LIST 518

SEPTEMBER 2021

– Our Lists introduce 100 new works to stock every month –

PART I

Nos. 1-50, issued 5pm Tuesday 7th September

SCROLL DOWN FOR PART II
Nos. 51-100, issued 5pm 21st September

1. Alexander, Jean (1911 – 1994) Sky Study. Watercolour and gouache. Provenance: Artist’s Estate. 7×10.5 inches.
£60
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2. ANON (Nineteenth-Century) Botanical studies. Watercolour. c.1800. 10.75×9 inches. Framed: 18×10 inches.
£275
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3. ANON (Nineteenth-Century) An artist at her easel. Oil on canvas stamped ‘P Gay, Paris’ (relined). c.1900. 29×20 inches.
£4,250
4. ANON (Nineteenth-Century) Italy; Rome, The ‘Basilica of Constantine’ and the Colosseum. Watercolour. Inscribed and dated, ‘May 1850’. 9.5×13.5 inches.
£575
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5. ANON (Nineteenth-Century) London; Covent Garden, the Piazza. The view east to St Paul's, pre 1830. Together with a drawing of the west elevation of Charles Fowler's 1828 market design. The second sheet cut out, perhaps so it could be laid over the first. A set design? Both sheets sold mounted separately. Pen, ink and wash. c.1830. 5"x11.5" inches.
£1,500
6. ANON (Twentieth-Century) Malta; an inland view. Pencil, watercolour and gouache. 6×9.25 inches.
£375
7. Bates (Exh.1926-1939), Henry Manchester; ‘Stockport’. Wood-engraving. 1925. Signed and titled. Inscribed upper right ’25 No.15′. Inscribed lower left ‘/28’ (edition of 28). 4.5×6 inches.
£575
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8. Bawden N.E.A.C. R.E., Richard (born 1936) ‘Hydrangeas’. Etching and aquatint. Signed, titled and editioned ’31/75′. 18×13.25 inches.
£375
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9. Beer, Richard (1928 – 2017) Italy; Siena, 'Antica Trattoria Papei' still in the Via del Mercato. Oil on canvas. Signed. 30"x40" inches. Framed: 35"x45" inches.
£425
10. Bissill, George (1896 – 1963) ‘Hampshire Cot’. Pencil, brush, ink and watercolour. Signed and title verso. 7×5.25 inches.
£375
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11. Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956) Spain; Andalucia, ‘Evening on the Alameda, Ronda’. Charcoal and watercolour. 1925. Signed and inscribed. 11.5×15.5 inches. Framed: 18×22 inches.
£975
12. Brodsky, Horace (1885 – 1969) Fox. Linocut. Signed. 5.5×4.75 inches.
£575
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13. Brown, John Vere (1925 – 2000) Lobster pots, buoy, sailing boats, beach huts; The Coast. Pencil, monochrome wash and white heightening. Initialled ‘JVB’ and further inscribed ‘KSA’. Dated, 1951. 11×15 inches.
£475
14. Brunsdon A.R.C.A., John (1933 – 2014) Wiltshire; ‘Avebury’ Henge. Etching and aquatint. Signed, titled and editioned 68/100. 17.75×23.5 inches.
£475
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15. Bulthuis (Attributed to), Jan (1750 – 1801) Holland; Dutch West Indian Company House in the Munnekeholm, Groningen. Pen, ink and monochrome wash. A version of the composition Bulthuis painted in both colour and monochrome. Inscribed verso and dated 1794. 4.5×6 inches.
£575
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16. Cliffe, Henry (1919 – 1983) Dorest; ‘Harbour Lyme Regis’. Pencil. Signed and dated, 1952. 7×9.5 inches. Framed: 12×14.5 inches.
£575
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17. Cornock Keen (Twentieth Century), A ‘A Cornish Harbour’. Linocut. Signed, titled and editioned, 2/50. 10.75×5.5 inches.
£275
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18. Coker R.A., Peter (1926 – 2004) Drying Nets. Charcoal and chalk. Signed and dated, 1988. 21.5×30 inches. Framed: 33×41 inches.
£975
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19. Craig C.H., Edward Gordon (1872 – 1966) Set Design. Etching. Signed. 1907. Illustrated: Edward Gordon Craig, ‘Scene’, Publ. 1923. 8.25×6.5 inches.
£1,500
20. De Wint O.W.S., Peter (1784 – 1849) Timber framed farmhouse and buildings. Watercolour. Circa 1830. 9×12.5 inches. Framed: 17×21 inches.
£4,000
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21. Feild, Maurice (1905 – 1988) Lawn and borders. Oil on canvas. Signed verso. 14×10 inches.
£575
22. Finch, Hon. Rev. Daniel (1757 – 1840) Cottages; traditionally titled ‘Harpenden’. Pen, ink and wash. Signed. 6×8.5 inches.
£275
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23. Gaudier-Brzeska, Henri (1890 – 1915) Life Drawing. Pen and ink. Signed with initials and dated, 1913. Exhibited: Peter Nahum, ‘Henri Gaudier Brzeska’, 1995. 9.5×14.75 inches. Framed: 15.5×20 inches.
£4,750
24. Goodwin R.W.S., Albert (1845 – 1932) ‘Durham Cathedral’ at dusk. Pastel. Inscribed, dated 1909 and signed. 8×11 inches. Framed: 16×19 inches.
£875
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25. Hall, Patrick (1906 – 1992) ‘Flower Piece’. Watercolour. Signed. Titled verso. 8×11 inches. Framed: 16×18.5 inches.
£750
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26. Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938) ‘The Gate of Honour, Caius College, Cambridge’. Chalks. Signed with initials and dated 1904. Related to Grigg’s plate in ‘Highways and Byways in Cambridge and Ely’, MacMillan, 1910. 12.75×6.25 inches.
£1,950
27. Hare, Augustus (1834 – 1903) France; Montbard. Watercolour. 14th June 1870. 7×10 inches.
£275
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28. Henderson R.S.W. R.O.I., Keith (1883 – 1982) ‘White Amaryllis’. Pastels. Signed. Artist’s label verso. Exhibited: The Pastel Society. 15×19 inches.
£775
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29. Hine, Henry George (1811 – 1895) Sussex; 'Downlands near Eastbourne'. Watercolour. Signed. Titled and dated 1869, to a label on the original backboard. Original frame available. Exhibited: A and H, 1975. 13.5"x23" inches. Framed: 21.5"x31.5" inches.
£4,000
30. Hitchens, John (born 1940) Wales; ‘Shell Island Dunes’, Mochras, Gwynedd. Oil on canvas. Signed. Signed and titled and dated, 1968, to the stretcher.
£1,750
31. Holroyd Pearce, Edward (1901 – 1990) Switzerland; Alps (Piz Zupò?) above Pontresina. Oil on canvas. Signed. Inscribed verso ‘From Pontresina Xmas’. 9.5×13.5 inches. Framed: 16.5×20.5 inches.
£475
32. Kennington R.A., Eric (1883 – 1960) Life drawing. Chalks. Signed with initials. 19.75×13.75 inches. Framed: 29.25×22.75 inches.
£6,500
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33. Johnson, Audrey (born 1918) Porcelain and grasses still life. Oil on board. Signed and dated, 1977. 15×13 inches.
£875
34. Lambert Jnr, James (1741 – 1799) Sussex; Lewes, the Castle Gateway from the South. Ink and watercolour. Signed and dated, 1772. The Lambert Collection at Barbican House, Lewes, has two other versions of this watercolour. 16.5×14 inches. Framed: 24×20 inches.
£975
35. Lawrence, Alfred Kingsley (1893 – 1975) Standing profile; possibly Thomas Monnington P.R.A. (1902-1976) Pencil. Lightly squared for transfer. c.1924. Lawrence was Rome Scholar in 1923, the year after Monnington, so both men were at the British School at Rome the same time. Provenance: Christies S.K., 14.12.1988, Lot 382 (6 drawings). 23×8.5 inches.
£975
36. Miller R.S.A., James (1893 – 1987) ‘Homage to Palladio’. Watercolour. Signed. 19.5×14.5 inches. Framed: 25.5×20.5 inches.
£750
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37. Myers, Bernard (1925 – 2007) Still life. Chalks. Signed. 20.5×28 inches. Framed: 29×35.5 inches.
£1,250
38. Porter, Frederick (1883 – 1944) Eleanor Porter, the artist’s wife. Pencil. Signed. c.1930. Provenance: The Bloomsbury Workshop. 13.5×9.25 inches.
£775
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39. Rushbury R.A. R.E., Sir Henry (1889 – 1968) Italy; ‘Walls of Sienna’ (JR42). Drypoint etching, engraved on the spot. 1923. Edition of 50. Signed. 4.75×9.75 inches.
£375
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40. Rutherston, Albert (1881 – 1953) Seated woman, sewing. Chalks. Signed with initials and dated, 1903. 9.25×9.25 inches.
£225
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41. Salisbury C.V.O., Frank Owen (1874 – 1962) Red and Gold Parrot Tulips. Oil on canvas. Signed and dated, ‘19.5.19’. Further signed and titled to an artist’s label verso. 23×19 inches. Framed: 30×26 inches.
£3,750
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42. Shannon R.A., Charles Haslewood (1863 – 1937) ‘Late Summer’. Lithograph. 1917. Signed and numbered ’85’. From an edition of 85. Provenance: A and H, 1997; Ashley Barker and by descent. 14.5×15 inches. Framed: 28×26.5 inches.
£500
43. Shotter Boys (Circle of), Thomas (1803 – 1874) Fishing boats and shipping in a calm. Watercolour. Possibly after a painting or drawing by Simon de Vlieger (c.1601-1653). Exhibited: The Fine Art Society, 1961, as Shotter Boys. 5.75×5.75 inches.
£875
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44. Smith (fl.1780-1824), Rev. Thomas Italy; Tivoli. Pencil, pen, ink and watercolour. c.1790. Exhibited: Michael Spratt. 7.5×12 inches. Framed: 14.5×21 inches.
£775
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45. Squirrell R.E. R.W.S., Leonard Russell (1893 – 1979) ‘Morning at Durham’. Etching and aquatint. Signed. Further signed and dated, 1931 in the plate. 9.5×12.75 inches.
£575
46. Thornton, Valerie (1931 – 1991) France; ‘Cain and Abel, St Gilles’ du Gard. Etching and aquatint, Signed, titled, editioned 18/60 and dated, 1980. 9.25×13.5 inches.
£200
47. Tanner A.R.E., Robin (1904 – 1988) Hedge Flowers. Etching. 1936. Signed. 9×6.25 inches.
£775
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48. Underwood, Leon (1890 – 1975) Suffolk; ‘Walberswick’, before the introduction of uniform black huts? Or perhaps nearby Southwold? Watercolour. Signed and dated, 1932. Titled verso. 10.5×14.25 inches.
£1,250
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49. Willsher, Brian (1930 – 2010) Abstract Sculpture. Wood and white paint. 6.25×5.75xD3.25 inches.
£375
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50. Wyllie R.A. R.E., William Lionel (1851 – 1931) ‘Mount Vesuvius from the Sea’. Drypoint etching from the ‘Meditterranean Series’. 1913. Edition of 160. Signed. 6.25×14.5 inches. Framed: 15×20.5 inches.
£575

LIST 518

PART II

Issued 5pm Tuesday 21st September

51. ANON (Nineteenth-Century) London; the ‘Elephant and Castle’. Pencil and monochrome wash. Exhibited: St Helier Galleries (as Anthony Devis). 3×4.74 inches. Framed: 13×14.5 inches.
£475
52. ANON (Seventeenth-Century) View of a Dutch town from the river. Pen and ink. Provenance: Album of drawings by Samuel Ward of Great Yarmouth (1710-1778). 2.25×5.5 inches. Framed: 12.5×10 inches.
£1,500
53. Armour, George Denholm (1864 – 1949) Race Day; the Walking Ring. Pen and ink. 1920s. Signed. 7×10.75 inches.
£375
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54. Barry R.A. (After), James (1741 – 1806) ‘Shakespeare / King Lear / Act V, Scene III’; Lear mourning Cordelia. Engraving after Barry’s 1786-88 painting for the Boydell Shakespeare Gallery (Tate Britain). The engraving by Francis Legat (1755-1809) and published by Boydell 1st August, 1792. 18.5×23.5 inches. Framed: 27×31.5 inches.
£575
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55. Austin R.A. R.E., Robert Sargent (1895 – 1973) ‘The Curtain’ (CD128). Engraving. 1939. Signed. Provenance: Norman Tennant. 6.75×5.25 inches.
£300
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56. Battersby, Martin (1914 – 1982) ‘Small Green Sphinx;’ Gouache. Exhibited: Grosvenor Gallery. 5×7 inches. Framed: 7.5×9.5 inches.
£2,250
57. Beaton, Sir Cecil (1904 – 1980) Head study; a self study? Pencil. Verso: head studies. Provenance: The Estate of Eileen Hose, Beaton’s secretary. 13.5×10.5 inches.
£1,250
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58. Becker, Harry (1865 – 1928) Suffolk; farm labourers. Pencil. 4.25×6.25 inches.
£275
59. Brangwyn R.A. R.W.S., Frank (1867 – 1956) Italy; Genoa, St Peter’s of the Exchange (Gaunt 216). Etching. 1913. Edition of 150. Signed and dedicated to ‘T.S. Darbyshire’. 22.25×25.5 inches. Framed: 33×35 inches.
£975
60. Bray, Phyllis (1911 – 1991) Apollo and Clytie, a roundel. Pastels. c.1950. Studio sale stamp verso. 11×12.25 inches.
£575
61. Clark, Joseph (1834 – 1926) Goodbye after the Wedding. An oil sketch and its preliminary drawing. Provenance: A group of works by Clarke bought by A and H at Phillips in 1981. 9×13.25 inches. Framed: 17.75×21.25 inches.
£450
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62. Dunlop, Ronald Ossory (1894 – 1973) West Sussex; ‘Near Horsham’. Oil on canvas. Signed. Stretcher inscribed verso. 15.5×19 inches. Framed: 23×27 inches.
£1,500
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63. Daniell R.A., William (1769 – 1837) India; studies of fishing boats. Pencil and watercolour. Note spotting. 10×6.5 inches.
£375
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64. De Wint O.W.S., Peter (1784 – 1849) ‘Distant view of Salthouse, Norfolk’. Chalks. Indistinctly inscribed ‘Wiveton’? Exhibited: Fry Gallery. 6×14 inches.
£475
65. Deshayes (Attributed to), Jean-Baptiste (1729 – 1765) Boreas and Erithyia. Pen, brush and ink. Possibly after/inspired by a painting by Jean Baptiste Marie Pierre (1714-1789). Inscribed on the original mount ‘Dehais’. Exhibited: Colnaghi, as by Jean Baptiste Deshayes (1729-1765). 15.25×9.75 inches. Framed: 21×15.25 inches.
£1,500
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66. Eldridge R.W.S., Mildred (1909 – 1991) Wales; Stone walls and landscape. Watercolour. Pencil and watercolour. Provenance: Artist’s Estate. 7.5×16.5 inches.
£475
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67. Erickson (AKA ‘Eric’), Carl (1891 – 1958) Fashion illustration. Brush, ink and gouache on grey paper. Circa 1935. Partial signature. Provenance: Brian Stonehouse MBE (1918-1998) 22×12.5 inches.
£750
68. Field, Elizabeth (1953 – 2014) An early Spring crop field. Lincout. Signed. Editioned 8/50. 9.5×16.5 inches.
£175
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69. Flanders, Dennis (1915 – 1994) Oxford; New College. Pen, ink and watercolour. Signed. 12.75×18.25 inches.
£450
70. Forain, Jean-Louis (1852 – 1931) ‘La Chambre de la Bonne’. Oil on canvas. Circa 1895. Exhibited: O’Hana Gallery. Accompanied by a Certificate of Authenticity stamped, signed and dated, ‘Andre Schoeller, 24th June 1953’. 26×21.5 inches. Framed: 30×26 inches.
£7,500
71. Flett, Alex Edward Campbell (born 1914) Finger in landscape. Watercolour. Signed and dated, 1954. Exhibited: R.S.A. 1955. 21×22 inches. Framed: 26×27.5 inches.
£575
72. Hermes R.A., Gertrude (1901 – 1983) The Peat Cutters. Linocut printed in colours. Signed, dated, 1956 and editioned 37/50. 16.25×22.5 inches.
£575
73. Grant P.R.A., Sir Francis (1803 – 1878) Portrait of a woman in a broad brimmed hat. Pen and ink. c.1840. Inscribed / signed verso. The sitter has previously been identified as ‘Lady Morton’, but is perhaps too young to be Frances Theodora Douglas (nee Rose) (1798-1879), Countess of Morton from 1827, and too old to be Alice Anne Caroline Douglas (nee Lambton) (1831-1907), Countess of Morton from 1858. 6.5×6.5 inches.
£575
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74. Hooge, Dagmar (1870 – 1930) Italy; Venice. Wood-cut. Signed and editioned ‘No.7’. 11.5×16.5 inches.
£475
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75. Hoyle, Walter (1922 – 2000) Cambridge; 'St Catherine's College Chapel Entrance'. Etching and aquatint. Signed, titled and editioned, 72/75. 21.25×13.5 inches.
£275
76. Jones R.E., Rosamund (born 1944) ‘Young Orange Cock’. Etching printed in colours. 1975. Signed, dated, titled and editioned 4/75. 10.5×16 inches.
£375
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77. Laboureur, Jean-Emile (1877 – 1943) France; Normandy, ‘La Promenade sur le Port’, Croisic. Engraving and etching. 1935. Edition of 235. Signed and inscribed. Printed for The Print Club, Cleveland, Ohio. 7.5×8 inches.
£475
78. Leitch, William Leighton (1804 – 1883) Scotland; a Castle Capriccio? Watercolour. Exhibited: John Phillips, 1987. 3.75×6.25 inches. Framed: 12.5×14.5 inches.
£375
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79. MacTaggart P.R.A., Sir William (1903 – 1981) Coast or lakeland landscape. Pencil and watercolour. Studio stamp verso ‘W. McTaggart / Studio No.192’. Exhibited: Phipps and Co, 1988. 14.5×18 inches. Framed: 23×26 inches.
£975
80. Mears R.G.A. B.E.F., Gunner F. J. (1890 – 1929) WWI; ‘A Jack Johnson Bursting in Distance …’. Brush, ink and monochrome wash. Inscribed verso: ‘A Jack Johnson Bursting in Distance / Tres Bon Souvenir pour Les Alemands / at Corbi[?] Firing a Salvo / a Salvo Get Ready / Salvo Fired Sir / 8 Guns Camouflaged’. 3.75×5.5 inches.
£1,750
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81. Middleditch R.A., Edward (1923 – 1987) ‘Seascape, Dorset’ / ‘Dorset Drawing (2)’. Charcoal. 1975. Exhibited: The New Art Centre; Arts Council, ‘Edward Middleditch’, 1987, Cat No.64. 21×26.5 inches. Framed: 26×31.5 inches.
£2,250
82. Minton, John (1917 – 1957) ‘The Break in the Hedge’. Pen, brush and ink. Signed and dated, 1945. Provenance: Sir Michael Balcon; Norma McCaw. Exhibited: Roland, Browse and Delbanco; Michael Parkin, 1995. 10.5×14.5 inches. Framed: 17.5×23.5 inches.
£3,750
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83. Monro, Dr Thomas (1759 – 1833) Castle Ruins. Charcoal and wash. 4.5×7 inches. Framed: 13×15.25 inches.
£375
84. Newbolt, Thomas (born 1951) ‘Head II’. Oil on canvas. 1986. Exhibited: Browse and Darby. 16.5×11.5 inches. Framed: 23.5×18 inches.
£975
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85. Paton, Sir Joseph Noel (1821 – 1910) Diana and Actaeon. Pencil. Provenance: A large group of studies from a descendant of the artist with Abbott and Holder Ltd in 2001. 4.5×7.5 inches. Framed: 12.5×14.5 inches.
£375
86. Pellew, Claughton (1890 – 1966) ‘Frau Brendel’. Etching. Signed, dated 1928 and editioned 4/25. 3.25×2.25 inches. Framed: 13×11 inches.
£875
87. Rivers, Leopold (1852 – 1905) Heath landscape; believed to be Mousehold Heath near Norwich, Norfolk. Oil on paper laid on board. Original frame. 6×10 inches. Framed: 11.5×15.5 inches.
£375
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88. Rouault, Georges Henri (1871 – 1958) Charles Baudelaire (1821-1867) Lithograph (Chapon-Rouault 316). Signed. 1926. Edition of 35. The portrait was published with lettering, and without the woman’s profile (lower left), in ‘Souvenirs Intimes’. The sheet blind stamped ‘Galerie des Peintres Graveurs’. 12×8.5 inches.
£675
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89. Rowe, Serena (born 1977) ‘Manet’s Table’. Oil on board. Signed. 2010. Signed, titled and dated, verso. Exhibited: Panter and Hall. 10×12 inches. Framed: 21×26 inches.
£1,750
90. Samuelson, Peter (1912 – 1996) Tea. Pen and ink. 1950s. Provenance: Artist’s Estate. 8×13 inches.
£225
91. Sauter, Rudolph Helmut (1895 – 1977) ‘From my window’. Signed and dated, 1932. Artist’s labels verso. Provenance: the Artist’s Studio. Exhibited: Louise Kosman. 24×19 inches. Framed: 33.5×29.25 inches.
£2,500
92. Solomon, Simeon (1840 – 1905) Future Thoughts. Brown chalk. Signed and dated, 1894. 13.5×20 inches. Framed: 22.5×28.5 inches.
£4,000
93. Sickert N.E.A.C., Walter Richard (1860 – 1940) Mr Johnson (RB145). Etching. c.1911. Fourth state. Published by Carfax & Co., 1915. Signed and inscribed in the plate ‘Fare tutti mestieri svergognati per campar onoratamente’. Provenance: Enid Bagnold. Label verso inscribed ‘Given to me while I was working with him. Enid Bagnold’. In a 1915 letter to Ethel Sands, Sickert wrote that he considered ‘Le Bon Dodo’, ‘Quai Henri Quatre’ and ‘Mr Johnson’ ‘for what they are as perfect prints’ (Bromberg p.160). 5×3.25 inches.
£975
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94. Tomlin, Stephen (1901 – 1937) Duncan Grant (1885-1975) Bronze. Edition of 15. Cast in 2020/21 from the original bronze by Bronze Age London for Abbott and Holder JV. Stamped ‘AHJV’, editioned ‘…/15’, foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. Price: £7200 (£6000 +vat). 15% of each sale – £900 – will be donated to the Charleston Trust. 14.5×11.5xD9 inches.
£7,200
95. Strang R.A. R.E., William (1859 – 1921) A Hodson child. Chalks. Circa 1900. Signed and dedicated to Laurence W Hodson, Strang’s Wolverhampton patron. 12.75×8.75 inches.
£175
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96. Waterlow R.A. P.R.W.S., Sir Ernest Albert (1850 – 1919) River Landscape. Charcoal. Signed and dated 1874. 23.5×37.5 inches. Framed: 33.5×48 inches.
£750
97. Ward, Miss Greta (Later Mrs Archibald Sanderson?) (Mid-Twentieth Century) ‘Kentish Landscape’. Oil on canvas. Signed. Two artist’s labels verso. One for a previous work titled ‘Parrog’ and giving Miss Greta Ward’s address at 54 Colne Road. A second used first for Archibald Sanderson (1901-1972), titled ‘Cottage at Enfield, Spring’, and giving his address also at 54 Colne Road. This label has been adapted, his Christian name deleted and the title changed to ‘Kentish Landscape’ for the current work. Presumably Miss Greta Ward became Mrs Archibald Sanderson. A 1950s R.B.A. label verso also. 15.5×19.5 inches. Framed: 21.5×25.5 inches.
£1,250
98. Wardle, Arthur (1860 – 1949) Lion. Chalks. Verso: a lioness. 11×15.5 inches. Framed: 15×19.5 inches.
£375
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99. Urishibara, Yoshijiro (1888 – 1953) Roses. Woodcut. Signed and editioned ‘No.2’. 12×8 inches.
£875
100. Watt, Frances (1923 – 2009) Woman at a shop window. Oil on board. Signed. Exhibited: Sarah Colgrave. 8×5.25 inches. Framed: 11.75×9 inches.
£375
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STEPHEN TOMLIN
Portrait of Duncan Grant

Stephen Tomlin (1901-1937)
Duncan Grant (1885-1975)
Bronze. Edition of 15. Cast in 2020/2021 by Bronze Age London for Abbott and Holder JV. Stamped ‘AHJV’ (Abbott and Holder JV), editioned ‘… /15’, foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. 14.5 x 9 x11.5 inches. £7200 (£6000 +VAT) 15% of each sale – £900 – will be donated to the Charleston Trust

Cast from the original bronze of 1924, recently sold by Abbott and Holder Ltd to the Charleston Trust.

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LIST 518

SEPTEMBER 2021

PART I

LIST 518

PART II

STEPHEN TOMLINPortrait of Duncan Grant

STEPHEN TOMLIN
Portrait of Duncan Grant