This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
ANON. NORTHAMPTONSHIRE (Subject). Circa 1820. ‘Middleton Cheney, South view of the Church.’. Ink and watercolour. Inscribed verso. 12x9.5 inches.
ANON. Circa 1895. 'The Sketch, Christmas Number 1/-'. Oil on card. Circa 1895. 17.5x11.75 inches. Framed: 22x16.5 inches.
ANON (Subject Owen Jones 1809-1874) ‘Mrs Owen Jones’ Charade Party’. Anon. Circa 1850. ‘Billet – A Charade in five scenes acted at the residence of Owen Jones Esquire, Argyll Place’. 9 drawings and watercolours recording a fashionable entertainment.
ANON. French. Circa 1910. Summer evening. Oil on panel stamped Blanchet, Paris. Indistinctly signed bottom right. 10x8 inches. Framed: 16x14 inches.
ANON. (Possibly Northern French) The stained glass head c.1540, leaded into 17th Century quarries of clear glass. 31x27cms (irregular).
ANON. Circle of John Downman A.R.A (1750-1824) The distinctive nose. Oil on canvas. Circa 1790. 12.5x14.5 inches. Framed: 14.5x12.25 inches.
ANON. (British) ‘He Sways the Soul with that Commanding Art / Lord Byron’s Corsair’. Oil/ivory within its original case. Circa 1820. Ex. Collection: Desmond Coke. 9x7.5cms. Case: 12.5x9.5cms (closed). (Framed photo)
ANON. Circle of Carle Vernet (1758-1835) Changes in fashion: Dandies shaved of their moustaches and stripped of their spurs. Pencil and watercolour. Circa 1820. 11x9.5 inches.
ANON. British Hand. Circa 1940. Still Life: Cyclamen. Oil on canvas. 24x20 inches. Framed: 29x25 inches.
ANON. ‘F.B.’ Circa 1850. ‘Femme au …’. Oil on paper laid on canvas. Signed with initials ‘f.B’(sic). Stretcher indistinctly inscribed in french. Label inscribed ‘Coll. Hazard’ and ‘Bonvin’. Provenance: Lord Lee of Trafford, Bowdon Old Hall, Cheshire. 8x6.25 inches.
ANON. Circa 1870. Head of a girl. Pencil, crayons and gouache.
ANON. Circa 1810. (After De Loutherbourg) ‘High on a Rock whose haughty brow / Frowns o’er old Conways foaming floods…’, The Bard, Thomas Grey. Pencil, brush and ink. Inscribed. 14x7.25 (with text).
ANON. Circa 1780.
Profile of a wig’d man.
Pen and ink. Provenance: (by repute) as by George Dance; Sir Henry Duff Gordon (1866-1953).
5.5x4.25 inches.
ANON. 1862.
‘Shadows on the Wall / Ellison Place. Newcastle. 20 December / 1862’.
Pencil silhouettes of (recto) ‘H.W’ (Captain Weatherly, Mayor of Newcastle and Chairman of the School of Design) ‘Miss B’ (Miss Alice Boyd) ‘W.B.S’ (William Bell Scott) ‘A.C.S’ (Algernon Charles Swinburne) and ‘D.G.R’ (Dante Gabriel Rossetti) Verso: ‘D. G. R.’ ‘Miss B’ ‘A.G.S’ and ‘J.A’ (James Allen (?).
Rossetti was staying at the home of William Bell Scott in Newcastle upon Tyne on 20th December 1962 and drew a portrait of Scott’s mistress Miss Alice Boyd of Penkill Castle that day.
Provenance: Alice Boyd of Penkill Castle. Evelyn M Courtney-Boyd Bought 1967 by M. Cayton-Stamm and by descent to the previous owner.
19x20. Framed: 21x22.5 inches.
£1800. VERSO Click here
ANON. Circa 1800.
‘Ambicione…’
Pen and ink, or offset drawing. Inscribed on the backing.
7x7.5 irregular.
ANON. Circle of Anna Zinkeissen (1901-1976) Head of a Nurse. Oil on canvas. Circa 1930. 18x14.25 inches.
ANON. Circa 1845. Portrait, possibly of Caroline Norton (1808-1877) (Lady Stirling Maxwell March-June 1877). Watercolour and gouache and gum arabic. Provenance: Sir John Stirling Maxwell of Pollok (1866-1956) and by descent. 15.5x11 inches.
ANON. British Hand. Circa 1835. Northern Italian landscape. Watercolour and gum arabic. Inscribed verso in early hand ‘Cassiano, near Milan, from Canaletti (sic)’. Original frame. 13.5x21 inches. Framed: 18.75x26.25 inches.
CHINA Trade Tea Clipper (Subject). ANON. ‘Golden Spur Guernsey’: the China Trade clipper flying the Chinese flag for protection. Oil on canvas. Circa 1872. Inscribed. ‘Golden Spur’ was built by Peter Ogier of St Sampson, Guernsey for G.F Carrington and Co and launched on 15th October by Miss Ellen Rougier. At 200 feet long and 656 tons she was the largest ship to have been launched from the Island at that date. She held the record of 60 days voyage from Cardiff to Hong Kong (1872) Wrecked on Haiphong Bar, Hong Kong in March 1879. 18x23 inches. Original Chinese frame: 22.5x28 inches.
ANON. Circle of Robert Hills O.W.S. Cattle and sheep. Pencil on tracing paper. Circa 1810. 6x8.25 inches.
SANDBY Paul R.A. (1739-1809) (Pupil /Circle of) A great Oak. Ink and watercolour. Circa 1790. Bears false signature. Ex. Collection: Lyndon Goodwin Harris. 11x18.75 inches.
ANON. Circa 1790. Head of Medusa. Pen and ink. Letter verso. Bears later initials ‘E.L’. Exhibited: William Drummond (as ‘Circle of Richard Cosway’). 6x3.25 inches. Framed: 12x9 inches.
ANON. 1888. Figure studies. Pen and ink. Inscribed and dated verso ‘J. Davis 88’. 4.5x2 inches.
ROME (subject) ANON.
Interior: ‘(Santa Maria) in Cosmedin’.
Pencil and watercolour. Partially inscribed and dated 1853.
13.75x9.75 inches.
ANON. Circa 1814. London: ‘St James’s Park’. Watercolour. Inscribed verso. The Chinese Bridge in St James’s Park was designed by John Nash as a part of the celebrations of the accession to the throne by George I in 1714. 7.75x11.5 inches. Framed: 15.5x18.75 inches.
ANON. Circa 1863. ‘Architecture’; study for a mural lunette, possibly for the Victoria and Albert Museum’s National Competition Gallery. Pencil, watercolour and gouache. Inscribed . 5.25x7.25 inches. Framed: 13.25x14.5 inches.
ANON. Circa 1790.
Couple taking tea.
Pen, brush and ink.
7.75x8 inches. Framed: 15.5x15.5 inches.
ANON. Circa 1800. Continental. Recto: David and Goliath. Verso: Figures and Architectural details. Pen and ink. 13x13.75 (irregular).
ANON. ‘View at Estcourt’, Estcourt Park on the Avon. Watercolour. Inscribed and dated, 1801, verso. 9x13.5 inches.
ANON. (French) The Revolutionary. Watercolour. Circa 1795. 25x19.5cms (oval). Framed: 46x40cms. (Framed photo)
ANON. Circa 1810. ‘The Day of Judgement’, after William Blake. Pen and ink on tracing paper. 11.5x9 inches.
ANON. Circa 1800. A Captain. Ink and watercolour. 3x2.25 inches.
ANON. Circa 1810. ‘Dancing Girl’ Pencil and monochrome washes. 9.5x7.5 inches oval.
ANON. ‘View of Estcourt’, Estcourt Park. Watercolour. Inscribed and dated, 1801, verso. 7x11.5 inches.
ANON. Circa 1810. ‘Monk’. Ink and monochrome washes. Inscribed. 8.6 inches oval.
ANON. ‘View of Tetbury Church from the grounds of Estcourt’, Estcourt Park and the river Avon. Gloucestershire. Watercolour. Inscribed and dated, 1801, verso. 10x14.75 inches.
ANON. British. Circa 1780. Barns reflected in a stream. Ink and watercolour. Inscribed ‘P.Nasmyth’ verso. 5.25x7.75 inches.
ANON. British. 1844. ‘Design for a Fresco / the Abbott & Chapter of ‘Goode Fellowshipe receiving their Guests (?March) 1844 A.D. 19’. Pencil and watercolour within printed border. Thus inscribed and indistinctly signed with monogram. 4.75x6.75 inches.
ANON. Circa 1800. ‘Scarborough’. Pencil. Circa 1820. Prov: John Henderson (1764-1843)
ANON. (Polish Hand?) Circa 1880. The Greeting. Ink and watercolour. Inscribed verso in Polish. Stamped ‘…berka Mirchorskeho’. Ex. Coll: Alan Cuthbertson. 4.5x4.5 inches.
SUFFOLK (subject) ANON. Circa 1810. Suffolk. Redgrave Park. Watercolour. Bearing false signature ‘H. Repton’. 5x8 inches.
ANON. Circle of John Laporte (1761-1839) The full moon. Gouache on card. Circa 1800. 27x20 inches.
ANON. Circle of John Laporte (1761-1839) The Waterfall. Gouache on card. Circa 1800. 27x20 inches.
ANON. GREEK (Subject) Circa 1935. ‘Evangelos, Athens’; head of an Evzone. Pastel. Exhibited: Fine Art Society, 1972 (as Eric Kennington). 14x10 inches. Framed: 23x18 inches.
ANON. ALGERIA (Subject). ‘Fort de Geryville’. Watercolour and gouache. Inscribed verso. 6x9 inches.
ANON. Circa 1780. Pen, brush and ink study. 4.5x3 inches.
ANON. Circa 1935. ‘Regatta, Menton’. Pencil, ink, watercolour and gouache. Inscribed and indistinctly signed. 16.25x26.5 inches. Framed: 39x28 inches.
ANON. Circa 1900. ‘Jaipur; Maharaja College’. Ink and watercolour 0n paper stamped with crest 0f Sawi Madho Singh II(1861-1922). 6x8 inches.
ANON. Circa 1770. ‘Clematis integrifolia’. Watercolour. Indistinctly signed. Prov: with the collection of botanical studies by Anne Lee (1753-1790) on List 409. 13x9 inches.
ANON. David COX (Circle of) Watermeadows. Watercolour. Circa 1830. Exhibited: Leger Gallery. 8x11 inches. Framed: 17x19 inches.
ANON Early Eighteenth Century plan (see No.78) and elevation for a floating harbour. Ink and watercolour. 16x23 inches.
ANON Early Eighteenth Century plan and elevation (see No.77) for a floating harbour. Ink and watercolour. 16x23 inches.
ANON. NAZARENE School. Circa 1830. A parting of the ways. Pen and ink, possibly after Moritz Retzsch (1779-1857). 8x11 inches. Framed: 16x19 inches.
ANON. British. Circa 1850. Study of cattle. Oil on card. Ex. Coll: Shalcross Fitzherbert Jacson Widdrington (1827-1917) 12.5x18.75 inches.
ANON. Circa 1830.
The West Front, Lichfield Cathedral.
Ink and watercolour.
9x6 inches.
ANON. ‘R.T’ (unidentified), WILTSHIRE (subject) Devizes. St Mary’s Church and probably the Estcourt Brewery (predecessor of the Wadworth Brewery built in 1875). Ink and watercolour. Signed with initials and dated, 1836. We are grateful to Norman Frost and John Hatch for identifying the scene. 11x14 inches.
ANON. (British)The wedding dress. Oil/panel. Circa 1840. 46x33cms. Framed: 58.5x46cms.
SUFFOLK subject. Anon. Circa 1840. Ipswich: ‘Dairy Lane being the entrance to Fonnereau Road’. Brush and sepia washes. Inscribed on label. Provenance: the Paul family, Ipswich. 14x12 inches.
BOTANICAL (subject) (Circa 1770) ‘Clematis integrifolia’. Watercolour and gouache. Indistinctly signed. Provenance: A group of botanical studies by Ann Lee (1753-1790) whose father owned to Vineyard Nursery at Hammersmith and who was a pupil of Sydney Parkinson. 13x9 inches.
ANON. BOTANICAL (subject) (Circa 1770) Study. Watercolour. Prov: A group of botanical studies by Ann Lee (1753-1790) whose father owned the Vineyard Nursery at Hammersmith and who was a pupil of Sydney Parkinson. 12.5x9 inches.
ANON. LONDON. Circa 1820. The Quadrant, Regent Street, from a hand close to Thomas Hosmer Shepherd (1792-1864) Ink, watercolour and gouache with possibly some etched line. 14x22 inches. Framed: 23x30 inches.
ANON. Circa 1840. ‘An Araba’. Ink, watercolour and gouache. Exhibited: Leigh Underhill Gallery as ‘Jean Guillaume Touzisau’. 5.5x9.75 inches. Framed: 13x16.5 inches.
ANON Circa 1780 Portrait of a gentleman. Pastels. 12x10 inches.
ANON. DOVER (Subject). Circa 1830. ‘Dover and the Barracks 0n the Heights’. Ink and watercolour. 5x8 inches.
ANON Sydney SMIRKE (1798-1877) (Subject) Circa 1820. Although apparently unverifiable as there are no known images of him at this age, this comes saddled with a strong traditional faith. Safely priced as a charming red, black and white chalk drawing of a boy. 8x6 inches.
ANON. (Irish?) Miss Ann Fitzgerald of Dublin (d.1781) Pastels. Circa 1780. 32x19cms (oval). Framed: 28x24cms. (Framed photo / Inscription verso)
ANON. YORKSHIRE; Mulgrave Castle subject. Anon. Circa 1830. Watercolour. Inscribed verso. 4x6 inches.
ANON. EGYPT (subject) ‘The Pyramids / April 3rd 1858’. Watercolour. Inscribed verso and indistinctly signed. 4x11 inches
ANON. The letter. Oil on panel. Circa 1950. 17.25x10 inches. Framed: 21x13.75 inches.
14. ‘Young Man’. Oil on canvas. Ex. Collection: Robin Gibson.
27.5x20.5 inches. Framed:31.5x24.5 inches.
£475.
ANON. British Hand. Capriccio. Watecolour. Circa 1790. 11x11.5 inches circular.
GANDY Joseph Michael (1771-1843) (Circle/Pupil of)
Study of a capital from the Arch of Titus, Rome.
Pencil and sepia wash. Inscribed ‘Capital fr. The Arch of Titus’.
22x17 inches.
£1500.
ANON. LONDON (Subject). 1873. ‘Queens Gate, South Kensington / The old Methwold Alms Houses’ (1650-1873) ‘and Church of St Augustine’ (by William Butterfield). Watercolour and gouache. Inscribed and dated on original label. 13x20 inches.
ANON. LONDON (subject) Circa 1855. ‘Richmond Chapel built 1820-30, burnt down 1850 (circa) and front re-erected to same design and materials’. Ink and watercolour. Inscribed. 15x21 inches.
ANON. ITALY (Subject) Possibly a German hand. Circa 1835. Pompeii: the Casa del Fauno. Watercolour and gouache. Indistinctly signed. 10x13 inches.
ANON. Circa 1870. ‘America Cup’: an as yet unidentified ‘challenger’ and ‘defender’ neck and neck. Watercolour. 12x18.5 inches.
ANON. Circa 1870. Two yachts, possibly of the Royal Yacht Squadron, on a running reach. Watercolour. 12x18.5 inches.
GANDY Joseph Michael (1771-1843) (Circle/Pupil of) Study of a capital from the ‘Arch of Septimo’, Septimius Severus, Rome. Pencil and sepia wash. Inscribed ‘Capital, ¼ size, Arch of Septimo’. 22x15 inches.
ANON. (French) Oil/panel. Circa 1780. 20x16cms (oval). Framed: 27.5x23cms. (Framed photo)
ANON. Circa 1840. ‘The collision on the North Western Railway’. Pen and ink. Provenance: A collection of pen and ink sketches by Octavius Oakley O.W.S. (1800-1867). 2.25x7 inches.
3. ANON. British. Circa 1916. A Tommy. Pencil, brush, watercolour and gouache. Exhibited: New Grafton Gallery (as Muirhead Bone). 15.5x12.5 inches. Framed: 22.5x19 inches.
ANON. (British) In Memoriam; Lost at Sea. Oil/copper. Circa 1790. 17.5x13.5cms. Framed: 23x18.5cms. (Framed photo)
ANON. (French) A French Senior NCO of the 62nd Regiment of Infantry, serving in Algeria, and wearing the Légion d’Honneur. Oil on canvas. Circa 1840. 24.5x19cms.
ANON. Continental hand. Circa 1800. Portrait of an artist. Pastel. 13.5x15.5 inches.
ANON. LONDON (subject) Circa 1860. ‘Shoreditch, Penny dinner at the Australian Meat Company’. Pencil, ink and wash. Inscribed. 7x10 inches.
ANON. GREECE (subject) by ‘A.A.H. (indecipherable)’. Circa 1870. ‘The Bay of Salamis’. Watercolour. Inscribed and indistinctly inscribed. 9x22.5 inches.
ANON. WESTMINSTER Palace of (subject) Anon. Circa 1842. Macbeth confronted by the three witches. Brush and sepia washes. Original backing inscribed ‘Sketch of a Cartoon / destined for Westminster Hall. / Fresco’. 7.5x10.75 inches.
ANON. (Subject) by ‘S.M.M.B’. St James’s Palace: ‘Royal Proclamation of Edward VII, Jan.25th 1901’. Ink and watercolour. Signed, inscribed and dated. 7x10 inches.
ANON. E. Windsor. LONDON (subject) 1872. ‘Building the Holborn Viaduct Station’. Pencil, watercolour and gouache. Signed and dated.
OXFORD (subject) by ‘M.G’. 1887. On the river. Pencil and watercolour. Inscribed, signed with initials and date 29th April (18)87. 12x18 inches.
ANON. WALES (subject) 1799. ‘Pont Rhydwinrie (sic) / Vale of Festiniog’. Watercolour. Verso inscribed and dated, July 14th 1799. Exhibited: Agnews (No.15145) as by Paul Sandby Munn (1773-1845). 5.25x8.25 inches.
ANON. French Revolution (Subject) Anon. French Hand. Late 18th century. ‘5 Octobre 1789; Les femmes voulant prendre l’abbe Lefevre at les homes voulant incendier les papiers (Cour de l’hotel de Ville)'. Ink and watercolour. Dated. Indistinct Collectors mark. Inscribed beneath the mount. 5x3.5 inches.
ANON. French Revolution (Subject) Anon. French Hand. Late 18th century. '14 Juillet 1789; Le Marquis de Pellepont vuolant arracher le Major de la Bastille...’. Ink and watercolour. Dated. Indistinct Collectors mark. Inscribed beneath the mount. 5x3.25 inches.
ANON. French Revolution (Subject) Anon. French Hand. Late 18th century. ‘2 Aout 1789; Emeute de Saint Denis’. Ink and watercolour. Dated. Indistinct Collectors mark. Inscribed beneath the mount. 5x3.5 inches.
BRISTOL (subject) William Boister (b.1831) View of East Street, Bedminster showing the W. D. & H. O. Wills tobacco factory (built 1886) and Brightbow Cottages (demolished 1890). Watercolour. Signed and dated 18(?9)9. 11.75x14.75 inches.
ANON Circa 1810. … and a picturesque hermitage, or folly, very possibly in the Park of that house. Watercolour. Provenance: with No. 52. 4x5.75 inches.
ANON Circa 1810. A house that someone should be able to identify… Watercolour. Provenance: with No.53. 5.5x9 inches.
ANON. LONDON (Subject) ‘G.Miles’. Circa 1820. ‘View from Hungerford Market’; scavengers on the Thames. Watercolour. Signed. 9.24x11.5 inches.
ANON. Circa 1830. The Bed chamber. Ink and watercolour. 9.5x13 inches.
ANON. Circa 1830. The Breakfast table. Ink and watercolour. 9.5x13 inches.
ANON. Mid-18th century. Figure study. Pen and ink. 10x8.75 (octagonal).
ANON. ‘K. K. Franz-Truppen’ (Subject) ‘Adjutant, General, Officier (indistinct), Officier der Grenadiere’. Ink and watercolour. Inscribed and dated, 1813. Exh: Hazlitt, Gooden & Fox. 9x7 inches. Framed: 13.5x11.25 inches.
ANON. ‘E.P.’ Circle of John Laporte (1761-1839) Cattle watering at dusk. Gouache. Signed with initials. Circa 1800. 6x8.5 inches.
ANON. WALES (subject) ‘A.D.N’. 1938. ‘Proposed interior treatment to Departments for C.W.S. Retail Ltd, Bangor Branch’. Pencil and watercolour. Inscribed and dated, 10th October 1938. 23.75x29 inches. Framed: 26x31 inches.
ANON. Circle of William Callow O.W.S. (1812-1908) A Northern French street scene. Pencil and watercolour. Circa 1840. Ex. Coll: Sir Albert Richardson P.R.A. (1880-1964) 10x14 inches.
ANON. Circa 1830. Netting for mullet. Watercolour. Ex. Coll: Professor Albert Richardson P.R.A. 7x13.75 inches.
SCOTLAND (subject) Circa 1780. ‘Oxenford’ (Oxenfoord Castle, Midlothian). Watercolour and gouache. Inscribed verso. 3x4.75 inches.
ANON. Wales (Subject) Circa 1780. ‘Llangollen’. Pen, brush and ink. Inscribed verso. Exh: Cyril Fry. 5.5x9.75 inches.
ANON. Circa 1830. At the piano. Pencil, watercolour and gouache. Verso: pencil study of girls. 7x8 inches.
ANON BERKSHIRE (Subject) Circle of Thomas Fisher F.S.A. (1782-1836) ’A View of Wantage’. Watercolour. Inscribed. Prov: interleafed into the Berkshire vol. of Samuel Lyson’s ‘Magna Britannia’, 1813. Christies 12.5.1993. 5x8.5 inches.
ANON. (British) ‘Lady Willmot’ (sic) née Maria Miller Mundy (c.1804-1865). Oil on panel. Circa 1845. Inscribed in pencil, recto. 30x23cms.
ANON. NORWICH SCHOOL. Circa 1840. ‘W. Ball’. Norfolk windmills. Watercolour, gum arabic and scratching out. Signed ‘W. Ball’. 7.5x10.5 inches.
ANON. Circa 1780. British School. Reading the letter. Oil on tin. 10.5x8.5 inches. Framed: 15.5x13 inches.
ANON. Dutch hand.
‘Hans Rasenquist Manster’ (1778-1842)
Pastel.
11.5x9 inches. Framed: 15.5x13 inches.
ANON. British School. Circa 1935. A Box at the Theatre. Pencil, pen and ink. Prov: The Estate of William Rothenstein and by descent. 8x11 inches.
ANON. Circa 1840. British School. ‘The Amateurs’. Oil/card. Indistinctly inscribed and ?signed verso. 10x8 inches. Framed: 13.5x11.75 inches.INSCRIPTION
Anon ‘Marquis de ?’ Pencil and chalk. Indistinctly inscribed. 7x5.5 inches.
Anon ‘Abbe de Bouvins’ Pencil and chalk. Inscribed. 6.5x6 inches.
Anon ‘Duc de Mailly’. Pencil and chalk. Inscribed. 6.75x5.5 inches.
Anon 'Marquis de Polignac’. Pencil on paper watermarked 1794. Inscribed. 7x5.5 inches.
ANON. ‘le Duc de L…el’. Pencil and chalk. Indistinctly inscribed. 6x5 inches.
ANON. Circa 1960. ‘Heavenly Dancers’ Linocut. Signed in the block. Inscribed and editioned 3/12. 11x15 inches.
ANON. British. Circa 1790. Capriccio. Gouache. 15x11 inches.
ANON SCOTLAND (Subject) Anon. Circa 1820. Elgin Cathedral. Pen and sepia ink. 3.5x2.25 inches. Framed: 12x10 inches.
ANON. STOWE (Subject). Circa 1800. ‘Gate at Stow’ (sic). Pencil and wash. Inscribed. 5x7 inches.
ANON. WESTMINSTER ABBEY (Subject). 1784. ‘The King’s Box, or Throne, erected in Westminster Abbey during the Commemoration of Handel’. Pen and ink. Inscribed. The Box was designed by James Wyatt for the Handel Commemoration in 1784. 4.5x5 inches.
ANON. Circa 1935. ‘STAH’. Ink and watercolour. 10x16 inches.
ANON. Circa 1910. The fishing fleet, Falmouth. Oil on canvas. 30x25 inches. Framed: 36x31 inches.
ANON. ‘The Striker’. Etching. Circa 1930. Inscribed and ‘1st State’. Indistinctly signed. Provenance: with a group of wood engravings by Gwen Raverat. 7x4 inches.
ANON. Late 18th Century. Studies of hanged men. Pencil. Provenance: The Alfred de Pass Collection (with sketches by Flaxman). Royal Cornwall Museum, Truro. De-accessioned: Christies, 1966. 5x4.25 inches.
ANON. Circa 1800. Wandering flautist. Ink and watercolour. After John Hamilton Mortimer (1740-1779). 12x8.5 inches.
ANON. Italian Hand. Circa 1830. Milan. The tower of San Sebastiano. Pen, brush and ink. Inscribed ‘Milan’, verso. 11x8.8 inches.
ANON. GRAND TOURIST (Subject) Anon. Sketching an Italian landscape. c.1780. Pen, brush and sepia washes. On original blue wash mount. Collectors impressed stamp ‘IS’. 7.25x10 inches.
ANON> ITALY (subject) Circa 1820. Piedmont. Turin, the Capuchin Monastery. Pencil and watercolour. Inscribed ‘Capucini, Turin’ and dated ‘May 1820’. 6.25x9.5 inches. Framed: 14x17.25 inches.
ANON. NEWCASTLE (Subject) Circa 1830. ‘Newcastle’, a copy of Turner’s ‘Newcastle-on-Tyne’ watercolour for Rivers of England, c.1823 (Tate Britain). 7x9 inches.
ANON. Circle of George 'Perfect' Harding (1781-1853) The Tribute Money . Ink and watercolour c.1820, after Titian's 1516 painting in the Gemäldegalerie Alte Meister, Dresden. 8x6.5 inches. Framed: 12x10.25 inches.
ANON. Indian hand. Circa 1875. ‘Sri Nath Ji’: Krishna dancing, holding a lotus. Gouache. 10.5x5.75 inches. Framed: 16x10.5 inches.
ANON. Indian hand. Circa 1875. ‘Sri Nath Ji’: Krishna dancing. Gouache. 9x5.75 inches. Framed: 16x12 inches.
ANON. Indian hand. Circa 1875. A Mahratta Raja. Gouache with gold. 14.5x 12 inches. Framed: 18.5x16 inches.
ANON. French Hand. 1933. Winter coats. Charcoal and gouache. Signed and dated, 1933. 23x17.5 inches.
ANON. Possibly a French Hand. Circa 1860. Figure study. Pencil. Once ascribed to Sir Edward Poynter. 9x7.5 inches.
ANON. Costume designer for ‘Maison Lehman’. Circa 1925. Design for a ‘Martian’. Pencil and watercolour design on tracing paper for the ballet Aelita, Queen of the Martians. Inscribed. Stamped ‘Maison Lehmann’ on mount. 12x9 inches.
ANON. Circa 1800.
‘Distaff Ermine’.
Ink and watercolour. Inscribed. Provenance: Mrs William Redford.
6.75x10 inches.
£150.
ANON. Circa 1800.
‘Magpie Moth / Currant and Gooseberry…’
Ink and watercolour. Inscribed. Provenance: Mrs William Redford.
7x10 inches.
ANON. Circa 1800.
‘Procus Latreille pupa’ (sic)
Ink and watercolour. Inscribed. Provenance: Mrs William Radford.
6.5x7 inches.
ANON. Circa 1770. Circle of Richard Wilson R.A. (1713-1782) ‘Temple of Venus, Naples’. Pencil and grey wash. Inscribed. Also inscribed ‘P.S’ by Paul Sandby R.A. as his collector’s mark. Inscribed ‘F’. Ex. Collection: Admiral Sir James Hawkins Whitshed (1762-1849) and by descent, to Sotheby’s 14.4.1994. 6.5x9 inches.
ANON Neapolitan Hand. Circa 1830. ‘Veduta del’Castello dell Ovo in Napoli’ (sic). Period gouache in very nice condition. Inscribed verso. 10x16 inches.
ANON. Circa 1800.
The Prince of Wales attended by blue devils.
Ink and watercolour. Bears signature ‘J. L. Marks’. Ex. Collection: Ronald Searle.
13.5x9.5 inches.
ANON. (Regency) ‘Dignitaries in Profile’. Pen and ink. Ex.Collection Ronald Searle, the mount inscribed by him and dated ‘c.1820’. 9x7.2 inches. Framed: 16.15x12.25 inches.
ANON. British. Circa 1790. An Operatic Scene; a Tragic Queens lament. Ink and watercolour. Ex. Collection: Ronald Searle. 15x21 inches.
ANON. Circa 1820. Rent Day, after David Wilkie (1785-1841). Watercolour. 6x9 inches.
ANON. Circa 1820. The Blind Fiddler, after David Wilkie (1785-1841). Watercolour. 6x9 inches.
ANON. Circa 1840. A flight of Refugees. Pen, brush and ink. 10x14 inches.
ANON. Low Country. Circa 1750. Farmstead. Gouache. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 6.5x9.75 inches.
ANON. Circa 1860. Architectural elevation: Memorial Clock Tower. Pencil, ink and watercolour. 18.5x13.75 inches.
ANON Circa 1840.
A West Country harbour at low tide.
Chalk and gouache on tan paper.
Shaped: 5.5x8.5 inches. Framed: 14.25x17.75 inches.
ANON. Circa 1840. ‘Henry Lygon, 5th Earl Beauchamp’ (1829-1866). Ink and gouache. 7.25x5 inches. Original frame: 11.5x9 inches.
ANON. Circa 1825. Circle of John Augustus Atkinson (1775-1833) Admiring the Military. Oil/panel. 9x12 inches. Original (distressed) frame: 14x16.5
ANON. Circa 1780. Head of a boy. Oil on panel. Panel: 15x12.5 inches. Oval window: 13.5x11.5 inches. Framed: 21.5x19 inches.
ANON. Circa 1895. Pen and ink. Signed with initials ‘M.T.’. Ex. Collection Ronald Searle. 8x5.5 inches. Framed: 13.25x10.25 inches.
ANON. Circa 1790. 'Farming at Windsor'. Pencil and watercolour. Titled in pen and indistinctly inscribed 'George III & / Charlotte & Family / at their Farm'. Inscribed by Ronald Searle verso and attributed to Richard Newton (1777-1798). The drawing relates to the print 'Summer Amusement at Farmer G_'s Windsor' (Publ. William Holland August 1791), possibly etched after a drawing by Newton. Provenance: Ronald Searle. 8.5x14 inches.
ANON. Circa 1800 'Seeing is Believing'. Pencil, pen, ink and watercolour. Inscribed or stamped 'G. M. Woodward Delin', but the drawing not in that artist's hand. Possibly related to a print by Richard Newton (1777-1798). Provenance: Ronald Searle. 10.5x14.5 inches.
ANON. ‘Mr Matthews as Caleb Quotem in the Wags of Windsor / York’. Ink and watercolour. Circa 1820. Inscribed. Ex.Collection: Ronald Searle. 12x7.5 inches.
ANON. Circa 1825. Recto: ‘Sporting Gallery No.2 / A Regler, artful Cove at / a old crow’. Pen and ink. Inscribed. Verso: ‘Doll Tear Sheet’. Ex.Collection: Ronald Searle. The sheet: 12.5x7.5 inches.
ANON. Circa 1825. Recto: ‘Go along wi yer. Vy I’ve turned’d / avay a ten-pun note for her !’ (sic). ‘A Leary un from Tufton Street Pit’. The Royal Cock-Pit in Tufton Street Westminster held cock-fighting, dog-fighting and rat-killing competitions. Pen and ink. Inscribed. Verso: ‘Theatrical Characters 1 / Falstaff. ‘I would you had but the wit; t’were / better than my Dukedom’. Ex. Collection: Ronald Searle. The sheet: 13.5x8.25 inches.
ANON. Circa 1830. ‘Water Nymphs’. Pen and ink. Ex. Collection: Ronald Searle. 2.75x3 inches.
ANON. Circa 1810. ‘You Rascal, I wish I could give you a horse whipping, didn’t you tell me the bottom was hard!’. ‘Why saw (sic) it be. But you are not half way to bottom yet’. Pen and ink study for a political satire. Ex. Collection: Ronald Searle. 8.5x13 inches.
ANON. (Circa 1850) Window shopping ladies in crinolines. Pen and ink. Ex. Collection: Ronald Searle. 4.25x4.5 inches.
ANON. Circa 1780. Caricature of a woman. Red and black chalks. With repairs. Ex. Collection: Ronald Searle 7x5 inches.
ANON Circa 1790. Circle of Thomas Smith (fl.1780-1822) An Italian Lake, possibly Lugano. Ink and watercolour. 9.25x16.5 inches. Framed: 19x26 inches.
ANON. Circa 1830. Icarus. Pen and ink, squared for transfer. Reputed provenance: Christies 16.4.19 (as ‘Richmond’). Sir George Hawley. 19x14.25 inches. £675.
ANON. Circa 1800. ‘Lackchin the lamplighter / known in Docts. Comms. for / Many years’. Ink and watercolour. Inscribed. 4.5x3.75 inches.
ANON. French School. Circa 1780. A soldier. Black chalk. Indistinctly signed. Provenance: W. R. Jeudwine, Alpine Club Gallery, 1961 (as ‘Possibly Augustin de Saint-Aubin’). 7x4 inches. Framed: 15.5x12.5 inches.
4. ANON. Late 18th century. Capriccio. Gouache. 14x19.5 inches. Framed: 17x22.5 inches.
ANON. '87 Highlanders embarking on board the Hymalai at Dover for Dublin, 1866' (sic). Pencil and watercolour. Inscribed on the original backing. 9.75x13.75 inches.
ANON. ‘T.S’. Circa 1770. ‘Matlock High Tor taken from the road’. Watercolour. Signed. 6.5x9.25 inches.
ANON. 1890. St Mary Le Bow from scaffolding on ?St Paul’s. An envelope decorated and addressed to ‘E. Henry Edwards Esq / Architect / Avondale / Beaufort Road / Weston Super Mare’ and postmarked from ‘London June 19th 1890’ to ‘Bristol, June 20th 1890’. 4.75x3.5 inches.
ANON. French. Circa 1798.
Profile of a Young Man.
Pastels.
16x11.5 inches. Framed: 18x13.5 inches.
£775.
ANON. Probably French. Circa 1795. Head of a Man. Red, black and white chalks on tan paper. 15.5x11 inches. Framed: 18x13.5 inches.
76. ANON. Circa 1930. Early Spring. Etching. 10.75x7.25 inches.
ANON. Circa 1860. ‘Britannia’. Architectural elevation of a picturesque Estate building flying a pennant inscribed ‘Britannia’. 10x17.25 inches.
ANON. Late 18th Century. Farm and Yard. Ink and watercolour by ‘The Master of the Wire Line’, so known by Dudley Snelgrove (British Museum) to whom it belonged. 6.25x11.25 inches.
Anon. Circa 1900. Head of a child. Oil on Academy Card. Indistinctly inscribed verso. 7.75x6.25 inches. Framed: 11x9.25 inches.
ANON. Dutch School. Circa 1700. Studies of a greyhound’s head. Black and white chalks on paper prepared blue. Exhibited: Anthony Reed. Framed: 9.25x12 inches. 3.5x5.25 inches.
ANON. French. Circa 1860. Study of a draped Angel. Black and white chalks, pen and ink, on tan paper. Verso: Pencil and chalk study of a draped figure.
ANON. Italian hand. Circa 1840. View across Naples looking toward San Martino. Gouache. 11.75x15.5 inches.
ANON. Italian hand. Circa 1840. Vesuvius from Castellammare. Gouache. 11.5x16.75 inches.
ANON. Italian hand. Circa 1840. The Temples of Paestum. Gouache. 11.75x15.5 inches.
ANON. Circa 1780. George III with a spy glass. Watercolour. 8.5x6.25 inches. Framed: 16x13.5 inches.
ANON. Late 18th century.
Wooded river bank.
Pen, brush, ink on blue paper.
6.5x9.5 inches. Framed: 15x17.75 inches.
ANON. Mid 18th century. Frontispiece design. Pen, brush and wash on grey paper. Circa 1750. 4.25x8.25 inches.
ANON. 1669.
Figures, possibly a study ‘after Bloemart’
Chalk, pen and ink, dated ‘October ye 14.15.16. / 1669’.
Backing inscribed ‘Drawing by Lely after Bloemart … Napier’.
Ex. Coll: Major A Tavener (probably from Stanhope Shelton) . His note ‘Ex. Coll. A Broadwood. Ex. Coll. Stora. Ex. Coll. P. Napier (?)’.
5.5x7.25 inches
ANON. ‘An Eminent Artist, skech’d from Life’. Etching. Purportedly Ex. Collection Iolo Williams as a ‘likeness of William Blake / taken by Paul Sandby’. 4.5x3.5 inches.
SANDBY Paul R.A. (1725-1809) (Collection of) ANON. Capriccio. Pencil, brush and sepia wash. Collector’s stamp of Paul Sandby. Ex. Collection: Walter Brandt. 6x8.5 inches.
ANON. 1790.
Rococo cartouche for ‘Thomas Newson / April 14th 1790’.
Pen, brush and ink. Inscribed.
6x6 inches.
ANON. (WW2 subject) Circa 1945. Soldier of the 122 Anti-Tank Regiment, Royal Artillery, serving with 29th Infantry Brigade near Mandalay (Feb-March 1945) or on the Rangoon Road (April-May 1945). Oil on canvas. Indistinctly signed. 23.5x19.5 inches. Framed: 29x24 inches.
ANON. Circa 1840.
Portrait of a Lady in a blue cloak.
Oil on paper.
20.25x14 inches (shaped)
ANON. Circle of George Morland (1763-1804)
The Fish Monger.
Pencil. Circa 1800.
8x4.75 inches.
ANON. Circle of Peter De Wint O.W.S. (1784-1849) ‘View of Windsor / from below Bridge / looking to (?Clone)’ Watercolour. Indistinctly inscribed verso. 5x6.5 inches.
ANON. 1915.
‘Shepherd’s Bush’.
Pencil, ink and watercolour. Indistinctly signed, inscribed and dated 15th May (19)08’.
9.5x5.5 inches. Framed: 17x12.25 inches.
ANON. Circa 1700.
Study of a family portrait.
Pencil, brush and grey washes.
7x11.5 inches.
ANON. Late 17th century.
Head and shoulders portrait.
Black, red and white chalks. Bears indistinct date? ‘24th March 1673’.
9x6 inches.
ANON. Circa 1780.
Head and Shoulders of a Gentleman.
Black, white and red chalks, gouache and pencil.
7.5x5.5 inches oval.
ANON. Circa 1870.
Three-quarter Head of a Girl.
Ink, watercolour and gouache.
6.25x5 inches.
ANON. Circa 1845.
A Peacock feather dress.
Oil on Roberson Board, 51 Long Acre (1828-1855)
9x7 inches.
ANON. Circa 1845.
Modest Girls in the Park.
Oil on Roberson Board.
9x7 inches.
ANON. Circa 1830.
Portrait of a lady with blue ribbons in her cap.
Watercolour and gouache.
6x6 inches. Framed: 8.25x8.25 inches.
ANON. Circa 1800.
‘Sicilian Peasants talking / about money’.
Pen and ink.
5x6.25 inches.
ANON. Circa 1830. Portrait of a Lady, reputedly ‘Lady Hertford’. Pencil and wash. 5x4.25 inches.
Anon. Circa 1890. ‘Empoisoneuse Pathalogique’. Oil on canvas. Inscribed in pencil on the stretcher. 29x23.75 inches.
ANON. Circa 1860.
An Unappreciative Audience.
Oil on canvas.
16x12.5 inches. Framed: 19x15.75 inches.
ANON. Circa 1835.
Casa Cenci, the Borghese Gardens, Rome. Thought by many to have been used by Raphael as a studio. Oil on paper laid on card. Circa 1835.
9x10.75 inches. Framed: 13x14.75 inches.
£1875.
ANON.
A line of cottages.
Oil on paper laid on panel. Bears TH.R initials. Ex. Coll: John Morrish.
6.75x12 inches. Framed: 12x17 inches.
£2500.
ANON. Circa 1780.
View to a river landscape.
Oil on panel.
8.5x12 inches. Framed: 11.5x15 inches.
£675
Anon. Circa 1840. The Young Falconer. Oil on canvas. 22x16.75 inches. Framed: 36x24.75 inches.
ANON. Circa 1770.
Head of The Madonna.
Red and black chalks. c.1770. Identified by Evelyn Newby (Paul Mellon Centre) as a study for ‘Christ on the Cross’ (lost) by William Hoare of Bath (1706-1792) in St Michael’s Church, Bath (rebuilt).
11x8 inches.
ANON. Circa 1870.
Christ and the Samaritan Woman at the Well.
Red chalk.
16.25x12.5 inches. Framed: 24.5x20.5 inches.
ANON. ‘View of Goodrich Castle on the Wye’. Watercolour. Inscribed and dated, 1801, verso. 9x13.5 inches.
ANON. Romantic Hand. Circa 1800. ‘View of Dover. Copied from a drawing of Mr Gilpins’. Watercolour. Inscribed verso. 9x13.5 inches. Inscription verso
ANON. 1818.
A Musical Boy.
Ink and watercolour. Dated 1818.
10.75x8.5 inches. Frame: 18.25x16.5 inches (possibly original).
BLOOMSBURY (Circle of) Circa 1925. Self-portrait with Staffordshire figure. Oil on canvas. Provenance: Anthony Fry (1927-2016). 20x17 inches.
ANON. Circa 1800. At the mirror. Oil on panel. 10.5x8.5 inches.
ANON. ‘(?J).B. April 7th 180(?0)’ Visiting the Witch. Pen, brush and ink. Indistinctly signed and dated. 6.5x8.5 inches.
ANON. Circa 1830. A terrible shipwreck. Ink and watercolour. 9.5x13.75 inches.
ANON. Circa 1890. A back yard. Thin oil on canvas, mounted as paper. 7x10 inches.
ANON. Circa 1800. Christ in the Temple. Watercolour. 8.75x7.25 inches.
ANON. Circa 1815. A view, possibly Vienna. Ink and watercolour. Circa 1815. 5x8 inches.
ANON. Circa 1810. A reed cutter. Ink and watercolour. 10.75x9 inches.
ANON. Circa 1950. The Crescent. Oil on board. 12x16 inches. Framed: 15x18.75 inches.
ANON. Circa 1820. Model holding a pose. Black chalk, heightened with white, on blue paper. 12.75x9 inches.
ANON. Circa 1805. Study of a wall: half-timbered slums. Ink and watercolour. 4.25x9.5 inches. Framed: 10x14.5 inches.
ANON. Circa 1820. Capriccio: Bamburgh Castle. Watercolour by a follower of John Varley O.W.S. 4.25x5.75 inches. Framed: 13.25x14.25 inches.
ANON. Probably French. Circa 1870. Portrait study. Oil on canvas (stretched) 6x2 inches.
ANON. Probably French. Circa 1870. Male Figure attended by Putti. Oil study on canvas (stretched) 4x6 inches.
ANON. Probably French. Circa 1870. Female Figure attended by Putti. Oil study on canvas (stretched) 3.75x6.25 inches.
ANON. Circa 1800. The Deliverance of Peter. Pen, brush and ink, with addition. 11x8.25 inches.
SWITZERLAND (subject) Circa 1870. ‘The Jungfrau from Wengern (sic) Alp’. Oil on card. Inscribed on verso in 19th c. hand ‘I think it is the Jungfrau. From the Wengern Alp. With Jungfrau. Silberhorn. Swatz Monch (sic Schwarz Monch)’ and partial signature ‘A.C …’. 3.5x5.25 inches.
ANON. Circa 1830. Shooting in the campagna. Pencil, brush and grey washes. 4x6 inches.
ANON. Circa 1830
Archery in the grounds of a neo-classical house.
Gouache and watercolour. Remains of artist’s label verso: ‘25 Judd Street West / New Road’.
27.5x36 inches
ANON. Circa 1830
Harbour scene.
Ink and watercolour.
4x5.75 inches.
ANON. Circa 1800. Derwent Water and Lodore Falls. Watercolour. 12x17 inches.
ANON. Circle of Samuel WALE. 1st Professor of Perspective R.A. (1720-1786) ‘The treachery of Colonel Kirke’. Engraving with grey wash additions. 5x7.25 inches.
ANON. Circa 1800.
Salvaging a dinghy.
Pen, brush and ink.
9.5x12,5 inches.
ANON. Circa 1820. Hermes; sculpture study. Black chalk. 7.5x6 inches. Verso: head of a girl.
ANON. Circa 1830. Sardinia: ‘A water cart in Cagliari’. Watercolour. Inscribed. 4.5x7.25 inches.
ANON. Late 18th Century. ‘The Merry Parson / A song (to the tune of ‘the (indecipherable) came (indeciph.) in’. Ink and watercolour. 5x8 inches.
ANON. SOMERSET (Subject) Circa 1830. ‘Hinton Priory House / Phillips’. Ink and watercolour. Inscribed. Circa 1830. 6x8 inches.
ANON. WARWICKSHIRE (Subject) Circa 1830. Barden Tower. Pencil, ink and watercolour. 4.75x7.25 inches.
ANON. Circa 1835. Head of a young man. Pencil with (some) ink on blue/grey paper. 8.25x6.5 (octagonal)
ANON. Possibly Harold John Stanley (1817-1867) Standing Nude. Pencil. Circa 1855. Possibly drawn at the Munch Academy under the direction of W.von Kaulbach. Provenance: Covent Garden Gallery (Bill Drummond). 11.75x9 inches.
ANON. Circa 1850. Head of a Man, possibly a self-portrait. Charcoal. Circa 1850. Provenance: Covent Garden Gallery (Bill Drummond). 13x9 inches.
Anon. Circa 1830. Abbey ruins. Watercolour. 5.5x8 inches.
ANON (after COPLEY John Singleton R.A. (1737-1815) The daughters of King George III, Princesses Mary, Sophia and Amelia. Pencil, bush and watercolour en grisaille. 10x7.5 inches.
ANON. Pupil of Paul Sandby R.A. (1731-1809) Capriccio with Shepherds, Castle and Pines. Watercolour. Circa 1790. 7x10.5 inches. Framed: 14x17 inches.
ANON. French. Circa 1840. Violin makers at work. Ink, watercolour and gouache. Indistinctly signed and dated. 11.25x8.5 inches.
‘BAYEAUX’ (subject) ‘East end of the Cathedral, July 1831. Pen, brush and ink. Signed with the initials HPC(?). 11.75x8.25 inches.
BOTHWELL CASTLE, Lanarkshire. (Subject) ANON. Circa 1800.
Watercolour. Inscribed verso.
8.25x11.75 inches. Framed: 16.5x19.25 inches.
ANON. 1844. ‘Arch at Wothorp’ (sic. Wothorpe) Cambridgeshire, erected to welcome Queen Victoria and Prince Albert en route to Burghley House. Pencil. Inscribed. 4.75x7 inches.
ANON. 1844. ‘Arch at Stamford’, erected to welcome Queen Victoria and Prince Albert en route to Burghley House. Pencil. Inscribed. 4.75x7 inches.
ANON. Circa 1750. Houses lining a river. Brush and grey washes on three joined pages. 5.25x16.5 inches.
ANON. Circa 1895. Girl in a caped coat. Pen and ink. 9x5.5 inches.
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ANON. Circa 1850. The Collector. Ink, watercolour, gouache and gum Arabic on paper. 6.5x8 inches. Mounted to show artist’s working. Original (distressed) framed: 9.75x11.5 inches.
ANON. CUMBERLAND (Subject) Circa 1830. Ullswater. Watercolour and gouache. 11.75x19 inches.
ANON. Circle of Francis Grose (1731-1791) A Drummer boy leaves home. Ink and watercolour. Circa 1780. 9.75x16 inches. Framed: 18.25x24.25 inches.
ANON. Possibly Dutch. Circa 1880.
Street scene.
Oil on canvas.
19x26 inches.
ANON. Circa 1770. Houses lining a river. Pen and ink, lightly squared. Inscribed in Dutch(?). 4x13.5 inches.
EGYPT (subject) Anon. 1879. ‘Gebelayn (sic Gebelein) Hills’ and ‘Sunrise from Esneh’. Black and white chalks on grey paper. Inscribed and dated ‘17th Dec. 1879’ and 18th Dec. 1879’. 7x11.5 inches.
CORNWALL (Subject) Anon. Circa 1800.
‘Fowey’.
Ink and watercolour. Inscribed.
6.25x8.75 inches. Framed: 15.25x17.5 inches.
ANON. Circa 1680. Head of a man. Oil on tin. 2x1.5 inches. Framed: 3.5x2.75 inches
ANON. Italian Hand. Circa 1850. Rape and Pillage. Watercolour and gouache on blue paper. Indistinctly signed bottom left. 5.5x7.25 inches. Framed: 13x14.5 inches.
ANON. SUSSEX (Subject) Circa 1850. ‘Worthing’. Ink and watercolour. Inscribed. 9x9 inches.
SHOTTER BOYS Thomas (1803-1874) (Circle of)
‘Abbeville’.
Pencil and watercolour. Inscribed and dated, ‘Aug.3 (18)65’. Ex. Collection: Leonard G Duke (D4475 as Shotter Boys).
11.25x18 inches. Framed: 19x25 inches.
ANON GREECE (Subject) Circa 1780. Athens: the base of the Acropolis, with the two columns from the original Parthenon. Watercolour on torn paper. 11x16 inches.
ANON. POSTAGE STAMP caprice. c.1860. ‘The Countess of Clarendon / The Grove / Watford / Herts’. Pen and ink incorporating a postage stamp. 5x4 inches.
ANON. Circa 1865. Projected design for the Union Club, Colmore Row, Birmingham. By Yeovil Thomason. Pen, brush, ink and watercolour. 18x25 inches. Framed: 24x30.5 inches. £450
ANON. Circa 1865. Projected design for the Union Club, Colmore Row, Birmingham. By Yeovil Thomason. Pen, brush, ink and watercolour. 18x25 inches. Framed: 24x30.5 inches.
ANON Botanical study. Initialled. 1741. Columbia. Cartagena de Indias: ‘The Manzanilla Tree taken at Bocca chica to show / the men that they might neither cut not sleep near it, a bow was / pin’d at the top of every Sergeant’s tent, in order to make the soldiers / acquainted with and to avoid it… F.M: J.G: (?) March the 12th 1741’. Sheet numbered ‘159’. Pen, brush and ink. Inscribed, dated and signed with initials. A record from Vice Admiral Edward Vernon invasion fleet prior to the Battle of Cartagena. 15.5x12.5 inches.
ANON. Circa 1810. Capriccio landscape. Inscribed verso ‘Ex. Coll: George Arthur Fripp. Harry Fripp’. 6x10 inches.
ANON. 1786. Penelope weaving a winding sheet for Laertes. Pen and ink for ‘The Spectator’, 1786. Possibly by Richard Corbould (1757-1831) 4x3 inches oval. Framed: 11.75x10 inches.
ANON. Circa 1795. Head of a Country Girl. Red, white and black chalks. 8.25x6.25 inches, oval.
LAKE DISTRICT (subject) 1922. ‘Windermere, Low Wood’. Oil on panel. Signed with monogram and dated, 1922. Verso inscribed, dated and indistinctly signed. 10x14 inches. Framed: 12x16 inches.
ANON. 19th Century. ‘Lincoln’: sculpture study. Pencil and watercolour. 12.5x7 inches.
LONDON subject. ANON. Circa 1900 ‘Waterloo Bridge study for the ‘Wandering Jew’ series’. Pen, brush and ink. Inscribed verso. 8x5 inches.
ANON. FLORENCE (Subject). ‘M. Loose’, c.1920. The Duomo, rooftops and distant hills. An accomplished gouache by an apparently unrecorded artist. Signed. 12x18 inches.
ANON. Circa 1810. Meeting the Squire. Ink and watercolour. 6.25x4 inches.
ANON. Circa 1830. Mother and Child. Black and white chalks on (discoloured) paper. 8x6.5 inches.
ANON. Circa 1800. Memento Mori. Pen, brush and sepia ink. 8.25x10.25 inches.
ANON. Circa 1950. Trees in blossom. Oil on canvas. 22x26.5 inches. Frame (Distressed): 29x33 inches.
ANON. Circa 1930. Possibly James Powell & Sons, Whitefriars. ‘Glory / Wisdom’. Presentation watercolour for a stained glass window panel. 45x12 inches. Framed: 47x13.25 inches. CLICK HERE to view framed.
ANON. 1786. Riverside scene. Ink, watercolour and gouache. Inscribed (?Signed) ‘Fecit Marin en 1786’. 8x10.25 inches.
ROMANTIC Movement (subject) Circa 1810.
A Loyal Hound guarding the body of his Master.
Watercolour and gouache. Circa 1810. The mysterious death of the little known artist Charles Gough near Red Tarn between Helvellyn and Grasmere on 17th April 1805 and discovery of his body three months later, still guarded by his dog ‘Foxie’, became a staple of the Romantic vision.
9x6 inches.
SCOTLAND. Anon. Circa 1800.
‘View of the Isle of Bute / Arran in the distance’.
Watercolour. Inscribed on the original washline backing.
8x11 inches.
ANON. Circa 1900. A Sheep Dog. Oil on card. Indistinctly signed and dated. 8x7.75 inches.
STOWE Park, Buckinghamshire Subject) Anon. 1845. ‘The Queen planting the Oak at Stowe Park’. Pencil, pen and ink. Inscribed. Provenance: A scrapbook of mid-19th century drawings possibly by a journalistic Illustrator. 6x7 inches.
ANON. Late 18th Century Thames ferry crossing. Ink and watercolour. Bears false Sandby signature on original washline border. 10x15 inches. Framed: 17x23 inches.
ANON. Late 18th century.
Village Fire.
Gouache. Ex. Collection: 2nd Lord Fairhaven.
4.25x6 inches.
WALES (subject) Circle of Samuel Prout O.W.S.(1783-1852)
‘Conway’.
Pencil. Circa 1815. Provenance: Samuel Prout. Samuel Gillespie Prout, Clara Allen, executor of S. G. Prout, to North Devon Athenaeum 1935. Bearne’s Auction of the North Devon Athenaeum’s Prout Collection, 21.4.2010, lot 357 an album by this hand as by ‘Samuel Gillespie Prout (1822-1911).
9.75x16.5 inches. Framed: 17.75x23.75 inches.
WARWICKSHIRE (subject) ANON. 1804. ‘Warwick Castle’. Ink and watercolour. Inscribed and dated ‘October 4th 1804’. 9.5x14.75 inches.
WESTMINSTER ABBEY (Subject) Member of the (?Walter) SNEYD family. 1838. ‘Coronation of Queen Victoria, June 28th 1838’. Watercolour. Inscribed verso. Exhibited: Covent Garden Gallery. 8x5.75 inches. Framed: 15.75x13.25 inches.
ANON. French. Circa 1810
A record book with 44 designs for window draperies.
Ink and watercolour.
5.5x3.5 inches the book.
ARCHITECTURE (Student Exercise) ‘S. Linssen’ ‘Greek Composition’. Pen, brush and ink. Circa 1910. Signed to backing. Prov: Trenwith Wills and Gerald Wellesley Architects. 28x20 inches.
BRISTOL SCHOOL. Circa 1835. Tretowel Castle near Crickhowell, Breconshire, with Tretower Court behind. Watercolour and gum Arabic. 4.25x7 inches.
COTMAN John Sell (1782-1842) (Circle of) St Andrew’s Church, Blickling. Pencil and watercolour. Ex. Collection: Bryan Hall (1994). The Church was almost completely rebuilt in the 19th century; the chancel by Butterfield in the 1850s and the nave and tower by Street in the 1870s. 7x11.5 inches.
COVENTRY (subject) Circa 1925. ‘Proposed War Memorial / Corporation of the City of Coventry / Styvechale Park’. Pencil, watercolour and gouache on grey paper. 30.5x21 inches unmounted.
ANON. Six Crimean War watercolours. CLICK HERE
DEPTFORD, St Paul’s Church. (subject). ‘Elevation of the Painted Window and Altar Piece / as executed at St Paul’s Church Deptford by W(illiam) Collins, 1813’. A proposed improvement to Thomas Archer’s 1730 Church. Ink and watercolour. Inscribed and dated. 19x14.25 inches.
DORSET subject. Circle of Captain Francis Grose F.S.A. (1731-1791) Christchurch. Priory House, Ink and watercolour. Circa 1770. 9x15 inches. Framed: 17x22.5 inches.
DRESDEN (Subject) ANON. ‘Dresden looking Westward’. Pencil. Inscribed/?signed and dated August 3rd 1834. 7x10 inches.
EGYPT (subject) (Nov.1879-Jan.1880) ‘Scene on the Nile’. Oil on paper. Inscribed verso.
FULCHER F (or E) P. 1822. ‘Psalm Singing’. Pen, brush and ink. Signed, inscribed and dated, 9th August 1822. Ex. Collection: Ronald Searle. 12x9 inches.
GIRTIN Thomas (1775-1802) (follower of) A ruined Abbey. Pencil and watercolour. Circa 1805. 11.5x18.75 inches. Framed: 19x26 inches.
HERTFORDSHIRE (subject) ANON. ‘St Alban’s Abbey from the Park at Gorhambury’, Hertfordshire. Watercolour. Inscribed and dated, 1801, verso. 9x12.25 inches.
‘HEVER CASTLE’ (Subject) ANON. Circa 1840. Pencil and watercolour. Inscribed. 10.5x17.5 inches.
ANON. Formerly attributed to John Hoppner R.A. (1758-1810)
Head of a man.
Pastel on paper.
Irregular fragment: 11.25x9.25 inches.
INDIAN SCHOOL. 1913. A disembarkation. Gouache copy of 17th Century Netherlandish painting. Oval: 8x10 inches
INDIAN SCHOOL. 1913. ‘Flissinga’ Gouache copy of 17th Century Netherlandish painting. Signed ‘H.D.’ and dated 1913. Oval: 8x10 inches.
INDIAN SCHOOL. 1913. Three ships offshore firing cannons. Gouache copy of 17th Century Netherlandish painting. Oval: 8x10 inches
IPSWICH (subject) Formerly attributed to John Thomas SERRES (1759-1825)
A view of Ipswich.
Ink and watercolour. Inscribed on original label.
7x9.25 inches.
£675.
IRELAND (subject) ‘S.W.’ Early 19th century. ‘Devil’s Glen, County of Wicklow’. Pencil. Inscribed and signed. 4.5x5.75 inches. Framed: 12x13 inches.
ITALY (subject) Anon. Circa 1820. A View, possibly of Civita Castellana, north of Rome. Ink and watercolour and possibly by a German hand. 9x11 inches.
ITALY (subject). Anon. Circa 1775. The Rocca, Civita Castellana, north of Rome. Ink and watercolour. An attribution to Chales Gore (in Italy 1774-1778) has been suggested. 8.5x13 inches.
KENT (subject) Anon. 1842. ‘Herne Church’. Pencil, watercolour and gouache. Inscribed and dated, 23rd June 1842. Provenance: Album of Ebenezer Landells studies. 7.25x10.75 inches.
LAKE DISTRICT (subject) ‘Coniston Water’ Brush and ink on blue paper. 1808. Accompanied by a homily. 5.5x9 inches. Framed: 21x16.25 inches.
LAKE DISTRICT (subject) ‘Lethes Water’. Brush and ink. Accompanied by a homily. 8x9.75 inches. Framed: 21x16 inches.
LAKE DISTRICT (subject) ‘St John’s Vale’. Brush and ink. Accompanied by a homily. 6x9 inches. Framed: 21x16.25 inches.
LONDON. Anon. ‘Sluice House, New River, Hornsey Wood House in the distance’. Gouache. Transcribed inscription, dated 1779, verso. 5.25x7.25 inches.
LONDON (subject) Circle of Paul Sandby R.A. (1731-1809)
St James’s Park looking South East with Westminster Abbey in the distance.
Ink and watercolour.
10x15.25 inches.
LONDON. (subject) Anon. Circa 1845. Thames Tunnel: the Grand Entrance Hall linking Wapping and Rotherhithe, constructed by Marc Isambard Brunel between 1825 and 1843. Pencil, pen, brush, ink and watercolour. 7x10 inches. £500.
LONDON (subject) Anon. Circa 1845. University College, London: the Wilkins Building before the later building of the wings forming the Quad. Pencil, brush and sepia wash. 6x9 inches.
LONDON (subject) ?Frank Watkins (fl.1850s) The Euston Arch. Pencil, pen, brush and sepia ink. Circa 1850. Indistinctly signed. 6.25x9 inches.
LONDON (subject) Circa 1840) The South-East View of Old St Pancras Church. Pen, brush and ink. 4.5x7.25 inches.
‘MACDOUGALL (J.?)’ Circa 1840. Gentleman of the circle of Caroline Norton (Cf. Nos. 73, 74, 75, 89 and 90). Watercolour. Signed. Provenance: With a group of oil and watercolour studies by and of Caroline Norton (1808-1877) by direct descent from her 2nd husband Sir William Maxwell Stirling (1818-1878). Ex .Collection: Sir John Stirling Maxwell (1866-1956) 12.25x8.25 inches.
MALTA (subject) ANON. 1901. The Harbour III. Ink, watercolour and gouache. Dated April 4th 1901. 6.75x9.5 inches. Framed: 13.25x15.5 inches.
MALTA (subject) ANON. 1901. The Harbour I. Ink, watercolour and gouache. April 1901. 6.75x9.5 inches. Framed: 13.25x15.5 inches.
MALTA (subject) ANON. 1901. The Harbour II. Ink, watercolour and gouache. Dated April 4th 1901. 6.75x9.5 inches. Framed: 13.25x15.5 inches.
MARGATE (subject) by ‘C. Dillon’. 1843. ‘Margate, from the Sands, West of the Infirmary, by C Dillon, January 1843’. Pen, brush and ink. Inscribed, dated and ?signed. Provenance: Album of Ebenezer Landells studies. 5.5x7 inches.
ANON. Neapolitan Hand. Circa 1830. ‘Veduta di Napoli da Posilipo’. Period gouache in very nice condition. 10x16 inches.
NORFOLK (subject) ANON. Circa 1850. ‘Cromer’. Pencil and gouache on tan paper. Inscribed. 5x7 inches.
NORWICH SCHOOL Circle of. Circa 1840. Farm buildings by a rivers bank. Pencil heightened with white on grey/tan paper. Indistinctly inscribed / ?signed. Provenance: a group of drawings by Cotman, Bright and Middleton 10.5x16.75 inches.
ROME (subject) ANON. 1840.
‘Villa Borghese’.
Pencil and watercolour. Dated, 1840. Inscribed on the backing ‘Villa Borghese ye 31st Jan. 1840’
7.25x10.5 inches.
ROME (Subject) Circa 1870. The arcades of the Colosseum. Watercolour. Inscribed ‘M.E.W.’, and formerly attributed to Edward Matthew Ward (1816-1879). 20x13.25 inches. Framed: 28x20.5 inches.
SHROPSHIRE (subject) Anon. Circa 1810.
‘Yew trees / Oswestry Church Yard’.
Ink and watercolour. Inscribed, recto and verso.
8x9.75 inches.
SRI LANKA (Reputed Subject) Anon.
Europeans enjoying a vantage point.
Watercolour. Circa 1850.
8.5x10.5 inches. Framed: 16.5x18.25 inches.
STONEHENGE (subject) Early 19th c. Stonehenge: a drawing inspired by John Webb’s "The most Notable Antiquity of Great Britain, Vulgarly called Stone-Heng on Salisbury Plain, Restored by Inigo Jones Esquire" (1655), and possibly by Thomas Watson. Pencil, ink and watercolour. 14x19 inches.
STONEHENGE (Subject) Anon. Circa 1830.
‘Stonehenge / in its present state / An Antediluvian Temple / the greatest curiosity of its kind in the world’.
Watercolour on its original, inscribed backing.
17.75x23 inches.
WILTSHIRE (subject) Anon. 1801. ‘Silbury Hill, Wilts’. Watercolour. Inscribed and dated, 1801. 7x10 inches.
