This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
D'OYLY Sir Charles (1781-1845) Italian Sunset. Gouache. Exh: Sabin Galleries. 2.5x4 inches. £275.
DACHINGER Hugo (1908-1995) Isle of Man: ‘Ramsay’ from the Mooragh Internment Camp. Dachinger, an Austrian Jew, was interned at the Mooragh Camp from October 1940-January 1941. Ink and gouache on a page from The Times for October 14th 1940 newspaper. Signed, inscribed and dated, 1940. 16.75x22 inches. Framed: 32x24.5 inches.
DAGLISH Eric Fitch (1892-1966) ‘Blossom and Bird Song’. Wood engraving. Signed and inscribed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956).
DAGLISH Eric Fitch (1892-1966) ‘The Merlin’. Wood engraving. Signed and inscribed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 5.5x5 inches.
DAGLISH Eric Fitch S.W.E. (1892-1966) ‘Fly Agarics’. Wood engraving. Signed and inscribed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 4.5x3.5 inches.
DAINTRY Adrian (1902-1988)
Spring flowers in a white jug.
Oil on panel. Circa 1930. Inscribed ‘Pam from’ and signed.
14x12 inches. Framed: 15.5x13.75 inches.
DAINTRY Adrian (1902-1988) The perambulator. Pencil, pen and ink. Signed and dated 1967. 9.75x13.5 inches.
DAINTRY Adrian (1902-1988) ‘Le Grand Vefour’, Palais Royal, Paris. Pen and ink. Circa 1930. Signed and inscribed. 9.75x13.5 inches. Framed: 16x19 inches.
DAINTRY Adrian (1902-1988) ‘Regents Park’. Oil on card. Signed and inscribed verso. 8x19.75 inches.
DAINTRY Adrian (1902 - 1988) ‘London to Paris’: the daily Imperial Airways de Havilland DH.34 from Croydon over Sussex. Oil on canvas. Signed. Exhibited: Redfern Gallery and sold to the Earl of Sandwich, 15th November, 1929. 20.5x24 inches. Framed: 29x32 inches.VIEW FRAMED
DALBY Claire R.W.S. R.E. (b.1944)
‘Polesden Lacey’.
Wood engraving. Signed, inscribed and editioned 209/250.
From the series of wood engravings ‘The Great Storm of October 1987 and its aftermath’, the Society of Wood Engravers.
3x4.5 inches.
Michael DALEY Portraits under Pressure. CLICK HERE
DALLAS BROWN Neil (1938-2003) ‘Nude and Goat’. Pencil. Signed. Inscribed and dated 1972 verso. Exh: Piccadilly Gallery. 8x8 inches.
DALLAS BROWN Neil (1938-2003) ‘The Apartment’. Pencil and gouache. 1977. Signed. 12.5x13 inches.
DALLAS-BROWN Neil (1938-2003) ‘The Birds’. Pencil. Signed and dated, 1969. Exh: Piccadilly Gallery. 8x11 inches. Framed 15x18 inches.
DALSGAARD Christen (Danish, 1824-1907) ‘Portrat af Kaust(…) Brader’. Oil on paper laid on panel. Inscribed verso. Signed and dated 1852. 13.5x10.5cms. Framed: 19x17cms.
DALTON Ernest Alfred (1887-1961) ‘The Mill’, Quebec. Oil on board. Signed. Inscribed and dated March 1929 verso. 10x12 inches. Original frame. Framed: 14.5x16.5 inches.
DALY Jehan (1918-2001) Portrait. Pastel on tan paper. Signed, dated 1961 and dedicated to ‘Ricky and John’. 6.75x9.75 inches.
DALY Jehan (1918-2001) Portrait studies. Pastels. Signed, inscribed and dated, 1950. 8x10 inches. Framed: 15.5x17 inches.
DALY Jehan (1918-2001) ‘Still-life studies with a watch’. Chalks on grey paper. Exhibited: 'Jehan Daly and Celia Ward', Maas Gallery, 1985, No.35. Mounted by William Ward. 5.5x8.75 inches. Framed: 11.5x14.5 inches.
DALY Jehan (1918-2001) ‘The Boater’. Pastel on blue grey paper. Signed. 1955. Exhibited: Maas Gallery, Jehan Daly and Celia Ward, 1985, no.8. 8x7 inches. Framed: 14x13 inches.
DALEY Jehan (1918-2001) Reading and modelling. Red, white and black chalks on blue paper. Exhibited: Agnews (No.37297) 8.25x11.25 inches. Framed: 16x18.25 inches.
DAMERON Emile (1848-1909) Moorish Spain. Oil on panel. Signed. 12.5x9.5 inches.
DANCE Nathaniel (1735-1811) Eva Maria Garrick (nee Veigel). Pencil. A version of the 1771 National Portrait Gallery portrait. 9x7.25(the sheet)
DANCE-HOLLAND Sir Nathaniel R.A. (1734-1811) ‘Two Unsuccessful (sic) Lovers’. Watercolour. Inscribed. 7x8 inches.
DANCE George Jnr R.A. (1741-1825) CLICK HERE TO VIEW WORKS
DANCE-HOLAND Sir Nathaniel (1735-1811) A Gothick horror. Pen, brush and grey/blue washes. Exh: William Drummond. 8x7.5 inches.
DANCE-HOLLAND Sir Nathaniel R.A. (1735-1811) Kings and a general expelling a figure – not at all like Napoleon – towards ‘Elba’. Pencil. 8x12.5 inches.
DANCE-HOLLAND Sir Nathaniel (1735-1811) Studies of Opera Singers. Pencil on reverse of printed song. 5.5x6 inches.
DANIELL Thomas R.A. (1749-1840) CLICK HERE TO VIEW WORKS
DANIELL Samuel (1775-1811) ‘Wild Bull attacking a Lion’. Watercolour. Exhibited: No.15, Sabin Galleries Drawing Exhition, 1964. 6.75x10 inches.
DANIELS Alfred R.W.S. (1924-2015)
‘The Red Boat, Hastings’.
Watercolour. Signed. Exhibited: R.W.S. Bankside Gallery.
10x16.75 inches.
‘DANY’. Circa 1935. ‘Parfois ma fenetre est fleurie / (Girls) Les pots a fleurs’. Pencil and watercolour costume design. Signed and inscribed. 17x10.5 inches.
DARGOUGE Georges Edmond (1897-1990)
La Promenade au Bois.
Charcoal and gouache. Exhibited: Cat.no. 41, ‘Nineteenth Century French Drawings’ June/July 1985, Hazlitt, Gooden and Fox.
13x20.5 inches. Framed: 20.25x27.5 inches.
Lieutenant Philip DARK RN (1918-2008) CLICK HERE
DARK Philip (1918-2008)
The Card Game.
Pen, brush and ink. Drawn while a POW at Marlag O, Westertimke, near Bremen 1942-1945. Provenance: Artist’s Estate.
22x15 inches.
DARK Philip Lieutenant R.N. (1918-2008) Evacuation from Marlag ‘O’ Lubeck of Raid on St Nazaire POW Dark and his fellow POWS between 10th April and 7th May, 1945. A folder of 25 pencil drawings accompanied by his account written from memory on 20.6.2002. Each 11.5x8 inches.
DARWIN Sir Robin R.A. R.S.A. N.E.A.C. (1910-1974) ‘Santa Magdalena da Pulpis’ near Valencia. Ink, watercolour and gouache. 1957. Signed. Exhibited: Annews (No.18726) 10.25x14 inches. Framed: 19x22.25 inches.
DARWIN Sir Robin R.A. N.E.A.C (1910-1974) Italian Beach Bar. Watercolour and gouache. Signed and dated, 1955. 9.5x13.25 inches.
DAUBIGNY Charles-Francois (1817-1878) Pollard willows. Charcoal. Signed. 4.5x7 inches.
DAUBLER Johann Martin (German 1765-1811) (Attributed to) A Village fire. Gouache. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 7x8.75 inches.
DAULBY George (1928-2005) Chinograph. Signed on backing. Prov: Richard Guyatt. 11x8 inches.
DAVENPORT William Slocum (1868-1938) ‘L’Arc de Triomphe’ Oil on canvas. Signed and dated, 1923. 26x21 inches. Framed:
DAVIE Alan (1920-2014) ‘Wheel Chair No.2’. Watercolour. Signed, inscribed and dated, January 1980. Exhibited: No.24, ‘Alan Davie’, Gimpel Fils, April 1981. 8.25x11.5 inches. Framed: 9x12 inches.
DAVIES Gordon (1926-2007) The Pantheon, and Albergo Abruzzi, Rome. Ink and watercolour. Signed, inscribed and dated, 1965. 16.5x22 inches. Framed: 29x24 inches.
DAVIS George Horace (1881-1960) ‘Method of keeping torpedoed tankers afloat by the use of compressed air’. Pencil and gouache cutaway for the Illustrated London News. Signed and dated 1943. 23x18.5 inches.
DAVIS George Horace (1881-1960) Swedish subterranean Dock. Ink and gouache cutaway for the Illustrated London News. Signed and dated, 1954. 19x30 inches.
DAVIS John Scarlett (1804-1845)
The interior of the Augustine Church, Antwerp, with Jordaens altarpiece ‘Martyrdom of St Apollinaire’ and Rubens’ ‘Mystic Marriage of St Cartherine’ beyond.
Oil on panel. Exhibited: Fine Art Society, June 1981.
24.5x19.5 inches.
DAVIS Edward Thomson (1833-1867) ‘Miss Cole, Worcester’. Oil/paper. Inscribed to the original backing. Exhibited: Maas Gallery, 1968. 24.5x17cms. Framed: 45x36cms.
DAVIS John Scarlett (1804-1845) Greenwich: Naval College Arcade. Pencil and watercolour. Signed and dated, 1830. 11.5x10 inches.
DAVIS John Scarlett (1804-1844) ‘Helmsley Castle’, Yorkshire. Pencil, brush and sepia ink. Provenance: a sketchbook of a Yorkshire Tour, dated 25-27th October, 1824, Sothebys 10.4.1996. 4.5x6 inches.
DAVIS John Scarlett (1804-1844) ‘Bolton Abbey’, Yorkshire. Pencil, brush and sepia ink. Provenance: a sketchbook of a Yorkshire Tour, dated 25-27th October, 1824, Sothebys 10.4.1996. 4.5x6 inches.
DAVIS John Scarlett (1804-1845)
South Lodge, Bromley Hill Estate.
Pencil. Signed and dated, 1830. Inscribed verso: ‘Bromley Hill / Beckenham Lodge / Scarlett Davis’.
A cottage orne designed by Amelia Long (nee Hume) Lady Farnborough (1772-1837) in 1825 for Colonel Long and a part of her improvements to the Bromley Hill Estate. Davis was commissioned by Lord Farnborough to paint the interiors of the Vatican and the Escorial in 1831. Ex.Collection: Newall. 7.5x9.25 inches.
£1200.
DAVIS John Scarlett (1804-1845) ‘Paris’: street leading to Notre Dame. Signed, inscribed and indistinctly dated ‘18(?31)’. Inscribed verso ‘Shot Tower near Place du Grieve’ (sic? Place de Greve). 8.5x6 inches.
DAVIS Edward Thompson (1833-1867) ‘The artist’s father reading by candlelight’. Watercolour and gouache. Dated 1856. Exh: Anthony Reed. Ex. Coll: Judy Egerton. 1.75x2 inches. Framed: 6.5x6.5 inches.
DAVISON Nora (fl.1913-1934) Berkshire: Eton. Watercolour. Signed. Circa 1930. 10x8.5 inches.
DAW George (1781-1829) (Attributed to) Prince Leopold of Saxe-Coburg-Saalfeld (1790-1865), from 1831 1st King of the Belgians. Pen and ink. Exhibited: Agnews (no.23759) as by Sir Edwin Landseer. Daw was a protégé of Prince Leopold and his then wife Princess Charlotte and this drawing relates closely to the portrait of him painted by Daw in 1828 for the Military Gallery in the Winter Palace, St Petersburg. 8x6.5 inches. Framed: 14.5x12.5 inches.
20. DAWBER Sir Edward Guy R.A. (1861-1938) ‘Sant’Agata, Brescia’. Watercolour. Signed, inscribed and dated, 1926. 14x10 inches.
DAWSON Nelson (1859-1941) Fishing boats just off shore. Watercolour. Circa 1910. Signed. 9.5x13.25 inches.
DAY William (1764-1807) Staffordshire. The Manifold River, possibly below Thor’s Cave. Ink and watercolour, on the original backing inscribed ‘25’. No’s ‘24’ (Sothebys 2.11.82) and ‘26’ (Christies 21.2.12) are of the Manifold Valley. 13.75x18.5 inches. Framed: 22.75x27 inches.
DAYES Edward (1763-1804) ‘City of Durham’. Pen, ink and preliminary wash. Signed and dated, 1789. Inscribed verso. 17x23 inches.
DAYES Edward (1763-1804)
Norwich Cathedral, from the South.
Ink and watercolour. Signed and dated on the original washline mount (fragment verso). Exhibited: Fine Art Society, 1945. Leger Galleries, 1986.
8.5x6.5 inches. Framed: 17.5x15 inches.
De CORT Hendrik (1742-1810) Sussex. Lewes Castle. Pencil and grey washes. Signed. 10.5x17.75 inches.
DE CURZON Alfred (1820-1895) ‘Bords du Doubs a Audincourt’. Charcoal. Signed. 14.25x20 inches.
DE CURZON Alfred (1820-1895) ‘Bords du Teverone pres Lunghezza’ Charcoal. Circa 1880. Signed. 11x15 inches.
DE CURZON Alfred (1820-1895) ‘Capri’. Pencil and sepia wash. Inscribed and indistinctly dated. 11x17 inches.
DE CURZON Alfred (1820-1895) ‘Carbona’. Ink and gouache on blue paper. Signed and dated, 1891. 11.5x17.5 inches.
DE CURZON Alfred (1820-1895) ‘L’Amour au fond des bois’. Charcoal. 12x6.25 inches.
DE LEUW Friedrich Herman (1792-1861) (Subject) Anon. 1856. Westphalia (Germany) ‘Gra(e)frath’; the waiting room of the famous ophthalmologist at 25 Freedom Street. Pen and ink. Signed with a monogram (?DC) and dated 1856. Contemporary folding frame also enclosing a portrait photograph of De Leuw. 7.25x9 inches. Framed: 9.25x10.5 inches. Framed photo
DE MORGAN William (1839-1917) Arachne’s Challenge. Pencil. Provenance: Prov; Christies 21.10 1975: a sketchbook of (approx. 80) De Morgan studies, bought by Abbott and Holder. 3.5x2.75 inches.
DE MORGAN William (1839-1917) or Evelyn (1855-1919) Dragon, for ‘St George and the Dragon’. Pencil and gouache on grey paper, lightly squared. Preparatory drawing for the panel attributed to William De Morgan and set into the William Morris Cabinet in the De Morgan Foundation. Inscribed ‘By William De Morgan’. Later extensively inscribed verso. 5.75x12 inches.
DE STEMPEL Sophie (b. Circa 1960) Interior scene. Oil on board. 17x11.75 inches. Framed: 20.5x15.5 inches.
DE WILDE Samuel (1751-1832) ‘Mr Parsons / as Foresight / in ‘Love for Love’. Watercolour. Signed and dated, 1794. Inscribed verso by the artist. 8.5x5.75 inches.
DE WILDE Samuel (1751-1832) A feathered hat; possibly the study of an actor. Pencil, brush and sepia ink. Provenance: Christopher Powney. 4.5x3.5 inches.
WILDE Samuel de (1751-1832) A Bacchante. Pen, brush and ink. Provenance: A folder of De Wilde’s work, Christies, 24.7.1984. 4x3.5 inches. Framed: 11x10.25 inches.
DE WILDE Samuel (1751-1832) Circle of
A Heroic Role.
Ink and watercolour. Circa 1820.
9.75x5.75 inches.
DE WILDE Samuel (1751-1832) Theatre figure studies. Pen and ink. Signed.
DE WINT Peter O.W.S. (1784-1849) CLICK HERE TO VIEW WORKS
DE WINT Peter O.W.S. (1784-1849) Winter’s dusk. Watercolour. Circa 1830. 12x20 inches.
DEAKINS Tom (b.1957) ‘Winter’s Evening, Saffron Walden’. Oil on panel. Signed. 1993. 5x8 inches. Framed: 10x12 inches.
DEAKINS George (1911-1982) The Flower Shop. Oil on card. Provenance: the artist’s studio, Dunster. 15.5x11.25 inches. Framed: 21.5x17 inches.
DEAN Frank (1865-1947)
‘Bathing Ghats, Benares’.
Watercolour and gouache. Signed, inscribed and dated, 1909. Inscribed verso. Exhibited: Fine Art Society, 1910.
23.75x18 inches. Original frame (distressed) available: 25.5x31.5 inches.
DEANE Family of John Deane (1775-1817) Commissioner of Bihar. India. Bihar. Shahabad District. Bhojpur: ‘House at Arah’. 8x11 inches. Framed: 13.5x16.25 inches.
DEARDEN Harold (1886-1962) The Trophy. Gouache study for a mural. Circa 1915. Signed verso. 13x20 inches.
DE CURZON Alfred (1820-1895)
‘Amalfi’.
Charcoal. Circa 1880. Signed. Inscribed verso but possibly of Capri.
10.75x15.5 inches.
DEEDES C (Twentieth Century) 'Cornfields'. Linocut. Circa 1930. Signed and inscribed. 10x12 inches.
DEEDES C (fl.1930s) Goat in Spring. Linocut. Signed and editioned 3/30. 9x10.75 inches.
DEEDES C. (fl.1930s) ‘Winter Sleep’. Linocut. Signed and editioned 3/20. 6.5x5.5 inches.
GLEHN Wilfred de R.A. (1870-1951) Cornwall. ‘St Anthony Meneage’. Pencil and watercolour. Signed and dated, 1924. 10x14 inches. Framed: 21x26 inches.
DE GLEHN Wilfred R.A. N.E.A.C. (1870-1951) Landscape above Cannes. Pencil and watercolour. 13x22 inches. Signed, inscribed ‘Cannes’ and dated 1938.
DE GLEHN Wilfrid R.A. (1870-1951) Studies from the Nude. Oil/paper. Studio Stamp numbered ‘689’ verso. 21x26 inches.
DE GROSSI Adelchi (1852-1892) Rome: The Forum. Ink and watercolour. Signed. 11x15 inches.
DEHODENCQ Alfred (1822-1882) Study of a moving, North African girl. Pencil, pen and ink. Studio stamp. 9.75x5 inches.
DEHODENCQ Alfred (1822-1882) Study for ‘L’Adieux de roi Boabdil a Grenade’ (Oil. C.1869. Musee d’Orsay, CLICK HERE). Pen, brush and ink. Ex. Collection: Popoff (Paris). Anthony Roland (London). 11.5x7.5 inches.
DEJARDIN Julien (1857-1907)
Quai de la Seine.
Oil on canvas. Signed and dated, 1904
13.5x22 inches. Framed: 18x26 inches.
DELAMOTTE William (1775-1863) 'The bag'. Pencil. Signed and dated, 27.12.1817. 7x9 inches.
DELAMOTTE William (1775-1863) ‘Frogmore’, Windsor. Pencil. Signed and inscribed. 6.75x10 inches. Framed: 14.25x17.25 inches.
DELAMOTTE William Alfred (1775-1863) Bridge in woodland. Black and white chalks on grey paper. 7x9.75 inches.
DELAMOTTE William (1775-1863)
Study of a Castle’s ruins.
Pencil. Signed and indistinctly dated.
5.75x9 inches.
DELAUNAY Pierre (1870-1915) ‘Viterbo, Palazzo Vescovile’. Watercolour. Inscribed by the artist and dated ‘20th Mai 1904’. Ex. Coll: Joseph McCrindle.
DEMAZIERES Erik (b.1948) ‘Place Deserte II’ (F.37) Etching. Signed, inscribed, dated ‘1982’ and editioned ‘23/90’. 19x25 inches.
DENING Charles Frederick William (1878-1952) ‘Bristol from 24 Somerset Street, Kingsdown’. Oil on canvas. Signed and dated, 1938. Inscribed verso. 21x26 inches. Framed: 28x33 inches.
DENIS Maurice (1870-1943) ‘St. Francis’. Lithograph printed in red/brown. One of four images printed in an edition of 25 each in two states each ( red, and black). Examplaire ‘J’. Signed and inscribed ‘J’ in pencil. Printed, published and stamped by Galerie des Peintures-Graveurs. Edmond Frapier, 32 rue Victor-Masse. Paris. (Fl.1920-1934) 9.5x7.5 inches.
DENIS Maurice (1870-1943) ‘Francois d’Assisse’. Lithograph. Pencil signed. From an edition of 25 of 4 images printed in two states each (red and black ink). Printed and stamped by Galerie des Peintures, Graveurs, E. Frapier, 32 rue Victor-Masse 32, Paris. xxx inches.
DENIS Maurice (1870-1943) ‘Solitude’. Lithograph printed in red/brown inks in an edition of 25. Signed and lettered ‘J’. Printed and published by Edmond Frapier, Galerie des Peintres-Graveurs, Paris (his stamp) (fl.1920-1934) 7.5x10.5 inches.
DENIS Maurice (1870-1943) ‘Solitude’. Lithograph printed in black. One of four images printed in an edition of 25 each in two states each ( red, and black). Examplaire ‘J’. Signed and inscribed ‘J’ in pencil. Printed, published and stamped by Galerie des Peintures-Graveurs. Edmond Frapier, 32 rue Victor-Masse. Paris. (Fl.1920-1934) 7.25x10.5 inches. £250.
DENIS Maurice (1870-1943) ‘Maternite a la fenetre’. Lithograph printed in red/brown inks in an edition of 25. Signed and lettered ‘J’. Printed and published by Edmond Frapier, Galerie des Peintres-Graveurs, Paris (his stamp) (fl.1920-1934) 11x.75 inches.
DENIS Maurice (1870-1943)
‘Maternite, a la fenetre’.
Lithograph One of an edition of 25. Signed. Printed and stamped by the Galerie des Peintures Graveurs (E Frapier), 32 rue Victor-Masse, Paris.
11x8 inches.
DENIS Maurice (1870-1943) ‘Maternite au jardin’. Lithograph printed in red/brown inks in an edition of 25. Signed and lettered ‘J’. Printed and published by Edmond Frapier, Galerie des Peintres-Graveurs, Paris (his stamp) (fl.1920-1934) 9x7 inches.
DENIS Maurice (1870-1943) ‘Maternite au jardin’. Lithograph printed in black. One of four images printed in an edition of 25 each in two states each ( red, and black). Examplaire ‘J’. Signed and inscribed ‘J’ in pencil. Printed, publisged and stamped by Galerie des Peintures-Graveurs. Edmond Frapier, 32 rue Victor-Masse. Paris. (Fl.1920-1934) 9.25x7 inches.
DENIS Maurice (1870-1943) Veiled Woman. Charcoal on tan paper laid on card. Signed. Study for L’Ensevelissement ou Mise au tombeau’, 1903, Musee Maurice Denis.To be included in the ‘Catalogue raisonne de l’oeuvre de Maurice Denis’, Claire Denis and Fabienne Stahl, confirming provenance as from Noelle Denis-Boulet (Artist’s Estate). 18.5x11 inches. Framed: 28.25x20.5 inches.
DENNIS William Jnr (late 18th century) Jamaica: Port Royal Dockyards with the ‘Polyphemus’ and the ‘Thalia’. Ink and watercolour. Trimmed. Signed and extensively inscribed on the original backing. These ships were only at Port Royal together 1810-1812. 6x16.5 inches.
DENNY Robyn (1930-2014) ‘Thomas’; set of six screen prints. Printed in enamel paints. Each signed, dated 1975 and editioned ‘Artists Proof xi/xx’. Each image 11.25x7.5 inches. Each page 35.5x25 inches. Unmounted.
DERAIN Andre (1880-1954) ‘Seated Man’. Pencil. Stamped ‘Atelier Andre Derain’. Exhibited: Waddington Gallery. 7x5.5 inches. Framed: 17x15 inches.
DERAIN Andre (1880 - 1954) Life study. Pencil. Studio stamp. Authenticated by the Comite Andre Derain. 12.5x6 inches (irregular) Framed: 19x13 inches.
DERBY William (1786-1847) Arthur William Acland Hood aged 16. Later Admiral, 1st Baron Hood of Avalon (1824-1901) Watercolour, gouache and gum arabic. Signed and dated, May 1840. Hood was a grandson of Captain Alexander Hood (1758-1798) and joined the Navy aged 12. In 1854 he was appointed Commander of the brig HMS Acorn. 1854-55 he fought with the Naval Brigade in the Crimean War. By May 1856 he was in China under Rear-Admiral Sir Michael Seymour (1802-1887) Commander-in-Chief of the East Indies and China Station. In June 1857 HMS Acorn was part of the fleet which destroyed the Chinese junks in the Battle of Fanshan Creek and in the attack on Canton. 1885 First Sea Lord. Retired in 1889. 14.25x10 inches. Original frame available.
DERRICK Thomas (1885 -1954) ‘Christine Mavrogordato’. Pastel. 30x22 inches. Signed, inscribed and dated, 1920.
DES VIGNES Peter Hubert (1804-1883) Architectural elevation. Pen and ink. Exhibited: William Drummond /Covent Garden Gallery. Framed: 15x20 inches.
DES VIGNES Peter Hubert (1804-1883) Architectural elevation. Pen and ink. Exhibited: William Drummond /Covent Garden Gallery. Framed: 15x20 inches.
DES VIGNES Peter Hubert (1804-1883) Architectural elevation. Pen and ink. Exhibited: William Drummond /Covent Garden Gallery. Framed: 15x20 inches.
DESMAZIERES Erik (b.1948) ‘Tulipes’. Etching. Artists Edition x/xxv. Signed. 11.5x8 inches. Framed: 20.75x17.25 inches.
DESMET Anne R.A. (b.1964) ‘Mushrooms (Sketchbook)’. Pencil. Signed. 1994. Exhibited: ‘Drawing Matters’, Bankside Gallery. 7.5x11 inches. Framed: 14.5x17.5 inches.
DESVIGNES Peter Hubert (1804-1883) Capriccio. Pen and ink. Exhibited: William Drummond. 8.75x9.5. Framed: 16.25x16.75 inches.
DETHAN-ROULLET Marie-Therese (1870-1945) ‘La rue St Catherine, Dieppe’. Watercolour. Signed. 14.75x10.25 inches. Framed: 19x14.5 inches. £225.
DETMOLD Edward Julius (1883-1957) ‘Butterflies’. Etching printed in colours on japan paper. Signed, inscribed and editioned 2/50. 15.75x11.5 inches.
DETMOLD Edward (1883-1957) and DETMOLD Maurice (1883-1908) ‘Vulture’. Etching. 1903. Stamped and signed by Edward and by Maurice. 4x2.75 inches. Framed: 17x12.78 inches.
DEVERIA Achille (1800-1857) Homme assis a son bureau. Pencil, lightly squared. Signed or inscribed verso. Exh: Hazlitt, Gooden & Fox, Nineteenth Century French Drawings, June-July 1981, Cat. No.18. 7.5x5.5 inches. Framed: 10.5x8.25 inches.
DEVIS Anthony (1729-1816) CLICK HERE TO VIEW WORKS.
DEVON (subject) by ‘Nutcombe’. 1812. ‘Cathedral, Exeter’. Watercolour. Inscribed, dated and ?signed ‘F(?frances) Nutcombe’. 10x7 inches.
DIBDIN Thomas Colman (1810-1893) A Shambles. Pencil, gouache and watercolour. Signed and dated 1849. 10x12 inches.
DIBDIN Thomas Colman (1810-1893) ‘St Jacques, Dieppe’. Ink, watercolour and gouache. Signed, inscribed and dated 1873. 21x14.75 inches.
DIBDIN Thomas Colman (1810-1893) A country lane. Watercolour. Signed and dated, 1869. Exhibited: Leger Galleries, 1966. 20x15 inches.
DICKSEE Sir Frank P.R.A. (1853-1928) ‘The Confession’. Watercolour and gouache on card with pencil studies on the border. Inscribed (? Signed) verso. Study for ‘The Confession’, oil, 1896, Private Collection. 6.5x8.5 inches.
DIETZSCH Johann Christoph (German 1710-1769) (Attributed to) The white horse: barn interior. Gouache. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973). 6.75x9 inches.
DIETZSCH Johann Christoph (German 1710-1769) (Attributed to) View from barn interior. Gouache. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 6.75x8.75 inches.
DIGHTON Robert (1752-1814) Portrait of a Boy. Ink and watercolour. Signed and dated 1789. Ex. Coll: Walter Brandt. 7x6 inches. Framed 12x11 inches.
DIGHTON Robert (c.1752-1814) ‘A Master Parson with a Good Living’. Pen, brush and ink washes. For the engraving (G.3753) publ. 1782 by Carington Bowles as a pair with 'A Journeyman Parson with a Bare Existence' (G.3754). Pencil inscribed on original backing and numbered recto '480'. Provenance: Carington Bowles (bound into an album of Dighton drawings by his family c.1830); the album sold Sothebys 30/04/1953, bought by S. Sabin; bought by Dighton biographer Jeffery Rose, 01/05/53; Sothebys Watercolours by Dighton from the Collection of Carington Bowles, 23/02/1978, lot 42. 13x10 inches. Framed: 21.5x18 inches.
DIGHTON Robert (1752-1814) London. ‘Carlton House, Pall Mall’. Ink and watercolour. Engraved and published by Laurie and Whittle, 1813. 9.5x17 inches. Framed: 20x27 inches.
DIGHTON Richard (1795-1880) Henry 4th Earl of Beauchamp (1784-1863) or (more likely) John 3rd Earl Beauchamp (1783-1853). Ink and watercolour. Signed. Believed to have been published as an etching entitled ‘A Thin Piece of Parliament’. Provenance: Earls of Raglan and by descent. 10.5x7 inches.
DIGHTON Robert (1752-1814) 'Dr Barrett of Brighton'. Ink, watercolour and gouache. Signed and inscribed. 18.25x14.25 inches.
DIGHTON Richard (1795-1880) ‘Colonel Lowther’ Ink and watercolour. Inscribed 6.25x4.5 inches.
DIGHTON Richard (1795-1880) Circle of 'Mr Percy Barker'. Ink and watercolour. Inscribed verso. Circa 1860. 9.5x4.5 inches.
DIGHTON Richard (1795-1880) 'Mr Ainslie'. Ink and watercolour. Inscribed verso. Circa 1850. 7x5 inches.
DINKEL Markus (1762-1832) ‘Pays de Vaud’. Watercolour. Signed. Inscribed beneath the mount. 8.5x7 inches.
DINKEL Ernest R.S. (1894-1993) ‘Caudebec sur Seine’. Etching. Signed, inscribed and dedicated to Kenneth Holmes, 1927. 9.75x9.5 inches.
DISERTORI Benvenuto (1887-1969) ‘La Pianeta Giove’. Etching. Signed and inscribed ‘(avant lettre)’. 15.5x11.5 inches.
DISMORR Jessica (1885-1939) ‘New Neighbourhood, Lewes’. Watercolour. 11x15 inches. Signed, inscribed and dated, 1925. Exh: ‘Jessica Dismorr’, Mayor Gallery, 1925.
DISMORR Jessica (1885-1939) Ruins, Les Baux. Pencil, ink and watercolour. Circa 1911. Prov: Margaret Dismorr the artist’s sister to the previous owner. 10x14. Framed: 17x21.
DISMORR Jessica (1885 - 1939) ‘Josie Heather sings a song’. Pencil and watercolour. Inscribed by the artist beneath the mount. Exhibited: ‘Jessica Dismorr’ Mayor Gallery, 1965 (Ex. Catalogue). Josie Heather was a Vauderville singer in the 1920s. 9x10.5 inches. Framed: 16.5x18 inches.
DIXON Frederick Clifford (1902-1992) Regent Street. Etching. Signed and dated, 1927. 317x278mm.
DIXON Frederick Clifford (1902-1992) Putney Hill, Sunday Morning. Etching. Signed and dated, 1926. 270x305mm.
DIXON Frederick Clifford (1902-1992) A London Street; Cathcart Road, South Kensington. Etching. 1926. Signed. 235x294mm.
DIXON Frederick Clifford (1902-1992) ‘Northern Town’. Etching. Signed, inscribed and dated 1928. 6x8.5 inches.
DIXON Frederick Clifford (1902-1992) ‘Putney Hill’. Etching. Signed. 10.5x12 inches.
DIXON Frederick Clifford (1902-1992) The old Science Museum seen from the Henry Cole Gate of the Victoria and Albert Museum. Etching. c.1926. Printed by the artist in the 1980s. Signed. 10.25x8 inches.
DIXON Frederick Clifford (1902-1992) ‘Regent Street’. Etching. 1927. Printed by the artist in the 1980s. Signed. 12.25x11 inches.
DOBREE Valentine (1894-1974) ‘Young Girls debauching their Mother’. Collage of wall papers, newsprint and gouache stuck on wood. Signed. Signed on backing and partial inscription ‘No.11. Young girls debauching [their] M[other]’. Provenance: Beakus Penrose and by descent. Exhibited: ‘Valentine Dobree’, Claridge Gallery, 4-18 the 1931, No.11. 14x10.25 inches. Original distressed frame available.
DOBREE Valentine (1894-1974) A surreal mythology. Oil on board. Circa 1936. Verso: Still Life. 24x20 inches.
DOBSON William Charles Thomas R.A. R.W.S. (1817-1898) The Childhood of Christ. Oil on gesso’d board. Signed and dated, 1857. 12x14.4 inches.
DOBSON Frank R.A. (1886-1963) Sculpture studies. Pencil. Neville Jason has suggested that this may relate to a sculpture considered for the Chapel designed by Lutyens for Lord Revelstoke on Lambay. 5.5x8.75 inches.
DOBSON Frank R.A. (1886-1963) Europa and the Bull. Pencil. We are grateful to Neville Jason for confirming Dobson’s hand (letter 5.7.2002) 6x15.5 inches.
DOBSON Frank R.A. (1886-1963) Studies for sculpture. Pencil. Circa 1929. Neville Jason has suggested that these studies relate to his work on Hay’s Wharf (1929). 9.5x13.5 inches.
DOBSON Frank R.A. (1888-1963) The steering wheel. Pencil, ink and watercolour study. Circa 1930. Verso: pencil studies of sculpture figures. 6x9.5 inches.
DOBSON Frank R.A. (1888-1963) Rupert Doone (1903-1966). Pencil. Signed and dated, 1920.26x20.5cms. Framed: 50x43cms.
DOBSON Frank R.A. (1886-1963) Ashcombe House Interior. Pencil and watercolour. Signed, dedicated to Cecil Beaton and dated, 21st July 1931. . Cecil Beaton took a lease on Ashcombe House in 1930. 14x10 inches. Framed: 21.5x17.5 inches.
DODD Francis R.A. (1874-1949) CLICK HERE TO VIEW WORKS
DODD Francis R.A. (1874-1949) House beneath trees, Greenwich. Watercolour. Circa 1910. 9.75x11.75 inches.
DODD Francis R.A. (1874-1949) Whitehall and the Palace of Westminster. Pencil, watercolour and gouache. Signed and indistinctly dated ‘19(2 or 3)0’. 8.75x11.75 inches.
DODD Francis R.A. (1874-1949) ‘Auxerre’. Etching and drypoint. Circa 1930. Signed and inscribed. 9.25x13.5 inches.
DODD Francis R.A. (1874-1949) ‘Quayside’. Etching. State V. Impression 3. Signed and inscribed. 7.75x12.25 inches.
DODGSON John Arthur (1890-1969) The Mediterranean coast: southern France. Oil on canvas. Indistinctly signed/?inscribed, and dated 1939, verso. Ex. Collection: Wyndham T Vint, Bradford. 20x26 inches. Framed: 25.5x31.5 inches.
DODWELL Edward (1767-1832) ‘Mills on the road from Nemi to the lake’. Watercolour painted in the early 1830s while he was researching his ‘Views...of cyclopean…remains’ (publ.1834). 11x14 inches. Framed: 19x21 inches.
DOITCH Eric (1923-2000) In the Boxing Ring. Pencil, ink, watercolour and crayon. Circa 1960. Inscribed beneath the mount. 9.5x10 inches. Framed: 16.25x17.25 inches.
Russell DOREY Recent Works. CLICK HERE
DORF Barbara (b.1933) London. Lincoln’s Inn Gateway. Watercolour. Signed and dated 1982. 11.5x15 inches. Framed: 19x22 inches.
DORF Barbara (b.1933) ‘Bedford Square’. Watercolour. 14.5x20 inches. Framed: 23.25x28.25 inches.
DORRELL Simon (b.1961) ‘Max reading with Feo for company’. Pen and ink. Signed and dated, 1999. 6x5.5 inches. 10.75x9.75 inches.
DOWLEY C. (possibly the C. Dowley who exhibited at the R.A. in 1833) Bathers. Oil on card. Inscribed/signed and dated ‘C. Dowley, 1860’ verso. 7x9.75 inches. Card: 8.25x11 inches.
DOWLING Jane R.A. (b.1925)
Head of a Student.
Oil on canvas.
16x12 inches. Framed: 20.75x16.5 inches.
DOWNMAN George A.R.A. (1750-1824) A Baby going to Heaven. Charcoal and stump. Signed on the backing. Exhibited: Christopher Powney. 5x6.75 inches.
DOWNMAN John A.R.A. (1750-1824) ‘Mrs FitzGerald from Ireland / Fancy Dress’. Watercolour. Signed, inscribed and dated, 1807, on the original backing. 10.5x8 inches. Framed: 18x15.25 inches.
DOWNMAN John A.R.A. (1750-1824) Portrait of a lady. Charcoal, stump and watercolour. Signed and dated 1783. 7x5 inches.
DOWNMAN John A.R.A (1750-1824) ‘John Mortlock’ (1755-1816) M.P. and Mayor of Cambridge (1785-1816) Charcoal stump and watercolour. Signed and dated, 1777. 17x15cms. Framed: 40x35.5cms.
DOWNMAN John A.R.A. (1750-1824) Fortune/Penelope Greeting a returning Sailor. Pencil, stump and watercolour. Signed. 15.5x20 inches. Framed: 23x27 inches.
DOWNMAN John A.R.A. (1750-1824) Portrait of a child. Chalk and watercolour. Signed and dated, 178(4 or 9). 7.25x6 inches, oval. Framed: 15.5x14 inches.
DOYLE John P.P.R.W.S. (b.1928) ‘Winchester College Chapel from the Warden’s garden. Ink and watercolour. Signed and dated, 1982. 17x25 inches. Framed: 25x39 inches.
DOYLE John P.P.R.W.S. (b.1928) Egypt. Elephant Island, Assouan. Watercolour and gouache. Signed. Ex. Coll: Singer and Friedlander. 18x25 inches.
24. DOYLE Richard (1824-1883) The Pet Bears. Watercolour. Signed. Exhibited: No.54, ‘British Art of Illustration’, Beetles Gallery, 1993. 7x7.5 inches. Framed: 16.25x16.25 inches.
D’OYLEY Major-General Sir Charles Walters (1822-1900) India: Horse dealers. Watercolour and gouache. Circa 1850. 8.25x12 inches. Framed: 17x20.5 inches.
D’OYLEY Major-General Sir Charles Walters (1822-1900) In India. Watercolour. Circa 1850. Provenance: A collection of the artist’s work, Bonhams, 17.3.1993 5x6.25 inches.
D’OYLEY Sir Charles Walters (1822-1900) An Indian barber. Watercolour. Circa 1850. Provenance: A collection of the artist’s work, Bonhams, 17.3.1993. 4.75x6.5 inches.
D’OYLY Sir Charles (1741-1845) ‘W.C. driving G. Chinnery (the artist) in a blanket’. Pen and ink by one of Chinnery's pupils. Inscribed and signed. 6x5 inches.
D’OYLY Jnr. Major General Sir Charles Walters Bt (1822-1900) India. ‘The Castle, Mussoorie’ Watercolour. Circa 1850 13.5x9.5 inches.
D’OYLY Sir Charles (1781-1845) ‘Country boats’. Ink and watercolour. Provenance: D’Oyly descendant to Eyre & Hobhouse Ltd. 4x6.25 inches. Framed: 9.25x11 inches.
DRAPER Herbert (1863-1920) Study for Yseult for ‘Tristan and Yseult’ (1901) Black and white chalks on tan paper. Exhibited: Julian Hartnoll. Maas Gallery. 21.25x11.75 inches. Framed: 34x24.5 inches.
DREULLE Francois (b.1944) Composition. Collage, with pencil. Signed and dated, 1976. Framed: 13.25x10 inches.
DREULLE Francois (b.1940) Nature morte. Collage. Signed and dated, 1969. Exhibited: Wilson Stephens. 11x9.25 inches. Framed: 17.25x15.25 inches.
DRING William R.A. R.W.S. (1904--1990) Head study. Pastel. Signed beneath the mount. 11x8 inches. Framed: 16.5x13.5 inches.
DRING William R.A. (1904-1990) ‘Elizabeth’. Oil on board. Signed and dated, 1934 10x11.75 inches. Framed:17.75 x15.75
DRING William R.A. R.W.S. (1904-1990)
Head of a girl: ‘Doreen’.
Oil on panel. Signed and dated, 1925. Artist’s label verso.
13x10.25 inches. Framed: 18.75x16 inches.
DROEGE Oscar (1898-1982) ‘Clearing Up’. Woodcut printed in colours. Signed and editioned 24/75. 9x15.5 inches. Framed: 17x23 inches.
DROEGE Oscar (1898-1982) The Tug. Woodcut printed in colours. Signed and editioned 4/75. 9.25x15.5 inches. Framed: 17x23 inches.
DROIT Jean (1884-1961) Une Parisienne. Pencil and watercolour. Circa 1935. Signed. 6.5x4.5 inches. Framed: 9x7 inches.
DROUGHT George (b.1940) Lancashire. ‘(?)Quarry near St Helen’s’. Ink and watercolour. Circa 1963. Later inscribed and signed verso by the artist. 19x12.5 inches.
DRUMMOND Malcolm (1880-1945)
London roadworks.
Pencil on sketchbook page. Provenance: Margaret Drummond.
8x6 inches as mounted. The page 9.25x7 inches.
DRUMMOND Malcolm (1880-1945) A woman sewing. Pen and ink. Exh: Agnews (No.44017). Prov: New Grafton Gallery as from the artist’s widow. 4.5x5. Framed: 11.5x9.25.
DRUMMOND Malcolm (1880-1945) Seated girl. Pencil. Circa 1910. Provenance: Mark MacDonald. Bloomsbury Workshop. 6x4.75 inches. Framed: 14.25x12.5 inches.
DRUMMOND Malcolm (1880-1945) Two figures. Pencil. Circa 1910. Provenance: Mark MacDonald. Bloomsbury Workshop. 5.75x5 inches. Framed: 14x12.5 inches.
DRURY Paul R.E. (1903-1987) ‘Head of a Negro’ (RG15) Etching. Signed, inscribed to Michael Salaman and dated 1925. 5x4 inches.
DRURY Paul R.E. (1903-1987) ‘The Family’. Etching. Signed. 1951. 5.5x7 inches.
DRURY Paul R.E. (1903-1987) ‘September’. Etching (RG 24 xii). Signed and dated 1928. One of 83 impressions.
‘DU BOIS’ (artist). 1899. “Death or Glory” / Oh what a glorious Death / The 17th Lancers’. Chalk, gouache and ink. Signed, dated 1899 and inscribed. 11x8 inches.
DU MAURIER Jeanne (1911-1996) ‘Lily of the valley out of our garden’. Oil on canvas. Signed or inscribed verso and dated 19?73. 16x12 inches. Framed: 17x13 inches.
DU MAURIER George Du (1834-1896) The artist's eldest daughter Beatrix (1864-1913) Watercolour. Signed and dated, 1882. Exh: Royal Society of Painters in Watercolours, 1882. 45x30cms. Framed: 38x31cms.>
MAURIER George Du (1834-1896) ‘Rough sketch for some of the characters in "Trilby"', including Trilby and Svengali. Pencil, pen and ink. Verso inscribed and signed by Gerald du Maurier. Recto inscribed recto by Ronald Searle. Ex. Collection: Ronald Searle. 8x10.25 inches.
DU MAURIER George (1834-1896) 'Mr Fielding, what do you think of these pictures? This is Art'. Private View at the Grosvenor Gallery - Millais' Portrait of Kate Perugino in profile (Exh. Grosvenor Gallery, 1881) in the background. Pen and ink. Signed. For Lucy C. Lillie, Prudence: A Story of Aesthetic London, 1882. The wood engraving illustrated: Susan P. Casteras and Colleen Denney, The Grosvenor Gallery: A Palace of Art in Victorian England, 1996, p.32. 8x11.5 inches.
DU MAURIER George (1834-1896) 'Feline Amenities' Pen and ink. Signed, inscribed and dated, November 1892. 6x9 inches.
DU MAURIER George (1834-1896)
‘A Contented Mind / “Oh Mama we have had such fun. Fancy, we’ve been doing private theatricals, and all of us took a part” “Indeed, and what part did you all take?” “Oh, the part of those who look on and clap their hands, you know”.
Pen and ink. Signed. Dated, 1872. Inscribed verso.
7x10.5 inches.
DU MAURIER George (1834-1896)
‘Dr Hasenclever and Mrs Bletchley’.
Pen and ink to illustrate ‘The Martian’, Part VII, ‘… a
trip up the Rhine--and Mrs. Bletchley, the splendid old Jewess
(Leah's grandmother), who suffered, or fancied she suffered, in her
eyesight, took it into her head that she would like to see the
famous Dr. Hasenclever in Riffrath, and elected to journey with
them--at all events as far as Düsseldorf…’.
Signed and inscribed.
8.25x7.75 inches.
DU MAURIER George (1834-1896) '"Been to see the Old Masters, Mr Millefleurs?" / "A-no-a-I-a-go in for High Art you know!" (What does he mean – we don’t know – no more does she – no more does he – nobody knows!)’ Pen and ink. Signed. Inscribed and dated verso 'March 16 1878'. 5.75x4.5 inches.
MAURIER George Du (1834-1896) ‘A Happy Thought that never occurred / Mother (in continuation) “And so the wicked Pharaoh ordered that all the Baby-boys should be killed!”. Madeleine “But Mama! Didn’t any of their mothers say they was girls"’. Pen and ink. Signed. Original mount inscribed with caption and ‘Punch’, signed and dated Nov.13t 1875’. 5x5x8.5 inches.
DU NOYER George Victor (1817-1869) ‘Launch of the Duchess of Leinster at Kingston, Monday March 20th’. Pencil. Inscribed, and ‘2 Cols.in best style/ and ‘Mr Du Noyer / Landymount Avenue / Dublin’. Later inscribed verso, by his daughter Charlotte Eugene: ‘Launch of the Brig ‘Duchess of Leinster. Kingstown, March 20th, 1843’. Provenance: Album of studies by Illustrated London News illustrator Ebenezer Landells. 8.5x15 inches.
DU PLESSIS Enslin (1894-1978) Swiss lake. Oil on canvas. Signed. 16x20 inches. Framed: 20x24 inches.
DUBERY Fred (1926-2011) Still-life. Oil on board. Signed. 9x5 inches. Framed: 11x7 inches.
DUBERY Professor Fred N.E.A.C. (1926-2011) ‘Autumn Gaden No.2 – Great Finborough’. Oil on board. Signed. 15.5x21.5 inches. Framed: 23x28.5 inches.
DUBSKY Mario (1939-1985) ‘Samuel Beckett’. Pencil. 31x23 inches. Signed, inscribed and dated, ‘7.viii.79’. Ill: ‘Mario Dubsky’, E. Lucie-Smith, 1979, pl. 53.
DUBSKY Mario (1939-1985) Head. Charcoal. Dated ‘Aug 58’ by the artist 21.75x15 inches. Framed: 30x23 inches.
DUFF John Robert Keitley R.I. R.E. (1862-1938)
‘The Man with the Beet’.
Etching. Signed. Inscribed beneath the mount.
6x9.25 inches.
DUFY Raoul (1877-1953) ‘La Peche’. Wood engraving. Studio stamp (faded). Editioned 77/220. 12x15.75 inches.
DUFY Raoul (1877-1953) ‘Les Nations Alliees pour le triomphe du droit et de la liberte’. Woodcut with hand watercolouring. 1917. Stamped Lutetia Librairie d’Art and editioned 101/300. 15x11 inches.
DUFY Raoul (1877-1953) Personnages aux courses. Pencil. Circa 1925. Signed. Exhibited: Connaught Brown Gallery. Ashmolean Museum: For the Love of Drawing: Drawings from an Oxfordshire Private Collection, June-August 2001. Ex. Collection: Mr and Mrs George Walker. 8x10.25 inches. Framed: 14.25x16.5 inches.
DULAC Edmund (1882-1953) ‘The Squire’s Tale’; The Canterbury Tales. Watercolour and gouache. Signed. Ill: Cover for American Weekly, August 1942. Lit: Colin White, Edmund Dulac, p.182. Exhibited: Edmund Dulac, Sheffield City Art Galleries, November 1982 - May 1983, No.42. 12x13.5 inches. Framed: 20x2 inches.
DUNCAN Edward R.W.S. (1803-1882) Shropshire. Ludlow Castle and the tower of St Lawrence’s. Watercolour. Studio stamp. 14x21 inches. Framed: 23.5x31 inches.
DUNCAN Edward R.W.S. (1803-1882) ‘Wreckers’. Pen and ink. 5x4.5 inches. Studio stamp.
DUNCAN Edward (1803-1882) Survivors of a ship wreck coming ashore. Pen, brush, ink and watercolour. 6.5x11 inches.
DUNCAN Edward R.W.S. (1803-1882) ‘Skye’. Pencil and watercolour. Signed, inscribed and dated, 1860. 13x20 inches. Framed: 22x28 inches.
DUNFORD William Cecil (1885-1969)
‘Ypres’.
Ink and watercolour. Signed, inscribed and dated, 1919.
10x14 inches.
£575
DUNLOP Ronald Ossory (1894-1973) Market place, North Africa. Oil/canvas. Ex. Collection: Wyndham T Vint, Bradford. 20x16 inches. 24x20 inches.
DUNLOP Ronald Ossory (1894-1973) ‘Margaret’. Oil/board. Signed. Dated verso 1948. 18x13.5 inches. Framed: 24.5x20 inches.
DUNOYER DE SEGONZAC Andre (1884-1974)
‘La Montagne’, South of France. Ink and watercolour. Signed. Exhibited: The Graphic Art of Dunoyer de Segonzac, Wildenstein Gallery, London, April-May 1939, Wildenstein, label inscribed ‘Bought May 1939, (signed ‘M.R’.) 21x29 inches. Framed: 38x45.75 inches.
DUNSTAN Bernard R.A. (1917-1920)
‘The R.A. Library’.
Pastel and watercolour. Signed, inscribed and dated, 1984.
4x3.75 inches. Framed: 12x11.25 inches.
DUNSTAN Bernard R.A. (b.1920) The bathroom door. Etching with watercolour and pastels. Pencil signed. 6x6 inches. Framed: 10.5x10 inches.
DUNSTAN Bernard R.A. (b.1920) Wales. ‘Llwyngwril –the beach’. Oil on card. Circa 1960. Signed. Exh: New English Art Club. 11.75x24 inches.
DUNSTAN Bernard R.A. (b.1920) ‘Mentone’. Oil on card. Exhibited: Roland, Browse & Delbanco. Ex. Coll: Alvide Lees-Milne. 8x5 inches. Framed: 12.5x9.5 inches.
DUNSTAN Bernard R.A. (1920-2017)
Falling Light: figure study.
Pencil and pastels. Signed.
10.5x7 inches. Framed: 17x13.5 inches.
DUNSTAN Bernard R.A. (1920-2017)
Lamplight.
Pastel. Ex.Collection : Manya Igel, a gift from the artist..
4.5x4.5 inches.
DUNSTAN Bernard R.A. N.E.A.C. (1920-2017)
Bedroom: contre-jour. Pastel study for an oil painting. Signed. 4.5x3.25 inches. Framed: 12.75x10.75 inches.
DUNSTAN Bernard R.A. (1920-2017)
Reflection in a mirror.
Pastel. Ex. Collection: Manya Igel, a gift from the artist.
4.25x3.5 inches.
DUNTHORNE James (1730-1815) ‘The Colchester Hogarth’ (Attributed to) Seated lady. Pen, brush and ink. Circa 1770. 7x4.5 inches.
DUROY Isidore Laurent (1797-1886) ‘In the Vosges’. Watercolour. Signed and dated 1823. 14.5x11 inches.
DURANT Captain R.E. (fl.1790-1830) Sussex. ‘The White Rock near Hastings’. Ink and watercolour. Circa 1800. Provenance: Album of Durant’s work with the Appleby Collection. 7x9 inches.
DURANT Captain (fl.1790-1830) Kent. ‘Bo Peep near Hastings, a barrack for a company of soldiers’. Ink and watercolour. Circa 1800. Provenance: Album of Durant’s work with Appleby Bros. 7x9 inches.
DURANT Captain (fl.1790-1830) Sussex. ‘Berwick Castle’. Ink and watercolour. Circa 1810. Ex. Coll: Appelby. 9x9 inches.
DURRANT Roy Turner (1925-1998) ‘Blue Head piece ii’. Ink and watercolour. Inscribed. 6.5x8 inches. Framed: 11.25x15.25 inches.
DURRANT Jennifer R.A. (b.1942) ‘Last Conversation II’. Acrylic and gouache on paper and canvas. 2004. 4x6 inches. Framed: 11x13 inches.
Shanti DUTT1940s dress designs for Heddon Fashions.
DUVAL Eustache-Francois (fl.1784-1836) (attributed to) Capriccio: ruined fort. Gouache. Inscribed verso ‘ Alp N.M. Marderard, paysagiste XVIII siecle’. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 8x11 inches.
DWIGHT Mabel (USA 1976-1955)
Cat and kittens.
Lithograph, Signed and dated, 1929. Ex.Coll: Marianne C Gourary (1920-2014)
8x10 inches.
