This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
‘BOX E.’ (Eden Fleming 1919-1988) Leopard and Fan. Oil on canvas. Signed. 14x12 inches. Framed: 18x16 inches.
BROWNE B. (Circa 1820)
Portrait of a girl with lilies in her hat.
Pencil and watercolour. Signed, inscribed ‘Sampford’ and indistinctly dated.
7.75x5.5 inches. Framed: 10.25x8 inches.
Robert Sargent AUSTIN R.A. R.E. (1895-1973) Prints and Drawings. CLICK HERE
BIANCHINI-FERIER (Firm of) Founded 1888. An art nouveau design for fabric and/or wallpaper. Watercolour. Circa 1900. Provenance: Christies Bianchini-Ferier Archive Sale, 2001. 22.5x20 inches.
BACKHUYSEN Ludolf, the Elder (1630-1708)
A Dutch hoeker.
Pen, brush and ink. Collectors stamp on backing.
Dr Gerlinde de Beer, (‘Ludof Backhuysen the Elder’, publ 2002) suggests , on the basis of a photograph, that this sketch is a late work.
6.25x4.75
BADMIN Stanley Roy R.W.S. (1906-1989) ‘Cheyne Row’. Pencil and watercolour study preparatory to his 1935 etching (C.B.38). Signed and inscribed. 5.5x7.75 inches.
BADMIN Stanley R.W.S. (1906-1989) ‘Burford, Oxfordshire’. Etching. Signed and editioned, 17/45. 5x7.25 inches. Framed: 16x12.5 inches.
BADMIN Stanley Roy R.E. A.I.A. (1906-1989) ‘Pluckley, Kent: After the Match’. Watercolour. Signed and inscribed, also ‘Last Man In’. Exhibited: RWS 1934. 5.25x9 inches.
BADMIN Stanley R.W.S. R.E. F.S.I.A. (1906-1989) Mill near High (?Lane), Essex’. Pen and ink for ‘Highways and Byeways in Essex’, 1939. 8x5.25 inches.
BADMIN Stanley Roy R.E. R.W.S. (1906-1989) ‘Priory Pond’. Priory Farm, Kings Stanley, Gloucestershire. Etching. Signed and inscribed. Inscribed beneath mount ‘4 Trial. 2nd State’. 5x6 inches.
BADMIN Stanley R.E. R.W.S. (1906-1989)
‘Mells, Somerset’.
Etching. Trial 3rd state. Signed and inscribed.
5.5x7 inches.
BADMIN Stanley Roy R.W.S. (1906-1989)
‘Priory Pond’, Kingstanley, Stroud.
Etching. 1932. Signed, inscribed and editioned ‘8/25 End edition’. 1st edition lost and this edition printed in 1981.
5x6 inches.
BADMIN Stanley Roy R.W.S. R.E. (1906-1989) Burford, Oxfordshire (B25). Etching. Proof. 1931. Inscribed and ‘’Trial without lettering’ and signed. 5.25x7.25 inches
BADMIN Stanley Roy R.W.S. R.E. (1906-1989) ‘Cheyne Row’. Etching. Artist’s Proof. Signed and inscribed. Also inscribed by the artist ‘ ‘Artist trial on tinted laid paper / Published by 21 Gallery W1. Ed. 50 exhibited R.E. and R.A. 1935 / Plate was steel faced at about 30/ Cheyne Row, Chelsea, build by Lord Cheyne in 1780. 5.75x6 inches.
BADMIN Stanley R.W. S R.E. F.S.I.A. (1906-1989) ‘Carving in oriel window, Monks Barn, Newport’. Pen and ink. Inscribed by the artist. For ‘Highways and Byeways in Essex’, 1939. 2.5x6.25 inches.
BADMIN Stanley Roy (1906-1989) ‘Study: Trees in the Park, Hambledon’. Watercolour. 9x10 inches. Signed, inscribed and dated, 1956. Exhibited: Chris Beetles Gallery.
BAGDATOPOULOS William Spencer R.S.A. (1884-1965) ‘Hut, Malabar Coast’. Watercolour. Circa 1925. Signed. Inscribed verso. 19.5x28.5 inches.
LE BAILLY C S (Exh. Paris Salon 1834-1839) ‘Mary Harford, Rippon Hall, Hevingham’; Mrs Truman Harford nee Biddle (1763-1839). Pencil and watercolour. Signed and dated, 1833. Inscribed on the original backing. 11.5x8 inches.
BAINBRIDGE Dame Beryl (1932-2010) Children on a sofa. Oil on board. 18x24 inches. Framed: 24x30 inches.
BAIRNSFATHER Bruce (1887-1959) ‘Never Again! In future I snipe from the ground’. Pen, brush ink and gouache. Signed. Inscribed verso with artist’s address ‘Parkhurst, Isle of Wight’. Ill: The Bystander’s Fragments from France, 1916, p.43. 13.75x9.75 inches. Framed: 21x16 inches.
BAIRNSFATHER Bruce (1887-1959) ‘This stone colossus recently discovered at Bere-in-Botel (Northern Libya) is believed by some to be the earliest record of Old Bill’. Ink, watercolour and gouache. Signed and inscribed. Inscribed verso with the artist’s instructions to the printers. Ill: Front cover of The Bystander’s Fragments away from France by Captain Bruce Bairnsfather, No.8. 1919. 14.5x10 inches.
BAKER Alfred Rawlings (b.1865) Returning at Dusk. Watercolour and gouache on tan paper. Signed and dated, 1905. 7.5x11.5 inches. Original frame by Rodman of Belfast: 13x18 inches.
BAKST Leon (after) (1866-1924) ‘Legende de Joseph’. Ink, watercolour and silver paint. Ex.Coll: J Carr Doughty. Exh: Belgrade Theatre, '67. Diaghilev, Musee de Strasbourg, '69. Bakst, FAS, London, '74. Commissioned in 1914 to promote the Ballet Russe season in the Illustrated London News, the original works could not be sent because of the outbreak of war so this and other copies were made with Bakst and Diaghilev’s approval. 13x10.5 inches.
BAKST Leon (1866-1924) (Circle of)
‘The Muscovite Peacock’.
Oil, paper and metal foil college ‘sous verre’. Provenance: Acquired John Carr Doughty (d.1998) from Tamara Karsavina (1885-1978) in 1944. His label verso inscribed: ‘DIAGHILEV – THE MUSCOVITE PEACOCK'. Karsavina was one of the 3 baidaderes in Diaghilev’s 1911 DIEU BLEU, and kept this glass picture which he gave her of the Muscovite Peacock, as he was known – as a memento of her life with the DIAGHILEV BALLET RUSSE. Acq’d from Karsavina, 1944’ (sic). It was in fact Leon Bakst who was known as ‘The Muscovite Peacock’ and who designed the sets and costumes for ‘Le Dieu Bleu’.
8.5x12.5 inches. Framed: 11.25x15.25 inches.
BALKANYI Suzanne (1922-2005) Etchings by the Budapest born, Paris based print maker.CLICK HERE TO VIEW
BALKANYI Suzanne (1922-2005) 'Le marché à Gordes I'. Etching. 1965. Signed, inscribed and editioned, 3/35. 11.5x15.5 inches.
BALL Robin Charles (1910-1979) ‘Stormy Weather’, Utopia Station. Watercolour. 13x24 inches. Signed. Inscribed and dated 1939 verso.
BALL Robin (1910-1979) ‘Wagon Lines’. Ink and watercolour. Signed and dated, 1943. Exhibited: ‘Robin Ball’, Connaught Brown, 1987. 11.5x9 inches. Framed: 19x16 inches.
BALL Robin (1910-1979)
Cookhouse squaddies peeling potatoes.
Pencil and watercolour. Lightly squared. Circa 1942. Signed.
8.75x11.25 inches. Framed: 16.25x18.25 inches.
Pierre BALMAIN (Atelier of) Dress designs for 'Collection Printemps Ete 52'.
BALMER Barbara R.S.A. R.S.W. (b.1929) ‘Veil of Tamarisk’. Oil on panel. Signed. Inscribed verso. Exhibited: Open Eye Gallery. 48x54 inches. Framed: 51x57 inches.
BALMER Derek P.P.R.W.A. (b.1934) ‘Mallorcan Winter II’ Watercolour and gouache. Signed and dated, 2002. 11x15 inches. Framed: 20.25x24 inches.
BAMPFYLDE Coplestone Warre (1720-1791) Landscape. Watercolour. Signed. 16x10.75 inches.
BANKS Robert Louis R.I.B.A. (1911-2000) ‘Matonubo Kano’s Garden. Taiso-in, Kyoto’. Watercolour. Signed. Inscribed on original label. 17x33.5. Framed: 22x38.5 inches.
BANKS Robert R.I.B.A. (1911-2000) Sunlit wall, Puglia. Watercolour. 13x18 inches. Signed and dated 1971.
BANKS Robert R.I.B.A. (1911-2000) Santa Maria dell’Orazione e Morte, Rome. Pencil and watercolour. Signed. Exhibited: Trafford Gallery, 1973. 26x19.25 inches. Framed: 33x26 inches.
BANKS Robert R.I.B.A. (1911-2000)
Fontana del Moro, piazza Navona, Rome.
Watercolour. Signed and numbered ‘342’.
13x20 inches. Framed: 20x26.5 inches.
£1100. Framed Photo
BANKS Robert Louis R.I.B.A. (1911-2000) ‘Hercules’, Palazzo Borghese, Rome. Watercolour. Signed and numbered ‘485’. 28x20. Framed: 30x22 inches. CLICK HERE to view framed.
BANKS Robert Louis R.I.B.A (1911-2000)
‘Mosco’s shorts’
Watercolour. Signed and dated, 1962. Exhibited: Trafford Gallery.
10.75x14.75 inches. Framed: 14.75x18.25 inches.
BANNER Delmar Harmood (1896-1983) 'Blencathra from Scafell'. Oil on canvas. Signed and dated, 1947. 18.5x20 inches.
BANNER Delmar Harmood (1896-1983) ‘View over Buttermere to Great Gable’. Watercolour and gouache. Ex. Coll: Rev Garnett Benson. 11x15 inches.
BANNER Delmar Harmood (1896-1983) Lake District Western Fells, view from Green Gable: the Haystacks with Ennerdale to the left, Blackbeck Tarn middle right with Innominate Tarn behind, Burtness Comb to right and the east flank of Mellbreak falling away middle right. Oil on canvas. Signed and dated, 1946. 20x17 inches.
BANNER Delmar Harmood (1896-1983) ‘High Crag, High Stile, Red Pike from Dale Head’, above Buttermere. Pencil and watercolour. Inscribed and dated, 1937, by the artist. 15.75x22.5 inches.
BANTING John (1902-1972) CLICK HERE
BARBIER George (1882-1932)
Trojan Tragedy.
Printed watercolour and silver paint over a printed line. 1913.
9.25x9.25 inches. Framed: 10.25x10.25 inches.
BARBOSA Artur Ernesto Teixeira de Verconcelos (1908-1995) ‘A Castle in Bavaria’ Gouache cover design for the Memoir by Prince and Princess Thibaut d’Orleans. Simon & Schuster, 1976. Watercolour. Signed. Label verso. 13x19 inches.
BARING Maurice O.B.E. (1874-1945)
‘The Grail – Sir Gallahad’.
Watercolour. Provenance: Lady Diana Cooper. Viscount Norwich.
13.5x9.5 inches. Framed: 14.75x10.5 inches.
BARKER Ruth Platt (1925-2009) ‘Three Nudes in a Landscape’. Oil on board. Signed. 24.5x32 inches. £575.CLICK HERE to view framed.
BARKER Kit (1916-1988) ‘Hadrian’s Villa, Tivoli’. Oil/canvas. Circa 1955. Signed. Inscribed verso. 20x16 inches. Framed: 19.5x23.5 inches.
BARKER John Joseph (of Bath) (1824-1904) ‘Kewstoke Church and Village / Weston Super Mare’. Somerset. Pen, brush and in. Signed, inscribed and dated, 1882. 9x11.75 inches.
BARKER of Bath, Benjamin Jnr (1776-1838) Cottage near Chippenham. Oil on paper. Inscribed verso. Ex. Collection: L. G. Duke (D.28417). Exhibited: Cyril Fry. 9x7 inches.
BARLOW Francis (c.1626-1704) Plates from a 1666 edition of Aesop's Fables.CLICK HERE TO VIEW
BARLOW Francis (1626-1704) ‘The Swallow and Other Birds’. Etching with verso to illustrate Aesop’s Fable XVIII, a late 17th century impression.. 6.5x6.5 inches.
BARNARD Rev. William Henry (1767-1818)
‘The Arch of Marius near Rome’.
Watercolour. Inscribed. 1816.
6x5x9 inches. Framed: 13.75x15.75 inches.
£225.
BARNARD Rev. William Henry (1769-1818) CLICK HERE TO VIEW WORKS
BARNARD Margaret (1900-1992) Mountain Village. Linocut printed in colours. Circa 1930. Signed and editioned, 1/50. 10.5x13 inches.
BARNS-GRAHAM Wilhelmina CBE (1912-2004) ‘San Gimignano’. Pencil and watercolour. Signed and dated 1955. Inscribed and dated, July 1+ 2 1954 verso. 12x17 inches
BARNETT Rosamund (Twentieth Century) 'Collioure'. Linocut. Circa 1930. Signed, inscribed and numbered 1/50. 9x13.4inches.
BARNS-GRAHAM Wilhelmina (1912-2004) ‘Dialogue between sand and sea (Hayle)’. Ink and watercolour. Signed and dated, 1981. Inscribed verso. 5x7.5 inches. Framed: 12.25x14.5 inches.
BARRATT Reginald R.W.S. (1861-1917) ‘Bathing tank at Alwar, Rajasthan’. Watercolour. Signed and dated 1914. 12.5x9 inches.
BARRATT Reginald R.W.S. (1861-1917) ‘West Doorway, St Marks, Venice’. Ink and watercolour. Signed and dated, 191(0 or 6). Inscribed verso. 19.25x12.5 inches. Original frame available.
BARRET George Snr (1732-1784) A woodland pool. Monochrome washes. Exh: Agnews (No.41908) 7.75x11.75 inches. Framed: 16x19.5 inches.
BARRET George Jnr (1767-1842) Capriccio: Dusk. Watercolour and gum Arabic. Circa 1825. 7x10.25 inches. Framed: 14x17 inches.
BARRETT Roderic (1920-2000)
‘Deserted house with two jeering characters’.
Linocut. Signed, inscribed and editioned, 3/15.
13.5x20.5 inches. Framed: 15.75x22.75 inches.
BARRETT Roderic (1920-2000)
‘Family of Chairs’.
Wood engraving. Signed and inscribed.
2.5x3.75 inches.
BARROW Julian (b.1939) CLICK HERE
BARROW Joseph Charles (Exhibited from 1789, d. 1804) Moonlit capriccio. Watercolour and gouache, with original washlines. Signed and dated, 1789. 14x18 inches.
BARTLETT Charles (1860-1940) ‘Ushibuse, Japan’ also known as ‘The Sleeping Buddha’ or ‘Fishing in the early morning’. Woodcut hand coloured with watercolour. Published by Watanabe Shozaburo Signed, artists seal and publishers seal. Dated 1916. 9x14 inches.
BARTLETT William Henry (1809-1854) Syria/Turkey. ‘The River Orontes near Suadeah’ (sic). Pencil and sepia washes. Later engraved for Syria, the Holy Land, Asia Minor etc, Vol.1 opp. p.21 (Publ. Fisher 1836-1839). 5x7 inches.
BARTLETT William Henry (1809-1854) Powderham Castle, Devon. Pencil, pen and ink. Signed and dated, June 1829, verso. 3.75x5.75 inches. Framed: 11.25x12.25 inches.
BARTLETT William (1809-1854) Yorkshire. ‘Bolton’ Abbey. Pencil, brush and wash. Inscribed. Inscribed verso with instructions, probably to an engraver. 6.75x10 inches.
BASKIN Leonard (1922-2000) ‘Young Palmer’. Wood engraving. Signed and editioned 63/90. 3.25x2.5 inches.
BASKIN Leonard (1922-2000) Seed Heads, Mouse and Insects. Wood engraving. Signed. 2.75x3.75 inches.
BASKIN Leonard (1922-2000) Field plants. Wood engraving. Signed. 6x4 inches.
BASTIN Arthur Dickman (1849-1913)
‘Taking it easy’.
Watercolour. Signed. Inscribed and with the artist’s address, 45 Campden Square, verso.
7x10 inches.
BATCHELOR Roland R.W.S. (1889-1990) The Art Class. Oil on canvas. Signed and dated, 1947. 20x16 inches. Framed: 26x22 inches.
H. M. BATEMAN (1887-1970) The Malta and Gozo Years. CLICK HERE
BATEMAN Henry Mayo (1887-1970) ‘1812’. Pencil and watercolour. Signed.
BATEMAN James R.A. (1893-1959) ‘Deer in Richmond Park’. Wood engraving. Signed, Inscribed, editioned 26/50 and dated 1934. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 5.75x7 inches.
BATEMAN James R.A. (1893-1959) ‘A Westmoreland Farm’. Wood engraving. Signed, inscribed, editioned 25/50 and dated 1931. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956) 5x6.5 inches.
BATEMAN Henry Mayo (1887-1970) ‘Rugby Downs!’. Ink, watercolour and gouache. Signed. Indistinctly dated ‘19(?)3’. A. E. Johnson, Artists Agent, label verso, inscribed. 3x8.5 inches. Framed: 9.5x15 inches.
BATEMAN Henry Mayo (1887-1970) ‘Cans and Cants’. Pen and ink. Signed and inscribed. Provenance: Artist’s family. 8.5x7.25 inches.
BATEMAN Henry Mayo (1887-1970) A Vocal Minority. Pen and ink. Circa 1940. Provenance: Artist’s family. 4x4 inches.
BATEMAN Henry Mayo (1887-1970) ‘The Man Who Coughed at The Darts Match’. Pen and ink. Signed. 10x13 inches. Framed: 21.25x19 inches.
BATES Henry Edward (Exh: 1926-1939)
‘ Edge of a Wood’.
Wood engraving. Signed, inscribed and editioned 22/30.
4.75x6.25 inches.
£95
BATES Henry (fl.1930s) ‘Jungle’. Wood engraving. Signed, inscribed and editioned 32/50. 6.75x4.75 inches.
BATES Henry Edward (Exh: 1926-1939)
‘Stockport’
Wood engraving. Signed, inscribed and editioned, 38/50.
4.5x6.25 inches.
BATTERSBY Martin (1914-1982) ‘Jigsaw’. Gouache. Original framed and mount. Exhibited: Arthur Jeffress Gallery. Framed: 9x9.5 inches.
BATTY Lt. Col. Robert F.R.S. (1789-1848)
‘Westminster Abbey from Lambeth’.
Sepia ink. Inscribed on the original backing. Provenance: An album of work by Batty , Christies, 10th July, 1990.
2.5x4 inches.Framed: 10.25x10.75 inches.
BATTY Colonel Robert (1789-1848) Capriccio landscape. Pencil and monochrome washes. Provenance: an album of Batty’s studies dated 1806. 5x8 inches.
BATTY Lt. Colonel Robert F.R.S. (1789-1848) ‘Salzburg’. Brush and monochrome washes. Inscribed on the backing. Provenance: Christies 10.7.1990, a large album of works by Batty. 2.5x4 inches.
BATTY Lieut. Colonel Robert Batty F.F.S. (1789-1848)
‘Palais Royale’, Paris.
Sepia washes. Probably 1819. Inscribed by the artist on the backing. Provenance: Batty Album, Christies, 10.7.1990.
2.75x4.5 inches.
£150.
BATTY Lieut.Colonel Robert Batty F.F.S. (1789-1848)
‘Durham’.
Sepia washes. Inscribed by the artist on the backing. Provenance: Batty Album, Christies, 10.7.1990.
1.5x2.75 inches.
BATTY Lieut.Colonel Robert Batty F.F.S. (1789-1848)
‘Durham’.
Sepia washes. Inscribed by the artist on the backing. Provenance: Batty Album, Christies, 10.7.1990.
1.5x2.75 inches.
BATTY Lieutenant-Colonel Robert F.R.S. (1789-1848) ‘Barmouth’. Brush and ink. Inscribed on the backing. Provenance: Album of Batty’s work, Christies 10.7.1990, to Abbott and Holder. 2.25x3.5 inches.
BATTY Lieutenant-Colonel Robert F.R.S. (1789-1848) ‘Derwentwater’. Brush and ink. Inscribed on the backing. Provenance: Album of Batty’s work, Christies 10.7.1990, to Abbott and Holder. 2.75x4.5 inches.
BAUER Marius (1867-1932) The City Gates. Etching. Signed. Numbered ‘N.33’. 10x14 inches.
BAUER Marius (1867-1932) ‘Indian Mountains’. Etching.Signed and editioned ‘No.96’. 4x6.5 inches.
BAUMER Lewis R.I. P.S. (1870-1963) ‘The Chintz Dress’. Pencil, watercolour and gouache. Circa 1925. Signed. 13x10 inches. Framed: 18x14.75 inches.
BAUMER Lewis (1870-1963) ‘Small girl, who has been told to help the new maid to wash up the tea-things and make her feel at home, starting the conversation: ‘Are you married Jane?’ ‘No, Miss’ ‘Nor am I’… Pen and ink. Circa 1920. Signed and inscribed. Initialled by ‘Punch’s art editor (1919-1937) Frank Reynolds. 7.5x11 inches. VIEW INSCRIPTION
BAVELAAR Cornelius (1747-11830) / Cornelius Bavelaar Jnr (1777-1831) A pair of farmyard Dioramas. Carved, cut and painted wood and paper in their original boxes. Lit: Rob Van Mesdag, ‘The work of Cornelius Bavelaar’, Country Life, Dutch Number, vol. CLXVI no.4285, August 23rd 1979. Each 9x12.5x3 inches. The pair: £1750.
BAWDEN Edward R.A. (1903-1989) CLICK HERE
BAWDEN Richard N.E.A.C. R.E. (b.1936) ‘The Green Bowl’. Etching and aquatint’. Signed, inscribed and editioned, 7/150. 19.75x15.5 inches. Framed: 28.75x24 inches.
BAWDEN Edward R.A. (1903-1989)
‘Selborne II’
Ink and watercolour. Signed. Circa 1970. Exhibited: No.20, ‘Tribute to Edward Bawden’, The Fine Art Society, 1989.
18.5x22 inches. Framed: 25.5x29 inches.
BAWDEN Richard R.W.S. R.E. (b.1936) ‘Home Farm, Peldon’. Etching and aquatint printed in colours. Signed, editioned 14/75 and inscribed. 14.5x19.5 inches.
BAWDEN Richard R.W.S. N.E.A.C. R.E. (b.1936) Still-life at a window. Pencil and watercolour. 13.5x12.5 inches. Framed: 21.75x19.75 inches
BAWDEN Edward R.A. (1903-1989) ‘A Flying Goat. Pen and ink. Inscribed, and ‘Fog 20, Page 63?’. 3x2.75 inches.
BAWDEN Richard R.W.S. R.E. (b.1936)
‘Birthday Bouquet’.
Etching and aquatint. Signed, inscribed and editioned 19/75.
16.75x13.25 inches.
£225
BAYES Walter (1869-1956) ‘Venice at night’. Oil on canvas board. Signed. Exh: No.46, Goupil Gallery, 1928. Parkin Gallery, 1978 and 1986. 21x18 inches. Framed: 26.5x23 inches.
BAYES Gilbert (1872-1953) ‘St Christopher’. Bronze. One of the Fine Art Society/Art Bronze Foundry edition of 8. Caste from the 1953 original (Bayes Trust) in 2000. 16.5x4.5x4.5 inches .
BAYES Walter (1869-1956)
The artist’s wife.
Oil on canvas. Signed. Circa 1918.
Exhibited: No.9, Exhibition of recent work by Walter Bayes, Leicester Galleries, 1919. No.15. Exhibition of work by Walter Bayes, 1978, Michael Parkin Gallery.
15x13 inches.
BAYNES Anthony (1921-2003) ‘Within the Taurus’. Gouache dust jacket design for Within the Taurus by Lord Kinross, John Murray 1954 edition. 8.5x5.5 inches.
BAYNES Anthony (1921-2003) ‘Still-life’. Oil on card. Signed. 10x11 inches. Framed: 13x14 inches.
BAYNES Frederick Thomas (1824-1874) Lantern light. Ink and watercolour. Circa 1850. Provenance: Baynes family: Walkers Galleries; Maas Gallery, 1968. 13.5x10 inches. Framed: 21x17 inches.
BAYNES Keith (1887-1977)
Street Scene, Perpignan.
Ink and pastel. Circa 1960. Signed. Exhibited: Bloomsbury Workshop.
8x9 inches. Framed: 13.75x14.5 inches.
BEADLE James Prinsep (1863-1947) ‘In the Lake District at Grasmere’. Oil on canvas board. Signed. 12x16 inches.
BEATON Sir Cecil (1904-1980)
‘Haiti’. Ink and watercolour sketchbook page. Signed. Provenance: Eileen Hose Beaton Collection, Christies, 21.6.1988. 10.5x14 inches.
BEATON Sir Cecil C.B.E. (1904-1980) Textile design. Ink and watercolour. Inscribed ‘Repeat ad infinitum / to be printed on ground of colour with whites of / eye left white’. Provenance: Eileen Hose / Cecil Beaton Sale, Christies. 20x13.75 inches.
BEATON Cecil C.B.E. (1904-1980) ‘Memory’; design for a fan panel. Watercolour. Circa 1912. Signed. Prov: Eileen Hose (Beaton’s Secretary). Exh: ‘Cecil Beaton, Barbican Art Gallery, No.A39. Exh: Michael Parkin Gallery. 12x9 inches.
BEATON Sir Cecil C.B.E. (1904-1980) ‘Coral Browne’ Photograph, Signed. Dedicated on the original mount by the actress to William Chappell. 8x8 inches.
BEATON Sir Cecil (1904-1980) Gothick Interior: Stage Set. Ink and watercolour. Provenance: Eileen Hose Beaton Collection Sale, Christies 21.6.1988. 10x14 inches. Framed: 18x21.5 inches.
BEATON Sir Cecil (1904-1980)
‘Prince and Princess George of Denmark’. Ink, watercolour and gouache. Signed and inscribed. Verso: ‘The Queen’ and ‘Prince Philip’. Ink and watercolour. Signed, inscribed and dated ‘4.15.57’. 13x10 inches. Framed: 19.5x16 inches.
BEATON Sir Cecil (1904-1980) Study of a young Officer. Pen and ink. Circa 1945. Provenance: Derek Dodd (1937-2018) Film and Theatre Designer. 14x9 inches. Framed: 24x18.25 inches.
BEATON Sir Cecil (1904-1980) ‘George Gulliver’. Pencil. Provenance: Christies Beaton sale from the Estate of Eileen Hose. 10x6 inches.
BEATON Sir Cecil C.B.E. (1904-1980)
Jeanne Moreau. Oil on canvas. Signed. 23.5x19.75 inches. Framed: 25x21 inches.
BEAUCHAMP Charles (b.1949) ‘Child’s Head’. Oil on canvas. Signed. Ex. Collection: Stephen Spender. 7x6 inches.
BEAUCLERK Lady Diana (1734-1808) A Goatherd. Pencil, brush and ‘soot-water’. Circa 1780. 13x9.5 inches. Framed: 20.5x16 inches.
BEAUCLERK Lady Diana (1734-1808)
‘The Basket Weavers’.
Pencil, brush and ‘soot-water’. Circa 1780.
13x9.75 inches. Framed: 21x17 inches.
£1500.
BEAUCLERK Lady Diana (1734-1808) A Fancy subject. Watercolour and soot-water. Signed with initials. 11x6.75 inches.
BEAUCLERK Lady Diana (1734-1808) A Fancy subject. Watercolour and soot-water. Signed with initials. 11x6.75 inches.
BEAUCLERK Lady Diana (1734-1808) A rural meeting. Watercolour and varnish. ?Original verre eglomisee mount and frame. 15.25x11.5 inches. Framed: 22.75x19 inches.
BEAUCLERK Lady Diana (1734-1808) A woodland Grotto. Watercolour and varnish. ?Original verre eglomise mount and frame. 15.25x11.5 inches. Framed: 22.75x19 inches.
BEAUCLERK Lady Diana (1734-1808) (After, or possibly by) Georgiana Duchess of Devonshire. Plumbago 0n vellum drawing after, or for, the print by Bartolozzi (1779). 5.75x6.5 inches.
BEAULAH Susan (b.1943) India. Kerala: ‘Unloading the boat in the setting sun, Alleppey’. Ink and watercolour. Signed. 12x11.75 inches.
BEAUMONT Sir George Bt. (1753-1827) Stormy landscape. Pen, brush and ink. Ex. Coll: Sir Francis Beaumont. Exh: Fry Gallery. 4x6.25 inches. Framed: 11x13.5 inches.
BEAUMONT Lady (nee Margaret Willes, wife of Sir George Beaumont 7th Bt) Study after Zoffany's 'Parsons, Bransby and Watkyns in a Scene from Lethe' (Birmingham Museums). Pencil. Signed and dated, 1806. 10x9 inches.
BEAUMONT Leonard (1891-1986) ‘The Wine Cask’. Etching. 1930. Signed. 8x10.75 inches.
BEAUMONT Sir George (1753-1827) River landscape. Pen, brush and ink washes. Ex. Collection: Sir Arthur Elton, Clevedon Court, Somerset; David Loshak. 5x7.75 inches.
BECKER Ferdinand (fl.1790-1810) Views in Wales. CLICK HERE
BECKER Ferdinand (fl.1793-1825) ‘On the Lleder’. Pen, brush and grey wash. Inscribed and dated, 1811 on the backing page. 8.25x5.75 inches.
BECKER Ferdinand (fl.1793-1825) ‘From Frocester Hill’, Gloucestershire. Pencil, brush and grey washes on blue grey paper. Inscribed and dated 1808 on the backing paper. 9x11.5 inches.
Harry Becker (1865-1928) ‘A Samson of a Man’: a Napthine from Wenhaston. Oil on canvas board. Circa 1914. Prov: Artist’s Estate to Mrs Prue Loftus, and by descent. Ill: David Thompson, Harry Becker, 2002, p.12. 18.25x15 inches. Framed: 24x21 inches.
Harry BECKER (1865-1928) Suffolk: The Land. CLICK HERE
BEDDINGTON Maud (Exh: 1895-1922) Cloaked figure. Pencil. Signed. 10.5x14 inches.
BEDFORD Helen (1874-1949)
‘Master Stephen Tennant’ (1906-1987)
Pastel. 1909 Signed. Exhibited: The Pastel Society.
18x13.75 inches. Framed: 28x23.25 inches.
Richard BEER Exhibition of Paintings and Prints. CLICK HERE
BEER Richard (1928-2017)
‘Castel Sardo’ (sic) Sardinia.
Oil on canvas. Signed. Exhibited: New Art Centre, 1966.
42x30 inches. Framed: 43x31 inches.
£875.
BEER Richard (1928-2017) ‘Christ Church, Newgate Street’. Etching and aquatint. Signed, inscribed and editioned 16/75. 24x16.5 inches. Framed: 32.5x24.25 inches.
BEER Richard (b.1928) CLICK HERE
BEER Richard (1928-2017) ‘Ca d’Oro’, Venice. Etching and aquatint. Signed, inscribed and editioned 64/100. 23.5x18 inches.
BEERBOHM Sir Max N.E.A.C. (1872-1956) CLICK HERE
BEERBOHM Max (1872-1956)
‘Mr Boyd Morrison and Mr Gordon Craig / Rapallo’.
Pen and ink. Inscribed and dated, 6th May, 1926 by the artist.
8x10 inches. Framed: 16x18 inches.
BERGERE Richard (American b.1912) ‘Twilight over Brooklyn Bridge’. Lithograph. Signed. 1946. 9x12 inches.
BEHRENS Tim (1937-2017) Triptych: Bathing Figures: ‘Preliminary design for a painting’. Gouache and watercolour on three sheets of card, framed together. Signed and inscribed. Each card: 17x12 inches. Framed: 23x42.5 inches.
BEHRENS Tim (1937-2007) The artist’s model, and future wife. Pencil and watercolour. Circa 1965. 14x20 inches.
BEJOT Eugene (1867-1931) ‘L’avant Port, Dieppe’. Etching. 76/102. Signed.
BELCHER George R.A. (1875-1947) ‘Mrs Laura Knight’. Charcoal, watercolour and ink. Circa 1925. Signed and inscribed. Possibly intended for Mr Punch’s Personalities. 15.5x11.75 inches. Framed: 22x17 inches.
BELCHER George R.A. (1875-1947) ‘Mr F. B. Rees’. ‘Dick’ Rees on ‘Red Splash’ won the first Cheltenham Gold Cup in 1924. Chalk, ink and watercolour. Signed and inscribed. 16.5x12.5 inches.
BELCHER George R.A. (1875-1947) ‘Lord. I ‘avent ‘alf ’ad to put up with something from my husband now look at my youngest boy ‘Alf e don’t resemble me a bit….’ Charcoal. Signed, inscribed with caption beneath mount. Drawn for ‘Punch’, circa 1930. 13x10 inches. Framed: 19x16 inches.
BELCHER George R.A. (1875-1947)
Patient: “Me heart palpitates so Doctor”.
Doctor: “I’ll soon give you something to stop that…”
Charcoal. Signed. Inscribed beneath the mount. For ‘Punch’.
11.75x9.75 inches.
BELCHER George R.A. (1875-1947)
She: ‘Archibald seems a bit fretful today’.
He: ‘Well I told you not to give ‘im the boiled potatoes’.
She: ‘E will ‘ave ‘em Bert…’.
Chalk for ‘Punch. Circa 1935. Signed and inscribed.
15x11.5 inches.
BELCHER George R.A. (1875-1947)
‘Put me down at Edgeware Road please’
‘Do me best Mum – come out fighting at the next bell but one…’
Chalk for ‘Punch’. Circa 1935. Signed and inscribed.
11x11 inches.
BELCHER George R.A. (1875-1947)
‘Disgusted Applicant at Labour Exchange / ‘Of all the cheek – I goes up to the counter to sign on and the clerk says ‘I’ve got a job for you Mr Green’ ‘Job I sey (sic) why I only signed on yesterday’…
Chalk for ‘Punch’. Signed and inscribed.
15x12.5 inches.
BELCHER George R.A. (1875-1947) ‘I be middlin busy now Tom yer see – my right hand is away with a swelled foot’. Chalk for ‘Punch’. Signed and inscribed. 18x14 inches.
BELL Reginald Otto (1886-1950) ‘The Charioteer’; stained glass cartoon for a Clayton and Bell window in Canterbury Hospital. Watercolour. 1937. Studio stamp. 17x26 inches. Framed: 26x34 inches.
BELL Vanessa (1879-1961) CLICK HERE
BELL Robert Anning R.A. R.W.S. (1863-1933) Sicily. ‘Girgenti’. Watercolour. Signed, inscribed and dated, 1927. Ex. Collection: Sir John Stirling Maxwell (1866-1956) 14x10 inches.
BELL Julian (b.1952)
‘Dressing’.
Oil on canvas. Signed. Exhibited: Bloomsbury Workshop ‘Bloomsbury Pictures for the Nineties’, 1990.
18x16.75 inches. Framed: 24x22.75 inches.
BELL Julian (b.1952) The playground of St John Evangelist Primary School, Duncan Street, Islington, from the artist’s window at 28 Charlton Place. Oil on canvas. Signed and dated, February 1975. 20x30 inches. Framed: 23x33 inches.
BELL Robert Anning R.A. N.E.A.C. (1863-1933) ‘The Women Stood Afar Off Beholding These Things’. Pastel study for the oil painting in the Walker Art Gallery, Liverpool. 1920. Ex. Collection: Gerald Moira. 17.5x11 inches. Framed: 27x20 inches.
BELLANY John C.B.E. R.A. (b.1913) ‘Untitled (Red Earth) Screen-print in an edition of 20. 1995. Signed. 29x22 inches. Framed: 33x25 inches.
BELLANY John R.A. (b.1942) ‘Ancient Mariner’. Pencil. Signed. Inscribed. 30x22. Framed: 39x31.
BELLANY John R.A. (1942-2013) ‘The Old Man and the Sea’. Etching. 1987. Signed and editioned 7/15. 22x30 inches. Framed: 22.5x32 inches.
BELLANY John C.B.E. R.A. (1942-2013) Head of a Girl. Brush and ink. Signed. 18x15 inches. Framed: 24x20.5 inches.
BELLANY John C.B.E. R.A. (1942-2013) ‘Phillip’. Charcoal. Signed, inscribed and dated, 1983. 21.5x14.5 inches. Framed: 29.25x21.75 inches.
BELLASIS John Brownrigg (1806-1890) ‘Lake on the summit of Mt Aboo’, Gujarat. Ink and watercolour. Inscribed in the border. Exh: Watercolours by John Brownrigg Bellasis, Martyn Gregory Gallery, Cat. 73, no.30. 4.25x7.5 inches. Framed: 10.5x13.5 inches.
BELLINGHAM-SMITH Elinor (1906-1988) Girl by the Loire. Oil on canvas. Signed. Exhibited: Leicester Galleries, 1956. 28x36 inches.
BELLINGHAM-SMITH Elinor (1906-1988) Summer landscape. Oil on board. Signed.
BEMMEL Georg Christoph Gottleib von (German 1765-1811) (Attributed to) Winter scene. Gouache. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 7x9 inches.
BENHAM Ronald N.E.A.C. (1913-1993) ‘Head of a Student: Pat’. Oil on card. Signed. Inscribed verso. 9.5x6.5 inches. Framed: 15x12 inches.
BENOIS Nadia (1896-1974) Farm Yard, Normandy. Oil on canvas. Signed and dated, 1945. 8.5x12 inches. Framed: 10.5x14 inches.
BENSA Ernesto (fl.1866-1897)
A courtyard, Florence.
Oil on panel. Signed.
19.5x12.75 inches.
ETHIOPIA (subject) Lady Bentinck (Lucy Buxton b.1893) Addis Ababa: a view over the British Legation painted by the Resident’s wife. Watercolour. Inscribed and dated on the original label, August 6th 1925. 8.5x13.5 inches.
BENTLEY Nicolas (1907-1978) ‘Boris Vian (1920-1959) Pen and ink for the Sunday Times. Signed. 4.5x5.5 inches. Framed: 11x11.25 inches.
BENTLEY Nicolas (1907-1978) ‘Karl Marx’. Pen and ink. Signed. 4.5x5.5 inches.
BENTLEY Nicolas (1907-1978) ‘The Sculptor’. Pen and ink for 1933 and Still Going Wrong, published 1932. 4.75x6.75 inches. Framed: 12x14 inches.
BENTLEY Nicolas (1907-1978) ‘Agatha Christie’. Pen, brush and ink. Signed and inscribed. 5x6 inches. Framed: 10.75x11.25 inches
BENTLEY Nicolas (1907-1978) ‘I wish you’d shut up about ashes to ashes, dust to dust’. Pen and ink. Signed and inscribed. 12x9.5 inches.
BERANGER Jean Baptiste Antoine Emile (1814-1883)
‘Le Lendemain du Bal’.
Oil on panel. Signed and indistinctly dated 18(4)6. Label verso in 19th century hand inscribed ‘Le lendemain du Bal / by Beranger / Paris 1852’.
Image: 11x15.75 inches (oval). Framed: 18.5x23.5 inches (oval).
BERLIN Sven (1911-1999) Self-portrait. Pencil and watercolour. Signed and dated, 1965. 11.5x8.25 inches. Framed: 19x15 inches.
BERMAN Eugene (1899-1972) Ruins of Antiquity. Ink and watercolour. Signed and dated, 1959. 9x12.5. Framed:17x20.
BERMAN Eugene (1899-1972) ‘Cathedral Rocks – Western Landscape’. Ink and gouache. Signed, inscribed and dated, 1950. Artists label verso of original backing signed and inscribed by the artist ‘Los Angeles, 1950, Western Landscape’ and stamped with his Rome address. Provenance: Sir Paul Getty to Mrs Wynn-Williams. 12.75x16.25 inches. Framed: 17x21 inches.
BERMAN Eugene (1899-1972) Tomb. Pen and ink. Signed and dated, 1958. Ex. Collection: Charles B Moses, Rome. 6.25x8 inches. Framed: 13x16 inches.
BERNERS Lord (Gerald Tyrwhitt-Wilson) (1883-1950)
‘Appenines from Ca’ del Vento’.
Pencil and watercolour from a sketchbook dated, 1912.
Inscribed on verso of opposite page.
Provenance: Farrington Sale 12.4.2018.
8.5x11.5 inches.
BERNERS Lord (Gerald Tyrwhitt-Wilson) (1883-1950)
‘Castle of Viano’.
Pencil and watercolour from a sketchbook dated, 1912.
Inscribed on verso of opposite page.
Provenance: Farrington Sale 12.4.2018.
8.5x11.5 inches.
‘BESWICK’ (fl.1908) ‘The Destruction of Troy’. Ink and watercolour. Signed, inscribed and dated, 1908. 7x28.5 inches.
12. BETTLEY J. (Regency) A Theatrical Fellow. Ink and watercolour. Signed. 17.5x13 inches.
BEVAN Robert (1865-1925) Study of trees; Poland. Charcoal. 1903. Studio stamp verso. 18.5x14.5 inches.
BEVAN Robert (1865-1925) In the Blackdown Hills. Charcoal on tan paper. Circa 1914. Studio stamp. 10.75x15 inches.
BEVAN Robert (1865-1925) ‘Smithy Barn’ (D.26). Lithograph. One of 40 impressions. Signed. 21x30cms.
BEVERLEY William Roxby (1811-1889) Harbour at dawn. Watercolour and gouache. Signed verso. 9x12.75 inches.
BEVERL(E)Y William Roxy (1811-1889) ?Holland. Watercolour and gouache. Indistinctly inscribed by the artist. 12z19.5 inches. Framed: 21x27 inches.
BEVERL(E)Y William Roxby (1810-1889) Dawn sky. Watercolour. Provenance: Appleby Galleries. 6x10 inches. Framed: 14.5x17.75 inches.
BEVERL(E)Y William Roxby (1811-1889) ‘Moonrise’. Watercolour. Inscribed verso. Provenance: Appleby Galleries. 6x10 inches. Framed: 14.5x17.75 inches.
BEVERLEY William Roxby (1811-1889) Sussex; The old wooden pier at Newhaven. Watercolour. Signed. 13x26 inches.
BEVERLEY William Roxby (1811-1889)
A crescent moon – sunset. Possibly the Thames near Marlow.
Watercolour. Exhibited: Walker’s Galleries.
8x18.75 inches. Framed: 15.75x25 inches.
BEVERL(E)Y William Roxby (1811-1889) ‘Thunder Clouds / very dark / Sept.8’. Chalk. Inscribed by the artist. 9.5x17 inches. Framed: 18.5x24.25 inches.
BEVERLEY William Roxby (1811-1889) ‘Rocks at Filey’, Yorkshire. Watercolour. Inscribed by the artist verso. 9.25x13 inches.
BEVERLEY William Roxby (1811-1889) ‘Thunder clouds very dark’. Charcoal. Inscribed by the artist. 10x17 inches. Framed: 24.5x18.5 inches.
BIANCHINI FERIER Lyon’s silk weavers fl.1888 -c.1995. Design for a scarf: Net, feathers and shells. Ink, chalk and watercolour on grey green paper. Prov: Bianchini Ferier Archive Sale, Christies S.K. 25/27 July 2001. 33x34 inches.
BIANCHINI-FERIER et Cie. Anon. Circa 1900. Art Nouveau fabric design. Watercolour. Provenance: Bianchini-Ferier Archive Sale, Christies July 2001. 23x15 inches.
BIDA Alexandre (1823-1895) ‘Croquis fait au Caire par.M. Bida / 1851’. Pen and ink. Inscribed on the original backing. 5.5x7.5 inches.
BILIBIN Alexander (1903-1972) Buckinghamshire landscape. Watercolour and gouache. Signed and dated, 1937. Exhibited: London Group, 1947. 14x20 inches. Framed: 26x21 inches.
BILSON Caroline (Contemporary) ‘St Pancras Station’. Woodcut. 3/50. Signed. 1992. Exh: Mall Galleries Department of Transport Exhibition. Framed: 40x47 inches.
BINDER Pearl (1904-1990) Head of a girl. Pastel and charcoal. Circa 1930. Prov: a collection of work by the artist, Christies, 7.10.1992. 19.5x15.5 inches.
BINDER Pearl (1904-1990) ‘The Sailor’s Bride’. Lithograph. Signed, inscribed, dated, 1933 and editioned 4/10. 16.5x11.5 inches. Framed: 25x19 inches.
BINDER Pearl (1904-1990) Dancer. Ball point pen, watercolour and wax crayon. Inscribed, signed and dated ‘a bad drawing to Bill from Polly, 1964’. 9x13 inches.
BINYON Edward (c.1830-1876) 'Una Aja (sic) a Capri'. Oil on canvas. Signed, inscribed and dated, 1871. 11.5x19.75 inches.
BINYON Edward (1827-1876) I Faraglione, Capri. Oil on canvas. Signed and dated, 1870. 8.5x14.25 inches. Framed: 12x18 inches. VIEW FRAMED
BIRKBECK Geoffrey (1875-1954) Norfolk: Cley Mill and Blakeney Church. Watercolour. Circa 1930. Signed. 9.75x17.75 inches.
BIRCH Samuel John ‘Lamorna’ R.A. R.W.S. (1869-1955) ‘The Way to the Studio’, Lamorna . Watercolour. 14x21 inches. Signed. Inscribed on backing.
BIRCH Samuel John ‘Lamorna’ R.A. (1869-1955) ‘The Mill at Woodside’. Pencil and watercolour. Signed. Inscribed verso. 14x20. Framed: 22x27.
BIRCH Samuel John Lamorna R.A. R.W.S. (1869-1955) Cornwall. ‘The distant Wolf from Carne Bargis’. Pencil. Signed and inscribed. 9x11.25 inches.
BIRCH Samuel John Lamorna R.A. R.W.S. (1869-1955) Cornwall. ‘On a May Morning’. Watercolour. Signed. Inscribed verso. 13x21.75 inches.
BIRCH Samuel John ‘Lamorna’ R.A. R.W.S. (1869-1955) Castle above a river. Watercolour. Signed, dedicated to Philip Connard and dated, 1950. Provenance: Connard and by descent. 4.5x6 inches.
BIRCH Samuel John Lamorna R.A. R.W.S. (1869-1955) Trees and Bay. Watercolour. Signed, dedicated to Philip Connard and dated , 1946. Provenance: Connard and by descent. 3.75x7.5 inches.
BIRCH Samuel John ‘Lamorna’ R.A. R.W.S. (1869-1955) Fishing a river. Watercolour. Signed, dated, 1909 and dedicated to Philip Connard. 5x7 inches.
BIRCH Samuel John ‘Lamorna’ R.A. R.W.S (1869-1955) St Michael’s Mount. Watercolour. Signed, dedicated and dated, 1946. 10x4.5 inches.
BIRCH Samuel John Lamorna R.A. R.W.S. (1869-1955)
Light and Shade, Cornwall.
Watercolour and gouache. Signed. Circa 1900.
19x14.25 inches.
BIRCH Samuel John ‘Lamorna’ R.A. R.W.S. (1869-1955) ‘Frosty evening at Sancreed, near Lands End’. Oil on panel. Signed. Inscribed verso. 13x15.75 inches. Framed: 16.5x19.5 inches.
BIRCH John ‘Lamorna’ R.A. (1869-1955) ‘Corpus Christi Fair’, Penzance’. Ink and watercolour. Signed, inscribed and dated, 1912. 12x15.25 inches.
BIRCH Samuel John ‘Lamorna’ R.A. R.W.S. (1869-1955) ‘On the Don’. Oil on cigar box board. Signed. Inscribed, signed and dated, June 1924, on backing. 5.5x8 inches. Framed: 6.25x8.75 inches.
BIRCH Samuel John Lamorna R.A. R.W.S. (1869-1955) ‘Le Pont de Sevres’. Oil on canvas. Signed, inscribed and dated June 1896. 15.5x12.5 inches. Framed: 20.5x17.5 inches.
BIRCH John Samuel ‘Lamorna’ R.A. R.W.S. (1869-1955) A West County harbour. Watercolour. Signed, dedicated to Phillip Connard and indistinctly dated 19?47. 4.75x6.25 inches.
BIRD Robert (b.1921) The lungarno, Pisa. Gouache. Signed. Circa 1960. 11.5x15 inches.
BIRD Henry (1909-2000) Painting on the Broads, near Norwich. Oil on linen laid on board. Signed. 15x30 inches.
BIRD Mary Holden (1889-1978) Scotland: ‘Island Snow Storm’. Watercolour. Signed. Inscribed verso. 9.5x14 inches.
BIRD Edward (1772-1819)
The Card players.
Ink and watercolour. Ex. Collection: L. G. Duke (D.557) as from ‘Dr Thomas Monro Sale 1867’. Probable Sale following death of Monro’s daughter- in-law Mrs Alexander Monro in 1865.
7.75x11.5 inches.
BIRD Edward (1771-1819) (Subject) Anon. A portrait of the Bristol artist. Pencil, brush and grey washes. Circa 1815. 7.5x6 inches.
BIRKBECK Geoffrey (1875-1954) ‘Primulas’. Watercolour. Signed. 10x11.5 inches.
BIRKET FOSTER Myles (1825-1899) The Carrier's Cart. Watercolour and gouache. Exh: Fine Art Society, from Mrs William Foster (artist's second son). 2.5x4.25 inches.
BIRKETT FOSTER Myles R.W.S. (1825-1899) Sky study. Gouache and watercolour. Ex.Coll: Mrs William Foster and Mr L Neville Long. Christies 22.3.1946. Ross Collection, Knockmore, Co Wicklow. Exhibited: Agnews. 6x8.75 inches. the page check
BIRLEY India Jane (b.1961) ‘Sophie’; the artist Sophie de Stempel. Oil on board. Exhibited: No.35, ‘India-Jane Birley – A Second View’, Wildenstein & Co. 1992. 10x8.5 inches.
BIRMINGHAM GUILD Ltd. Anon. Circa 1925. Wrought iron, gilt and glazed Art Deco swing doors. Pencil and watercolour elevation and section inscribed as possibly for Frascati’s Restaurant between Oxford Street and Hanway Place. 21x16.5 inches.
BISSILL George (1896-1973) CLICK HERE TO VIEW WORKS
BLACK Norman (1920-1999) ‘Medals and matches’. Oil on board. Signed. 7x8 inches. Framed: 11x12 inches.
BLACKADDER Dame Elizabeth R.A. R.S.A. (b.1931) CLICK HERE
BLACKADDER Elizabeth R.A. R.S.A (b.1931)
‘Tillandsia’.
Etching. Signed and editioned, 38/50.Exhinited: Glasgow Print Studio Gallery.
23.25x23.75 inches. Framed: 32.5x32.5 inches.
BLACKADDER Dame Elizabeth R.A. (b.1931)
‘Still Life with Indian Toy’.
Lithograph printed on Japan nacre, laid on wove paper. Signed and editioned 58/75.
Provenance: Mercury Gallery, 1983.
18x23 inches.
BLACKADDER Elizabeth R.A. (b.1931) ‘Lily’. Screenprint. Signed and editioned, 28/30. 24x16 inches.
BLAKE Sir Peter R.A. (b.1932) Untitled. Screen print. Signed and editioned ‘34/100’. Seven printings on Fabriano Artistico 300 gsm. Printed by Gresham Studio Ltd, 1997. From the Freud Museum’s 10th Anniversary Portfolio, published 1997. 15x20.5 inches.
BLAKE Miss (Fanny) Frances (1804-1879) Italy: ‘Porta Turbia/ Acquaducts in the Campagna, Rome’. Provenance by descent: Major-General Mark Bond 1922-2017). Watercolour. Inscribed verso. 9x12.5 inches
BLAKE Frederick Donald R.I. R.S.M.A. (1908-1997) A Fairground. Ripolin on paper. Signed. Circa 1960. 6x18.5 inches.
BLAKE Sir Quentin C.B.E. R.D.I. (b.1932) A Nest Hat. Pen, brush and ink. Signed. 12x9 inches. Framed: 17.75x14.75 inches. CLICK HERE to view framed.
BLAKE Frances (1804-1879) ‘Turbia’. Watercolour. Inscribed and dated verso, 14th March, 1866. 12x9.25 inches.
BLAKER Hugh (1873-1936) On the Pier, Worthing. Oil on canvas. Signed and dated, 1897. 10x16 inches.
BLAMEY Norman R.A. (1914-2000)
Kneeling Priest.
Pencil study for a composition. Signed. Provenance: a sketchbook of the artist’s work.
13.75x9.75 inches.
BLAMEY Norman R.A. (1914-2000) Figure study. Pencil, on a packet of ‘Baron’s Filter Tipped’. Provenance: Two folders of Blamey pencil studies with A and H in 2000. 5.5x2.75 inches.
BLAMEY Norman R.A. (1914-2000) ‘The Model Maker and The Charioteer’. Oil on panel. Signed. Inscribed verso. Exh: Royal Academy, 1990. 28x36 inches.
BLAMEY Norman O.B.E. R.A. (1914-2000) Margaret Kelly, the artist’s wife. Pencil, ink and watercolour. Signed and dated, 1950. Exhibited: Fine Art Society. 13x19 inches. Framed: 20x26 inches.
BLAMEY Norman R.A. (1914-2000)
‘Shadows’; the artist’s wife.
Oil on board. Signed on artist’s label verso.
48x54 inches. Framed: 57.5x63 inches.
BLAMPIED Edmund R.B.A. R.E. (1886-1966) ‘The Lost Purse’. Chalk. Signed and inscribed. 10.5x9.5 inches. Framed: 17x16 inches.
BLAMPIED Edmund R.E. (1886-1966) ‘Ostend’. Etching. 33/100. Signed. 6.75x10 inches.
BLAMPIED Edmund R.E. (1886-1966) ‘Misty Morning’. Etching. Signed and inscribed ‘1st trial proof. Oct.10.1928’. 8.75x12 inches.
BLAMPIED Edmund (1886-1966) The Stable. Etching and drypoint. Signed. 8.25x11 inches.
BLAMPIED Edmund (1886-1966) Above the Sea. Drypoint. Signed. 5.75x8 inches.
BLANCH Lesley M.B.E. (1904-2007) George VI and Queen Elizabeth’s State Visit to Paris in 1938 – an evening on the town. Pen, ink and watercolour drawn while she was a features editor of Vogue. Signed. 15x22 inches.
BLANCH Lucile (USA 1895-1981)
‘Miranda’.
Lithograph. Circa 1935. Signed and inscribed. Ex.Coll: Marianne C Gourary (1920-2014)
9x11.75 inches.
BLANCH Xavier (1918-1999) Spanish shepherd. Brush and ink. 1950. Signed. 20x15.75 inches.
BLANCH Lesley (1904-2007) Versailles: ‘A Souvenir of the Royal Visit’ to France in 1938. Pen, ink and watercolour. Signed, inscribed and dated, 1938. 6.5x10 inches.
BLAND Emily Beatrice N.E.A.C. (1864-1951)
Tuscan Hill Town.
Oil on canvas board. Signed and dated, 19(?33)
10.5x13.75. Framed:15x18.5 inches.
BLAND Lieutenant John Francis R.N. (Mid-19th Century) ‘Corfu, Fishing Boats’ Ink and watercolour. Signed, inscribed and dated ‘June 1st 1842’. Exhibited: Agnews (No. 17735). 7x10 inches.
BLAHNIK Manolo CBE (b.1942) Portrait of a high heal shoe. Brush and ink. Signed and dated 1986. Provenance: Norman Hartnell Ltd. 11x8 inches.
BLAYNEY Robert 1929-2016 ‘Old Charing Cross Hotel’. Oil on canvas. Signed and dated, 1952. 25x30 inches.
BLAYNEY Robert (1929-2016)
Grosvenor Gardens.
Oil on canvas. Circa 1950. Signed verso.
25x30 inches.
BLISS Douglas Percy (1900-1984) ‘Afternoon on the Farm’. Oil on canvas. Signed. Exhibited: Royal Academy, 1937, no.134. 30.5x40.5 inches. Framed: 48x38 inches.
BLISS Douglas Percy (1900-1984) ‘Crofts in the Quairang, Isle of Skye’. Watercolour. Signed and dated, 1927. Inscribed verso. 12.25x20 inches. Framed: 21x27 inches.
BLISS Douglas Percy (1900-1984) ‘Moorfoot Cottage’. Wood engraving. Signed, inscribed and editioned, 3/50. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 2.5x4.5 inches.
BLISS Douglas Percy (1900-1984) ‘The Auld Kirk’. Wood engraving. Signed, inscribed and editioned, 3/50. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956) 2.25x4.25 inches.
BLISS Douglas Percy S.W.E. R.B.A (1900-1984) ‘Ecclesbourne Valley in the snow’. Oil on canvas. Signed and dated, 1967. Inscribed verso. 20x29.5 inches. Framed: 26x36 inches.
BLISS Douglas Percy (1900-1984) ‘Hebridean Cottage’. Oil on canvas. Signed. Signed, inscribed and dated, 1932, verso stretcher. 20x24 inches.
BLORE Edward (1787-187) Architectural studies. Pencil. Provenance: A collection of (about 25) Blore studies for Sir James Hall’s Gothic Architecture’ (publ.1813). Provenance: ‘R. Powell mi’ and (possibly) Lawrence Binyon. Bonhams 31.5.2001. 13x10.5 inches.
BLUCK J (fl. 1791-1819) The Thames at Hampton. Ink and watercolour. Signed and dated, 1792. Ex. Collection: Walter Brandt. 9.5x13.5 inches.
BLUM Jerome (1885-1956) Portrait study. Charcoal. Signed, inscribed and dated ‘Paris 1927’. Dedicated on the backing ‘To Gerald Harmsworth’. 16x12 inches.
BLUM Jerome (1885-1956) ‘Noa Noa / Tahiti’. Pencil and charcoal. Signed, inscribed and dated 1921. Dedicated to Dorothy Harmsworth. 16x11 inches.
BLUM Jerome (1884-1956) Boy, Tahiti. Pastels. Signed and dated, 1921. Ex.Collection: Cecil Harmsworth. 16x12 inches.
BLUNT Lady Anne (‘Annabella’) (1837-1919) Window onto an (?)Italian lake. Watercolour. Dated ‘Nov.26 / (18)67’. Inscribed verso of backing and dated 1868. 15x11 inches. Frame (distressed): 24x18.5 inches.
‘BOBBIN Tim’ (John Collier 1708-1786) (attributed to) ‘The Disappointment’. Pen and ink drawing related to ‘The Disappointment’, print drawn and engraved by Bobbin and published June 1773. With an impression of the print. Drawing image size: 7.5x12.75 inches. Print image size: 7.25x12.75 inches.
BOITARD Louis Philippe (fl.1733-1767) ‘Jack the Barber’. Ink and watercolour. Inscribed. Exhibited: William Drummond, Covent Garden Gallery 6x4 inches. £475.
BOITARD Louis Philippe (fl.1734-1760) Pen, ink and watercolour. Exh: Covent Garden Gallery. 7x5 inches. Framed: 16x13 inches.
BOITARD Louis Philippe (fl.1734-1760) Pen, ink and watercolour. Exh: Covent Garden Gallery. 7x5 inches. Framed: 16x13 inches.
BOKER Carl (1836-1905)
Study for a 17th Century subject picture.
Pencil, pen and ink. Signed. Circa 1870.
26x19 inches.
BOLL Celine (Mrs George Aumand Ashley) (fl.1920-1940)
‘Charm / sketch for November cover’.
Pencil and watercolour. Inscribed and indistinctly signed? ’Cerline Ball (Boll)’.
7x5 inches.
BOMBERG David L.G. N.S. (1890-1957) Imaginative Comp- osition: Bargee. Pencil and gouache. 1919-1922. One of the series inspired by the artist’s wartime experience in Flanders. Ex. Coll: the artist’s wife. 17x22.5 inches. Framed: 30x36 inches.
BOMBERG David L.G. N.S. (1890-1957) Imaginative Composition: ‘Bargee’. Pencil, watercolour and gouache. Inscribed and signed by the artist’s widow verso ‘‘Bargee’ by David Bomberg, authenticated by Lilian Bomberg’. Also inscribed verso ‘1921’. 16.25x21 inches. Framed: 33x29 inches.
BOMBERG David (1890-1957)
Landscape, Palestine.
Pencil. Signed. Drawn 1923-27. Ex.Collection: Windham T. Vint, Bradford.
10x13 inches. Framed 19x21 inches.
BOMPIANI Roberto (1821-1908) (Attributed to) ‘The Hon Emily Curzon painted at Rome, 1850-51’; Lady Emily Curzon-Howe (1836-1910) (m. Colonel Sir Robert Kingscote, 1856), later Woman of the Bedchamber to Queen Alexandra. Oil on panel. Inscribed on label verso, and ‘Painted by Bompiani’. 16.25x12.5 inches. Framed: 23.75x19 inches. VIEW FRAMEDVIEW LABEL
Stephen BONE N.E.A.C. (1904-1958) Exhibition of 50 small oil painting 1925-1950. CLICK HERE
BOND Arthur (d.1958) ‘The Dawn of another day’; the Pool of London. Oil on canvas. Signed. Exhibited: Royal Society of Marine Artists. 20x24 inches. Framed: 25x30 inches.
BONE Stephen N.E.A.C. A.I.A. (1904-1958) CLICK TO VIEW WORKS
BONE Muirhead Sir N.E.A.C. (1876-1953) CLICK HERE TO VIEW WORKS
BONE Robert Trevick (1790-1840) Melancholy girl. Pencil. 6x9 inches. Framed: 14x16 inches.
BONINGTON Richard Parkes (1802-1828) Circle of Le Pointe de la Heve, Sainte Adresse, opposite Le Havre. Watercolour and gum Arabic. Circa 1826. Provenance: Samuel Prout / S. G. Prout / Clara Alberta Allen and by descent. 5.5x7 inches.
BONNARD Pierre (1867-1947) Seated figure. One of seventeen etchings from an edition of 340 (plate cancelled) for ‘La Vie de Sainte Monique’.1930. 6.75x4.5 inches.
BOOTH Raymond (b.1929) Maple leaves and Fresian cattle. Oil board. Circa 1960. Signed. 9.5x17.5 inches. Framed: 17x24 inches.
Raymond BOOTH (1929-2015) Exhibition of Paintings from the Estates of Nancy and Jill Anne Bowden. CLICK HERE
‘BOOTH B’. (Late 18th Century) ‘Approach to Dunkeld Abbey / … / By B Booth – after Gilpin – 1790 – from W. Thompson’. Pen, brush and ink. Inscribed verso. 5x8 inches.
BOOTH B. (late 18th century) ‘Towards Sunderland Hall. No.14 of (?) Tour/ by B. Booth – after Gilpin- 1790 – for W. Thompson’. Pen, brush and ink. Inscribed verso. Ex. Collection: Professor Luke Herrmann (LH89). 5x7.75 inches.
BOOTH Raymond (b.1921) Butterbur study. Oil on paper. Signed and dated, 1953. 8x7 inches.
BOOTH Raymond (b.1929) Young wheat, and gamekeepers gibbet. Oil on paper. Signed. 11x17.25. Framed: 19x25.5 inches.
BOOTH Raymond (b.1929) ‘Lilium Martagon’. Oil on card. Signed and dated, 1985. Exhibited: Raymond Booth, Painter and Plantsman, Fine Art Society, 1991, Cat. no.30. 50x29 inches. Framed: 57x36 inches.
BOOTH Raymond (1929-2015)
White campions and corn before a Spring storm.
Oil on paper. Signed and dated, 1957.
16x8.75 inches.
BOOTH Raymond (1929-2015)
‘Madonna Lily and Storm’.
Oil on paper. Circa 1960. Exhibited: Fine Art Society.
20.25xx9 inches. Framed: 28x16 inches.
THE BORBONE ALBUM Giacinto Gigante (1806-1876) and his Royal Pupils, an Exhibition. CLICK HERE
BOREEL Wendela (1895-1985) Flower Shop window: Moyses Stevens, Berkeley Square. Etching and aquatint. Signed. 4.75x3.75 inches.
BOREEL Wendela (1895-1985) The Salute, Venice. Pencil. Signed and dated, 1924. 8.5x6.75 inches.
BORGEOIS-BORGEX Louis (1873-1959) River valley, France. Ink, gouache and crayon on grey paper. Circa 1895. Provenance: Artist’s Estate. 12.5x9.75 inches.
BORGEOIS BORGEX Louis (1873-1959) Farm buildings, Northern France. Pen, ink, chalks and gouache on grey paper. Indistinctly inscribed and dated (18)95. Provenance: By descent from the Artist’s estate, Christies South Kensington, 2015. 12.75x9.75 inches.
BORGEOIS BORGEX Louis (1873-1959) ‘Lago di Mergotzo’ (sic Mergozzo), West of Lago Maggiore. Pencil and gouache on blue paper. Inscribed. Provenance: By descent from the Artist’s estate, Christies South Kensington, 2015. 9.25x12.25 inches.
BOURGEOIS-BORGEX Louis (1873-1959) Reading by lamplight. Charcoal and white chalk. Dated (18)’96’. 11.75x8.25 inches. Framed: 19x14.25 inches.
BOURGEOIS-BORGEX Louis (1873-1959) Seated, by lamplight. Charcoal on pink paper. Dated (18)’96’. 11.5x9.25 inches.
BOURGEOIS-BORGEX Louis (1873-1959) Windmill, Northern France. Pen, ink and white chalk on grey/tan paper. Circa 1895. 8.25x12 inches.
BORNE Daisy Theresa (1906-1998) Torso. Composite material with pewter patination. Signed. Circa 1930. 11 inches high (including base).
BOROUGH JOHNSON Ernest (1866-1949)
‘Sketch of Esther at Mentone’.
Oil on panel. Signed and inscribed. Esther George (fl.1896-1940) was an artist and the artist’s wife.
16x10.75 inches. Framed: 21.5x16.25 inches.
BOSWELL James (1906-1971) ‘Brighton Beach’. Oil on canvas board. Signed and dated (?’53). 8x10 inches. Framed: 12x14 inches.
BOTGORSCHEK Franz (Austrian early 20th century) Mountain Farm. Woodcut with hand colouring. Signed. 8x8 inches.
BOTT Francis (1904-1998) Untitled (Henze 162). Lithograph. Signed, editioned ‘2/27’ and dated, 1951. 16.5x20 inches.
BOTT Francis (1904-1998) Untitled (Henze 162). Lithograph with gouache border. Signed, editioned ‘3/5’ and dated ‘5/(19)51’. 14.75x19 inches.
BOUGH Sam R.S.A. (1822-1878) ‘Leith’, Edinburgh. Watercolour. Signed. Inscribed on backing. 4x6.25 inches. £475.
BOUGH Sam R.S.A. (1822-1878) ‘Leith’, Edinburgh. Watercolour. Signed. Inscribed on backing. 4x6.25 inches.
BOUGH Sam R.S.A. (1822-1878) ‘Buttermere and the Scarth Gap’. Watercolour and gouache. Signed and dated, October 1874. Inscribed verso. 14x20 inches.
BOULTON Janet (b.1936) ‘Five Scent Bottles’. Paper relief with watercolour and gouache. Signed. Exhibited: Mercury Gallery, 1989. 8.75x9.75 inches (irregular). Framed: 13.5x15 inches.
BOURGEOIS-BORGEX Louis (1873-1959) CLICK HERE
BOURGEOIS-BORGEX Louis (1873-1959)
Woman seated in a landscape.
Pen, ink crayon and white chalk on tan paper. Circa 1895. Provenance: A group of works by the artist sold at Christies SK 19.5.1015.
7.5x12.5 inches.
£225.
BOURNE James (1773-1854) ‘Packington Park, Lord Aylesford’s’. Pencil and wash. Inscribed. Exhibited: Anthony Reed. 4.5x6.75 inches. Framed: 10.25x13.5 inches.
BOURNE James (1773-1854) ‘Tugley’, Surrey. Pencil. Inscribed. Circa 1820. Provenance: Sketchbook inscribed in the frontispiece by the artist ‘James Bourne, 7 Somerset Street, Portman Square’, Sotheby’s, 24.4.1986. 4.75x6.75.
BOURNE James (1773-1854) ‘Pickhurst’ Surrey Pencil. Inscribed. Circa 1820. Provenance: Sketchbook inscribed in the frontispiece by the artist ‘James Bourne, 7 Somerset Street, Portman Square’, Sotheby’s, 24.4.1986. 4.75x6.75.
BOURNE James (1773-1854) ‘At Hazlebridge’(sic) Haslemere, Surrey. Pencil. Inscribed. Circa 1820. Provenance: Sketchbook inscribed in the frontispiece by the artist ‘James Bourne, 7 Somerset Street, Portman Square’, Sotheby’s, 24.4.1986. 4.75x6.75.
BOURNE James (1773-1854) Kent. ‘Hythe Church;. Blue and grey watercolour washes. Inscribed and dated 1832 on the backing. 6.5x9.5 inches.
BOURNE Rev. James (1773-1854) Kent. ‘Hythe Church’. Blue/grey washes. Inscribed and dated 1832 beneath mount. 7x9.5 inches.
BOURNE Rev. James (1773-1854) ‘Dovedale’, Derbyshire. Brush and blue grey washes. Inscribed. One of a series of studies, circa 1820. 8x11 inches.
BOURNE James (1773-1854) ‘Croyden Near Haylin (sic Haling) Park’. Brush and grey/blue washes. Inscribed verso and ‘Mr Bourne, No 7 Somerset Street, Portman Sq’. Exhibited: Hazlitt, Gooden and Fox, 1968. 9.5x12.5 inches.
BOURNE James (1773-1854) 'Near Askrig, Yorkshire'. Watercolour. Inscribed. 13x10 inches.
BOURNE James (1773-1854) ‘Matlock’. Blue and grey washes. Inscribed. 13x10 inches.
BOURNE James (1773-1854) 'St Donats, Glamorganshire'. Watercolour. Inscribed. 13x10 inches.
BOURNE James (1773-1854) ‘A Cottage at Beckenham’, Kent. Ink and watercolour. Inscribed verso by the artist. Prov: an album inscribed ‘Drawings from Nature in the neighbourhood of Beckenham, Kent’ with Abbott and Holder, 1987. 11.5x16.75 inches. VIEW FRAMED
BOUTET de MONVEL Bernard (1881-1949) An Airman: Dressing for flight, I. Penci, pen and ink. Circa 1915. Estate stamp. Provenance: Sothebys, Paris, Boutet de Monvel Estate Sale 5/6 April 2016. 6x11 inches.
BOUTET de MONVEL Bernard (1881-1949) An Airman: Dressing for flight, II. Pencil, pen and ink. Circa 1915. Estate stamp. Provenance: Sothebys, Paris, Boutet de Monvel Estate Sale 5/6 April 2016. 6.5x10.25 inches.
BOUTET de MONVEL Bernard (1881-1949) Poilu on the road. Pencil, pen and ink. Circa 1915. Estate stamp. Provenance: Sothebys, Paris, Boutet de Monvel Estate Sale 5/6 April 2016. 6x11 inches.
BOUVIER Augustus (1827-1881) Studies of girls. Pen and ink on a blue/grey paper. 9x6.75 inches.
BOWER Stephen (fl.1980s) ‘John Lennon’. Crayons. Signed, inscribed and dated 1984. 16x22 inches.
BOWYER William R.A. (b.1926) Pool at Kew. Oil on canvas. Signed. 28x30 inches. Framed: 34x36 inches.
BOWYER William R.A. (b.1926) Walberswick beach. Oil on linen laid on board. 12x12 inches. 18x18 inches.
BOWYER William R.A. (b.1926) View off Aldeburgh beach. Oil on linen laid on board. Signed and dated, 1988. 12x9 inches. Framed: 18x15 inches.
BOXALL Sir William R.A. (1800-1879) The Bay of Naples. Watercolour from a sketchbook of Italian views, circa 1835. 4.5x12.25 inches.
BOXALL Sir William R.A. (1860-1970) A night scene. Brush and ink. Provenance: A folder of Boxall’s work, Christies, 2nd October, 1973. 7x8.5 inches.
BOXER Mark (1930-1988) The Sporting Life. Pen and ink. Signed ‘Marc’. Exhibited In Praise of Mark Boxer, Michael Parkin Gallery, 1988. 11.8 inches. Framed: 18x15 inches.
BOXIUS Sylvian G (1878-1941)
‘Old Whitby’.
Linocut printed in colours. Signed and inscribed.
7.25x5.5 inches.
BOXIUS Sylvan G (1878-1941)
Moonlit seaside town.
Linocut. Circa 1930.
13.5x10.75 inches.
BOYCE George Price (1826-1897) ‘Dorchester (on Thames), Oxfordshire’. Watercolour. Signed and dated, July 1868. Inscribed verso. Exhibited: Maas Gallery. 4x8.25 inches. Framed: 12.5x16.5 inches.
BOYCE George Price R.W.S. (1826-1897) Shropshire. ‘A reach of the Teme at Ludlow’. Watercolour. Signed and dated, 1871. 5.5x7.5 inches.
BOYCE George Price R.W.S. (1858-1911) Switzerland. ‘Bit of a hillside, Giornico, general effect of light and colour, August, 1856’. Watercolour. Signed and dated, inscribed verso. Ex. Coll: Judy Egerton. 10.5x7.5 inches. Framed:17x10.5 inches.
BOYD Arthur A.C. (1920-1999) ‘Diana and Acteon’. Etching. 1962/63. Artists Proof. Signed. 9.75x11.75 inches.
BOYD HARTE Glynn (1948-2003)
‘Asparagus and Champagne’.
Lithograph. Signed and inscribed ‘Curwen Archive’ by the artist.
18x24 inches.
BOYD HARTE Glynn (1948-2003)
‘Interior at Elena’s’, ‘L’Etoile’, Charlotte Street.
Lithograph. Signed and editioned 125/150.
23x16 inches.
BOYD Harte Glyn (1948-2003)
‘Early Morning, Charlecote’.
Lithograph. Signed and editioned, 34/195’.
24x21 inches.
HARTE Glynn Boyd (1948-1972) Still-life. Screen-print. Signed and editioned ‘78/125’. 23x16 inches. Framed: 31.5x23.5 inches.
BOYD HARTE Glynn (1948-2003) ‘View from the Accademia’: Pensione Accademia Villa Maravege, Venice. Ink and watercolour. Signed. Inscribed verso. 24x18 inches. Framed: 32x26 inches.
BOYD HARTE Glynn (1948-2003) ‘Maine Lobsters’. Watercolour. Signed. 1988. Exhibited: Albemarle Gallery’. 22x30 inches. Framed: 32x40 inches.
BOYD-HARTE Glyn (1948-2003) ‘Gondole on the Riva’, Venice Watercolour and gouache on two pieces of paper. 36x44 inches. Signed.
BOYS Thomas Shotter (1803-1874) Views in France and England.CLICK HERE TO VIEW
BRABAZON Hercules Brabazon N.E.A.C. (1821-1906) CLICK HERE TO VIEW WORKS
BRAMHAM Christopher (b.1952) ‘Richmond Park, Spring – Evening’. Pastel. Signed and dated 1989. Exhibited: Marlborough Fine Art (No. 39715.0). 12.25x15.75 inches. Framed: 21.25x24 inches.
BRAMMER Leonard Griffith R.E. (1906-1994) ‘Bottle Ovens, Wedgwood’. Etching. Signed. 10x7 inches.
BRAMMER Leonard Griffiths (1906-1994) ‘The Sytch, Burslem’. Etching. Signed. 6x8.25 inches.
BRAMMER Leonard Griffiths (1906-1994) ‘Wedgwood Etruria. The Round House and Works Entrance’. Etching. Signed, inscribed and dated, 1948. 180x246 mm.
BRAMMER Leonard Griffiths (1906-1994) ‘Factory on the Hill, Burslem’. Etching. Signed and dated, 1933. Edition of 35. 9.75x6.75 inches.
BRANGWYN Sir Frank R.E. (1867-1956) (Subject) Portrait of the artist holding a Chinese cup taken by Alvin Langdon COBURN (1882-1966) in the artist’s Hammersmith studio on 8th September, 1904. Photogravure print, proof before letters. Inscribed by the photographer. Taken for ‘Men of Mark’. 7.75x6.25 inches. Framed: 17x14 inches. CLICK HERE to view framed.
BRANGWYN Sir Frank R.A. R.W.S. (1867-1956) CLICK HERE
BRANGWYN Sir Frank R.A. R.E. (1867-1946) ‘The Inn of the Parrot’, Dixmuden. (WG.131). Etching and aquatint. 1908. Signed. 21.5x14.75 inches. Framed: 30x21.75 inches.
BRANWHAITE Charles (1817-1880) Devon: ‘Winter at Westhyn’. Gouache. Signed and dated 1875.
BRATBY John R.A. (1928-1992) CLICK HERE
BRATBY Jean (1927-2008) ‘Chalk and Flint’, Birling Gap. Oil on canvas. Signed, inscribed and dated 1965 verso. 10x12 inches. Framed: 15x17.5 inches.
BRAY Phyllis (1911-1991) Early spring. Watercolour and gouache. Studio stamp verso. 15x21.75 inches.
BRAY Phyllis (1911-1991) Monmouthshire. ‘Tintern Abbey’. Gouache. Studio stamp verso. 15x22 inches.
BRAY Phyllis (1911-1991) The sunflower. Gouache. Studio stamp verso. 12x16 inches.
BRAY Phyllis (1911-1991) ’Lillies’. Oil on card. Signed. 24x19 inches. Framed: 28.5x23.5 inches.
BREAM Anthony (b.1943) ‘Oasis at Ouarzazate’. Watercolour. Exhibited: Fine Art Society, March 1979, no.50. 6.75x10.75 inches. Framed: 16x19 inches.
BREAM Antony (b.1943) ‘Mountains of the Moon, Andalusia’. Watercolour. Signed and dated, 1978. Exhibited: Fine Art Society, 1979. 7.5x11 inches. Framed: 16x19 inches.
BREE Rev William (1753-1822) Maxstoke Priory, Warwickshire. Watercolour. 1805. Provenance: Sir Bruce Ingram, 1949 as two albums of views of Maxstoke by Bree. (? Pierre Jeannerat) Christies 17.11.1987, one of a collection of 36 watercolours recording Maxstoke Priory, one dated 1805. Lit: p.236. ‘Early English Watercolours’, Iolo Williams. Exhibited ‘Maxstoke Priory, watercolours by William Bree’, Abbott and Holder, September, 1989. 11x15.5 inches. Framed: 19x23 inches.
BRESSLERN-ROTH Norbertine (1891-1978) ‘Gazelles’. Linocut. Signed. 9.5x8.5 inches.
BRESSLERN-ROTH Norbertine (1891-1978) ‘St Hubert II’. Linocut printed in colours. 1928. Signed. 7.75x9.75 inches.
BRESSLERN-ROTH Norbertine (1891-1978) ‘Cockatoos’. Wood cut. Signed and inscribed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 6x6 inches.
BRESSLERN-ROTH Norbertine (1891-1978) ‘Donkey Riders Linocut. Signed. 9.5x8.5 inches.
BRETT John RA (1831-1902) ‘Eynesford’, Kent. Watercolour and gouache on tan paper. Signed, inscribed and dated August 22nd 1851. 5x9.75 inches. Framed: 12.5x16.75 inches.
BRETT John A.R.A. (1831-1902) ‘Coast - St Bride’s Bay, Ramsey Island, The Bishop / (?Nuns) Well’. Pembrokeshire. Watercolour. Inscribed by the artist verso and dated ‘Sept 5th 1882’. 5x14 inches.
BRETT John A.R.A. (1830-1902)
‘On the Guernsey Coast – rock study’ (CP.716, as ‘unlocated’).
Oil on board. Dated ‘Aug 23, 74’ top left and indistinctly inscribed with the handle of a brush by the artist bottom right. Exhibited: Maas Gallery, 1977.
7x14 inches. Framed: 13x20 inches
.
BRETT John A.R.A. (1830-1902) Studies of a grape-vine and trees, possibly for ‘Val d’Aosta’ (1858). Watercolour on paper. Exhibited: Maas Gallery. Ex. Collection: Judy Egerton. 4.5x6.5 inches.Framed:11.5x12.5 inches.
BRETT John A.R.A. (1832-1902) ‘Hills near Wythburn opposite Helvellyn’. Watercolour. Signed, inscribed and dated ‘Aug. 7th 1852’. Ex. Coll: Judy Egerton. 7x10 inches.
BREWER James Alphege (1881-1946)
‘Santa Maria della Salute, Venice’.
Etching. Signed.
4.5x11.5 inches. Framed: 13.5x20.75
BREWER Henry Charles (1866-1950) CLICK HERE
BRIANCHON Maurice (1899-1979) The Valley in Spring. Brush and monochrome watercolour. 19x24 inches. Signed.
BRICHTA Frank F (fl.188-1898) ‘The Mola at Cassano near Sorrento’. Oil on canvas. Signed and dated 1889. 11x16 inches.
BRIDELL Frederick Lee (1831-1863) Mountains south of Rome. Oil on paper laid on canvas. 14x18 inches. Framed: 22x25 inches.
BRIGGS Henry Perronet R.A. (1973-1844) Studies for portraits. Pencil. Circa 1835. 7x10 inches.
BRIGHT Henry (1810-1873) CLICK HERE
BRILL Reginald (1902-1974) ‘Nightmare’. Oil on canvas. Provenance: Artist’s Estate (Richards/Webb). Ex. loan to Kingston Polytechnic. 1998. 30x20 inches. Framed: 28.5x23.5 inches.
BRILL Reginald (1902-1978) Egyptian mosque. Ink and watercolour. Signed. Circa 1930. 16x12 inches. Framed: 25x20.25 inches.
BRILL Reginald (1902-1974) Mosque interior, possibly Cairo but most likely Istanbul. Pen, brush and ink. Circa 1930. Prov: Brill Estate. 15x14 inches.
BRILL Reginald (1902-1974) Rome ; the Borghese Gardens dawn from Lutyen’s British School. Charcoal, pen and ink. Signed, inscribed and dated. 10x13.5 inches.
BRILL Reginald (1902-1974) Head of a Cowman. Ink and gouache. Exhibited: Fantasy in the Country, Phoenix Gallery, Lavenham, 1977, No.13 (as ‘Workman’s Head I’). Ex. Collection: Mr and Mrs D.White 11x8 inches. Framed 19.75x16.5 inches. £2500
BRIMMELL Ronald Sub. Lieut. R.N.V.R. Nine WWII drawings. CLICK HERE TO VIEW
BRINDLEY Charles (Exh: 1888-1896) The gardens at Hampton Court. Watercolour. Signed and dated 1914. 6.25x10.25 inches. Framed: 14x17 inches.
BRISCOE Arthur (1873-1943) ‘The Peat Hulk’. Etching. Signed and editioned ‘’51/75’. 7.5x11 inches.
BRISCOE Arthur R.E. (1873-1943) ‘Orator’: Hyde Park Corner on the eve of the General Strike, may 1926. Etching. Signed and editioned ‘60/75’. 6.5x11 inches.
BROCK Charles Edward R.I. (1870-1938) ‘The Duel’. Pen and ink. Signed, inscribed and dated, 1893. 7.25x8 inches.
BROCKHURST Gerald R.A. R.E. (1890-1978) CLICK HERE
BROCKHURST Gerald R.A. (1890-1978) Late night street scene, Ireland. Pen, brush and ink on lined paper. Circa 1915. Signed. 8x9.5 inches.
BROCKHURST Gerald R.A. (1890-1978)
Tragic scene.
Pen, brush and ink on lined paper. Circa 1910. Signed.
8x9.75 inches.
£475.
BROCKHURST Gerald R.A. (1890-1978) Study for ‘The Amberley Boy’. Pencil. Later(?) signed, dated and inscribed: ‘To Dorette / from Brock. 1924’. Prov: Dorette Brockhurst to the previous owner. 17x13. Framed: 26x21.5. We also have an impression of the etching 'The Amberley Boy'. Click Here
BROCKHURST Gerald Leslie R.A. (1890-1978) ‘Irish Peasants’. Pen, brush and ink. Signed and dated, 1916. Ex. Collection: Wyndham T Vint. Exhibited: ‘A Dream of Fair Women’, Sheffield City Art Gallery, 1987. The woman on the right modeled for Brockhurst's print 'The Connemara Peasant' (1921). The print, and a study related to it are in the British Museum. 22x15.5 inches. Framed: 31x23.5 inches.
BRODZKY Horace. (1885-1969)
Sleeping blonde. Possibly the artist’s wife Bertha Greenfield.
Pencil and crayons. Signed, inscribed and dated ‘NY, June 12th, 1920, 11.30 a.am’. Brodzky lived in New York from 1915-1923.
9.75x8.25 inches.
BROGNOLI Emmanuele (1859-1944)
‘Venezia’.
Ink and watercolour. Circa 1900. Signed and inscribed.
9x5.25 inches.
BROKE Sir Arthur de Capell (1791-1858) Russian Lapland. ‘Moonlight / Time 10 o’clock night / Crossing the forests of Russian Lapland / December 18th…’ Pencil on paper watermarked 1822. One of nine Lapland sketches with A and H in 2002. Brooke published ‘Winter Sketches in Lapland’ in 1826. 11x16.5 inches.
BROMLEY DAVENPORT Isabella (née von Rieben) (d.1957) ‘Spring Flowers’. Oil on copper. Signed. Labels verso. 12.5x8.5 inches. Framed: 17x13.25 inches.
BROOKE Leonard Leslie (1862-1940) Scenes from ‘Johnny Crow’s Party’. Six pencil, pen and ink studies for his 1907 children’s book. Two signed. Mounted size: 22.75x24.75 inches
BROOK Peter (1927-2009)
‘Barnsley Way’; probably the Frickley Colliery slagheap
Oil on canvas. Signed and inscribed.
12x12 inches. Framed: 13x13 inches.
William Henry BROOKE A.R.H.A. (1772-1860) ‘Coventry 1819’ the album of a visit. CLICK HERE
BROOKE Leonard Leslie (1862-1940) ‘The Truth About Old King Cole’. Pen, ink and watercolour design for George Francis Hill’s 1910 children’s book. 9x6.5 inches. £225.
BROOKE William Henry (1772-1860) A Fairy harp. Pen, brush, ink and watercolour. Ill: Thomas Moore’s Irish Fairy Mythology. Exhibited: Covent Garden Gallery. 3.5x4 inches. Framed: 10.5x10 inches.
BROOKE William Henry (1772-1860) Hastings: ‘Mary Ann, Schooner hauled up /under Butler’s Cave’ Pen, brush and ink. Inscribed and dated, 25th October (18)42’. 4.25x7.25 inches.
BROOKE William Henry (1772-1860) The Opening of Waterloo Bridge. Ink and watercolour. Inscribed on the original mount (missing) ‘The Opening of Waterloo Bridge sketched on the spot 1817’. Provenance: Ross Collection, Knockmore, Wicklow. 4.5x7.25 inches. Framed: 12.25x14.5 inches.
BROOKER William (1918-1983) Flowers in a jug. Oil on canvas. Signed. Exhibited: Austin Desmond. 18x16 inches. Framed: 26x24 inches.
BROOKES Warwick (1808-1882)
‘Home-made playthings’.
Pencil. Signed and dated, ‘Oct 19th 1868’. Ill: Warwick Brooke’s
Pencil Pictures of Child Life, p.21, publ.1889.
6.5x7.25 inches.
BROOKES Warwick (1808-1882) Reading by the fire. Pencil. Signed and dated, January 1869. 10x5 inches.
BROOKES Peter (b.1943) ‘August: Government and Politics’. Pen and ink for ‘The Times’. Signed. 10.75x8 inches.
BROOKES Peter (b.1943) ‘Women at Arms’. Pen and ink. Signed. Inscribed ‘Women at Arms, Friday 9.25.BBC2 (View 31.3.79)’. Exhibited: Chris Beetles Gallery. 8x8 inches. Framed: 17x17 inches.
BROOKES Peter (b.1943) ‘I was only obeying Holy Orders …’: Blair and the Chilcot Enquiry. Ink and watercolour for The Times, 29th January, 2010. Signed and dated ‘29.1.10’. 8.5x11 inches. Framed: 18.5x24.5 inches.
BROOKS Marjorie (1904-1980) (Lady Holford) Harbour. Oil on panel. 13x16 inches.
BROUGHAL Peter (Mid 20th century, Irish)
‘Arainneach (sic. Airchinnech: ‘The Leader’) The Aran’s’, Co Galway.
Oil on canvas laid on board. Circa 1940. Signed. Inscribed verso.
16x13 inches.
£375.
BROWN John Arnesby R.A. (1866-1955) Haddiscoe Church. Pencil and watercolour. Signed. 11x13.5 inches. Framed: 18x21 inches.
BROWNE Gordon R.I. (1858-1932) ‘Sketch at a School Treat’. Pen, brush, ink and watercolour. Signed, inscribed and dated, 1895. 9x12 inches.
BROWNING Amy Katherine (1881-1978) ‘Forever England, Etaples’. Etaples Military Cemetery is the largest CWGC cemetery in France. Oil on panel. Circa 1918. Signed. Inscribed verso. 10x13.75 inches.
BRUNTON Elizabeth York S.S.A. S.W.A (Exh: 1906-1936) ‘Fiacres’. Linocut printed in colours. Signed. 11.5x14 inches.
BRYAN Alfred (1852-1899) Caricature of a Dandy. Charcoal and pastel. Circa 1880. Signed. 16.25x10.5 inches.
BRYAN Alfred (1852-1899) Caricature portrait. Pastel. Circa 1875. Signed. 16.25x9.5 inches.
BRYDEN Robert (1865-1939) ‘Rudyard Kipling’. Woodcut. 14x10 inches.
BRYDEN Robert (1865-1939) ‘Ruskin’. Woodcut for ‘Some woodcuts of Men of Letters of the 19th century’. 18x12 inches.
BRYDEN Robert (1865-1939) ‘Robert Browning Poet’. Woodcut for ‘Some woodcuts of Men of Letters of the 19th century’. 18x12 inches.
BRYDEN Robert (1865-1939) ‘Carlyle’. Woodcut for ‘Some woodcuts of Men of Letters of the 19th century’. 14x10 inches.
BRYDGES J. W. E. (Regency) ‘On the Thames near Marlow’. Pencil and watercolour. Signed and dated August 1807. Prov: Appleby Bros 1966; Cornish Torbock Coll Sale, Sothebys, 13.9.1994, lot 426. 11x16 inches.
Adam Buck (1759-1833) Miss E Janet Turnbull. Watercolour. Signed and dated, 1828. 12.5x11.5cms. Framed: 23x21.5cms.
BUCK Adam (1759-1833) A Hansard child. Ink and watercolour. One of a series of members of the Hansard family, one of which was dated, 1825. Provenance: Hansard family, Wayford Manor, Somerset, and by descent. 8.75x6 inches.
BUCK Adam (1759-1833)
‘Mrs Stephens / Mother of S.M.Davy) / daughter and heiress of Capt Wallis / & co-heiress of the families of Hearle & Paynter / Mrs Samuel Stephen nee Betty Wallis’.
Samuel Stephens M.P for St Ives and High Sherriff of Cornwall married Miss Wallis in 1796. Sarah-Maria their only daughter married Rev Charles William Davy.
Watercolour. Signed and dated, 1823. Inscribed verso.
5.5x4.5 inches.
BUCK Adam (1759-1833) Three small girls in a wild landscape. Pencil and watercolour. Indistinctly inscribed verso ‘(unclear name), Katharine and Isabella daughters of R.S(unclear). Previously believed to be three of the daughters of the Poet Robert Southey. Exhibited: Agnews 94th Annual Exhibition of Watercolours and Drawings, 1957, No.17, as ‘Martha, Katherine and Isabel Butler’. 5x7 inches.
BUCKLAND WRIGHT John (1897-1954) Wood-engravings. CLICK TO VIEW
BUCKLAND-WRIGHT John (1897-1854)
Nude.
Engraving. Signed, editioned 4/20, dated 1931 and inscribed
5.25x2 inches.
BUCKLAND-WRIGHT John (1897-1954) ‘Windy Shore’. Wood engraving. Artist’s proof. Signed, inscribed and dated, (19)46. 6x7.75 inches. Framed: 13.5x15.25 inches. VIEW FRAMED
BUCKLER John Chessell (1793-1894) Hampshire. ‘The Transept of the Church of St Cross near Winchester’. Ink and watercolour. Signed, inscribed and dated, 1829. 14.5x10.75 inches. Framed: 23.25x18.25 inches.
BUCKLER John Chessell (1793-1894) Hampshire. ‘The Choir of the Church of St Cross near Winchester’. Ink and watercolour. Signed, inscribed and dated, 1829. 14.5x10.75 inches. Framed: 23.25x18.25 inches
BUCKLER John Chessell (1793-1894) Hampshire. ‘West Gate, Winchester’. Pencil, ink and watercolour. Inscribed beneath the mount. 8x6.5 inches.
BUCKLER John Chessell (1793-1894) ‘North West View of Shepton Mallet, Somersetshire’. Pen, brush and ink. Signed, inscribed and dated, 1834. 7.5x9.5 inches.
BUCKLER Joh Chessell (1793-1894)
‘South Gate, Yarmouth, Norfolk’.
Watercolour. Artist’s washlines and inscription. Exhibited: Agnews (No.36744)
8.25x6.25 inches. Framed: 15.5x12.75 inches.
£225.
BUCKLER John Chessell (1793-1894)
‘Entrance to Tutbury Castle, Staffordshire’.
Watercolour. Signed, inscribed and dated, 1812. Exhibited: Agnews.
7x9.5 inches. Framed: 13.5x15.5 inches.
BUCKLER John F.S.A. (1770-1851) CLICK HERE
BUCKLEY Stephen (b.1944) ‘Untitled (ptg. No.51)’. Mixed media. Signed and dated 1979 verso. < Exhibited: Knoedler Gallery. 5.5x10 inches.
BUFFET Bernard (1928-1999) Self-portrait. Etching related to the ‘Portrait of the Artist’, oil on canvas, 1954 (Tate). 6.25x4.75 inches.
BULMER Lionel (1919-1992) ‘Lamp light’. Watercolour. Exhibited: Messum’s ‘British Impressionists Summer 2005’. Artist’s no: 948. 3.25x6 inches. Framed: 10.5x13 inches. VIEW FRAMED
BULWER Rev. James (1794-1879) Rainbow, Norfolk. Watercolour. Dated, August 18th 1830. 6.5x10 inches. Framed: 13.5x16.5 inches.
BUNBURY Henry William (1750-1811) A Rustic family. Pen, brush and sepia ink. Circa 1780. Ex.Collection: Ronald Searle 11x14 inches. £875
BUNBURY Henry William (1750-1811) Pictogram letter. Pen, ink and watercolour, with folds. Signed. Provenance: Ronald Searle (‘Bought at Brighton July 1956’). 9.5x15.5 inches.
BUNBURY Sir Henry William (1750-1811)
‘XV miles to Liverpool’.
Pen, brush and ink. Signed or inscribed. Signed and dated 1788 on backing (available)
9x7 inches.
BUNBURY Henry William (1750-1811) ‘Falstaff at Justice Shallow’s Mustering his Recruits’. Red and black chalks. Possibly Ex. Coll: the Duchess of York. Sold with an impression of the print after Bunbury, engraved by N. Gardiner, publ. by Macklin, 1792. 15x18.5 inches.
BUNBURY Henry William (1750-1811)
‘A Recollet’.
Pen, brush and ink mounted on contemporary blue backing, with inscription.
9x7 inches. Framed: 18x14.5 inches.
BURCHETT Arthur (fl.1874-1900) The distant sea. Watercolour and gouache. Signed and dated 1875. 9x11.5 inches.
BURGESS John Jnr (1814-1872)
‘Mill at Rowsley’, Derbyshire.
Pencil. Circa 1840. Inscribed by the artist. Provenance: A folder of Burgess drawings, Sotheby’s, 10.7.1997.
6x9.5 inches.
BURGESS John Jnr (1814-1872)
‘Gisors’, Normandy.
Pencil on green/grey paper. Circa 1835. Inscribed by the artist. Provenance: A folder of Burgess drawings, Sotheby’s, 10.7.1997.
7.5x10.75 inches.
BURGESS John Jnr. (1814-1872)
Remains of Kenilworth Castle.
Pencil and gouache on blue/grey paper. Circa 1840. Provenance: A folder of Burgess drawings, Sotheby’s, 10.7.1997.
7.5x10.75 inches.
BURGESS John A.O.W.S. (1814-1874) Ireland. ‘Aghadoe Church, Killarney’. Watercolour. Signed and inscribed. 7x10 inches.
BURGESS John Jnr A.O.W.S. (1814-1874) A ancient, fortified town gate: ‘ effect, 8 o’clock’ Pencil on grey paper. Inscribed by the artist. Provenance: One of a large group by the artist, many signed and dated, with A and H in 1985. 7.25x11 inches. VIEW FRAMED
BURGESS John Jnr A.O.W.S. (1814-1874) France. Dieppe, the Chateau. Pencil. Circa 1840. Ex. Coll: Michael Barker. 7.5x13.5 inches.
BURN Rodney (1899-1984) Fete Champetre; his Slade contemporaries composed according to the Masters (especially Veronese). Oil on canvas. Signed. Circa 1922. 40x60 inches.
BURNE-JONES Sir Edward (1833-1898)
Studies for ‘Love and the Pilgrim’ (Oil. Tate Britain )
Black and red chalks on tan paper. 1896-97. Ex.Collection: Arthur (Dick) Dufty P.R.S.A. (1911-1993)
15.75x12.25 inches.
BURNE-JONES Sir Edward A.R.A. (1833-1898) St Michael, Archangel. Black and white chalks on tan paper. Signed with initials. With A and H in 1960. 14.75x9.75 inches.
BURNE-JONES Edward A.R.A. (1833-1898) Study of a standing, draped figure. Black and white chalks on tan paper. Signed and indistinctly date in white chalk ‘E.B.J. 18(?64 or 66)’ and (later) ‘E.B.J. to (drawing of an owl)’ in pencil. This study may be preparatory to ‘The Story of St George’, the series of seven paintings executed for Myles Birket-Foster’s dining-room at Witley. Charles Augustus Howell (c.1840-1890) was nicknamed ‘Owl’ after Fanny Cornforth’s cockney pronunciation of his name. 12.5x7 inches.
BURNE-JONES Sir Edward A.R.A. (1833-1898)
Study for a Saint, possibly for stained glass.
Black chalk on tan paper, lightly squared. Circa 1885. Provenance: Probably Angela Thirkell (nee Mackail) to Abbott and Holder circa 1958. Bought from A and H c.1965.
15x10 inches. Framed: 20x16 inches.
£2750.
BURNE-JONES Sir Edward (1833-1898) Preparatory study for ‘Love among the ruins’ (1870-1873) Pencil and red chalk. Related to the gouache, exhibited 1873. Exh: Julian Hartnoll; Peter Nahum. 5x5.2 inches. Framed: 24x18 inches.
BURNELL Benjamin (1769-1828) Portrait of a Young Man. Red, white and black chalks. Signed and dated, April 18(11 or 14). 8.25x6.25 inches. Framed: 16x13 inches.
BURNELL Benjamin (1769-1828) Portrait of a Young Woman. Red, white and black chalks. Signed and dated, July 1813. 8.25x6.25 inches. Framed: 16x13 inches.
BURNEY Edward Francis (1760-1848) An Offering. Pen, brush and ink. Circa 1795. 1x2.5 inches.
BURNEY Edward Francis (1760-1848) A Threat. Pen, brush and ink. Circa 1795. 1x2.5 inches.
BURNEY Edward Francis (1760-1848)
Study for a roundel.
Red chalk.
5.5x5.5 inches.
BURNLEY Cynthia (fl.1923-1939) ‘Aspidistra’. Wood engraving. 29/35. Signed and dated 1929. 5.5x8 inches.
BURRA Edward (1905-1976) Reclining Model. Pen and ink. Provenance: Sketchbook of figure studies, circa 1925. Burra Sale, Sotheby’s, 3.7.2002. 10x16.5 inches.
BURRA Edward (1903-1976)CLICK HERE
BURRA Edward (1905-1976)
Pastora Imperio (1887-1979) Spanish flamenco dancer and actress.
Pencil, ink and watercolour. Studio stamp. Provenance: Artist’s Estate Sale, Lot 327, Sothebys, 3.7.2002.
26.5x18.25 inches. Framed: 34.75x26.25 inches.
BURRELL SMITH James (1822-1897) Somerset. ‘Launceston’. Pencil with some watercolour and gouache on tan paper. Inscribed and dated 1853. Prov: a large collection of sketches by Burrell-Smith. 10x13.75 inches.
BURRELL SMITH James (1822-1897) Perthshire. ‘Weem’. Pencil with some watercolour and gouache on tan paper. Circa 1850. Inscribed. Prov: a large collection of sketches by Burrell-Smith. 10x13.75 inches.
BURRELL-SMITH James (1822-1897) ‘At Haigsfield, Berwickshire / August 1860’. Pencil and watercolour. Inscribed and dated. 10.75x15 inches.
BURTON Inger Maria (nee Whitehead (1828-1897) Country House, with archery. Watercolour. Circa 1850. Prov: the Severn family of Penybont Hall, Radnorshire (cousins of the artist) and by descent; Mellors and Kirk, 25-26 Sept 2008. 13x19 inches.
