PART I
(Issued Wednesday 7th October)
Part II will be issued on Wednesday 21st October
GILLRAY JAMES (1756-1815) Study of a sailor boy. Ink and watercolour. Circa 1810. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. Inscribed in the album ‘From Miss Alleyne’s Collection 1945’ 4.5x3 inches. £225.●
GILLRAY JAMES (1756-1815) Studies of fishermen and fishing boats. Ink and watercolour. Circa 1810. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 5.25x8 inches. £325.●
GILLRAY JAMES (1756-1815) Study of a sailor. Ink and watercolour. Circa 1810. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. Inscribed in the album ‘From Miss Alleyne’s Collection 1945’. 4.75x3.25 inches. £225.●
4. ANON. Circa 1900. The Sisters. Pastel on grey paper stretched on canvas. 36x28 inches. Framed: 43.25x36.5 inches. £475.VIEW FRAMED●
5. ANON. European. Circa 1860. Smoking in bed. Oil on tin. 6.5x8 inches. Framed: 11x13 inches. £1500.VIEW FRAMED●
6. ANON. Possibly Austrian. A sporting Gentleman Artist. Watercolour and gouache. Circa 1840. 6x4.75 inches. Framed: 8.5x7.25 inches. £1250.●
7. BATEMAN Henry Mayo (1887-1970) A Maltese street Oil on canvas. Circa 1965. Signed 18x14 inches. Framed: 23x19 inches. £1750.VIEW FRAMED
8. DOVER (Subject) Unknown Hand. Circa 1865. A bird’s eye view from Western Heights of Dover Harbour Station as designed by William Cubitt for the London, Chatham & Dover Railway, showing layout of the Port with Prince of Wales and Admiralty Piers. The Railway opened in 1861 however these buildings were not finished until 1865. Pencil and watercolour. 26.5x38 inches. Framed: 32.5x44.5 inches. £475.●
9. STAFFA Isle of (subject) ‘Fingal’s Cave, Staffa’. Ink wash and gouache on grey paper. Inscribed and signed or inscribed ‘Rev. W Twopenny’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 5x3.5 inches. £225.●
10. BIRCH Samuel John ‘Lamorna’ R.A. R.W.S. (1869-1955) ‘On the Don’. Oil on cigar box board. Signed. Inscribed, signed and dated, June 1924, on backing. 5.5x8 inches. Framed: 6.25x8.75 inches. £875.VIEW FRAMED●
11. BEHRENS Tim (1937-2017) Triptych: Bathing Figures: ‘Preliminary design for a painting’. Gouache and watercolour on three sheets of card, framed together. Signed and inscribed. Each card: 17x12 inches. Framed: 23x42.5 inches. £875.VIEW FRAMED●
12. BRIGHT Henry (1810-1973) ‘Surrey: near Nutfield’. Pencil and fixative. Signed and inscribed. 9x13.5 inches. £675.
13. CLOUTING Josephine (b.1879) ‘Design for Work Bag / Embroidered on Linen’ Watercolour. Circa 1900 whilst a student at the South Kensington Schools of Design. 15.25x10 inches. £225.
14. BROOKES Peter (b.1943) ‘Women at Arms’. Pen and ink. Signed. Inscribed ‘Women at Arms, Friday 9.25.BBC2 (View 31.3.79)’. Exhibited: Chris Beetles Gallery. 8x8 inches. Framed: 17x17 inches. £775.●
15. BUCK Adam (1759-1833) Girl on a terrace. Ink, watercolour and gouache. Signed and dated, 1807. Exhibited: Colnaghi as ‘A Girl smelling Geraniums’. 8.75x6 inches. Framed: 16x13 inches. £2500.
16. GAUDIER-BRZESKA Henri (1891-1915) ‘Standing Male Nude (Horace Brodzky)’. Pen and ink. Circa 1913. Exhibited: No.40 ‘The London group, (1913-1939)’, Millfield School, 1995, lent by Andrew Dunn. Gillian Jason Gallery. 15x9 inches. Framed:19.5x14.25 inches. £2750.
17. GRAY Vivian Seaton (1892-1949) ‘Runswick Bay’, Whitby. Oil on board. 10x14 inches. Original frame (distressed): 13.5x17.5 inches. £325.VIEW FRAMED●
18. DIGHTON Robert (c.1752-1814) ‘A Master Parson with a Good Living’. Pen, brush and ink, with corrections. Circa 1790. Inscribed on the original backing (still attached) 13x10 inches. £2000.VIEW FRAMED
19. FINCH Heneage, 4th Earl of Aylesford (1751-1818) ‘at Tenby’, Pembrokeshire. Pen, brush and ink. Inscribed by the artist. For another view see Yale Centre for British Art. 8x10.5 inches. Framed: 15x16.5 inches. £2250.●
20. FORAIN Jean-Louis (1852-1931) In Court. Oil on canvas. Circa 1905. Signed. 24x29 inches. Framed: 31x36 inches. £6750.VIEW FRAMED
21. GLASS Margaret (b.1950) ‘Sunrise: Pin Mill Hard’, and the River Orwell. Pastels. Signed and dated, 1987. 15x22 inches. Framed: 25x31.5 inches. £575.●
22. GRANT Duncan L.G. (1885-1978) ‘Asolo’. Oil on board. Circa 1955. Signed. Exhibited: No.75, ‘Duncan Grant and his World’, Wildenstein & Co.1964. In the Spring of 1955 Grant and Vanessa Bell rented a house on the walls of Asolo. 35x19.5 inches. Framed: 45x26 inches. ●
23. CORE Philip (1951-1989) ‘Berlin Classical’. Ink/dyes on fabric laid on board. Signed, inscribed and dated, 1981, verso. 60x25 inches. Framed: 72x29.75 inches. £875.VIEW FRAMED
24. GASKIN Arthur Joseph (1862-1928) John Drinkwater (1852-1923); Playwrite. Pencil on textured paper. Signed, inscribed and dated, 1916. 11.25x8 inches. £475.●
Charles CONDER (1868-1909)
‘The Carnival Set’. The complete Set of eight Brush lithographs. 1904.
Printed in sepia. All signed, editioned ‘5’ (of 50). Ex. Coll: Albert Rutherston.
25. CONDER Charles (1868-1909) ‘Shaunard – La Vie de Boheme’: from ‘The Carnival Set’ (CD.14). Crayon lithograph printed in sepia. 1904. Signed and editioned ‘5’ (of 50). Ex. Collection Albert Rutherston. 8.75x11.75 inches £375.●
26. CONDER Charles (1868-1909) ‘La mi-careme’: for ‘The Carnival Set’ (CD.15). Crayon lithograph printed in sepia. 1904. Signed and editioned ‘5’ (of 50). Ex. Collection Albert Rutherston 8.75x12 inches. £375.●
27. CONDER Charles (1868-1909) ‘The Green-Room’: for ‘The Carnival Set’ (CD.16). Crayon lithograph printed in sepia. 1904. Signed and editioned ‘5’ (of 50) Ex. Collection Albert Rutherston 8.75x11.75 inches. £375.●
28. CONDER Charles (1868-1909) ‘L’entrée en Scene’: for ‘The Carnival Set’ (CD.17). Crayon lithograph. 1904. Signed, editioned ‘5’ (of 50). Ex. Collection: Albert Rutherston. 8.5x12 inches. £375.●
29. CONDER Charles (1868-1909) ‘A Spanish Courtyard’: for The Carnival Set’ (CD.18). Crayon lithograph printed in sepia. 1904. Signed, editioned ‘5’(of 50) and with Albert Rutherston’s Collector’s Stamp in pink. 8.5x11.75 inches. £375.●
30. CONDER Charles (1868-1909) ‘A Dream of Araby’: for ‘The Carnival Set’ (CD.19). Crayon lithograph printed in sepia. 1904. Signed, editioned ‘5’ (of 50) and with Albert Rutherston’s Collector’s Stamp in pink. 8.75x12 inches. £375.●
31. CONDER Charles (1868-1909) ‘The Sea Wall’: for ‘The Carnival Set’ (CD.20). Crayon lithograph printed in sepia. 1904. Signed, editioned ‘5’ (of 50) and with Albert Rutherston’s Collector’s Stamp in pink. 9x12 inches. £375.●
32. CONDER Charles (1868-1909) ‘A Pastoral Fantasy’: for ‘The Carnival Set’ (CD.21). Brush lithograph printed in sepia. 1904. Signed, editioned ‘5’ (of 50) and with Albert Rutherston’s Collector’s Stamp in pink. 8.5x12 inches. £375.●
33. MACKINNON Sine (1901-1996) Landscape: Southern France. Oil on card. Circa 1950. Signed. 12x14.5 inches. Framed: 15.5x17.75 inches. £1250.VIEW FRAMED
34. LUNDGREN Egron (1815-1875) ‘At the Opera’. Pencil and watercolour heightened with white. Circa 1853. Although Lundgren moved to London in 1853 this may be the Stockholm Opera House. Exhibited Maas Gallery 6.75x10 inches shaped. Framed: 13x15.25 inches. £425.VIEW FRAMED
35. GUTHRIE Kathleen (1905-1981) ‘The Woman in Black’, Hampstead No.2 Pond and the backs of Southill Park Gardens. Gouache. Circa 1935. Signed. Inscribed on the artist’s label verso. Inscribed and dated ‘Kathleen Guthrie / 6 Mall Studios, Parkhill Road, NWS’. 9.5x12.25 inches. Framed: 16x18.5 inches. £3500.
36. GARRIDO Leandro Ramon (1868-1909) Seated Girl.
Oil on canvas. Signed and dated, 1902.
22x13 inches. Framed: 31.5x22.5 inches.
£5500VIEW FRAMED.●
37. MORLAND LEWIS Edward (1903-1943) Winter trees and Gateway. Oil on canvas. Circa 1935. Inscribed (?signed) on exhibition submission label verso. 16x10.5 inches. Framed: 19.25x13.75 inches. £2250.VIEW FRAMED
38. MUNN Paul Sandby (1773-1845) A Stand of trees. Brush and grey washes. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 9x7 inches. £325.
39. PATON Waller Hugh R.S.A. R.S.W. (1828-1895) ‘Glenshee’, Perthshire. Ink, watercolour and gouache. Signed, inscribed and dated, 1861’. Arched: 9.5x14 inches. Original frame: 18x22.5 inches. £775.VIEW FRAMED
40. MAITLAND Paul (1863-1909) ‘Kensington Gardens, Cloudy Day’. Oil on panel. Signed. Exhibited: No.37, ‘Exhibition of Works by Paul Maitland’, Leicester Galleries, November, 1962, bought by ‘Mrs R.Pinto’. 4.25x7.75 inches. £5500.VIEW FRAMEDVIEW VERSO
41. PAULUCCI Enrico (1901-1999) Piedmontese landscape. Gouache. Circa 1930. Signed. 18x24 inches. £775.VIEW FRAMED
42. SAPIEHA Christine (Mid 20th Century) ‘Donkeys: Bramble and Thistle’. Pastels. Signed. Ex. Collection: Peter Ward Jackson (1916-2015). 7.25x10.25 inches. Framed: 14.25x17.25 inches. £325.●
43. PEYTON-JONES Dame Julia (b.1952) Composition. Mixed media. Signed and dated, 1978, on verso of frame. Bought from her RCA Finals Show. 17.5x12.5 inches. Framed: 31x21 inches. £575.VIEW FRAMED●
44. RAMSAY Dennis (1925-2009) ‘Still-life with wine cask’. Oil tempera on paper paid on board. Signed and dated, 1960. Artist’s label verso. 22.25x27.25 inches. £2000.
45. SANDBY Paul R.A. (1731-1809) ‘Erwarton Church, Suffolk’. Watercolour over etched outline. Signed and inscribed on the original washline border. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 2.5x3.75 inches. Original washline border: 3.75x5 inches. £675.
46. SANDBY Paul R.A. (1731-1809) Two lounging boys. Pencil. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 3.25x5.5 inches. £675.●
47. SANDBY Paul R.A. (1731-1809) ‘Shotsham (sic Shottisham) Church, Suffolk’. Watercolour over etched outline. Signed and inscribed on the original washline border. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 2.5x3.5 inches. Washline border: 3.75x5 inches. £675.●
48. TANNER Robin (1904-1988) Studies of Honeysuckle. Pencil. Extensively inscribed by the artist and dated, 1970 and 1971. Provenance: Robin Garton. 25.5x10.25 inches. £600.VIEW FRAMED
49. SMITH John ‘Raphael’ (1752-1812) ‘Miss Harvey’. Pastel. 10x8 inches. Framed: 14x12 inches. £1400.VIEW FRAMED●
50. SILK Henry (1883-1948) Over mantel Mirror Self-portrait, Rounton Road, Bow. Watercolour. Signed. Provenance: Artist’s family by descent. Exhibited: No.14,’Henry Silk: East London Still Lives’, Abbott and Holder, November 2016. 4.4x10 inches. Framed: 13.25x18.25 inches. £1750.VIEW FRAMED
51. STRANG William R.A. I.S. (1859-1921) ‘The Temptation of St Anthony’. (WS.22) Etching. 1883. Impression later printed by David Strang (1887-1967). 8.5x6.75 inches. £225.
52. WARD John ex. R.A. (1917-2007) The Laudian Porch, St Mary the Virgin, Oxford. Ink and watercolour. Signed and dated (20)01. 10x8.25 inches. Framed: 15x13 inches. £275.VIEW FRAMED●
53. WEBB Clifford R.B.A. R.E. (1894-1972) ‘Eardisland’, Herefordshire Wood engraving. Signed and inscribed. 9.75x7.75 inches. £475.●
54. WHISHAW Anthony R.A. (b.1930) ‘Three Standing Figures. Oil on board. 1959. Exhibited: Molton Gallery. 48x41 inches. Framed: 49x42 inches. £1250.VIEW FRAMED●
55. WEST Raphael Lamar (1766-1850) Mountain Scenery. Sepia ink and gouache. Provenance: Christopher Powney. 7.5x10 inches. £1250.
56. WHEATLEY Jenny N.E.A.C. R.W.S. (b.1959) ‘La Noria’. Spain. Watercolour. Signed. Exhibited: The Bourne Gallery. 9.75x10 inches. Framed: 16.5x16.75 inches. £325.VIEW FRAMED
Eric RAVILIOUS (1903-1942)
Twelve coloured lithographs from the first, 1938 edition of
High Street, written by J.M. Richards and illustrated by Eric Ravilious,
printed by the Curwen Press, published by Country Life.
57. RAVILIOUS Eric (1903-1942) ‘Family Butcher’: Frontispiece / p.10. Coloured lithograph from an original 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
58. RAVILIOUS Eric (1903-1942) ‘Restaurant and Grill Room’: p.40. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
59. RAVILIOUS Eric (1903-1942) ‘Hams’: p.44. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
60. RAVILIOUS Eric (1903-1942) ‘Saddler and Harness Maker’; p.48. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
61. RAVILIOUS Eric (1903-1942) ‘Baker and Confectioner’: p.56. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
62. RAVILIOUS Eric (1903-1942) ‘Clerical Outfitter’: p.60. Coloured lithograph from the first, l 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
63. RAVILIOUS Eric (1903-1942) ‘Undertaker’: p.68. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
64. RAVILIOUS Eric (1903-1942) ‘Submarine Engineer’: p.72. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
65. RAVILIOUS Eric (1903-1942) ‘Oyster Bar’: p.84. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
66. RAVILIOUS Eric (1903-1942) ‘Pharmaceutical Chemist’:p.88. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
67. RAVILIOUS Eric (1903-1942) ‘Cheesemonger’; p.92. Coloured lithograph from the first,1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
68. RAVILIOUS Eric (1903-1942) ‘Knife Grinder’: p.100. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.●
.
LIST 508 – OCTOBER 2020
PART II
(Issued Wednesday 21st October)
69. ANON. Circa 1815. Far from home, alas. Oil on copper. 5x4 inches. Framed: 7.5x6.5 inches. £675.VIEW FRAMED
70. LONDON (subject) Anon ‘Skeleton of Commerce’: the Aldwych under construction (1902-1904). Etching. Circa 1903.Possibly by Francis Dodd R.A. (1874-1949) 10.75x6.5 inches. £275.
71. ANON. Possibly Austrian. A sinister, literary Gentleman. Watercolour and gouache. Circa 1840. 5.5x4.25 inches. Framed: 9.25x8 inches. £875.VIEW FRAMED
72. BISSILL George (1896-1973) ’Winter on the Wiltshire Downs’. Oil on panel. 1960. Signed. 14.25x18 inches. £975.
73. ANON. Circa 1820. A stretch of the Upper Thames. Pen, brush and sepia ink. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 4.5x7 inches. £225.
74. AURIOL George (1863-1938) ‘Asnelles’, Normandy. Ink and watercolour on two joined sketchbook pages. 5.5x7 inches. £225.
75. BIANCHINI FERIER Lyon’s silk weavers fl.1888 -c.1995. Design for a scarf: Net, feathers and shells. Ink, chalk and watercolour on grey green paper. Prov: Bianchini Ferier Archive Sale, Christies S.K. 25/27 July 2001. 33x34 inches. £475.
76. BIANCHINI FERIER Lyon’s silk weavers fl.1888 -c.1995. Anon. Design for a scarf for the International Sporting Club de Cannes. Ink and gouache. Signed and inscribed ‘Andre Ghekiere, Cannes’ Gouache. Attached label ‘Bianchini Ferier, 4 rue Vaucanson, Lyon Prov: Bianchini Ferrier Archive Sale, Christies S.K. 25/27 July 2001 31.5x31.5 inches. £675.
77. BIANCHINI FERIER Lyon’s silk weavers fl.1888 -c.1995. Design for a scarf: Shrine and Figures. Gouache. Stamped ‘Madeleine Lagrange / 128 Boulevard Haussmann / Paris 8e’. Prov: Bianchini Ferrier Archive Sale, Christies S.K. 25/27 July 2001. 31x31 inches £575.
78. BIRKET FOSTER Myles R.W.S. (1825-1899) ‘Rothesay Bay’ Watercolour, Signed and inscribed 4x14.25 inches. £775.
79. CROMEK Thomas Hartley (1809-1873) ‘Sorrento’. Watercolour and gouache. Signed and inscribed verso. Pl.11 p.27 and p.36 ‘’Thomas Hartley Cromek: A Classical Vision’, 1999. Ex. Coll: Earl and Countess of Harewood. Exhibited: Cromek is known to have visited Sorrento twice; in the Augusts of 1831 and 1841. 12x17.5 inches. Framed: 21.5x27 inches. £4750.VIEW FRAMED
80. BRIGHT Henry (1810-1873) ‘Blakeney, Norfolk’, view out to Sea from the Downs. Pencil. Circa 1850. Inscribed and signed verso. 4.75x13.5 inches. £225.
81. BURRA Edward (1905-1976) ‘Two in a Bar’. Woodcut.1929. Restrike printed by Alexander Postan from the original block and sold by Observer Art in an edition of 45 in 1971. Blocks given to the Tate. Signed and editioned 39/45. 6x4 inches. £600.
82. DOBREE Valentine (1894-1974) A surreal mythology. Oil on board. Circa 1936. Verso: Still Life. 24x20 inches. £7750.VIEW VERSO
83. CHERET (Gustave) Joseph (1838-1894) Bacchanalian design for a vase. Pen, brush and ink. Signed. Ex Collection: Professor Eric Carlson. (1940-2016) 8x5 inches. £375.
84. COX David O.W.S. (1783-1859) (Circle of) Paling gate. Pen, brush and sepia washes. Inscribed in the album ‘Cox’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 5x7.25 inches. £475.
85. DODD Francis R.A. (1874-1949) ‘Quayside’. Etching. State V. Impression 3. Signed and inscribed. 7.75x12.25 inches. £275.
86. DUNCAN Edward R.W.S. (1803-1882) View over a river valley. Pencil and watercolour. Studio stamp. 7x9.75 inches . Framed: 14.75x16.75 inches. £225.
87. GIBBS Timothy (1923-2012) ‘Patterned landscape’. Watercolour and resist. Signed and dated, 1962. Artist’s label verso frame. Ex. Collection: Katherine ‘Kitty’ Church. 7.5x13 inches. Framed: 15x20 inches. £875.
88. FANTIN-LATOUR Henri (1836-1904) ‘Study for the portrait of Mlle Dubourg’. Pencil on blue/grey paper. Dated ‘28 Mai -82’. Artist’s stamp. Exhibited: No.12 ‘Exhibition of works by H. Fantin-Latour’, Leicester Galleries, October, 1927, where bought by ‘Dr Tait’. The Exhibition was of drawings from the Estate of the artist’s widow (d.1926). A study related to the artist’s portrait of his sister-in-law Charlotte Dubourg (1850-1921), 1882, oil on canvas, Musee d’Orsay. Paper: 224x145 mm. Mount window: 218x137 mm. Framed: 475x380 mm £6750.CLICK HERE to view the Musee d'Orsay Painting
89. GROSS Anthony R.A. R.E. (1905-1984) ‘M. Bernede’s Vineyard No.2’ (RH.7802). Etching. 1978. Signed, inscribed and editioned 37/75. 10x12.75 inches. Framed: 20x24.75 inches. £575.VIEW FRAMED
90. HALL Oliver R.A. R.W.S. (1869-1957) ‘Inverlochy Moor’. Oil on canvas. Signed. Inscribed verso. 14x20 inches. Framed: 19x26 inches. £375.VIEW FRAMED
91. HARCOURT Anne (1917-1985) ‘Montreal’. Oil on canvas. Circa 1970. Signed. 25x38 inches. £675.
92. HEARNE Thomas (1744-1817) (Circle of) River running through a city. Pencil and wash. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 7.5x10 inches. £475.
93. HOLLAND Dudley (1915-1956) ‘Pollard Oak’. Linocut printed in colours. Proof outside the (intended) edition of 50. Colour notes beneath mount. 1946. Provenance: Ms Brackenbury, 2002. 11.25x6.75 inches. £275.
94. HOLLAND Harry (b.1941) ‘Homage to Electricity’. Lithograph printed by Nick Hunter and published by Garton & Cooke.1983. Signed and editioned 16/30. 10x10.75 inches. Framed: 20x19.5 inches. £375.VIEW FRAMED
95. HOLLOWAY Edgar (1914-2008) ‘St Augustine and St Paul’s’, blitz’d London. Pencil and watercolour. 1943. Signed. 14.5x10.5 inches. Framed: 20.75x16.5 inches. £2000.VIEW FRAMED
96. HILLS Robert P.O.W.S. (1769-1844) Tending Donkeys. Pencil and grey wash. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 6.75x10 inches £375.
97. JUTSUM Henry (1816-1889) Fording a stream. Watercolour. Signed and indistinctly dated (18?53). Arched: 15.75x23.25. Framed: 25.25x32.5 inches. £475.
98. IBBETSON Julius Caesar (1759-1817) (Circle of) Figures in a landscape. 7.25x9.5 inches. Ink and watercolour. Exhibited: Colnaghi. £875.
99. MARX Enid (1902-1998) Button-hole. Wood engraving. Signed and editioned, 17/20. 4x2 inches. £75.
100. KNIGHT Dame Laura R.A. R.W.S. (1877-1970) Clowns and Trapeze. Pen and ink collage on reverse of Garrick Club Menu (hand written) for lunch for the playwrite John Drinkwater, 17th January 1933. Dedicated to Penelope Ann Drinkwater and signed by the artist. Provenance: Penelope Ann Drinkwater Self (1929-2005) and by descent. 10x4 irregular. £875.VIEW VERSO
101. MARSHALL Herbert Menzies V.P.R.W.S. R.E. (1841-1913) London: Ludgate Hill with St Martin’s on the left and St Paul’s in the distance. Watercolour and gouache. Circa 1900. Signed. 9.25x5.25 inches. £875.
102. MILLAIS Sir John Everett P.R.A. (1829-1896) ‘The Baby House’. Etching. 1872. Published as pl9 in ‘Etchings for the Art Union of London by the Etching Club’. Exhibited: Christopher Wood Gallery. 5.75x7.25 inches. Framed: 12.75x13.75 inches. £475.VIEW FRAMED
103. LANDSEER Sir Edwin R.A. (1802-1873) Studies of Cranes. Pencil and black chalk. Signed(?) or inscribed on backing. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 4x3.5 inches. Backing: 4.75x4.25 inches. £750.
104. KING Captain J D 7th Royal Fusiliers (Early C19th) ‘Boulogne sur Mer’. Pen, brush and ink. Inscribed ‘By my Father J.D. King, probably about 1820 (signed) H.B.K.’. A label written by his grandchild notes that King took his family to Boulogne 1819-1825 when retired on half-pay ‘after Service in the Peninsula and in France’. 9x14.75 inches. £250.
105. LEIGHTON Clare (1898-1989) ‘The Return of the Native – Clym cutting furze’ (MH.64). Wood engraving. 1928. Signed, inscribed and editioned ‘27/30’. Ill: ‘The Return of the Native’, Thomas Hardy, 1929. 5x3.75 inches. £675.VIEW FRAMED
106. MALET Guy Seymour Warre (1900-1973) Sleeping Boy. Pencil study. Studio Stamp. Provenance: Malet Studio Sale, Christies, c.1980 6x7 inches. £85.
107. MCBEAN Angus (1904-1990) John Gielgud. Black and white photographic print. Provenance: McBean Estate/David Ball Sale, Lacy, Scott and Knight, 12.4.13. 10x8 inches. £125.
108. MONRO Alexander (1802-1844) ‘The Bridge and Mr and Mrs Miles’ farmyard at Albury’. Watercolour. Inscribed verso by the artist and dated, August, 1833 verso. Provenance: Phillips, 30.1.1998, 6.5x9 inches. Framed: 14.5x16.25 inches. £275.
109. PIRANESI Giovanni (1720-1778) ‘Veduta dell’Arco di Settimio Severo’ Etching from ‘Vedute di Roma’,1772. Later impression. 455x687 mm. £275.
110. POWELL Joseph P.N.W.S. (1780-1834) Orleans House, Richmond, from the river. Ink, watercolour and gouache. Circa 1830 Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 3.75x6.25 inches. £375.
111. SHERLOCK Marjorie (1897-1973) On the Ganges. Pencil. Signed and dated, 1931. 15x10 inches. £575.VIEW FRAMED
112. SCOTT Gordon (1914-1916). Red tie. Oil on canvas. Circa 1935. Provenance: Artist’s Estate. 22x18 inches. £1250.VIEW FRAMED
113. POYNTER Ambrose (1796-1886) ‘Paris’: waiting at a fountain. Pencil and watercolour. Poynter lived in Paris 1830-32. Exhibited: Spink (K3/5200). 4.5x3.25 inches. £225.
114. SMART Rowley (1887-1934) Paris. Red chalk on sketchbook page. Signed and dated, 1929. 17.75x13 inches. £475.
115. WARD John (R.A.) (1917-2007) ‘Paris’; a street market. Ink and watercolour. Signed, inscribed and dated, 1978. 9x12.5 inches. Framed: 17x19.5 inches. £875.
116. RENTON John (1770-1841) ‘Taplow’, Buckinghamshire. Pencil and watercolour sketch on blue paper. Inscribed. Exhibited Bernard Squire Gallery. A similar sketch in the British Museum (Ex.Coll: Iolo Williams) is dated 1806. 10.5x8.25 inches. £375.
HOW ‘THE LIST’ WORKS
Our Lists introduce at least 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
We are temporarily publishing them in TWO HALVES, on the first and third Wednesdays of the month. Usually, those of you who are on the doorstep would get first go at the new stock, but given restrictions to travel, we are treating email enquiries (gallery@abbottandholder.co.uk) in strict order of receipt. Please do call if you would prefer to talk to us about anything you see on the website, but we advise sending an email first if you would like it reserved.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask. We reserve pictures for 48 hours while they are being considered.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
JOIN THE MAILING LIST
If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. We NEVER share you information – see our Personal Data Policy.
