This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
FAED Thomas RSA RA (1826-1900) ‘The Young Hopeful’. Watercolour en grisaille. Signed and dated 1864. 10x14 inches.
FAHEY Edward Henry R.I. (1844-1907)
Wild fowling: ‘A Sunset, Martham Broad’, Norfolk.
Watercolour. Signed and dated 11887. Exhibited: British Section, Paris Universal Exhibition, 1889 (original frame with label verso).
26x53 inches. Framed: 66x40 inches.
FAIR & MYER Architectural Firm fl. 1910. Design for an Arts and Crafts Billiard Room. Pencil and watercolour. Signed and dated, 1908. The architectural practice of Fair and Myer worked on Gidea Park Garden Suburb, Essex. 8x15 inches.
FAIRCLOUGH Wilfred R.W.S. (1907-1997) ‘Torcello from Burano’. Watercolour. Signed and dated, 198(?). 9x13.5 inches.
FAIRCLOUGH Wilfred R.E. R.W.S. (1907-1996) ‘Covent Garden, Orchestra Pit’ (L.78). Etching. Signed and dated, 1972. 9.75x12.25 inches.
FAIRCOUGH Wilfred R.E. R.W.S. (1907-1996) Venice: the Accademia and the Salute – Campo de la Carita. Watercolour. Signed and dated, 1973. 15x10.75 inches.
FAIRCLOUGH Wilfred R.E. R.W.S. (1907-1996) ‘Venice Carnival: Nozze’ (L.126) Etching and aquatint. Signed and dated, 1986 7.25x4.75 inches.
FAIRCLOUGH Wilfred R.E. R.W.S. (1907-1996)
The Opera House, Covent Garden.
Etching. Signed and dated, 1959.
7x8 inches.
£275
FAIRCLOUGH Wilfred R.E. R.W.S. (1907-1996) ‘Spanish Beggar’ (L.23). Engraving published by the Print Collectors Quarterly. Signed and dated, 1938. 6x5 inches.
FAIRCLOUGH Wilfred R.W.S. R.E. (1907-1996) ‘East Cowes Headland’. Ink and watercolour. Signed and dated, 1996. 11x16 inches £225.●
FAIRCLOUGH Wilfrid (1907-1996) ‘The Needles’. Ink and watercolour. Signed and dated, 1996. 14x9.5 inches.
FAIRCLOUGH Wilfrid Off Cowes. Watercolour. Signed and dated, 1996. 10x15.75 inches.
FAIRFAX-LUCY Edmund (b.1945) ‘Giusti Gardens, Verona’. Oil on card. Inscribed by the artist verso and dated, September 2000. 13.5x10 inches. Framed: 19x15.5 inches.
FAIRFAX-MUCKLEY Louis (1862-1926) ‘The First Booke of the Faerie Queene’. Pen and ink for p3, Spencer’s Faerie Queene, Publ. Dent, 1897. 9x7 inches.
FAIRFAX-MUCKLEY Louis (1862-1926) ‘Spencer’s Faerie Queene’. Pen, brush, ink and gouache design for the cover as published by Dent in 1897. 10.5x8.5 inches.
FAIRFAX-MUCKLEY Louis (1862-1926) Design for ‘The Third Book of the Faerie Queene’, and that for p.383. Pen, brush, ink and gouache. One signed. For Spencer’s Faerie Queene, publ. Dent, 1897. The two framed together 18x23 inches.
FAIRGRIEVE James R.S.A. (b.1944) ‘Low Winter’. Acrylic/canvas. Signed and dated,1982. 36x36 inches. £1750
FAIRLEY Dorothy M. (1894-1956) ‘Invermoristown, Inverness-shire’. Wood engraving. Signed, inscribed and edtitoned 3/60. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 9.25x11.25 inches.
FAITHFULL Leila (1896-1994) ‘Beach, near Deauville’. Oil on card. Circa 1970. Signed, or inscribed verso of backing. 17x13.5 inches. Framed: 21x17 inches.
Tor FALCON A Year’s Walking The Peddar's Way. CLICK HERE
FANSHAWE Elisabeth (1779-1856) Italy. ‘Lago di Como from Bellagio’. Watercolour. 1829 or 1830. Inscribed and ?signed ‘Miss Fanshawe’ verso. Exhibited: Covent Garden Gallery. 7x11.5 inches. Framed 15x19 inches.
FANSHAWE Elizabeth (1779-1856) ‘Bonaparte’s Fort on the Mt Cenis’. Pencil, pen and ink. Inscribed. Late May 1830. The Fanshawe sisters were in Italy and Switzerland 1829-1831. Provenance: Fanshawe collection sold at Christies 3.10.2007. 8x10 inches.
FANSHAWE Elizabeth (1779-1856) ‘Arcola’, La Spezia. Pen, brush and ink Inscribed. The Fanshawe sisters were in Italy and Switzerland 1829-1831 and in La Spezia on 20th November 1829. Provenance: Fanshawe collection sold at Christies 3.10.2007. 5x7.75 inches.
FANSHAWE Elizabeth (1779-1856) Liguria: ‘Descent of (indecipherable)’ Brush, ink and watercolour. Amongst sketches made on November 21st 1829 ‘Approach to Massa’ and November 22nd ‘Between Lucca and Pisa’ in the collection sold at Christies 3.10.2007. The Fanshawe sisters were in Italy and Switzerland 1829-1831. 5x8.25 inches. CLICK HERE for an article on Elizabeth Fanshawe in Liguria'
FANTIN-LATOUR Henri (1836-1904) ‘Baigneuses’ (Hediard 128 IV). Lithograph. Signed. 1896. One of 25 impressions. 11x17 inches.
FARE Arthur Charles (1876-1958) Belgium. Bruges: The Chapel of the Holy Blood and the Palais de Justice’. Watercolour. Signed, inscribed and dated, September 1926. 18x12 inches.
FAREY Cyril (1888-1954) ‘Marden Park, Woldingham’, Surrey. Pencil and watercolour elevation with plans. Circa 1910. Signed, inscribed and dedicated Sir Walpole Greenwell (d.1919) Marden Park (now Woldingham School) was bought by Greenwell in 1906. 26x17 inches.
FAREY Cyril Arthur (1888-1954) to the design by Thomas Smith Tait R.I.B.A. The Royal Insurance Company, Plymouth. Pencil, watercolour and gouache. Signed and dated ‘Cyril Farey & Adams. Del.1949’. Exhibted: R.A. 1950. Prov: The Royal & Sun Alliance Collection. Christies 19.5.2005. lot 65. 18x24 inches.
FAREY Cyril (1888-1954)
‘The Exchange Scheme, Nottingham – New Shopping Way’.
Pencil, ink, watercolour and gouache. Signed and dated, 1926. A Presentation Elevation from the design by Thomas Cecil Howitt R.I.B.A. (1889-1968) for Exchange Buildings Nottingham (1924-1929).
37.25x22.25 inches.
FAREY Cyril F.R.I.B.A. (1888-1954) ‘Tyne Bridge’. Ink, watercolour and gouache. Signed and dated, 1928. Backing labelled: ‘Tyne Bridge / Steel Arch – Span 531 Feet / 1926-1928 / Opened by King George V – October 10th 1928 / during the Mayorality of / Alderman Stephen Easten O.B.E. J.P. – Lord Mayor of Newcastle Upon Tyne / Alderman William Edwin Wardill J.P – Mayor of Gateshead. / Engineers / Mott, Ray & Anderson. / Coode, Fitzmaurice, Wilson & Mitchell. / Architect / R. Burns Dick F.R.I.B.A. / Contractors / Dorman, Long & Company Limited.’ Framers label for Mawson, Swan & Morgan, Grey Street, Newcastle-on-Tyne’. 22.75x36 inches.
FAIRCLOUGH Wilfred R.E. R.W.S. (1907-1996) ‘Venice Carnival: Make-Up 1’ (L.122). Etching. Signed and dated, 1985. 8.25x5 inches.
FAIRCLOUGH Wilfred R.E. R.W.S. (1907-1996)
‘Venice, Two to One’ (L.112).
Etching and aquatint. Signed and dated 1983.
6.25x7.75 inches.
FARINGTON Joseph R.A. (1747-1821) A wooded valley. Pencil on blue grey paper. Prov: A folder of Farington drawings with A and H in the 1970s. 10x13 inches.
FARINGTON Joseph R.A. (1747-1821) ‘Castle of St Antoine / near Fontenoy / August 16th 1793’. Pencil, pen, ink and watercolour. Signed, inscribed and dated. 10x6 inches.
FARINGTON Joseph R.A. (1747-1821) Windsor Castle. Pencil heightened with white chalks on blue paper. Provenance: an album of 70 Farington drawings, Sothebys 21.11.1985 (to A and H). 6x10 inches. Framed: 14x17.5 inches.
FARINGTON Joseph R.A. (1747-1821) Entrance to a village. Pen and ink. 5x7.25 inches. Framed: 12.75 x 14.5 inches.
FARINGTON Joseph R.A. (1747-1821) Romantic landscape. Pen and ink, lightly squared for transfer. Backing indistinctly inscribed ‘(?Drawn) on back, (? Painted for Rev. Dr Harrington / with some alterations’. Provenance: Album of Farington drawings, Sotheby’s 21.11.1964 as Ex. Oppe Collection. 6x6.75 inches.
FARINGTON Joseph RA (1747-1821) A View on the Medway. Ink and watercolour. Exhibited: Colnaghi. 8x11 inches.
FARINGTON Joseph R.A. (1747-1821) Sussex. ‘Near Hastings’. Pen and ink. Signed, inscribed and dated ‘1785’. 14x20.5 inches.
FARLEIGH John R.E. (1900-1965)
Capriccio of London.
Wood engraving. Signed.
8x5.5 inches.
FARLEIGH John R.E. (1900-1965)
‘David took a harp and played with his hand’.
Wood engraving. Signed, dated 1934 and editioned 2/6.
Used to illustrate pl.1 ‘The Story of David’ A. and C. Black, 1934.
2x3.5 inches.
FARLEIGH John (1900-1965)
‘Zoe’.
Wood engraving. Signed, inscribed, editioned 7/50 and dated 1925.
4.75x 3.5 inches.
FARLEIGH John R.E. (1900-1965)
‘The Earth shook and trembled, the foundations of Heaven moved and shook, because he was wroth…’
Wood engraving. Signed, dated 1934 and editioned 4/6.
Used to illustrate pl.10 ‘The Story of David’ A. and C. Black, 1934.
3x3.5 inches.
FARLEIGH John R.E. (1900-1965)
‘Our days on Earth are as a shadow, and there is none abiding…’
Wood engraving. Signed, dated 1934 and editioned 1/6.
Used to illustrate pl.11 ‘The Story of David’ A. and C. Black, 1934.
2.5x3.5 inches.
FARLEIGH John R.B.A. R.E. (1900-1965) ‘Auriculas … Study for Old Fashioned Flowers by Sascheverell Sitwell’. Pencil, watercolour and gouache. Signed and extensively inscribed. 10x7 inches.
FARLEIGH John R.S.P.P. (1900-1965) ‘Big Ben’ – a Westminster capriccio. Wood engraving. Signed, inscribed and ‘Special Edition No.5’. 15.25x11.5 inches.
FARNBOROUGH Amelia (Lady) (1762-1837) A stand of trees, possibly at her home, Bromley Hill, Kent. Pencil. 5.5x8.5 inches.
FARRELL Frederick Arthur (1882-1935) ‘Ypres’. Drypoint. Signed and inscribed ‘White Pass / and with Highland Light Infantry Battn. 1917’ Dated in the [alte ‘26th Dec.1917’. Farrell was a appointed an Official War Artist to the City of Glasgow. 5.75x7.5 inches.
FARRELLEY James (b.1959) An Italian beach, possibly Monte Argentario with Giglio off shore. Charcoal. Circa 1985. 11.75x15.75 inches.
FARRELLY James (Contemporary) ‘Beach Afternoon’, Monte Argentario. Charcoal. 1990. 13x19 inches. Framed: 20.75x26 inches.
FARRER Thomas Charles (1839-1891) Attributed to. Kneeling girl. Pencil, watercolour and gouache on blue paper. Provenance: Covent Garden Gallery (Bill Drummond) 18.5x8 inches.
FARINGTON Joseph R.A. (1747-1821) ‘Trees very dark…’ Black chalk heightened with white on tan paper. Inscribed with colour noted. Provenance: Album of Farington drawings, Sothebys 21.11.1964 as ex Oppe Collection. 4.25x8 inches. Framed: 9.25x12.75 inches.
FASSETT Kaffe (b.1937)
Boys on a beach.
Pen and ink on blue paper.
18x15.5 inches.
FEDARB Ernest (1905-2005) Beach scene. Watercolour. 1980. Signed. Exhibited: ’Daphne and Ernest Fedarb’, Sally Hunter Gallery, February, 1986, No.9. 5x6.5 inches. Framed: 14x15.25 inches.
FEDARB Ernest P.N.S. (b.1905) France, Isere: ‘The Fountain, Lalley’. Ink and watercolour. Signed. Inscribed verso. 9x12 inches.
FEDDEN Mary (1915-2012) Apple pickers. Oil on board. Signed and dated, 1989. 6x8 inches. Framed: 12x14 inches.
FEDDEN Mary (1915-2012)
Lemon, cloud and acorns.
Ink, watercolour and gouache. Signed and dated, 1991.
4.75x5.75 inches. Framed: 13.5x14 inches.
£2875.
FEDDEN Mary (1915-2012)
‘Fez’.
Pencil. Signed and dated, 1972. Exhibited: Hamet Gallery. Ex.Collection: Sir Denis Lasdun.
22x30 inches. Framed: 28x36 inches.
Framed Photo
FEDDEN Mary (1915-2012) ‘Shells and Pebbles’. Lithograph. 1971. Signed and editioned 60/70. 21x29 inches. Framed: 29x38 inches.
FEDDEN Mary R.A. (b.1915) ‘Owl’. Pencil. 27x20 inches. Signed and dated, 1970.
FEDDEN Mary R.A. (b.1915) Landscape with moth and corn. Pen and ink. 6x8 inches. Signed and dated, 1973.
FEDDEN Mary O.B.E. (1915-2012) Two Figs on their bough. Watercolour and gouache. Signed and dated, '29.3.09'. 4x5.5 inches. Framed: 11x11.5 inches.
FEDDEN Romilly (1875-1939)
‘A Palace on the Grand Canal’, Venice.
Watercolour. Signed. Exhibited: Walker’s Galleries, 1925.
14x14 inches. Framed: 20.25x20.25 inches.
FEDDEN Romilly (1895-1939) Venice. ‘San Giorgio by moonlight’. Watercolour. Signed and dated ‘1925’. 9x13 inches.
FEIBUSCH Hans (1898-1998) Beseaching figures. Gouache. Signed and dated, 1958. 20.5x13.75 inches. Framed: 33.5x25.25 inches.
FEIBUSCH Hans (1898-1998) Design for a mural at the Dorchester Hotel. Gouache. Signed, inscribed and dated, 1946. 11.5x15.75 inches. Framed:19x22 inches.
FEIBUSCH Hans (1898-1998) The Baptism of Christ: ‘First Design for Chichester Mural’. Gouache. Signed and inscribed beneath the image. 19.5x8.5 inches.
FEIBUSCH Hans (1898-1998) Roger de Somery confronted by the Kings’ Men while stag hunting in Kinver Forest. Study for the 1948 mural painted in Dudley Town Hall. Gouache. Later inscribed by the artist. Another study verso. 14x23 inches.
FEIBUSCH Hans (1898-1998) The Arch of Titus, Rome. Gouache. Signed and dated, 1948. 14.5x20.5 inches. Framed: 20.5x26.25 inches.
FEIBUSH Hans L.G. (1898-1998)
‘Christ in Glory’
Gouache. Signed and dated, 1961.
Exh: Twentieth Century Watercolours and Drawings, A and H, 2004, no.26.
43x30 inches. Framed: 48x35 inches.
FEILD Maurice (1905-1988) ‘Evening bathe on the Teme’, near Malvern. Oil on card. Signed and inscribed verso. 10.25x7.25 inches. Framed: 13.75x11.25 inches.
FELIX Auguste’ (fl.1860) Three fashion illustrations of bonnets. Ink and watercolour. Two inscribed. Two dated, ‘Mai 1866’. Exhibited: Christopher Powney. Each approx. 4x4.5 inches. Mounted and framed together (click here). Framed size: 11.5x24 inches.
FELL Michael (b.1939) ‘Children playing’. Etching. 6/50. Signed. 65x125 mm.
FELL Michael (b.1939) The Couple. Etching and aquatint. Proof. 280x395 mm.
FELL Michael (b.1939) ‘Le Croissant’ (sic) Etching and aquatint.. Signed and inscribed. 9x16 inches.
FELL Michael (b.1939) ‘The Waitress’. Etching and aquatint. Artists Proof. Signed. 165x120 mm.
FENN Henry (1845-1911) Holy Land. ‘Jerusalem from Mount Scopus’. Ink, watercolour and gouache. Signed. Painted 1878/79 while in the Holy Land making illustrations for ‘Picturesque Palestine, Sinai and Egypt’, Major-General Sir Charles William Wilson (publ. serially 1881-1883, New York (Appleton) and London (Virtue). 12x17 inches.
FENN Henry (1845-1911) Holy Land. ‘The Church of the Nativity, Bethlehem’. Ink, watercolour and gouache. Signed. Painted 1878/79 while in the Holy Land making illustrations for ‘Picturesque Palestine, Sinai and Egypt’, Major-General Sir Charles William Wilson (publ. serially 1881-1883, New York (Appleton) and London (Virtue). 11x15.5 inches.
FENN Henry (1845-1911) Holy Land. ‘Wady Feiran’ Ink, watercolour and gouache. Signed. Painted 1878/79 while in the Holy Land making illustrations for ‘Picturesque Palestine, Sinai and Egypt’, Major General Sir Charles William Wilson (publ. serially 1881-1883, New York (Appleton) and London (Virtue). 17x11.75 inches.
FENNELL Louisa (Exh.1880-1894) Heath Old Hall, Wakefield. Demolished 1961. Watercolour. Signed. 18x12.5 inches.
FEREDAY C ‘Hope’. Wood engraving. Signed and inscribed. Ex. Collection: Peter Ward-Jackson (1916-2015) 6.25x5 inches.
FERGUSON William J. (fl.1849-1886) An Italian lake. Watercolour. Signed and dated, 1875. 11.5x18 inches. Framed: 22x28 inches. Exhibited: Covent Garden Gallery.
FERGUSON William J. (fl.1849-1886)
An English Churchyard.
Watercolour. Signed. Circa 1870. Exhibited: Covent Garden Gallery.
12x20 inches. Framed: 22.25x29.5 inches.
FERGUSON Margaret (Hammerton) S.W.A. (fl.1950s) ‘Majorcan Spring’. Oil on canvas. Signed. Exhibited: Society of Women Artists, 1958, no.720, 14.25x10 inches. Framed: 18.5x14.5 inches.
FERREY Benjamin F.S.A. F.R.I.B.A. (1810-1880) ‘Fontainbleau. Cour d’honneur’. Watercolour. Painted to illustrate p.92 ‘Paris and its Environs’ , Charles Heath and Augustus Charles Pugin, 2 vols, 1828-1831. 5x8.75 inches. Framed: 12.75x15.75 inches.
FERRIER Gabriel (1847-1914)
‘Chanteuse sur la scene’.
Pencil, brush and ink. Signed. Exhibited: no.53, ‘Nineteenth Century French Drawings’, Hazlitt, Gooden & Fox, 10th June-10th July 1981.
11x7.75 inches. Framed: 17x13.25 inches.
FFOLKES Michael (1925-1988) ‘The Shoe Fetishist’. Ink and watercolour. Signed. For the Erotic Review, Issue 82, p.60. 13x10 inches. Framed: 20x16 inches.
FIELD Walter (1837-1901) ‘Borough Marsh’: a hay harvest. Watercolour. Signed and dated, 1885. 4.75x6.75 inches.
FIELD Walter (1837-1901) Hampstead; Christ Church from the Heath. Watercolour. Signed and dated 1865. 6.25x13.75 inches.
FIELD Walter (1837-1901) ‘A Holiday at Hampstead’ Signed and dated, 1875. 16.5x23.75 inches. Framed: 24.5x31.5 inches.
FIELDING Brian (1933-1987) ‘Evening Skyscape’. Oil on board. Signed. Signed and inscribed verso. Provenance: Dr Frances Spalding. 9.5x17.5 inches. Framed: 13.25x21.25 inches.
FIELDING Newton Smith Limbird (1799-1856) The Escape. Watercolour and gouache. Signed and dated 1829. Engraved for The Sporting Magazine, 1830. 5.5x8 inches. Framed: 13x15 inches. £975
FIELDING Theodore Henry (1781-1851) A French cottage. Ink and watercolour. c.1830. 5x7 inches. Framed: 14x15 inches.
FIELDING Anthony Vandyke Copley P.O.W.S (1787-1855)
‘View of Skiddaw looking down Derwent Water / Cumberland’.
Watercolour and gum Arabic. Signed and dated, 1853. Inscribed verso.
8x12.75 inches.
FIELDING Anthony Copley Vandyke P.O.W.S. (1787-1855) CLICK HERE
FIELDING Newton Smith Limbird (1799-1856) A brindled hound. Ink and watercolour. Signed and dated, 1825. 4.5x7.75 inches.
FIELDING Anthony Vandyke Copley P.O.W.S. (1787-1855) Leaving the harbour on a stormy day. Watercolour and gouache. Signed. 8.25x12.5 inches. Framed: 16.25x20.75 inches.CLICK HERE to view framed.
FINCH Francis Oliver O.W.S. (1802-1862) Landscape by moonlight. Watercolour. Signed and dated, 1958, on the artist’s label. 11x16 inches.
FINCH Rev. and Hon. Daniel (1757-1840) ‘Hampstead’. Pen, brush and ink. Signed and inscribed. 6.5x9.5 inches.
FINCH Heneage, 4th Earl of Aylesford F.S.A. F.R.S (1751-1812) ‘View from Mr Shirley’s of Carrickmacross & Lord Bath’s estate extending to the wood in the distance to the right’, Co. Monaghan, Ireland. Pen brush and ink. Inscribed on the original wash line mount. The image: 9.5x13 inches. The backing: 12.25x15.75 (irregular)
FINCH Heneage, 4th Earl of Aylesford (1751-1818) ‘Between Hyde (sic Hythe) and Romney’. The image: 5.25x9.75 inches. With washline border: 7x11 inches.
FINCH Hon. Daniel (1757-1840) ‘Near Sandwich’, Kent. Pen, brush and ink. Inscribed and dated, 1818, on the original washline mount. The image: 5.25x10.5 inches. With washline border: 6.75x11.75 inches.
FINCH Heneage, 4th Earl of Aylesford (1751-1818) ‘at Tenby’, Pembrokeshire. Pen, brush and ink. Inscribed by the artist. For another view see Yale Centre for British Art. 8x10.5 inches. Framed: 15x16.5 inches.
FINCH Heneage (Earl of Aylesford) (1751-1812) ‘Greenwich Park’. Pen, brush and ink. Inscribed. Ex. Coll: Judy Egerton. 8x11 inches.
FINI Leonor (1907-1996) ‘Femme plume’. Ink and watercolour. Circa 1965. Authenticated by Richard Overstreet. 16.5x6.25 inches. Framed: 25x14 inches.
FINI Leonor (1907-1996) ‘Femme a la perruque’. Ink and gouache. 1963. Signed. Costume design for ‘Tannhauser’ (Wagner) Opera de Paris, 1963. Certificate of Authentification signed by Richard Overstreet. 19x18.5 inches.
FINN Herbert John (b.1861 - c.1940) ‘Westminster Bridge and the Houses of Parliament’. Watercolour. Signed and dated 1904. 14x20 inches.
FISCHER-KOYSTRAND Carl (1861-1918) ‘Der Goldene Pfau’ (‘The Golden Peacock’). Watercolour and gold ink. Signed. Inscribed ‘Wien’ verso. For The Six Songs of Ibn Saidun. Exh: 1912. Original mount and frame. 8x8 inches. Framed: 14x14 inches.
FISHER Mark R.A. R.I. (1841-1923)
Cattle in the shade.
Oil on canvas. Circa 1890. Provenance: Estate of Margaret Fisher Prout, the artist’s daughter.
FISHER Walkden (1913-1979) Bathing Beauties. Ink and chalk. Circa 1935. Signed. 10.5x7 inches.
FISHER Mark R.A. (1841-1923) Hertfordshire. Cattle grazing the banks of the River Stort at Sawbridgeworth. Watercolour. Signed 10x14 inches.
FISHER Major General Sir George Bulteel (1764-1834) A Canadian landscape. Pencil and watercolour. 1791-1794. Provenance: a group of Fishers drawings bought from Sothebys in June 1981. 11x21.5 inches. Framed: 21.5x30.5 inches. £675
FISHER Sandra (1947-1994) ‘Melissa with Opera Glasses’. Oil on canvas. Signed. Exhibited: Lefevre Gallery, 1983; Hirschhorn Museum Representation Abroad, 1985. 10.25x8 inches. Framed: 13.5x11.5 inches.
FISCHER Ann (fl.1880s) Naestved: St Peters Church. Zealand, Denmark. Oil on canvas. Signed, inscribed and dated, June (18)88. 18x13.75 inches. Framed: 24x19.5 inches.
FISHER Sir George Bulteel (1764-1834)
Landscape, possibly Co. Tipperary.
Pencil and watercolour.
15.75x23.5 inches. Framed: 21.25x31.25 inches.
FISHER Sir George Bulteel (1764-1834) ‘On the Hudson’s River’. Pencil and watercolour. Inscribed on the backing). As Tutor to Prince Edward Augustus, Fisher accompanied him to Lower Canada and the USA between 1791 and 1794. Provenance: Abbott and Holder. A folder of 10 watercolours by Fisher from Sotheby’s 3.6.1981 (after-sale). 5.5x9.5 inches.
FISHER J. (Exh.1849-1858) ‘Georgina Lily Richmond’ (c.1845-1932) (1880 Lady Belhaven). Watercolour and gouache. Signed and dated, 1852. 7.5x5.5 inches.
FISHER William (fl.1880-1900) Still-life. Watercolour and gouache. Signed and dated, 1891. 11x21.5 inches.
FISHER Thomas F.S.A. (1772-1836) Bedfordshire. ‘Rise of the Fenbrook at Tottenhoe near Dunstaple, Bedfordshire’. Watercolour. Inscribed by the artist. Provenance: 62990 12x18.5 inches.
FISHER Thomas F.S.A. (1772-1826) ‘Bedfordshire. Rushmere Farm and Pond’. Watercolour. With central fold where once interleaved into a volume. Inscribed. Circa 1820. Provenance: De-accessioned from Inns of Court Library. Sothebys: 29.11.2001. 10x14.5 inches.
FISHER Thomas F.S.A. (1782-1836) Bedfordshire. ‘The Roman Catholic Chapel at Shefford’. Watercolour. Inscribed by the artist. Prov: interleafed into the Bedfordshire Vol. of Samuel Lyson’s Magna Britannia, 1813. Christies 12.5.1993. 7x8 inches.
FITTON Hedley (1859-1929) The Pantheon, Rome. Etching. Signed. 17.5x21.75 inches.
FITTON Hedley R.E. (1857-1919) ‘The Pantheon, Rome’. Etching. Signed. 460x337 mm.
FITTON Hedley R.E. (1857-1929) ‘La Porte de la Cadenne, St Emillion’. Drypoint. Signed. 14x8 inches.
FJAESTAD Maja (Swedish 1871-1961) ‘Letter boxes at a Bridgehead’. Woodcut printed in colours. Signed, inscribed in Swedish, editioned ‘2/50’. Exhibited: ‘Exhibition of Northern Graphic Art’, South Kensington, 1938. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 9.5x13.25 inches.
FLANDERS Dennis (1915-1994) ‘Torquay’. Pencil. Inscribed. Verso: Studio stamp, and dated, 1938. 8.5x12 inches.
FLANDERS Dennis (1915-1994) ‘Worcester’. Pencil. Signed, inscribed and dated, April 16th 1939’. 9.75x14 inches.
FLANDERS Dennis (1915-1994) ‘Old Guildhall, Plymouth…a curious example of the Gothic Revival’. Pencil. Signed, inscribed and dated, 30th April (10)39’. 8.25x11.5 inches.
FLANDERS Dennis (1915-1994) ‘House in New Street, Plymouth’. Pencil. Signed, inscribed and dated, 1939. 9.75x13.75 inches.
FLANDRIN Jean-Hippolyte (1809-1864) Studies of a bearded man. Pencil. Signed/stamped. 7.5x9 inches.
FLAXMAN John R.A. (1755-1826) Drawings. CLICK TO VIEW
FLETCHER Hanslip (1874-1955) WWI RAF Salvage Sector, Southampton. Pencil and watercolour. Signed and dated, 1918. Indistinctly inscribed ‘No.1 Salvage Section RA Southampton / Tan … (?Disman)tling Shop’. Provenance: Professor Albert Richardson P.R.A. and by descent. Repaired. 22.5x17.25 inches. Framed: 30x24.75 inches.
FLETCHER-WATSON James (1913-2004) Eye Church, Suffolk: the coming storm. Watercolour, Gouache and resist. Signed and dated, 1962. 18x23 inches.
FLINT Sir William Russell P.R.W.S. R.A. (1880-1969) Sicily; ‘Via Belguardo, Girgenti’. Watercolour. Signed, inscribed and dated, 1913. Inscribed verso. 14.5x9.5 inches.
FLINT Robert Purves (1883-1947) The Grand Canal, Venice. Pencil and watercolour. Signed and dated, 1925. 9.25x13 inches. Framed: 18.5x24 inches.
FLINT Robert Purves (1883-1947) ‘The Rialto’, Venice. Pencil and watercolour. Circa 1925. Signed. 8.25x14.5 inches. Framed: 18.5x24 inches.
FLOWER Cedric (1920-2000) ‘The Explorer (Sir Charles Todd)’. Oil on board. Signed. 15x12 inches. Framed: 20.5x17.5 inches.
FORAIN Jean Louis (1852-1931) Dancers: composition studies. Oil/canvas. Circa 1900. Provenance: De-accessioned from the Los Angeles County Museum of Art. 24x29 inches. Framed: 34x39 inches. £12,000
FORAIN Jean-Louis (1852-1931) ‘La rencontre’. Ink and crayon. Signed. 11x7.75 inches.
FORAIN Jean-Louis (1852-1931) Nu, dans l’atelier. Charcoal, pastel, ink and gouache. Signed. Inscribed verso by another hand, ‘To the intimate record / of the creative vision’. 8x8.75 inches.
FORAIN Jean- Louis (1852-1931) ‘Le partie de Campagne’. Pen and ink. Exhibited: Connaught Brown Gallery. 10x8.5 inches.
FORAIN Jean-Louis (1852-1931)
‘Les Folies Bergere’.
Etching. Circa 1880.
3.75x5.75 inches.
FORAIN Jean-Louis (1852-1931)
Au Café.
Etching. Circa 1880.
6x4.75 inches.
FORAIN Jean-Louis (1852-1931)
‘Les Folies Bergere II’
Etching. Circa 1880.
3.75x5.75 inches.
FORAIN Jean-Louis (1852-1931) Study for a poster. Blue crayon. 12x8.25 inches.
FORAIN Jean-Louis (1852-1931)
‘Similitudes’.
Etching. 1880. One of six etchings to illustrate Huysman’s ‘Croquis Parisiens’. Edition of 545.
5.75x3.75 inches.
FORAIN Jean-Louis (1852-1931)
‘L’Ambulante’.
Etching. 1880. One of six etchings to illustrate Huysman’s ‘Croquis Parisiens’. Edition of 545.
5.75x3.75 inches.
FORAIN Jean-Louis (1852-1931)
‘Maison Close’ (G.21)
Etching. 1880. One of the six etchings to illustrate Huysman’s ‘Croquis Parisiens’ (not used).
3.75x5.75 inches.
FORBES-ROBERTSON Eric (1865-1935) The Bather, possibly Tahitian. Pencil, ink and watercolour on reverse of form advertising violin lessons given by Leonard Forbes-Robertson, 25 Charlotte Street. Circa 1893. Provenance: Artist’s family descent. 6.5x4.5 inches.
FORD Henry Justice (1860-1941) ‘The Princess chooses’. Watercolour. Signed and inscribed by the artist. 10.5x7.25 inches.
FORRESTER John (1922-2002)
‘Staggia’. Pencil and gouache on joined paper. Signed verso. Label frame verso dated ‘2-7.54’. Exhibited: Gimpel Fils. 10.5x12 inches. Framed: 18x19 inches.
FORSYTH Gordon Mitchell R.C.A. (1879-1952) ‘Chevy Chase’; study for an illustration. Pencil, watercolour and gouache. Inscribed. 6x15 inches.
FORSYTH Gordon Mitchell R.C.A. (1879-1952) The King in Procession. Pencil, watercolour and gouache. Circa 1900.
FORTESCUE Henrietta Anne (c.1765-1841)
Rome: ‘From the Tower in Caesar’s Palace’.
Pen, brush and ink. Signed, inscribed and dated, 1817.
10.75x14 inches.
FORTESCUE Henrietta Anne née Hoare (1785-1841) Derbyshire. ‘The (?) Rocks, Matlock Baths’. Pen, brush and ink on blue/grey paper. Signed, inscribed and dated, June 13, 1823. 10x7 inches.
FOSTER Herbert Wilson (1846-1929) Self-portrait. Red, black and white chalks. Signed. Winner of a ‘National Silver Medal’. Circa 1865. 14.5x9.75 inches. Framed: 24x19 inches.
FOSTER Myles Birket (1825-1899) ‘Old windmill near Dorking’. Watercolour and gouache. Signed. Exhibited: Stacy Marks. 8x11 inches.
FOSTER Myles Birket R.W.S. (1825-1899) Surrey. ‘The Sand Pits, Hambledon’. Pen and ink study for a watercolour. Signed. Inscribed beneath mount and recto. Ex. Coll: L.G. Duke (‘Duke 753’). Exh: Spink (K3 7823). 6x9 inches. Framed: 14.5x17 inches.
FOSTER Richard R.S.P.P. (b.1945) ‘Santa Margherita – eastwards’, Liguria. Oil on board. Signed. Exhibited: Spink. 8x12 inches. Framed: 12.5x16.5 inches.
FOSTER Richard R.P. A.W.G. (b.1945) The river’s bank. Watercolour and gouache on blue paper. Signed. 6.5x10 inches. Framed: 13.25x16.5 inches.
FOSTER Richard R.P. (b.1945) Winter dusk: Kensington Palace. Oil on card. 1991. Signed. Exhibited: Spink. 8x12 inches. Framed: 13x16.5 inches.
FOSTER Richard R.S.P.P. (b.1945) ‘The Redentore from the Piazzetta’. Oil on card. Signed. 1991. Exhibited: Spink. 6x9.25 inches. Framed: 12x15 inches.
FOSTER Richard R.P. (b.1945) The Torre del’Orologio from the Piazzetta, Venice. Oil on card. Exhibited: Spink. 8x10 inches. Framed: 14x16 inches.
FOSTER Myles Birket R.W.S. (1825-1899) ‘Fishing’, s sketch. Pencil. Circa 1860. Provenance: from a sketchbook of the artist’s work. 3x3.75 inches.
‘FOUGASSE’ (Cyril Bird 1887-1865)
A White Ensign.
Brush and ink.
8.25x5 inches. Framed: 18.25x12.5 inches.
‘FOUGASSE’ (Cyril Kenneth Bird 1887-1965) ‘Civilisation, 1948’. Pencil and watercolour on ‘Punch’ letter paper. Inscribed. Signed and inscribed ‘Bon Voyage’. 8.75x5.75 inches. Framed: 12.25x8.5 inches.
FOUGASSE (Cyril Kenneth Bird 1887-1965) Degrees in Entertainment. Pen, brush, ink and watercolour for Punch Summer Number 14th June 1926. Exhibited: For the Love of Drawing: Drawings from an Oxfordshire Private Collection, Ashmolean Museum, 2002. 12x9.75 inches. Framed: 21x17.75 inches.
FOUQUERAY Dominique Charles (18?69-1956) ‘Nieuport’: where the trenches reached the channel. Charcoal and watercolour. Signed, inscribed and dated, 1915. 11x15.75 inches. Framed: 18x23 inches.
FOUQUERAY Charles (1869-1956) WWI. The Somme: ‘Vers Fricourt’. Pencil and watercolour. Signed, inscribed and dated, 3rd October, 1917. 4x6.75 inches. Framed: 10x13 inches.
FOUQUERAY Charles (1869-1956) WWI. The Somme. ‘Vers Rancourt / au fond le… de Peronne et St Pierre Vaast’. Pencil and watercolour. Signed, inscribed and dated, 3rd October 1917. 4x6.75 inches. Framed: 10x13 inches.
FOUQUERAY Charles (1869-1956) WWI. The Somme: ‘Route de Peronne a St Quentin’. Pencil and watercolour. Signed, inscribed and dated, 3rd October, 1917. 4x6.75 inches. Framed: 10x13 inches.
FOUQUERAY Charles (1869-1956) WWI. The Somme: ‘Entre Montauban et Guillemont’. Pencil and watercolour. Signed, inscribed and dated, 3rd October 1917. 4x6.75 inches. Framed: 10x13 inches.
FOUQUERAY Charles (1869-1956) WWI. The Somme: Clearing the road between ‘Mametz et Montauban’. Pencil and watercolour. Signed, inscribed and dated, 3rd October, 1917. 4x6.75 inches. Framed: 10x13 inches.
FOUQUERAY Charles (1869-1956) WWI. The Somme: Trenches on the ‘Route de Peronne a Bapaume’. Pencil and watercolour. Signed, inscribed and dated, 3rd October, 1917. 4x6.75 inches. Framed: 10x13 inches.
FOUQUIERE Jacques (1590-1659) Circle of. Landscape. Chalk, watercolour and gouache. Exhibited: Brod Gallery, 1977. 9x14 inches.
FOX-PITT Douglas L.G. (1864-1922) ‘Place Nationale, Dieppe’. Chalk and watercolour. Circa 1910. Signed. 15x12 inches. Framed: 22.5x18.75 inches.
FRANCIA Francois Louis Thomas (1772-1839) Dover Castle. Watercolour. Prov: Fettercarin House. Ex. Collection: Sir William Forbes 7th Bt. of Pitsligo (1773-1828) and by descent. 9.75x12.75 inches. £3750.
FRANCIA Francois Louis Thomas (1772-1839) A south coast rock arch. Watercolour. Signed. Prov: Fettercairn House. Ex. Collection: Sir William Forbes, 7th Bt. of Pitsligo (1773-1828) and by descent. 4.25x9 inches.
FRANCIA Louis (1772-1839) ‘A view of Wimbledon Common / from Richmond Gate / Drawn for T. Shadrake Esq’. Pencil. Signed with monogram. Signed, inscribed and dated 1807 verso. 7x9.75 inches. Framed: 14x17 inches.
FRANCIS E. Joyce (Exh: 1928-1937) ‘Little Brother and Little Sister’. Woodcut printed in colours. Signed, inscribed and editioned ‘3/24’. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 9x7 inches.
FRANKLIN Henry (Circa 1800) ‘Tor Abbey’, Devon; Views from the Front, from the East and from the West. Each ink and watercolour. Each signed and dated 1800. Each on original wash line mount with inscription. Each 14x18.
FRASER Robert Winchester (1848-1906) Bedfordshire. Kempston, the overshot on the Great Ouse. Watercolour and gouache. Signed. 15.5x25.5 inches. Framed: 23.5x33 inches.
FRASER Eric (1902-1984) ‘Fear of the future’. Ink, watercolour and gouache. Signed. Painted for I.C.I Metals, July 1947. 10x10 inches. Framed: 17.5x16.75 inches.
FRASER Claud Lovat (1890-1921) ‘A Quiet Night in Poperinghe, 18/1/16’. Crayon, watercolour and gouache. Signed and inscribed, also ‘from my notes, 1918’. 7.5x7.75 inches.
FRASER Eric (1902-1983) A Winter Coat. Pen and ink, heightened with white, for Harpers Bazaar. Circa 1933. Exh: Paul Liss, 1999. 8.5x4.5 inches. Framed: 15.5x11.5 inches.
FRASER Eric (1902-1983) The Dodo. Pen, brush ink and gouache. Signed. 5.25x6 inches.
FRASER Eric (1902-1983) Aboriginal head. Pen, brush, ink and gouache. Signed. 5.5x4.5 inches. Framed: 10.25x9.25 inches.
FRASER Robert Winchester (1848-1906) Oxfordshire. Iffley Mill at dusk. Watercolour. Signed and inscribed. 7x13.75 inches. Framed: 15x21.5 inches.
FRASER Eric F.S.I.A. (1902-1983) ‘Aeschylus’s Plays’. Pen and ink. Signed. Illustrated: G. M. Cookson, Aeschylus: Plays, Dent and Sons, 1956, (Dust-jacket). 5.5x6.75 inches. Framed: 13x17 inches.
FRASER George Gordon (1859-1895) ‘Hemingford Mill / 0n the Ouse / Huntingdonshire’. Watercolour and gouache. Signed. Inscribed verso. 10.75x15 inches.
FRASER Robert Winchester (1848-1906) ‘Dordrecht’. Watercolour and gouache. Signed and inscribed. 11.75x17.75 inches.
‘FRASER Alexander Jnr’ (Mid 19th century)
A lantern lit street scene.
Watercolour and gouache in the manner of / after Petrus van Schendel (1806-1870) Indistinctly signed.
13x9.75 inches.
FRASER Claud Lovat (1890-1921) ‘Ben, The Chaplain’. Ink and watercolour. Signed, inscribed and dated on the original mount ‘ Ben, The Chaplain / for John Drinkwater / in all admiration / from (signature) / (? 9th June) 1917’. Watercolour: 5x5.25 inches. Mount 14x11.5 inches. VIEW INSCRIPTIONS
ST.ALBANS (Subject) Eric Fraser (1902-1984)
‘A Ramble round St Albans – compiled and illustrated by Eric G Fraser’.
Ms.s with illustrated pages, two tipped-in watercolours and five tipped-in pen and ink drawings.
10.5x8.25 inches.
£575. CLICK HERE TO VIEW
FRASER Donald Hamilton R.A. (1929-2009) ‘Dancer’. Pencil and wax crayon. Signed. 14x11 inches. Framed: 22x17 inches.
FRAZER Robert (fl.1950s) Trompe l’oeil for Arthur Jeffress. Ink and watercolour with marbled border. Signed and dated, 1953. 9x17.5. Framed: 17.5x25.
FREEDMAN Barnett C.B.E. (1901-1958) London: snow storm. Oil on canvas. Signed. Circa 1935. 18x24 inches. Framed: 22x28 inches.
FREEDMAN Barnett C.B.E. (1901-1958) ‘Window Box’; the Misses Mozley Pen and ink. 5x8 inches. For the Lyons Corner House lithograph ‘Window Box’, 1954. Prov: Sir Robert Leighton, Leighton-Straker Bookbinders.
FREEDMAN Barnett C.B.E. (1901-1958) Christmas card. Lithograph. Signed by the artist and his wife. 8x13 inches.
FREEDMAN Barnett (1901-1958)
‘The Darts Champion’.
Lithograph for Guinness. 1956. Trimmed.
19.5x29 inches. Framed: 20.5x30.25 inches.
FREEDMAN Barnett C.B.E. (1901-1958) ‘Study of a Cart’. Oil on paper laid on card. Signed and inscribed on the artist’s label verso. 12x19 inches.
FREEDMAN Barnett C.B.E. (1901-1958)
East London Street.
Ink and gouache. Circa 1925. Ex. Collection: John Ward C.B.E. R.A.
12x17.5 inches.
FREEDMAN Barnett (1901-1958) Learning to read. Ink and watercolour. Signed and dated, 1946. 8.25x6.25 inches.
FREETH Andrew R.A. R.E. P.R.W.S. (1912-1986) ‘Irishman’. Etching. Proof printed in 1936 and later inscribed by the artist’s wife. Provenance: Artist’s Estate. 145x122 mm
FREETH Hubert Andrew R.A. (1912-1986) Brittany. ‘Lesconil’. Ink, watercolour and gouache. Signed, inscribed and dated, 1965. 11x17.5 inches.
FREETH Andrew R.A. (1912-1986) Florence: ‘Ponte Santa Trinita and Ponte Vecchio’. Watercolour. Signed. 1970. Exhibited: No.4, R.W.S. September 1970. 11x17 inches. Framed: 20x25.5 inches.
FREETH Andrew (1912-1987)
‘Sunday at Lesconil’, Brittany.
Oil on card. Signed.
16.5x22.75 inches. Framed: 19.75x26 inches.
£575.
FRENCH E. C. (Mid 20th c)
‘Iyruna’ ‘12 – K 11’.
Designed by Charles Nicholson (Camper and Nicholson) for Sir William P. Burton P.R.Y.A. (1864-1942) in 1927 and one of only about 170 12 metre yachts built between 1907 and 1987.
Pencil, ink, watercolour and gouache. Signed and inscribed.
20.5x15.5 inches.
FRENCH Robert (fl.1840s) A rowdy Meeting. Pen, ink and pencil from a sketchbook signed, inscribed and dated ‘Newcastle, 1840’. 5.75x10.75 inches.
FRIEDENSEN Thomas (1879-1931) Australia: ‘The Up Country Team’. Etching. Signed, inscribed, editioned 17/40 and dated, 1923. 6x8.75 inches.
FRIEND Donald (1915-1989) ‘Nude studies, Venice’. Pen, brush and ink. Signed and inscribed. Dated, 1952. 19x12. Framed: 28x20.
FRIEND Donald (1915-1989) ‘Walter Gore Ballet Company / Rehearsal Sketch’. Pen and ink. Signed, inscribed and dated, 1953. 12.5x18.5 inches. Framed: 21x26.5 inches.
FRIEND Donald (1915-1989) Australia: ‘Walter Gore Ballet Company / Rehearsal sketch’. Pen and ink. Signed, inscribed and dated, 1953 12.5x18.75 inches.
FRIEND Donald (1915 - 1989) Venice: the entrance to the Arsenale. Ink and watercolour. . Exhibited: No.89. November 1952, Redfern Gallery, 12.5x19 inches. Framed: 20x27 inches.
FRIEND Donald (1914-1989) ‘Budal / Bali’. Pen, brush and ink. Signed, inscribed and dated, 1977. 26x17.25 inches. Framed: 31x22.5 inches.
FRIEND Donald (1915-1989) Bathers, the Lungarno, Florence. Pen, brush, ink and chalks. Signed, inscribed and dated, 1952. 12x18 inches. Framed: 19x25 inches.
FRINK Dame Elisabeth R.A. (1930-1993) Horse and Man. Watercolour. Circa 1975. Signed. Exhibited: ‘The Unknown Frink’, Mumford Fine Art, October 2008. 19x25 inches. Framed: 27x33 inches.
FRINK Dame Elisabeth R.A. (1930-1993) Horse and Man. Watercolour. Circa 1975. Signed. Exhibited: ‘The Unknown Frink’, Mumford Fine Art, October 2008. 19x25 inches. Framed: 27x33 inches.
Dame Elisabeth Frink R.A. (1930-1993) Head of a Man. Pencil. Signed and dated, 1976. 30.5x21.57 inches. Framed: 43.5x34 inches.
FRINK Dame Elizabeth C.B.E. R.A. (1930-1993) Flying Figures. Charcoal on repaired paper. 22x17 inches. 1961. Related the Ulster Bank, Belfast commission, 1961.
FRINK Dame Elizabeth R.A. (1930-1993) ‘The Dead Cat’. Pen, brush and ink. Signed and dated, 1957. Exhibited: No.37, ‘Loan Exhibition of Modern Art’, Royal Albert Memorial Museum, Exeter, 1960. 30x10.5 inches. Framed: 36x17 inches.
FRINK Dame Elizabeth R.A. (1930-1993) Long-Eared Owl. Etching and aquatint. Signed and numbered 37/50. From the 10 Birds of Prey series. Published by Leslie Waddington Prints Ltd, 1974. 540x465mm.
FRINK Dame Elizabeth R.A. C.H. (1930-1993) Cartoon for the Ulster Bank sculpture (1964). Charcoal on paper (repaired). 28x18 inches £2000.
FRINK Dame Elisabeth C.H. R.A. (1930-1993)
‘Chanticleer and Pertelote’.
Etching and aquatint. Signed, inscribed and editioned 1/70.
10.5x12 inches.
FRINK Dame Elisabeth C.H. R.A. (1930-1993)
‘Chanticleer and the Fox’.
Etching and aquatint. Signed, inscribed and editioned 1/70.
9.75x11.75 inches.
FRINK Dame Elizabeth R.A. (1930-1993) ‘The Reeves Tale’. Etching and aquatint. Signed, inscribed and editioned 17/70. 10.5x11.5 inches.
FRIPP George Arthur R.W.S. (1813-1896) Wales: ‘The Vale of Neath’, Glamorgan. Watercolour and gouache. Signed and dated, 1837. 12.5x10.5 inches. Framed: 20.25x17.25 inches.
FRIPP Alfred Downing R.W.S. (1822-1895)
‘Break, Break, Break / On the cold grey stones O Sea…’ (Tennyson).
Watercolour and gouache.
Signed and inscribed on the original backing.
23x18 inches. Framed: 32x26 inches. £1,750.
FROOD Hester (1882-1971) ‘Fountains Abbey’. Pencil, charcoal and watercolour. Signed, inscribed and dated 1946. 10x13 inches.
FROOD Hester (1882-1971) ‘The Little Waterfall’. Charcoal and watercolour. Signed. Signed, inscribed and dated, 1944. 8.5x11.25 inches.
FROST Sir Terry R.A. (1915-2003) ‘A Very Happy Christmas’. Gouache to an incised Chelsea Arts Club folded card. Dedicated, signed and dated, 2000, inside. 5.5x7.5 inches. Framed: 13x15 inches.
FROST Sir Terry R.A. (1915-2003) Collage of three pieces of card, with watercolour. Signed and inscribed verso as a Christmas Card. 3.5x2.5 inches.
FROST Sir Terry R.A. (1815- 2003) Christmas Tree. Collage and gouache. Signed and inscribed verso as a Christmas card to friends of the artist by the Frost. 3x4.5 inches.
FROST Sir Terry R.A. (1915-2003) Collage, with watercolour. Folded as a Christmas card. Signed and inscribed on the inside, dated 1985. 4x4 inches.
FROST George (1754-1821) St Mary at Stoke Church, Ipswich. Charcoal. Circa 1800. 11.5x15.5 inches.
FROST William Edward (1810-1877) Circe and Sirens. Pen, brush, ink and watercolour. Provenance: An album of Frost drawings with Abbott and Holder in 1981. 4.5x4.75 inches.
FROST William Edward R.A. (1810-1877) Study of a sleeping girl. Chalk, ink, watercolour and gouache on tan paper. Circa 1835. 7.5x6.25 inches.
FROST George (1754-1821) CLICK HERE
FROST William Edward R.A. (1810-1877) On the (Studio) shore. Ink and watercolour. Circa 1850. 4.25x6.75 inches. Framed: 13.75x14 inches.
FRUEH Alfred Joseph (1880-1968) The Black Tie. Pen, brush and ink. Circa 1935. Signed. Inscribed ‘Sunday Drama’ verso and probably for The New Yorker. Provenance: John Drinkwater (1882-1937). 9.5x6.5 inches.
FRY Roger N.E.A.C (1866-1934) CLICK HERE
FRY Roger (1866-1934) 'The Catacombs of the South Transept, Abbey Church, Cluny'. Lithograph from 'Ten Architectural Lithographs', 1930. 20x14.75 inches.
FRY Roger (1866-1934)
‘Notre Dame, Aubeterre’.
Lithograph. Circa 1930.
14.5x10 inches.
FRY Roger (1866-1934)
‘Baroque Altar, Perpignan’.
Lithograph. One of the series ‘Ten Architectural Lithographs’, 1930.
14x11 inches.
FULLEYLOVE John R.I. (1845-1908) ‘Oxford, High Street with University College and St Mary’s’. Pencil. Signed, inscribed and dated, 3rd October 1887. 10.75x15 inches.
FULLEYLOVE John (1845-1908) The Thames: London Bridge and Fishmongers Hall. Watercolour. Signed and dated, 1884. 5x7 inches.
FULLEYLOVE John (1845-1908) The Thames: The Old Customs House and St Magnus the Martyr. Watercolour. Signed and dated, 1884. 5x7 inches.
FULLEYLOVE John (1845-1908) Lincoln’s Inn Fields, the south side looking East. Watercolour. Signed and dated, 1884. 5x7 inches.
FULLEYLOVE John (1845-1908) The Thames, view from Bankside across towards the Old Customs House and the Tower of London Watercolour. Signed and dated, 1884. 5x7 inches.
FULLEYLOVE John (1845-1908) Oxford: ‘All Saints and The Mitre, High Street’. Pencil. Signed, inscribed and dated, October 1889. Ex. Collection: Sir John Stirling Maxwell (1866-1956) 10.5x14.5 inches.
FULLEYLOVE John R.I. (1847-1908) ‘St Denis, the north aisle of the Abbey’. Watercolour. Signed. Inscribed and dated, 10th July, 1893. Exhibited: Agnews (no.26687). 7x11 inches. Framed 14x17 inches.
FRANCE (Subject) ‘G.B (sp)Tinaud’. Circa 1850. ‘Chateau de Chenonceaux’. Pen and ink. Signed and inscribed. 9.5x13 inches.
