I. (1846-1886) ‘Cupid in Society’ I. Pen and ink. Circa 1871. Signed. Ex. Coll: Jeffrey Gordon. Ill: Simon Houfe, The Dictionary of British Book Illustrators and Caricaturists, 1978, p.255. 4.75x7.75 inches.
CALDECOTT Randolph R.I. (1846-1886) ‘Cupid in Society’ II. Pen and ink. Circa 1871. Signed. Ex. Coll: Jeffrey Gordon. Ill: Rodney Engen, Randolph Caldecott, Lord of the Nursery, 1976. 4.75x7.75 inches.
CALLOW William R.W.S. (1812-1908) CLICK HERE
CALMAN Mel (1931-1994)
‘I don’t know much about ART – but I know a carbuncle when I see one...’.
Pencil. Signed. Ill: Monstrous Carbuncles, Charles Knevitt, 1985. Ex. Collection: Charles Knevitt.
4x2.75 inches. Framed: 12x10.75 inches.
CALMAN Mel (1931-1994) Shoe courtship. Pencil. Signed and inscribed. 7x9 inches. Framed: 11.25x13.5 inches.
CALMAN Mel (1931-1994) ‘Wall Street’. Pencil. Signed and inscribed. 3.75x2.75 inches.
CALMAN Mel (1931-1994)
‘Cement …’.
Pencil. Signed and inscribed. Ex. Collection: Charles Knevitt.
7x7.25 inches.
CALMAN Mel (1931-1994) ‘Dinosaur found in Surrey’. Pencil. Signed and inscribed. 4x2.75 inches.
CALMELET Hedwig (b.1814) Isle de France: ‘Environs de Chaveille’. Watercolour and gum arabic. Circa 1860. Signed. Inscribed verso. 3.25x4.5 inches.
CALOUTSIS Valerios (b.1927) Landscape. Oil/canvas. Signed and dated, 1958. Inscribed verso ‘Paris 1958’. 23.5x28.5 inches. Framed: 24.5x29.5 inches.
CAMERON Sir David Young R.A. R.W.S. (1865-1945) CLICK HERE TO VIEW WORKS
CAMP Jeffery R.A. (b.1923) CLICK HERE TO VIEW WORKS
CAMPBELL John Henry (1757-1828) An Irish Capriccio. Watercolour. Signed. 5x7.5 inches.
CAMPBELL John Henry (1757-1829).
‘View on the Barrow’, Co. Wicklow.
Ink and watercolour. Signed, inscribed and dated, 1804.
5x7 inches.
CAMPBELL John Henry (1757-1829)
An Irish View.
Ink and watercolour. Signed.
4x5 inches.
CAMPBELL James (b.1942)
‘The Tower’.
Pastel and charcoal. Signed.
14.75x14.25 inches. Framed: 24.25x29.5 inches.
£650.
CAMPBELL John Henry (1757-1829) ‘Lowdowr Waterfall on the E.side 0f Derwent-Water’ (sic) Pencil and wash. Signed , inscribed and dated, 1794 on the original backing. 9x12 inches.
CAMPBELL John Henry (1755-1828) Ireland. ‘Near Ballymore, Co. Wicklow’. Watercolour. Signed and inscribed.
CARELLI Gabrielle (1821-1900) ‘La Casa de Pilotis, Seville’. Pencil and watercolour. Signed, inscribed and dated, 1880. 9x7 inches.
CAREY General Peter (1774-1852) ‘Lowdore Waterfall’ (sic) Watercolour. Inscribed on mount by the artist and dated ‘15th July 1822’. Prov: an album of watercolours by Carey, Sothebys, 8.4.1998. 9.75x6.75 inches.
CARLANDI Onorato (1844-1939) View of Lago Maggiore from the shore near Baveno. Watercolour. Signed. 14.5x21.5 inches. Framed: 23x31 inches.
CARLINE Sydney William L.G. (1888-1929) Bathers. Red chalks. Signed and dated, 1923. 19.75x17.5 inches. Framed: 29.5x27 inches.
CARLINE Richard (1896-1980) Bosnia. ‘Near Mostar’. Watercolour. Signed and dated 1922. Ex. Collection Nancy Carline. 10.5x14 inches.
CARMICHAEL John Wilson (1799-1868) Shipping off the Northumberland Coast. Ink, sepia wash and gouache. Prov: Vol. III of Carmichael studies, Hubert Jerningham Collection, Longridge Towers. 5.5x9 inches.
CARMICHAEL Stewart (1867-1950) Portrait of James Grigor. Black, red and white chalks. Signed, inscribed and date June 9th 1907. 20x15 inches.
CAERNARVON CASTLE (Subject) Anon pupil of John Varley O.W.S. (1778-1842) Watercolour. Circa 1825. 12x25 inches.
Nino CAPRIOGLIO (1926-1993) Fashion illustrations drawn for 'an American fur company'.
CARR Tom R.W.S. R.U.A. (1909-1999) ‘Ruth Heenan’. Oil on canvas. Signed. Exhibited: Leicester Galleries, 1943. 20x16 inches. Framed: 27x22 inches.
CARR Hamzah (fl.1930s) ‘Perspex’. For the ICI Achievements of an Industry series. Watercolour. Signed. c.1935. Provenance: ICI Group. 7x12. Framed: 15x20.
CARR David (1915-1968) CLICK HERE TO VIEW WORKS
CARR Francis (1919--2013) ‘Ravenna Marina’. Linocut. 2nd Edition, 36/50. Signed and dated 51-52. 490x390 mm.
CARR David (1944-2009) Yorkshire. ‘Great Fryupdale’. Gouache. Signed. Exhibited: Waterman Fine Art. 8x12.5 inches. Framed: 15.5x20 inches.
CARRICK James Mulcaster (1833-1896) ‘Near Nice’. Oil/canvas. Signed. Signed and dated, 1872 verso. 10x13.5 inches. Framed: 15x19 inches.
CARRICK John Mulcaster (1833-1896) Penzance from Newlyn. Oil on canvas. Signed and dated, 1878. 12x17.75 inches. Framed: 16.5x22.5 inches.
CARRICK John Mulcaster (1833-1896) ‘At St Leven, near Land’s End’. Oil on canvas. Signed and dated, 1887. Inscribed verso. 14x24 inches. Framed: 35x25 inches.
CARRINGTON Dora (1893-1932) ‘Ralph Partridge’. Pencil. 1921. Provenance: Noel Carrington (1894-1989). Sothebys, 6.2.1985, lot 322. Exhibited: ‘Paintings and Drawings by Dora Carrington’, introduction by Noel Carrington, Christ Church Picture Gallery, Oxford, Feb-March 1978. 12x10 inches. Framed: 20x16.75 inches.
CARRINGTON Dora (1893-1932) Study of a boy, possibly her brother Noel. Pencil. Prov: Noel Carrington, Sotheby’s, 26.9.1984, lot 249. 16x14 inches.
CARRINGTON Dora (1893 - 1932) Bearded Man. Pencil. Exhibited: Grosvenor Gallery, 1970. ‘Lytton Strachey and Carrington’, The Bloomsbury Workshop, 1989. 8.5x8 inches. Framed: 15.5x14.5 inches.
CARRINGTON Dora (1893-1932) ‘Organ Grinder’. Pencil. Circa 1909. Exhibited: New Grafton Gallery, 1973. Ex. Collection: Martyn Goff. 6.25x6.5 inches. Framed:14x13 inches.
CARRINGTON Catherine (1904-2004) Still-life: Breakfast. Oil on artist’s card. Signed. 14x15.25 inches. Framed: 20x22 inches.
CARRON Marcel (1890-1961) Head. Charcoal. Circa 1925. Authenticated verso by the artist’s daughter, Marcelle Caron. 10.5x8.25 inches. Framed: 19.5x16.5 inches.
CARSE Andreas Duncan (1876-1938)
‘Herod looking at the Head of S.John, Baptist’. Pen and ink on gesso’d card. Signed. Inscribed ‘Herod’ verso. Exhibited: Possibly ‘Memorial Exhibition of Duncan Carse’, Reading Art Gallery, January 1939. 13.75x6.75 inches. Framed: 21x13.5 inches.
CARSTAIRS J. L. (Exh: 1926-1931) 'Storm'. Linocut. Circa 1930. Signed and inscribed. 10x13 inches.
CARTER Frederick (1883-1967) ‘Café Royal’. Etching. Trial proof of 2nd state. Signed. 8.25x5.75 inches.
CARTER Henry Barlow (1803-1867) The entrance to Scarborough harbour. Watercolour. Signed. 7x10 inches. Framed: 15x17 inches.
CARTER Joseph Newington (1835-1871) ‘Orgeuil Castle from the Sea, Jersey’. Watercolour. Signed and dated, 1865. Inscribed to the original backing. 22x30.5 inches. Framed: 27x36 inches.
CARTER John F.S.A. (1748-1817) ‘For Coriolanus (III .iii)’ Pencil. Provenance: a lot of ten drawings by the artist, Christies.30.5.1990. 3.5x4.75 inches. Framed: 11.25x12.75 inches.
CARTER Samuel John (1835-1892)
Dogs fishing.
Pen and ink. Signed and dated, 1881. Inscribed verso to Mr R Emerson with best wishes for Christmas.
6x4.5 inches.
CARTER Samuel John (1835-1892) ‘A Happy Christmas’. Pen and ink. Signed, inscribed and dated, 1882. Inscribed verso to Mr and Mrs R Emerson. 4.5x6 inches.
CARTER Samuel John (1835-1892) ‘A Happy Christmas’ from a Pug, the sofa. Pen and ink. Signed, inscribed and dated, 1882. Inscribed verso to Mrs Emerson 4.5x6 inches.
CARTER Frederick A.R.A. (1883-1967) ‘The Café Royal’: Augustus John, Dorelia McNeill and William Nicholson. Etching. Proof outside the published edition of 25. Provenance: Elizabeth Harvey-Lee, 2006. 5x5.75 inches.
CARTER Hugh R.I. (1837-1903) The net shed. Watercolour. Circa 1880. Signed. 9x14.5 inches.
CASSON Sir Hugh P.R.A. (1910-1999) CLICK HERE TO VIEW WORKS
CATTERMOLE George R.W.S. (1800-1868) Capriccio. Watercolour and gouache. Signed on the backing. Provenance: John Hewett, mid 19th century dealer in Leamington Spa. 2x3.25 inches.
CATTERMOLE George (1800-1868) Defending the Cause. Ink, watercolour, gouache and gum arabic. Signed. 6.5x9 inches.
CATTERMOLE George (1800-1868) A page of studies. Pencil, watercolour and gouache. Signed. 12.5x9.75 inches.
CATTERMOLE Charles (1832-1900) ‘The Antiquarian’. Watercolour, gouache and gum Arabic. Signed and dated, 1863. 5.5x7.5 inches.
CATTERSON-SMITH Stephen P.R.H.A. (1806 – 1872) Life study: back view. Red and black chalks. 15x13 inches.
CAULFIELD Patrick R.A. (1936-2005) ‘Freud’s Smoke’. Signed. Edition of 100. Six printings on Saunders Waterford 300gsm. Printed by Gresham Studio Ltd, 1997. From the Freud Museum’s 10th Anniversary Portfolio, published 1997. 23.75x20 inches.
CAUSER Sidney R.I. S.M.A. (1876-1958) London. ‘Newton Road’, Notting Hill. Pencil and watercolour. Signed, inscribed and dated, January 1948. 11x15 inches.
CAVALCANTI Otto (Brazilian b.1930) ‘Hypothesis No.7’. Oil on canvas laid on board. Exh: Lesley Addinsell Gallery. 20x16 inches.
CAVE Henry (1779-1836) ‘Helmsley, Yorkshire’. Pencil. Inscribed and signed H. Cave (also inscribed in another hand ’Drawing Master’) and dated 1821. 4.75x3.75 inches.
CAWTHORNE Christopher (fl. Mid-20th Century) ‘Jessie Matthews’, the actress. Oil on canvas laid on board. Signed, inscribed and dated, 1947. 16x13 inches.
CERIA Edmond (1884-1955)
Pres de la Port, Concarneau.
Oil on canvas. Signed. Exhibited: Exposition Ceria, Gallerie / Collection Andre Schoeller, Paris, 1939 (remains label verso)
. 10.5x13.75 inches. Framed: 16x19 inches.
CHABRILLAC Charles Raymond (1804 - ?1882)
‘Le Petit Dessinateur’
Oil on card. Signed. Inscribed, indistinctly dedicated and dated, 1858, verso.
8.25x9 inches. Framed: 9.5x10.25 inches.
CHADWICK Tom (1915-1942)
‘On the Costa Brava’.
Wood engraving. Circa 1935. Signed, inscribed and editioned 3/50.
7.5x 9 inches.
CHADWICK Tom (1915-1942)
‘Wayside Laundry’.
Wood-engraving.
10x8 inches
CHATELAIN Jean Baptiste Claude (1710-1758)
Capriccio.
Pencil, pen, ink and wash, the verso prepared for transfer.
Inscribed on the original mount: ‘Chatelin (sic) / Engraved by Edw Rooker 1747 / bot at M A Rooker’s Sale / May 1st 1801’and ‘3 Day Lot 95’.
Exhibited: Albany Gallery.
7.5x7.5 inches. Framed: 18.5x16 inches.
10. CHALIAPIN Feodor (1873-1938) (Attributed to) Self-portrait as Don Quixote. Pen and ink. Provenance: Lady Diana Cooper. Viscount Norwich. 11x8.5 inches.
Challener Frederick SprostonR.C.A. O.S.A. (Candian, 1869-1959) Chalks. Signed. Circa 1900. Canadian Association label verso. Exhibited: The Hayward Collection. 22x17cms. Framed: 35.5x28cms.
CHALON John James R.A. O.W.S. (1778-1854) ‘In the Manner Of’; a Sketching Club Subject. Brush and ink. 11.5x17 inches.
CHAMBERLAIN Brenda (1912-1971) Pen and ink. Signed and dated, ‘May 1970’. 16x19 inches.
CHAMBERLAYNE General William John (1831-1910) ‘Mauritius, the Castle’. Pencil. Inscribed. Exh: No.29, General Chamberlayne, Covent Garden Gallery. 9x11 inches.
CHAMBERS Alice May (Exh: R.A. 1881-1893) Portrait of a Young Woman. Red chalk. Signed with monogram. Provenance: with Abbott and Holder circa 1964. In the early 1880s AMC lived at 17 Red Lion Square, a house previously occupied by Morris, Rossetti and Burne-Jones (see Christies Cat 29.10.lot 2 for a similar drawing). 16x13.5 inches.
CHAPLIN Florence (Mrs Ernest Howard Shepard b.c.1879-1927) Art School head study. Charcoal. Signed. Circa 1900. 22x15 inches.
CHAPLIN Charles (1907-1987) ‘New Forest Glade’. Engraving. Signed, inscribed and editioned ’28’. Dated 1963. 7.25x10.5 inches.
CHAPMAN George (1908-1993) ‘Sheep grazing’, Rhondda Valley. Charcoal. Circa 1960. Signed. Inscribed verso. 15x20 inches. Framed: 22x27 inches.
CHAPPELL William (1907-1994) ‘The Twenties’. Costume design for a Musical Review. 1949. Provenance: the artist’s estate. 21.5x14.5 inches.
CHAPPELL Billy (William) (1907-1994) Poster or Programme design for the ballet season of the Royal Opera House, 1950. Pencil, ink and watercolour. Provenance: the Artist’s Estate. 22x30 inches. Framed: 41x43 inches.
CHAPPELL Billy (William) (1907-1994) Soho: set design for a ballet or musical revue. Watercolour and gouache. Circa 1950. Provenance: the artist’s estate. 13.75x17 inches. Framed: 22x24.5 inches. £1100
CHAPPELL Billy (William) (1907-1994) Soho: set design for a ballet or musical revue. Watercolour and gouache. Circa 1950. Provenance: the artist’s estate. 13.75x17 inches. Framed: 22x24.5 inches.
CHAPPELL Billy (1907-1994)
Pierrot and Pierrette.
Ink and watercolour. Circa 1935. Provenance: Artist’s estate.
12x9 inches.
CHAPPELL Billy (William) (1907-1994) Costume design for a Faery Queene. Pencil and watercolour. Circa 1948. Provenance: Artist’s Estate. 15x11 inches.
CHARLES James (1851-1906) Figure studies. Pencil. Signed / Studio stamp. Exh: Fine Art Society, 1968. 8.25x10.25 inches. Framed: 16x17 inches.
CHARLES James (1851-1906) Figure studies. Pencil. Signed / Studio stamp. Exh: Fine Art Society, 1968. 8.25x10.25 inches. Framed: 16x17 inches.
CHARLES James (1851-1906) Circle of
The milkmaid.
Oil on panel. Circa 1890.
9.25x12.5 inches.
CHARLTON John (1849-1917) Hyde Park: ‘Rotten Row’. Pen, brush and monochrome washes heightened with gouache and probably for ‘The Graphic’. Signed. Circa 1890. 13.5x23.5 inches. Framed: 21.5x31.5 inches
CHARLTON George N.E.A.C. (1899-1979) Old Street: outside St Lukes’ Church. Oil on board. Circa 1924.Painted as the left-hand panel for a WWI Memorial Triptych. Provenance: Artist’s Studio (label verso). 23.5x10.5 inches.
CHARLTON George (1899-1979) The Pub. Pen and ink. 6x6.5 inches. Framed: 13.75x13.75 inches.
CHARTRAN Theobald (1849-1907)
An elegant batchelor guarded by his dog.
Oil on panel. Signed, indistinctly inscribed and dated 188(/3)
21.5x15.5 inches. Framed: 28.25x23 inches.
CHASE Michael (1915-2001)
‘Messenian Sun’.
Watercolour and silver paint. Signed and dated, 1988.
10x10 inches. Framed: 13x13.5 inches.
CHATELAIN LE Jean Baptiste (c.1710-c.1758) Castle and landscape. Pencil. Prov: Sabin Gallery 3.75x6.75 inches.
CHATELAIN Jean Baptiste (c.1710-c.1758) Landscape. Black chalk and grey wash. 5.75x7.75 inches.
CHEESMAN Harold (1915-1982) View across an Estuary. Oil on card. Signed and dated, 1967 verso. 24x26 inches. Framed:27.5x29.75 inches.
CHEESMAN Harold R.W.S. (1915-1982) ‘Figures at road junction’. Charcoal and conte crayon. Signed, inscribed and dated, 1960, on the original label. 14x20.75 inches. Framed: 23.5x29 inches.
CHEESMAN Harold R.S.A. (1915-1982) ‘Tracks on Hillside’. Oil on board. Signed and dated, 1977, verso. Exhibited: New Ashgate Gallery, Farnham. 12.5x14 inches. Framed: 18.5x19.5 inches.
CHEFFER Henri-Lucien (1880-1957)
‘Attaque a La Malmaison, 1917 / prisonniers allamends allant vers l’arriere’.
Charcoal. Inscribed and dated by the artist. Studio stamp.
7.75x10.5 inches. Framed: 15.5x18 inches.
CHENEY Robert Henry (1801-1866) The Thames near Twickenham. Watercolour by De Wint’s favourite pupil. Circa 1840. Prov: Christies Cheney Sale 12/10/2005. 10x14 inches. Framed: 17x21 inches.
CHENEY (Robert) Henry (1801-1866)
‘Stonehenge’.
Pencil. Inscribed and dated July 27, 1824. 1
8x13.75 inches. Framed: 16x21 inches.
CHENEY (Robert) Henry (1801-1866) ‘Chiesa de Castello from La Petraia, sunset, August 14’, Florence. Watercolour. Circa 1835. Inscribed verso and on the backing. Provenance: Lot 30. Cheney Sale, Christies, 12.10.2005. Exhibited: No: 19 ’Robert Henry Cheney’, Abbott and Holder. Framed: 11.5x14.5 inches.
CHENEY (Robert) Henry (1801-1866) ‘La Petraia, August 13th’ – a view over Florence. Watercolour. Circa 1835. Inscribed verso and on the backing. Provenance: Lot 30. Cheney Sale, Christies, 12.10.2005. 6.5x9.5 inches. Framed: 14.25x16.75 inches.
CHERMAYEFF Serge (1900-1996) ‘Profiles 10’. Oil on canvas. 1965. Exhibited: Kettles Yard. Provenance: Jim Cadbury Brown R.A. 13x13 inches.
CERNY Karel (Charles) (1892-1965) Trompe l’oeil. Oil on canvas. Signed. 18x21.75 inches.
CHEYNE Ian (1895-1955) ‘The Fisherman’s Church’. Woodcut printed in colours. Pencil signed and editioned 5/20. 10x10 inches.
CHEYNE Ian (1895-1955) ‘Glen Shiel’. Woodcut printed in colours. Signed, inscribed and numbered ‘2’. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 9.75x11.5 inches.
CHEYNE Ian (1895-1955) ‘Kinlochhourn’. Woodcut printed in colours. 1937. Signed, inscribed and numbered ‘2’. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 9.5x11 inches.
CHEYNE Ian (1895-1955) ‘First Snow, Ben Lomond’. Woodcut printed in colours. Circa 1935. Signed, inscribed and numbered ‘7’. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 10x13 inches
CHEYNE Ian (1895-1955) ‘Loch Duich’. Woodcut printed in colours. 1934. Signed, inscribed and numbered ‘16’. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 10.75x13 inches.
CHEYNE Ian (1895-1955) 'Summer Picnic'. Woodcut printed in colours. Signed, titled and editioned 8/12. 11.5x10inches. Framed: 21x18.5inches.
CHINNERY George (1774-1852) CLICK HERE TO VIEW WORKS
CHOPPING Richard (1917-2008) ‘Avocado Pear I’. Watercolour. Signed. Exh: Arthur Jeffress Gallery. 14x10. Framed: 19x15.
CHOPPING Richard (1917-2008) Trompe l’oeil. Pencil and watercolour with marbled paper surround. Signed and dated, 1953. 10.5x15.25 inches. Framed: 12.75x17.25 inches.
CHRISTIE James Elder (1847-1914) Study of a ruffian. Red, black and white chalks. Signed and dated 1877. Exhibited: Fine Art Society, 1985. 19x14 inches. Framed: 24.5x19.5 inches.
CHRISTOFOROU John (b.1921) Standing Figure. Ink and gouache. 11x7 inches.
CHRISTOPHERSON Jose (b.1914) The Town. Oil on canvas. Signed. Circa 1935. Provenance: gift from the artist to the family of the previous owner. 20x24 inches.
CHRISTY Beatrice Mary (1910-2003) ‘Pump Court’ . Wood engraving. 1938. Signed and editioned 40/60. 9x6.25 inches.
CHURCH Katherine (1910-1999) ‘The Farmyard’. Ink, watercolour and gouache on tan paper. Signed and dated, 1936. Exhibited: Alex, Reid & Lefevre. 15x17.75 inches. Framed: 21.5x24 inches.
CHURCHER Peter (b.1964 Australia)
Two cats. Etching. Pencil signed, dated 1985 and dedicated ‘For Kenneth and Diana’.
5x5.5 inches. £225
CHURCHILL John Spencer (1909-1992) 'A Journey through the Centuries'. Oil on canvas. Dated '19(4)2'.
CHURCHILL John Spencer (1909-1992) ‘View from Portofino’. Oil on canvas. Signed, inscribed and dated, 1935. 16x20 inches. Framed: 23x27 inches.
CHURCHYARD Thomas (1798-1865)
Smack at low tide.
Oil on linen laid on panel. Inscribed verso ‘Emma’ and ‘Kate’. Emma was the artist’s 2nd daughter and ‘Kate’ ('Catherine’) his youngest.
4.5x5.5 inches.
CIPRIANI Giovanni Battista R.A. (1727-1785) Composition study for a ceiling. Pencil. Provenance: a group of 7 Cipriani drawings, Christies 3 July, 2007. 6x6.75 inches. Framed: 14x14 inches.
CIPRIANI Giovanni Battista (1727-1785) (Circle of)
Studies of foreshortened figures; possibly ‘Hercules’.
Ink and watercolour. Inscribed ‘Cipriani’. Provenance: Stanhope Shelton.
6.25x8 inches.
CIPRIANI Giovanni Battista R.A. (1727-1785) (Circle of)
Apollo and his lyre.
Ink and watercolour. Circa 1780.
3x9.5 inches (Octagonal).
£275.
CIPRIANI Giovanni Battista R.A. (1727-1785)
Recto: Studies of caryatids.
Red chalk, pen and ink.
Verso: Studies of caryatids.
Black chalk heightened with white.
6.75x8.5 inches. Verso
COOPER Abraham R.A. (1787-1868) (Circle of) Study of Sheep. Oil on panel. Ex. Collection Alfred Alexander Haley, Grove House, Walton, Wakefield, (his label). 9.25x12 inches. Framed: 11x13.75 inches.
CLARK Albert (late 19th century) ‘Alethorpe Supreme’, Edmund Crowe Chapman’s Champion Trotter at the Islington Horse Show. Oil on canvas. Signed and dated 1891. Prov: Descendants of E.C.Chapman, Alethorpe, Norfolk. 17x21 inches.
CLARK Cosmo (1897-1967) South Coast beach. Oil on canvas. Signed and dated, 1946. 16x20 inches. Framed: 23x27 inches.
CLARKE HALL Edna (1879-1979) CLICK HERE TO VIEW WORKS
CLARKE Norman R.W.S. (1913-1992) ‘Set of illustrations for a history of an R.E. (Royal Engineers) Survey Coy in the Middle East’. Pencil and ink. Signed and inscribed. 5x8.5 inches.
CLARKE Edward F. C. (Exh: 1881-1888) ‘At Staplehurst, opposite the Church’, Kent. Pen and ink. Signed, inscribed and dated 1871. 14x20 inches.
CHICHESTER-CLARK Emma (b.1956)
Dancers in a garden.
Gouache and pastel. Signed.
25x20 inches. Framed: 33.5x28.5 inches.
£775.
CLAUSEN Katherine (1886-1936) The Aegean Coast. Watercolour. Signed. Ex. Collection: Sir John Stirling Maxwell (1866-1956) 11.5x15 inches.
CLAUSEN Sir George R.A. R.W.S. (1852-1944) CLICK HERE TO VIEW WORKS
CLAUSMEYER Klaus (1887-1968) A Victor, Munich, 1945. Oil on card. Signed and dated. 23.5x19.5 inches.
CLAYTON Katharine M. (Exh: 1923-1933)
‘The Goose’.
Wood engraving. Signed and £150.
CLEVELEY Robert (1747-1809) Luffing Up. Ink and watercolour. Exhibited: Walkers Galleries. 6x7.5 inches.
CLEVELEY Robert (1747-1809) Running before the Wind. Ink and watercolour. Exhibited: Walkers Galleries. 6x7.5 inches.
CLEVELEY Robert (1747-1809) ‘Punting near Windsor on the Duke of Clarence’s birthday’. Pencil and watercolour. Circa 1795. Provenance: An album of Cleveley’s work with the Albany Gallery in 1967. Presumably originally inscribed in the album. 5.75x9.25 inches. Framed: 14x16.75 inches.
CLEVELEY Robert (1747-1809)
Shipping, large and small, off shore.
Ink and watercolour.
5.75x7.5 inches.
CLIFFE Henry (1918-1993) Nude. Pencil. Circa 1960. 17.5x25 inches. £550.
CLIFFE Henry (1919-1983)
Composition.
Pencil. Signed and dated, 1966.
15x22 inches.
£475.
CLIFFE Henry (1919-1983) A Garden. Gouache. Signed and dated, 1980. 20.5x25 inches.
CLIFFE Henry (1919-1983) Plant Forms. Wax crayons. Signed and dated, 1970. 20x25 inches. Framed: 29x33 inches.
CLIFFE Henry (1919-1983) Abstraction. Pencil and wax crayons. Signed, dated 1966 and inscribed ‘to V’. 15x22 inches. Framed: 29.5x23 inches.
CLIFFE Henry (1919-1983) Abstraction. Pencil. Signed and dated, 1966. 15x22 inches.
CLIFFE Henry (1919-1983) ‘Garden, 3’. Gouache. Signed and dated ‘1977’. 20x24.5 inches.
CLIFFORD Edward (1844-1907) Hampshire. ‘Rowfant - dusk’. Gouache. Inscribed and dated ‘19.11.02’ verso. Prov: Artist’s Estate. 10x14 inches.
CLIFFORD Edward (1844-1907) ‘Felton. California’, painted from the train. Gouache. Inscribed and dated ’19.3.1889’. 5x7 inches. Framed: 13x14.5 inches.
CLOUGH Prunella (1919-1999) ‘Centrepiece’. Pastel and charcoal. 10x10 inches. 1992. Signed.
CLOUGH Prunella (1919-1999) ‘Delphic’. Screenprint. Signed and editioned ‘34/100’. Six printings on Arches Brite White 300 gsm. Printed by Gresham Studio Ltd, 1997. From the Freud Museum’s 10th Anniversary Portfolio, published 1997. 17.5x16 inches.
CLOUTING Josephine (Student South Kensington Schools of Design c.1898) Formal and spatial Student Composition. Charcoal. Signed and dated, March 1898. 16x27 inches. Framed: 23x34 inches.
CLOUTING Josephine (c.1900) Design for an art nouveau panel. Ink and watercolour. Made while the artist was a student at the South Kensington School of Design. Circa 1900. Stamped ‘E.S.K’ and ‘Work accepted for Certificate’. 25x11 inches
CLOUTING Josephine (c.1900) ‘Design for Cushion Cover / Needlework (see work executed)’. Pencil and watercolour study for an art nouveau embroidery design by a student while at the South Kensington School of Design. Circa 1900. 17.5x17.25 inches.
CLOUTING Josephine (c.1900) Ink and watercolour. Design for the embroidery of an art nouveau cushion cover. Made while the artist was a student at the South Kensington School of Design. Circa 1900. 20.5x20.5 inches.
COATES Tom R.W.S. P.P.N.E.A.C. (b.1941) ‘Zanzibar’. Oil/card. Signed. 9.24x11.25 inches.
COATES Tom R.P. P.P.N.E.A.C. (b.1941) The Fish Market. Oil on card. Signed. Exhibited: Patterson Fine Art. 10x8 inches. Framed: 16x14 inches.
COBBE Alec (b.1945) ‘Flowers in a pink vase at Clandeboye’. Acrylic on board. Inscribed by the artist verso. 10.5x5.25 inches. Framed: 14.25x9.25 inches.
COBBE Alec (b.1945) Venice: Santa Maria Della Pieta, riva degli Schiavoni. Acrylic on board. Exhibited: ‘Alec Cobbe’, Rafael Valls Contemporary. 10x6 inches. Framed: 13x9 inches.
COBBE Alec (b.1945)
Flower bed and open window.
Oil on card. Signed. Exhibited: Exposition Alec Cobbe, Galerie De Stael, 6 Rue Royale, Paris, 1991.
12x8.25 inches. Framed: 16x12.25 inches.
COBBE Alec (b.1945)
Interior.
Oil on board. Signed and dated, 1995.
8x6.25 inches. Framed: 10.5x9 inches.
COBURN Frederick Simpson (Canadian 1871-1960) Canadian Winter. Wood cut printed in colours. 1905. Proof. 14x11.5 inches.
COCKRILL Maurice R.A. (1935-2013)
Abstraction.
Ink, watercolour, wax crayon and gouache. Signed.
22.5x30 inches. Framed: 26.5x34 inches.
£575.
COCKRILL Maurice RA (1936-2013) Abstraction. Brush, watercolour and Indian ink. Signed and dated 1996. 11.5x15 inches.
COCTEAU Jean (1889-1963) ‘Georges Auric’ (1899-1983). Blue crayon on writing paper. 8x6 inches. Signed on backing. Exh: ‘Jean Cocteau’, Musee D’Ixelles,
COCTEAU Jean (1889-1963) ‘Jean V. Hugo’ (1894-1984). Pen and ink. Signed. Inscribed verso and numbered/ possibly dated, ‘29’. Ex. Collection: Edna O’Brien. 10x8 inches. Framed:17x14 inches.
COHEN Alfred (1920-2001) ‘Anenomes’; painted as a wedding anniversary bouquet. Oil on card. Signed. 9x7 inches.
COHEN Alfred (1920-2000) ‘Walmer lifeboat’. Oil on board. 1965. Signed. Exh: Brook Street Gallery. 12x15 inches. Framed: 16.5x19.75 inches.
COHEN Alfred (1920-2001) ‘Wooded Path’. Oil/board. Signed and dated, 1964. 30x22 inches.
COKE Dorothy R.W.S. N.E.A.C. (1897-1979)
House at Dieppe.
Watercolour and gouache. Circa 1950. Provenance: The artist’s Estate via Manor House Gallery, 1986.
7.5x9 inches. 15.25x16.25 inches
COKER Peter (1926-2004) ‘Concert at Aldeburgh’. Etching. 6/25. Signed. 10x7 inches.
COLAHAN Colin (Australian) (1897-1987)
Rose on a white clothe.
Oil on canvas board. Signed.
9.25x7.5 inches.
COLE Richard (b.1942) ‘George Melly’. Pen and ink. Inscribed verso ‘BBC Arena’. Signed. 18x11 inches.
COLE Edward Sherrat (1817-1905) Wells Cathedral: the Chapter House stairs leading to the North Transept. Ink and watercolour. Signed and dated, 1852. 12x9 inches.
COLE Edward Sherrat (1817-1905) An Architectural caprice. Ink, watercolour and gouache. Circa 1845. 12x8.5 inches.
COLEBROOKE Lieutenant Robert Hyde (c.1762-1808) Andaman Islands: ‘View of the interior part of Port Cornwallis’. Ink and watercolour. Signed, inscribed and dated 1790. British drawings in the India Office Library, 1960, Vol 1, p.143 for another view from this trip. 13.5x18.5 inches.
COLERIDGE Frederick George (Exh: 1866-1925) Italy. Omegna and Lake Orta. Watercolour. Signed. Circa 1880. 10x14 inches.
COLLINGWOOD William R.W.S. (1819-1903) ‘At Engelberg’. Watercolour. Signed and inscribed verso. 10x14 inches.
COLLINGWOOD William Gershom (1854-1932) ‘The Crags of Levenswater’. Oil/canvas. Signed and dated, 1919. Label inscribed by the artist verso. 24x30 inches. Framed: 33x39 inches. £4000
COLLINGWOOD William Gershom (1854-1932) ‘Coniston’. Watercolour and gouache. Signed. Inscribed and dated verso, ‘July 26th 1913’. 15x10.5 inches. Framed: 22x16.5 inches.
COLLINGWOOD William R.W.S. (1819-1903) Lake Lucerne. Watercolour. Inscribed verso by Isabella Prout. Given by her to Clara Alberta Allen, housekeeper and executor of Samuel Gillespie Prout in 1909. By descent from Clara Allan. 3x4 inches.
COLLINGWOOD William R.W.S. (1819-1903) Fortified house in a wood. Pencil. Signed and dated, 1840. Provenance: S Prout / S.G.Prout / Clara Alberta Allen and by descent. 5.25x7.5 inches.
COLLINGWOOD William Gershom (1854-1932) ‘Coniston Old Man from the top of Large Crags: Mist clearing’. Watercolour. Signed and dated, 24.2.15. Inscribed, signed and dated verso. 14x20 inches. Framed: 22.5x27.75 inches.
COLLINGWOOD William Gershom (1854-1932)
‘Ardtornish’, Sound of Mull.
Watercolour and gouache. Signed.
COLLINGWOOD William Gershom (1854-1932) 'Off Stockholm'. Pencil and watercolour. Signed. 6.5x9.5 inches.
COLLINGWOOD SMITH William O.W.S. (1815-1887) ‘Reading’. Black chalks and gouache on tan paper. Signed and indistinctly dated, 183(8?). 10.5x8.5 inches. Framed: 18.5x15.5 inches.
COLLINS Henry (1910-1994) 'Repair Yard, Harwich' Oil on canvas. Circa 1960. Signed on the stretcher. 40x30 inches.
COLLINS Peter Gerald (1923-2001) Pub Table. Oil on card. Circa 1950. Signed. 14x19.75 inches. Framed: 17.5x23 inches,
COLLINS William Wiehe R.I. (1862-1951) Seville, the Moorish colonnade of the Alcazar. Watercolour. Signed. c.1909. 10x7 inches.
COLLINS William Wiehe R.I. (1862-1951) Paris : the Pont de la Concorde. Watercolour. Signed. c.1900. 6x13.5 inches. Framed: 14x21 inches.
COLLINS Charles (c.1680-1744) ‘Ring Ouzels’ Watercolour and gouache. Signed and dated 1739. Ex Coll: Iolo Williams. 18.5x15.5 inches. Framed: 26.5x22 inches.
COLLINS Henry (1910-1994) Still-life. Pen, brush and ink. Signed and dated, 1951. 15x22 inches. Framed: 22.5x28.5 inches.
COLLINS Cecil (1908-1989)
A vase of flowers.
Monotype. Signed and dedicated.
7.25x9 inches. Framed: 14.75x16 inches.
COLLINS William R.A. (1788-1847)
Fishermen on the shore.
Watercolour. Inscribed on the original backing ‘Painted by Wm. Collins R.A. / and given by Mrs Neale to Frances Blake / (signed ‘F. Blake’). Provenance: Miss Frances Blake (1804-1879) and by descent to Major-General Mark Bond (1922-2017).
8.25x10.25 inches.
COLLINS Cecil (1908-1989) ‘Figure and Landscape’. Pen, brush and ink. Signed, inscribed by the artist and dated, 1950, verso. 14x10.75 inches. Framed: 22.5x18.5 inches.
COLLINS Cecil (1908-1989) CLICK HERE TO VIEW WORKS
COLLINS Henry (1910-1994) ‘Stag Beetle and Essex Mill - Night’. Watercolour and ink. Signed, inscribed and dated, 1951-2. 9.75x13.25 inches. Framed:17x19.25 inches.
COLQUHOUN Ithell (1906-1988) ‘The Woman of Beare’. Oil/ frottage on canvas. Signed, inscribed and dated ‘1950(?)’ verso. Artist’s label. Provenance: Sotheby’s Fast Sale, 1985. Exhibited: Newlyn Art Gallery, 1961, No.11. Newlyn Orion Gallery, Penzance, 1976, No.11. Ref: Ithell Colquhoun ‘The Crying in the Wind: Ireland’, Publ: Peter Owen, London, 1955 62x20.5 inches. Framed: 63.5x25 inches.
COLQUHOUN Robert (1914-1962) ‘Ryefield’ Pencil and ink sketch from a sketchbook with 33 pages dated between 1930-40; Phillips Auctioneers, Mod. Brit. sale 14.1.1992. Inscribed and indistinctly dated/? numbered. 4.5x7.75 inches.
COLQUHOUN Ithell (1906-1988) ‘Nessus divesting himself of his shirt’. Pencil and acrylic on paper. Signed and inscribed verso. 12.75x9 inches. Framed: 20x15 inches.
CONCA Tommaso (1734-1822) (Attributed to) Madonna and Child. Pencil and sepia washes. Inscribed. Ex. Coll: Chapman, Debden Manor. 15.5x9.75 inches. Framed: 23x16.5 inches.
CONDER Charles N.E.A.C. (1868-1909) Head of a woman. Pencil, pastel and watercolour. Inscribed verso by a later hand ‘Used as a backing in Max Beerbohm’s caricature of Mr A A Humphrey doing The (?Girly) Glide. Not of A A Humphrey but of Comedian R A Knowles’. 10x8 inches.
CONDER Charles N.E.A.C. (1868-1909) CLICK HERE
CONNARD Philip R.A. C.V.O. (1875-1958)
Glass vase of flowers.
Oil on card. Signed. Inscribed with artist’s address verso ‘43a Cheyne Walk’.
12.5x9.25 inches. Framed: 19x15 inches.
CONNARD Philip R.A. (1875-1958)
A study of Mary, the artist’s wife.
Pencil. Circa 1910. Provenance: Francis Bate N.E.A.C. (1858-1950)
15x11.25 inches.
CONNAUGHT H.R.H. Princess Patricia of (Lady Patricia Ramsay) (1886-1974) ‘Cyclamen’. Watercolour. Signed and dated, 1904. 7.5x11.5 inches.
CONRADE Alfred Charles (1863-1955) Design for a Shakespeare Memorial, resetting the Westminster Abbey Kent / Scheemakers figure. Pencil and gouache on blue grey paper. 13.5x16.5 inches.
CONROY Stephen (b.1964) ‘Self-Portrait with Hat’. Etching. Signed and editioned 2/35. 8.25x6.25 inches. Framed: 20.25x16.75 inches. £875
CONYERS Matilda (c.1698-1793) ‘A species of balsam’. Gouache on vellum. Exhibited: No.31, ‘Botanical paintings on vellum by Matilda Conyers and Henrietta Conyers, Copped Hall, Essex’, Abbott and Holder 1997. 9x6 inches.
COOK Ebenezer Wake (1843-1926) Cumberland. A Lake District farm. Watercolour. Signed and dated 188(?3). 13x18.75 inches.
COOK Ebenezer Wake (1843-1926) View over Lake Maggiore. Watercolour. Signed and dated ‘30.4.09’. 10x14.5 inches.
COOK Herbert Moxon (1844-1920) ‘The Mouth of the Conway’. Watercolour and gouache. Signed and dated, 1891. Inscribed on the backing. 9.25x14 inches.
COOK Edward William R.A. (1811-1880) Spain. ‘Santa Lucia, Cartagena’. Pencil. Inscribed by the artist and dated '29 Dec 1860'. 4.5x8.75 inches.
COOKE Isaac (1846-1922) Westmorland. ‘Still day on Grasmere’. Watercolour. Signed. 19.5x30 inches. Framed: 28x38 inches.
COOKE Isaac (1846-1922) Low tide, North Wales. Watercolour. Signed. 11.5x18.75 inches.
COOKE Edward William R.A. (1811-1880) Fisherwomen on the beach at Newlyn. Pencil. Exhibited: Agnews (No.33236). 4x8.75 (irregular). Framed: 9x13.25 inches.
COOKE Edward William R.A. F.R.S. (1811-1880) Egypt. ‘The Gate of the Nile. Assouan’. Pencil. Signed, inscribed and dated 24th Feb 1874. 4.75x7 inches. £475
COOMBS D.W. (fl.1920) Hampshire. ‘House, Winchester / for H.C.Head Esq’. Pen and ink elevation. Signed, inscribed and dated 191?(9). 12x22 inches.
COOP Hubert R.B.A. (1872-1953)
Lowestoft pier.
Watercolour. Circa 1900. Signed.
13.5x19.25 inches.
15. COOPER Thomas Sidney R.A. C.V.O. (1803-1902) Cattle watering. Watercolour. Indistinctly signed and dated, 1881. 10x15.25 inches.
13. COOPER Thomas Sidney R.A. C.V.O (1803-1902) Cattle and Sheep. Watercolour. Signed and dated, 1881. 10x15.25 inches.
COOPER John P.E.L.G. (1894-1943)
‘Lyme Regis’.
Oil on canvas. Signed.
16x20 inches. Framed: 22x26 inches.
COOPER Richard Jnr (1740-1822) Landscape. Pen, brush and ink. Exhibited: Colnaghi. Ex. Coll by repute: Iolo Williams. 8x10 inches. Framed: 15x17 inches.
COPE Charles West R.A. (1811-1890) ‘Cardinal Wolseley at the Gate of Leicester Abbey’. Watercolour study for the painting (1847) in the Royal Collection bought by Prince Albert. 4.5x5.75 inches.
COPE Charles West R.A. (1811-1890) ‘A cake’: Augusta Cope nursing a baby Cope. Pen, brush and ink. Signed and dated, Jan.4th 1848. 3.5x5.75 inches.
COPE Charles West R.A. (1811-1890) ‘Old Mrs Atkinson / May’s Grandmother / sketched at candlelight from Nature’. Watercolour. Inscribed by the artist verso. Provenance: William Drummond / Covent Garden Gallery. 7.5x9.5 inches.
COPLEY John P.R.B.A. (1909-1990)
Three Bathers (C.36)
Etching. 1927. Signed.
9x 8.25 inches.
COPLEY John P.R.B.A. S.C. (1875-1950)
A Bohemian on the street.
Watercolour. Circa 1910. Signed.
24x14 inches.
COPNALL John (1928-2007) 'Street Scene'. Monotype. Signed and dated, 1956. 15.75x9.25 inches.
CORBETT Admiral Sir John K.C.B. R.N. (1822-1893) Watercolours. CLICK HERE
CORBOULD Richard (1757-1831) Designs for book illustrations. CLICK HERE to view the works.
CORBOULD Alfred Chantry (b.1853) CLICK HERE TO VIEW WORKS
CORBOULD Edward Henry (1815-1905) Illustrated letter with suggestion to ‘Mr Strutt’ for ‘Roger’s Italy’. Ink and watercolour. Signed, inscribed and dated, 22nd June 1856. 6.75x8.75 inches. Framed: 12.75x14.25 inches.
CORE Philip (1951-1989) Homage to Duchamp and Warhol. Pencil, ink, watercolour and collage study for a 1979 painting in the Collection of the Arts Council. Inscribed and dated 1978.
CORNISH Hubert (1757-1823) Ludlow Castle from the Bridge. Watercolour. c.1810. Inscribed. Prov: an album of watercolours by Cornish with the Moss Gallery in 1997. 6.75x10.25 inches.
CORNISH Hubert (1757-1823) ‘Henley on Thames’. Watercolour. c.1810. Inscribed. Prov: an album of watercolours by Cornish with the Moss Gallery in 1997. 6.75x10.25 inches.
CORNISH Hubert (1757-1823) Oxford. ‘Magdallen College from …Walk’. Watercolour. c.1810. Inscribed. Prov: an album of watercolours by Cornish with the Moss Gallery in 1997. 6.75x10.25 inches.
COSMAN Milein (Emilie) (1921-2017)
‘Dubliners II’.
Etching and aquatint. Signed, editioned ‘4/50’ and inscribed.
4.75x8 inches.
‘COTMAN’S DRAWING SOCIETY’ (one of) Destruction in Egypt. Grey washes. 1802-1804. 13x17 inches. Framed 22x25 inches.
COTMAN John Sell O.W.S. (1782-1842) (Circle of) Six studies in pencil and in wash. CLICK TO VIEW
COTMAN John Sell (1782-1842) CLICK HERE TO VIEW WORKS
COTMAN John Joseph (1814-1878) Norwich Castle from the Cattle Market. Pencil and watercolour. Signed and dated November 1867. Exh: Agnews. Framed in original frame: 39x53 inches.
COTMAN Miles Edmund (1810-1858) Norfolk. ‘Hackford Church’; before a mid 19th century scraping. Ink and watercolour. Signed. Inscribed verso. Ex. Collection: Rev. Bulwer. Provenance: Walker’s Galleries. 6x8.5 inches.
COTMAN Miles Edmund (1810-1858) The Rubens Lion. Chalk, watercolour and gouache on tan paper. Circa 1840. Inscribed or signed. 11.5x18 inches. A copy of the Rubens drawing of a lion bequeathed to the British Museum by Richard Payne Knight in 1824. Miles Edmund Cotman was his father John Sell Cotman’s assistant at Kings College from 1836 and following JSC’s death in 1842 took over as Master of Landscape Drawing until 1852. It is probable that this drawing formed part of his teaching practice. We are grateful to Timothy Wilcox for his thoughts on this work.
COTMAN John Sell (1782-1842) Circle of
La Madonetta, L’Anconetta, near Venice.
Watercolour, possibly after Richard Wilson R.A. Circa 1800.
6.75x11.25.
COTMAN John Sell (1782-1842), and pupil, possibly a member of the Turner family.
Tree-lined stream.
Black and white chalks on tan paper.
Provenance: Mary Dawson Turner (1774-1850) her grand-daughter Alice Sneyd-Kynnersley (1891-1972) to her daughter Elizabeth Tower, to her great-nephew (previous owner)
11.5x9.25 inches.
OTMAN Miles Edmund (1810-1858) (Attributed to)
Study of church pews.
Watercolour. Circa 1835.
12x8.75 inches.
£475.
COTMAN John Sell O.W.S. (1782-1842) (Circle of) Landscape, possibly in the Lakes. Sepia washes on a tan sketchbook page. Circa 1805. 5.75x8.75 inches.
COVERLEY-PRICE Victor (1901-1988) Zermatt: ‘The Matterhorn from Riffelhorn’. Oil on canvas. Signed and dated, 1952. 32x39 inches.
COVERLEY-PRICE Arthur Victor (1901-1988)
‘Near Engelberg, Switzerland’.
Watercolour. Signed. Inscribed on reverse of mount. Lit: p.50 ‘Artists of the Alpine Club’. Ex. Coll: Peter Mallalieu, Alpine Club.
13.5x10.75 inches. Framed: 21.25x17.5 inches.
£225.
COWHAM Hilda (1873-1964) ‘Literal Patricia’. Pen, brush and ink. Signed and inscribed. 7 x10 inches.
James Cowie R.S.A. (1886-1956) Pastels. Signed. Circa 1935. 42x28cms. Framed: 65.5x49.5cms.
COWIE James R.S.A. (1886-1956) ‘Schoolgirl seated at a drawing-board’. Pencil, brush and watercolour. Signed. Exhibited: Fine Art Society, 1978. 11.5x6.5 inches. Framed: 20.25x13.75 inches.
COWLES Fleur (1908-2009) North Carolina: ‘Henry’s Grocery, Ellijay, N.C.’. Watercolour and gouache. Signed and dated, (19)44. 15x20 inches.
COWLES Fleur Fenton (1908-2009) American Farm. Watercolour and gouache. Signed ‘Fleur Fenton Pettingell’, and dated, 1941. Exhibited: Associated American Artists, 711 5th Avenue, New York. 14.5x24 inches. Framed: original 22x32 inches.
COWLES Fleur Fenton Pettingell (1908-2009) Connecticut clapboard farm – winter. Watercolour and gouache. Circa 1945. Exhibited: Associated American Artists, New York 19x29 inches. Framed: 28.5x38 inches.
COWLES Fleur (1908-2009) Connecticut clapboards. Watercolour and gouache. Circa 1944. Exh: Associated American Artists, 711 Fifth Avenue. 19.5x24.5 inches.
COWLES Fleur (1908-2009) Lakeside still-life. Oil on card. Circa 1950. Provenance: Estate of Fleur Cowles. 19x28.75 inches. Framed: 26.25x35.75 inches.
COWLES Fleur (1908-2009)
American Winter. Ink and gouache. Signed ‘Fleur Fenton’ and dated, 1939. 17.25x27.75 inches. Framed: 24x34 inches. £975
COX David O.W.S. (1783-1859) (Circle of) A village Pond. Watercolour. Circa 1810. Exhibited: Albany Gallery (as David Cox). 12.5x21 inches.
COX David O.W.S. (1783-1859) CLICK HERE TO VIEW WORKS
COX David O.W.S. (1783-1859) Circle of
Study of woodland.
Pencil and watercolour. Studies of Landscape verso. Circa 1840.
7x11.75 inches. Framed: 14.75x18.75 inches.
COX David O.W.S. (1782-1842) (Follower of) A haywain. Watercolour. Provenance: An album of watercolours by the same hand and dated, 1865-66, Sotheby’s 31.7.1989. 4.5x5.75 inches.
COX David Jnr (1809-1885) CLICK HERE
CRAIG William Marshall (1765-1814) Wood cutters in winter. Watercolour. Signed and dated 1796. 19x15 inches. Framed: 28x24 inches.
CRAIG Edward Gordon CH (1872-1966)
‘Theatre Design’.
Etching. Trimmed to the plate mark and with tab. Signed.
CRAIG Edward Gordon (1872-1966) Wood-engravings. CLICK HERE TO VIEW
CRAIG William Marshall (c.1765-c.1834) Picturesque landscape. Watercolour. 8.5x6.25 inches. Framed: 16.5x13.5 inches.
CRAIG William Marshall (c.1765-c.1834) ‘The storming of Seringpatam’. Pen, brush and sepia washes. Provenance: Exhibition of work by William Marshall Craig, Abbott and Holder, November 1988. 5.25x5 inches. Framed: 13x11.5 inches.
CRAIG William Marshall (c.1765- 1827) Cassandra and Priam on the walls of Troy. Ink and watercolour on paper watermarked ‘Whatman 1794’. 8.5x10 inches.
CRAIG Edward (‘Edward Carrick’) (1905-1998) ‘Victoria News Theatre’: design for an art deco Cinema interior. Pencil, watercolour and gouache. Circa 1937. Signed and inscribed with address of his Art/Film School. 19x30 inches. £675.
CRAMPTON Ronald (1905-1985) West Norfolk landscape. Watercolour. Circa 1960. Signed. 14x21 inches. Framed: 21.75x28 inches. £225
CRAMPTON Ronald (1905-1985) Meadows at Castle Acre, Norfolk. Watercolour. Signed. 14.5x21 inches. £150
CRAMPTON Ronald (1905-1985) Norfolk landscape. Watercolour. Signed.
CRAMPTON Ronald (1905-1985)
A frozen Broad, Norfolk.
Oil on card. Signed.
7x10 inches.
CRAMPTON Ronald (1905-1985)
‘Stubb Mill near Hickling’, Norfolk.
Oil on card. Signed.
8x10 inches.
CROMPTON Gertrude (1874- 1959) Venice. ‘Ponte di Rialto’ : Snow. Watercolour. Circa 1910. Signed. 10.5x12.5 inches.
CRANE Walter (1845-1915) ‘July’: study for a Calendar. Pencil, ink and gouache. Provenance: Fine Art Society. 7x4.25 inches.
CRANE Walter (1845-1915)
‘My Mother’.
Pen and ink. Signed. Inscribed verso ‘End Paper (recto) / ‘My Mother’. Crane wrote the poem ‘My Mother’ in 1875.
10.5x8.5 inches.
CRANE Walter (1845-1915)
‘My Mother’.
Pen and ink. Signed. Inscribed verso ‘End Paper (verso) / ‘My Mother’. Crane wrote the poem ‘My Mother’ in 1875.
10.5x8.5 inches.
CRAWHALL Joseph (1861-1913) Parrots. Pencil. Signed. Ex. Collections: H.C Green, his Sale Sotheby’s, 10th October 1962; Michael Ingram (1917-2005) and by descent. 10.5x8.25 inches.
CRAWHALL Joseph (1861-1913) Seated figures. Pencil. Ex. Collections: H.C Green, his Sale Sothebys, 10th October 1962; Michael Ingram (1917-2005) and by descent. 13x8 inches.
CRAWHALL Joseph (1861-1913) Seated figures. Pencil. Ex. Collections: H.C Green, his Sale Sothebys, 10th October 1962; Michael Ingram (1917-2005) and by descent. 13x8 inches. £350.
CRAWHALL Joseph (1861-1913) Seated figures. Pencil. Ex. Collections: H.C Green, his Sale Sotheby s 1962; Michael Ingram. 8x13 inches.
CRAWHALL Joseph (1861-1913) Studies of children in Kimonos. Pencil. 9x7 inches.
CREFFIELD Denis L.G. (b.1931) Worcester Cathedral; the Crossing from the North Transept. Charcoal. 34x24 inches. 1988. Exh: Hayward Gallery, ‘English Cathedrals’, (touring) 1988/90, Ex. Cat. 128.
CREFFIELD Denis L.G. (b.1931) 'Canterbury Cathedral'. Charcoal. Signed and dated, 1965. Exhibited: Queen Square Gallery, Leeds. 30.5x22 inches. Framed: 38x29 inches.
CREFFIELD Dennis (b.1931) ‘Landscape, Greenwich’. Charcoal. Signed. 1960. Exhibited: Queen Square Gallery, Leeds, 1967. 22x29 inches. Framed: 29x35.5 inches.
CRESWELL Alexander (b.1957)
Venice: the Rialto Market.
Watercolour. Signed.
14.5x10,5 inches.
£775.
CRESWELL Alexander (b.1957)
Holkham Hall: the Statue Gallery.
Pencil, watercolour and gouache. Signed. Exhibited: Spink, 1994.
15x22 inches. Framed: 26x32.5 inches .
CRESSWELL Alexander (b.1957) ‘Mavisbank House’. Watercolour and collage. Signed. 24x38 inches. Framed: 48x35 inches.
CRICHTON STUART Lady Patrick (nee Hannah Tighe) (d.1872) Views in Spain. CLICK HERE TO VIEW
CRICHTON-STUART Lady James (Hannah Tighe 1800-1872) 'Villa Doria Garden, Genoa'. Watercolour. Inscribed beneath the mount. 9x15 inches. Framed: 17x23 inches. £1,500
CRICHTON-STUART Lady James (Hannah Tighe 1800-1872) Views in Ireland and England. CLICK HERE TO VIEW
CRICHTON-STUART Lady James (Hannah Tighe 1800-1872) Views in Italy. CLICK HERE TO VIEW
CRICHTON-STUART Lady James (Nee Hannah Tighe) (1800-1872) Views in Normandy. CLICK HERE TO VIEW
CRIMEAN WAR (Subject) Lieutenant Alexander William Adair. A sketchbook. CLICK HERE
CRISTALL Joshua P.O.W.S. (1767-1847) Watercolours and drawings. CLICK TO VIEW
CRISTALL Walter (Exhibited 1925-1940)
Cornish landscape. Oil on canvas. Signed and dated, 1922. 13x17 inches. Framed: 18.5x22.5 inches.
CROCKETT John (1918-1986) Figure composition. Oil on canvas. Signed verso. 15.5x11.5 inches. Framed: 23.75x19.25 inches.
CROME John (1768-1821) (Circle of) A farmyard study. Pencil. 4.75x7.5 inches.
CROMEK Thomas Hartley (1809-1873) CLICK HERE TO VIEW WORKS
CRONEY John Edward (1921- 2011) The High Hat. Oil on paper. Circa 1939. Prov: Artist’s studio sale. 13x11 inches.
CROSBIE William R.S.A. (1915-1999) ‘Service Reminiscence’. Ink and watercolour. Circa 1947. Signed. Exhibited: Aitken Dott Gallery. 12.5x16 inches. Framed: 23x28 inches.
CROSS Peter (b.1951) ‘Chateau de la Roguergue’. Ink and watercolour. Signed and dated, 1991. Ill: ‘Wine Rack, wine guide’, Winter 1991. Exhibited: Beetles Gallery, ‘Peter Cross’, 1992. 4.25x3 inches. Framed: 13x10.5 inches. £400.
CROTCH Dr William (1775-1847) CLICK HERE
CROUCH William (1800-1850) Capriccio townscape. Watercolour. Inscribed verso ‘Strasburg’(sic) 4x5.5 inches.
CROUCH William (1800-1850) Capriccio landscape. Watercolour. Inscribed verso ‘Allington Castle, Kent’. 3.5x5 inches.
CROUCH William (fl.1817-1850) ‘In the Roman States’: capriccio. Watercolour. Inscribed verso. 6x5 inches.
CROWE Eyre (1824-1910) Paris. Exposition Internationale 1855. ‘Entrance for Pictures / Sculpture Gallery door-way (back view)’. Pen, brush and ink. Signed, inscribed and dated 1855. 7.5x10 inches.
‘CROWQUILL Alfred’ (Alfred Henry Forrester 1804-1872) ‘What, not one kiss! Why, we both belong to the sea’. Watercolour study for the lithograph ‘Why we both belong to the sea’ for ‘Alfred Crowquill’s Sketches from Jullien’s Bal Masque’ at Covent Garden from 1844. Ex. Collection Ronald Searle. 9x7.25 inches. £675.
CROWTHER T. S . C. (fl.1891-1902) Italy. ‘The Queens Villa’. Pen and ink for The Graphic c.1895. 11x13 inches.
CRUIKSHANK (Isaac) Robert (1789-1856) A page of six charming vignettes. Ink and watercolour. Each inscribed, some indistinctly. Two signed. Ex Collection Ronald Searle (as ‘design for a Fairbairn print’). 7.5x9.5 inches.
CRUIKSHANK George (1792-1878) Courtship. Pen, brush, ink and watercolour. Circa 1835. Signed. Ex. Collection: Ronald Searle. 11.5x9 inches.
CRUIKSHANK George Jnr (1842-1894) Temptation. Pen and ink. Signed. Exhibited: Chris Beetles, No.23. ‘The British Art of Illustration 1800-1897’. 4x11.25 inches. Framed: 17.25x23.25 inches.
CRUIKSHANK Frederick (1800-1868) Charles Campbell Prinsep (1825-1887) 2nd son of William Prinsep (1794-1874) and author of ‘Record of the Hon. East India Company’s Civil Servants in the Madras Presidency, 1741-1858…’, publ.1885. Watercolour and gouache. Signed and dated, 1844. Original label verso. 17.5x12.5 inches.
CRUIKSHANK George (1792-1878) Recto and verso: character studies. Pencil, pen and ink. Signed and inscribed both sides. Ex. Coll: Ronald Searle. 8x9.5 inches irregular.
CRUIKSHANK William (fl.1866-1890) Apple Blossom and Eggs. Watercolour. Signed. 6x10 inches. Framed: 15x17 inches. £475
CULLEN Patrick P.S. N.E.A.C. (b.1949) ‘Valensole’, Alpes-de-Haute-Provence. Pastels. Signed. Exhibited: Thackeray Gallery, 1994. 32x38.5 inches. Framed: 39x45 inches.
CUMBERLAND George (1754-1848) An eagle. Watercolour. Provenance: the Collection of Cumberlands featured on our June 2019 List. 4x5.5 inches.
CUMBERLAND George (1754-1848) ‘Copy from Mr Townley’s Poussin’. Watercolour. Inscribed and signed verso. 6x8.5 inches.
CUMBERLAND George (1754-1848)
‘Flower Garden Autumn Afternoon / at Lawrence Weston near Bristol / … little Garden of Old Jenkins Cottage …’.
Watercolour. Extensively inscribed verso with details of Jenkin’s idyllic life and the ‘spontaneous amputation’ above his ankle.
5.75x8.5 inches.
CUMBERLAND George (1754-1848)
Culver Street, Bristol: the house and garden of George Cumberland.
Ink and watercolour. Cumberland moved to this house in 1897.
6x6.5 inches.
CUMBERLAND George (1754-1848)
‘Windmill Hill and Prince’s Buildings – from Avon bank (Ashton?) side / afternoon’.
Ink and watercolour. Inscribed by the artist verso.
6x9 inches.
CUMBERLAND George (1754-1848)
‘Cottage Tea House – Mrs Hale / Leigh Wood Gate’.
Ink and watercolour. Inscribed by the artist verso.
6x10 inches.
CUMBERLAND George (1754-1848)
‘Tea House / Leigh Wood Gate’.
Ink and watercolour. Inscribed by the artist verso.
5.5x8.75 inches.
CUMBERLAND George (1754-1848)
‘Near Mr Gutch’s Villa / With a view of St George’s Church near Bristol’.
Watercolour. Inscribed verso by the artist.
6x9.25 inches.
CUMBERLAND George (1754-1848)
‘Boat Builder’s sheds, Bristol’.
Ink and watercolour. Inscribed verso by the artist.
5.5x8.75 inches.
CUMBERLAND George (1754-1848)
‘Boat Builders Sheds from Quay’, Bristol.
Ink and watercolour. Inscribed verso by the artist.
5.5x8.5 inches.
CUMBERLAND George (1754-1848)
‘Old Piggott’s way from the Barn at Weston / with the old fashioned garden which you will remember’. Ink and watercolour. Inscribed by the artist.
8x7 inches.
CUMBERLAND George (1754-1848) A pair of lurchers. Ink and watercolour. Provenance: the Collection of Cumberlands featured on List 494. 5.25x6.75 inches.
CUMBERLAND George (1754-1848) Peak Cavern, Rope Walk. Watercolour. Exh: Covent Garden Gallery. 6x8.5 inches. Framed: 14x17 inches.
CUMBERLAND George (1754-1848) Oxford; The Botanic Gardens. Watercolour. Exh: Covent Garden Gallery. 6x8.5 inches. Framed: 14x17 inches.
CUMBRIA subject. Anon. 1875. Grange over Sands: ‘Wilson’s’ Farm, Lindale. Gouache. Inscribed and dated, 1875. 5.5x9.25 inches.
CUNDALL Charles R.A. R.W.S. (1890-1971) The artist’s woodland garden at Barnyard Cottage, Houghton. Oil on canvas. Signed. Circa 1960. 20x30 inches. Framed: 28x38 inches. £5500. Framed photo available.
CUNDALL Charles R.A. R.W.S. (1890-1971) ‘Kavouri, near Athens’. Oil on canvas. Signed and dated, 1955. 12.5x22 inches.
CUNDALL Charles R.A. R.W.S. (1890-1971) The roofs of Assisi. Oil on canvas. Signed. Exhibited: Phoenix Gallery, Lavenham. 16x24 inches. Framed: 21x28.5 inches.
CUNEO Terence (1907-1996) The printing works of the Odham Press (closed 1969). Pencil. Signed and inscribed. 15.5x12.5 inches.
CUNEO Nell Tenison (1867-1953) ‘Blewberry Village’, Oxfordshire. Oil/panel. Circa 1930. Signed. 12x16 inches. Framed: 15.75x19.5 inches.
CUSTANCE F.A. (after William Dent fl.1783-1793) ‘French Ambassador’. Ink and watercolour. Signed, inscribed and dated, April 9th 1801. ‘French Ambassador executed as a citizen’ (Fox as partisan of the French Republic) was drawn and published by William Dent in December 1792. 11x7.5 inches.
