This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
GAA Christa R.W.S. (1937-1882)
Table-top still life.
Watercolour and gouache. Signed.
13.75x19.75 inches. Framed: 24.25x30 inches.
GAA Christa (1937-1992)
‘Camellias’.
Watercolour and gouache. Signed.
13.5x16 inches. Framed: 21x23 inches.
GABAIN Ethel (1883-1950) ‘Reverie Venitienne’. Lithograph. Signed. Inscribed beneath the mount. 13x10 inches.
GABAIN Ethel Leontine (1883-1950) ‘Un Monsieur’. Lithograph. Signed. Inscribed and ‘2nd state’. 320x170 mm.
GABAIN Ethel (1883-1950) ‘Pink Pyrethrums’. Oil on board. Signed. Artist’s label verso. 13x10 inches. Framed: 20x17 inches.
GAGARIN Prince Grigory (1811-1893) Society Promenade. Ink and watercolour. Circa 1840. Exhibited: William Drummond (Covent Garden Gallery). 4x5 inches.
GAINSBOROUGH Thomas (1727-1788) (Follower of) Landscape. Charcoal, brush and watercolour. Ex. Collection: Michael Ingram (his stamp), and purportedly Leonard G. Duke (as Gainsborough). 9x14 inches.
GALLIBERT Genevieve-Marie (1888-1978) France. ‘Cannes’. Watercolour. Signed and dated 1954. 14.5x20.25 inches.
GALLIFANT Genevieve Marie (1888-1978) ‘Fenetre aux citrons’. Oil on board. Signed. Circa 1960. 26x21.25 inches.
GARDNER Daniel (1750-1805) Lorenzo Moore (1744-1798) as Captain 3rd Regiment of Horse, and his wife Williamza Moore (née Janssen) (1753-1840). Possibly drawn to celebrate their marriage in 1774. Graphite and pastels in original frame, inscribed verso. 22x17.5cms (Oval). Framed: 28x24cms. See Neil Jeffares, Dictionary of Pastellists before 1800 (Online ed.)
Prov: The sitters' daughter Williamza Caroline Mary Moore, m.1823 John Robert Budgen (1791-1866); their son Thomas John Budgen (b.1824) m.1872 Julia Dewdbrey (1847-1888); their son Stephen Theodore Janssen Budgen (b.1875) m.1910 Elizabeth Siddons; their daughter Helena (d.1972) m.1939 Montagu Brodie (1912-2003); their daughter (Elizabeth) Juliet (b.1943) m.1969 (Claude) Hugo Scott. Please contact us for more information and photos of the frames and inscriptions.
GARDNER Daniel (c.1750-1805) Head and shoulders of a young man. Chalk and pastel on paper laid on late 19th c card. Inscribed verso ‘From the Collection of Lady Strachey / formerly the property of Lord Carlingford KP / purchased from Anne Eliza Dixon granddaughter of Daniel Gardner the artist’. Provenance: Lady Strachey, Christies 17.7.1911. Lit: Neil Jeffares on-line ‘Dictionary of Pastellists before 1800’. Lit: Williamson 1921 repro opp.p.10. Oval: 9.25x7 inches.
GARGIULO Enrico (1881-1948) ‘Capri’ – the Faraglioni from Marina Piccola. Oil on panel. Signed and inscribed. 10.75x16.25 inches. Framed: 14x19.5 inches.
GARLAND Robert (fl.1830s) London. ‘London Bridge’. Pencil, sepia washes and gouache study preliminary to Hablot K Browne’s drawing to be engraved by J.Wood for ‘Wood’s Views of London’, 1838. 4x6 inches.
GARLAND Nicholas (b.1935) Tory Party Leadership problems: Margaret Thatcher, Willie Whitelaw and Enoch Powell. Pen, ink and blue crayon for the Daily Telegraph. Inscribed and signed. 10x14.5 inches.
GARNETT Angelica (1918-2012) 'Vanessa's Lamp'. Watercolour. Monogrammed. 21x11 inches.
GARNETT Angelica (1918-2012) ‘Interior at Charleston’. Gouache. 1979. Signed. 19x14 inches.
GARNETT Angelica (1918-2012)
‘The Doorway’, Charleston, winter 1978/79. Gouache and collage. Signed. Inscribed verso of frame: ‘Sold for the Charleston Trust 1980’ and signed by the Artist. Exhibited: Southover Gallery, Lewes, July 1980. 16x9.5 inches. Framed: 22.5x16.5 inches.
GARRARD Ian (1927-1985) Original watercolours to illustrate The Wild Flowers of the British Isles. CLICK HERE
GARRARD Peter John N.E.A.C. P.R.B.A. R.P. (1929-2004) ‘Sussex Gardens’, Paddington. Oil on canvas laid on board. Circa 1955. Signed. Inscribed on label. 14x18 inches. Framed: 20x23.5 inches.
GARRIDO Leandro Ramon (1868-1909) Seated Girl.
Oil on canvas. Signed and dated, 1902.
22x13 inches. Framed: 31.5x22.5 inches.
GARWOOD (Ravilious) Tirzah (1908-1951)
‘The Dog Show’ (‘The sister-in-law’).
Wood engraving. 1929. Editioned 154/500. Restrike printed from the original block in an edition of 500 by Merivale Editions in 1989.
6.5x5 inches.
GARWOOD (Ravilious) Tirzah (1908-1951)
‘The Crocodile’ (‘The daughter’).
Wood engraving. 1929. Editioned 154/500. Restrike printed from the original block in an edition of 500 by Merivale Editions in 1989.
6.5x5 inches.
GASCOYNE George (1862-1933) The Sand Cart. Etching. Signed and dated, 1894. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 11x14 inches.
GASKILL Dave ( b.1939) ‘I look down on his cartoons’, Cleese, Barker and Corbett. Pen, brush, ink and watercolour for Political Cartoon Society Newsletter, Spring 2011. 8x7.5 inches. Framed: 17x14.75 inches.
GASKIN Arthur Joseph (1862-1928) Drawing to illustrate the Brothers Grimm. Ink and watercolour. Circa 1920. Prov: the artist’s daughter. Sothebys Book Sale 1.6.1989. 3x4 inches. £95.
GASKIN Arthur Joseph (1862-1928) John Drinkwater (1852-1923); Playwrite. Pencil on textured paper. Signed, inscribed and dated, 1916. 11.25x8 inches.
GASTINEAU Henry (1791-1876) Lake scene. Watercolour. Inscribed on the original backing ‘Original drawing by Gastineau 1851’. 6x8.25 inches.
GASTINEAU Henry (1791-1876) Monmouthshire. ‘Tintern Abbey’. Watercolour. Circa 1840. Signed and inscribed verso. 10.5x15.25 inches.
GAUDIER-BRZESKA Henri (1891-1915) Standing female nude, hands clasped. Pen and ink. 15x9 inches. Prov: Jim Ede to Colnaghi to Nick Lott to Gillian Jason. Exh: Drawings of Henri Gaudier-Brzeska, Gillian Jason Gallery, 1989 (no cat.).
GAUDIER-BRZESKA Henri (1891-1915) Couple Walking. Chalk, brush and ink. Provenance: Sophie Brzeska to Jim Ede (his inscription on Marlborough Gallery label) Exhibited: Marlborough Gallery, 1965. 10x8 inches. Framed: 17.5x14.75 inches.
GAUDIER-BRZESKA Henri (1891-1915) Recto: Standing Nun. Verso: Head of a Nun (Click Here). Pencil. 8.5x6.5 inches. Framed: 18x15.5 inches.
GAUDIER-BRZESKA Henri (1891-1915) The Boxer. Pen and ink. Initialed and inscribed ‘GB 58’. Exhibited: Beaux Art Gallery 15x10 inches. Framed: 22x17 inches.
GAUDIER-BRZESKA Henri (1891-1915) Head of a Man. Black chalk. Inscribed. Circa 1912. 10x7.5 inches. Framed: 18.25x15.25 inches.
GAUDIER-BRZESKA Henri (1890-1915) Bird on a twig. Chalk. Ex. Collection: Seward Kennedy. 9x6.5 inches. Framed:19x16 inches.
GAUDIER-BRZESKA Henri (1891-1915) Kneeling figure. Pen and ink. Circa 1912. 8.25x7 inches. Framed: 16x14 inches.
GAUDIER-BRZESKA Henri (1891-1915) Boats off shore. Chalk. Signed/ ?inscribed ‘HGB’. 7.25x10 inches.
GAUDIER-BRZESKA Henri (1891-1915)
The Top Hat.
Charcoal. Inscribed ‘H. Gaudier Brzeska’ by Jim Ede (1895-1990). 9.75x8 inches. Framed: 19.25x15.75 inches.
GAUDIER-BRZESKA Henri (1891-1915) Head of a woman. Pencil. Circa 1910. 7.5x5.5 inches. Framed: 17.5x15 inches.
GAULD David R.S.A. (1865- 1935) (Circle of) St John the Baptist. Oil on canvas. Circa 1885. 15x12 inches. Tabernacle frame: 22.5x18 inches.
GAULT Annabel (b.1952) ‘Fields, Friston’, Suffolk. Oil on paper. 1995. Exhibited: Redfern Gallery, 1996. 13x29 inches. Framed: 22.5x37 inches.
GAULT Annabel (b.1952)
‘Garden’.
Oil on canvas board.
8x10.25 inches. Framed: 14.75x17 inches.
GAULT Annabel (b.1952) ‘Garden’. Oil on canvas board. 7.75x10 inches. Framed: 12x14.25 inches.
GAULT Annabel (b.1952)
‘Garden’.
Oil on canvas board.
7.75x10 inches. Framed: 12x14.25 inches.
GAUNT William (1900-1980) The Tower of London. Ink and watercolour. Signed, inscribed and dated 1943. 10x14 inches.
GAUNT William (1900-1980) ‘The Orator’. Ink and watercolour. Signed, inscribed and dated, 1929. 8.75x7 inches.
GAVIN Robert R.S.A. (1827-1883) Oil on canvas laid on board. Robert Gavin Trustee’s stamp verso. Provenance: Mrs Elmelly Lea. Exhibited: Fine Art Society, 1980. 13.5x12.5cms. Framed: 34x33cms.
GAYE Howard (Architect Exhibited 1880-1891) Kent. ‘Duke’s Place, West Peckham’. Pen and ink. Signed. Inscribed and dated verso ‘Drawn by Howard Gaye from a photograph by the Rev. A.B. Cotton, taken 21st Sept. 1877’. 10x11.5 inches.
GEAR William R.A. (1915-1997) Standing male nude. Pen and ink. c.1939. Provenance: Randall Wells 16.5x10.25 inches.
GEERLINGS Gerald (1897-1998) ‘Grand Canal, America. (Electrical Building at night)’. Drypoint. 1933. Signed. Edition of 100. Embossed stamp ‘Chicago Society of Etchers’. 12x9 inches.
GENTLEMAN David (b.1930) Indian street food. Ink and watercolour. Signed. Exhibited: Mercury Gallery, 1994. Ill: David Gentleman’s India, 2006. 7x9.5 inches. Framed: 13x16 inches.
GENTLEMAN David (b.1930) London: ‘Bloomsbury Square’. Ink and watercolour. Signed and dated, 1983. 19x13.75 inches.
GENTLEMAN David (b.1930) ‘The Pembrokeshire Coast near Ceibwr Bay, Dyfed’. Ink and watercolour. Signed. Exhibited: Mercury Gallery. 13x10 inches. 19x16 inches.
GENTLEMAN David (1775-1847) ‘Interior, Cave, Ajanta’. Ink and watercolour. Signed. Exhibited: ‘David Gentleman’. 1994. Ill: ‘David Gentleman’s India’, p.104. 21.5x14.5. Framed: 29x21.75 inches.
GENTLEMAN David (b.1930) ‘The Pont Neuf and the Quai des Orfevres’. Ink and watercolour. Signed. Exhibited: Mercury Gallery, 1991. 15x10.5 inches. Framed: 21x16.5 inches.
GEORGE Adrian (b.1944) ‘Vivienne’. Crayons. Signed and inscribed. 24x19 inches. Framed:33x28 inches.
GEORGE Gertrude A. (fl.1918-1930) London. ‘Gray’s Inn Road – Twilight’. Oil on card. Signed, inscribed and dated (19)26.
GEORGE Frederick William (1889-1971) Grazing above the sea. Pastel on tan paper. Circa 1935. Provenance: the Artist’s Studio to Campbell Wilson Fine Art. 6.75x9.75 inches. Framed: 13x16 inches.
GEORGE Frederick William (1889-1971) Street at night. Pastel on grey paper. Circa 1935. Provenance: the Artist’s Studio to Campbell Wilson Fine Art. 11x11 inches. Framed: 17.25x17.25 inches
GEORGE Frederick William (1889-1971) The old sandpit. Pastels on tan paper. Circa 1935. Provenance: the Artist’s Studio to Campbell Wilson Fine Art. 10x14 inches. Framed: 17.5x21.5 inches.
GEORGE Thomas (American 1918-2009) ‘Lower Rose Terrace, Bodnant’. Pastel. Signed. 1992. Exhibited: A Garden Revealed: Bodnant, North Wales, Julian Hartnoll, 1993, No.14. 23.25x17.5 inches. Framed: 30.5x24.75 inches.
GERE Charles March R.A. R.W.S. (1869-1957) ‘The Ploughing Team’. Oil on card. Exhibited: Fine Art Society, July 1969. 7x9 inches. Framed: 10x13 inches.
GERE Charles March R.A. R.W.S. (1869-1957) ‘Mary, Lady Raglan’ (nee Farquhar). Watercolour. Signed verso, inscribed ‘painted at 4 Eaton Terrace’ and dated, December 1910. 7x4.75 inches. Original frame: 9.5x7.25 inches.
GERE Charles March R.A.R.W.S. (1869-1957) ‘Piers’. Watercolour. Signed, inscribed and dated, 1909. 6.25x5 inches. Framed: 10.5x9 inches.
GERE Charles March (1745-1821)
Head of a boy.
Pencil and watercolour. Signed. Provenance: Lord Berners, Farringdon Sale, Christies, 12.4.18.
6.75x6 inches.
GERE Charles March R.A. R.W.S. (1869-1957) ‘Cader Idris’. Mezzotint. Proof. Ex. Collection: John Redman (b.1937). 4x6 inches.
GERTLER Mark L.G. N.E.A.C. (1891-1939) Violin Case and flowers. Pencil study for ‘Violin Case and Flowers’, oil, 1930 (Tate Britain) Pencil. Signed and dedicated ‘To my dear friend / Walter Taylor’. Lit: ‘Mark Gertler’, John Woodeson, as Collection of Eric Holder. 11x15 inches. Framed: 19x22 inches.
GERTLER Mark L.G. N.E.A.C (1930-1993) Christine Mavrogordato on a day bed Pencil and crayon. Circa 1928. Provenance: the grandson of the sitter. Study related to the oil portrait of Christine Mavrogordato exhibited at the Leicester Galleries in 1928 and now in Tel Aviv Museum. 10x16.75 inches. Framed: 16.5x 23 inches
GERTLER Mark (1891-1939) Model stretching. Pencil. Signed and dated, 1927. 11x14.5 inches. Framed: 17x21 inches.
GIBB Phelan Harry (1870-1948)
‘Landscape’.
Oil on card. Circa 1905. Inscribed or signed verso. Exhibited: No.93,’New Year Exhibition 1943’, Leicester Galleries, January, 1943. (label)
9.75x13.75 inches. Framed: 14x18 inches.
GIBBINGS Robert (1889-1958) ‘Lycius’. Wood engraving. Proof for Lamia, Isabella and other poems by Keats, Golden Cockerell Press,1928. Prov: Albert Cooper, pressman at the Golden Cockerell Press. 5x5 inches.
GIBBINGS Robert (1889-1958) The Statue. Wood engraving. Proof. Provenance: Albert Cooper, pressman at the Golden Cockerell Press. 85x100 mm.
GIBBS Tim (b.1923) Welsh landscape. Charcoal, watercolour and gouache. Circa 1970. Bought from the artist by the previous owner. 17x33 inches.
GIBBS Evelyn (1905-1991) Landscape. Oil/card. Signed and dated, 1950. 12x16.5 inches. Framed: 18.5x22 inches.
GIBBS Evelyn R.E. (1905-1991) Mediterranean Townscape. Ink, watercolour and gouache. Signed and dated, 19(?6)3. 18.5x23.25 inches. Framed: 26x31 inches.
GIBBS Evelyn (1905-1991) Palm at ‘Les Mimosas’. Charcoal, ink and watercolour. Signed and dated, 1953. Exhibited: Zwemmer Gallery. 21.75x17 inches. Framed: 31x25 inches.
GIBBS Evelyn (1905-1991) ‘Cliff Fantasy’. Etching and aquatint. Signed and editioned ‘7/30’. 23.5x17.5 inches.
GIBBS Evelyn (1905-1991) ‘Blind Man Beggar. Etching. Signed and dated, 1928. 5.5x3.25 inches.
GIBBS Evelyn (1905-1991) ‘Nottingham Tramp’. Oil/canvas. Circa 1950. Signed. Provenance: Sir Hugh Willatt Estate (Artists husband). 24x20 inches. Framed: 32x28 inches.
GIBBS Tim (1923-2012) Ravello. Pen and ink. Exhibited: Piccadilly Gallery, 1955. 7.75x16.5 inches.
GIBBS Evelyn R.E. (1905-1991)
Mending nets, Gozo.
Charcoal and ink. Circa 1970. Signed.
14x17.25 inches.
GIBBS Jonathan (living) ‘The Edge of the Sea’. Pastel. Signed. Exhibited: Open Eye Gallery, Edinburgh. 8.5x10.75 inches. Framed: 17x19.5 inches.
GIBBS Jonathan (born c.1955) ‘Path to the Hills’. Pastel. Signed. Exhibited: Open Eye Gallery, Edinburgh. 8.5x10.75 inches. Framed: 17x19.5 inches.
GIBBS Evelyn (1905-1991)
Two walkers.
Etching. Signed and inscribed, 3rd state.
4x4.75 inches.
GIBRALTAR (subject) Colonel H. A. Turner 1834. ‘(?Governors) Cottage…end of the …Gibraltar, 1834’. Ink and watercolour. Indistinctly inscribed. Inscribed verso: ‘Governor’s Summer Residence, Gibraltar’. 7x12.5 inches.
GIBRALTAR (subject) Colonel H. A. Turner ‘Sunset view from the Moorish Castle Gibraltar looking towards Algeciras’. Ink and watercolour. Signed and indistinctly dated. Circa 1834. Inscribed verso and ?signed with indistinct monogram. 8x12.75 inches.
GIBRALTAR (subject) Colonel H. A. Turner 1834. ‘Gunner’s Library at Gibraltar, July 19th 1834, from the artillery (indistinct)’. Ink and watercolour. Inscribed verso. 7x12 inches.
GILBROW Ruth (fl.1950s) ‘Thru’ a window’. ‘Original coloured block print’ (Woodcut). Circa 1950. Signed and inscribed. 15x12.5 inches.
GIBSON Patrick (1782-1829) Edinburgh. ‘Holyrood House’. Pencil and sepia wash. Signed, inscribed and dated 1810 verso. Ex. Collection: L.G. Duke (LGD 4239) 8x10.5 inches.
GILBERT Sir John R.A. P.R.W.S (1817-1897) An ancient ceremony. Sepia ink and gouache. 5x9.75 inches.
GILES Carl (1916-1995) CLICK HERE TO VIEW WORKS
GILES Catherine (1878-1955) ‘Bombed house in Temple Gardens’. Pencil and watercolour. Signed and inscribed. c.1944. 18x20.5. Framed: 25x28.
GILES Catherine (‘Catherina’) Dawson (1878-1955) Farm buildings, Provence. Pencil and watercolour. Circa 1925. Provenance: Artist’s Estate. Ex. Collection: Quentin Stephenson. 12x16.5 inches. Framed: 21.5x25.5 inches.
GILL Eric (1882-1940) ‘The Symbol of Christ Crucified’ (P.46). Wood engraving. 1915. Proof. Provenance: Given to his Chaplain Dr Flood by Gill. 6.5x4.25 inches.
GILL Eric A.R.A. (1882-1940) ‘Chaucer and Cupid’ (P443) and ‘Chaucer Writing’(P444), proof for ‘Troilus and Criseyde’, Geoffrey Chaucer, Golden Cockerell Press, 1927. Wood engraving on japan paper. 8x6.5 inches.
GILL Eric (1882-1940) ‘The Deposition’ (P.788). Wood engraving. 1931. Signed and editioned 6/10. Ex. Collection: Sir John Stirling-Maxwell (1866-1956). 9x7 inches.
GILL Eric (1880-1940) ‘Mrs Beatrice Warde’ (Typographer, 1900-1969) (related P.400). Wood engraving. 1926. Signed and editioned 9/25. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 10x7.5 inches.
GILL Eric (1882-1940) ‘Nude Crucifix’, design for a carving. (P.192). Wood engraving. Proof. 1922. Ex. Coll: Sir John Stirling-Maxwell of Pollok (1866-1956) 4.5x1.5 inches.
GILL Eric (1882-1940) ‘Animals All’ (P.50). Wood engraving. Signed. Inscribed verso. 2x2 inches.
GILL Eric A.R.A. (1882-1940) ‘The Prior of Caldey’, Dom Wilfred Upson (1880-1963) Engraving. Proof. 1926. Exhibited: Redfern Gallery, 1942, to T. J. Beresford Heelas. 9.75x7 inches.
GILL Edmund Ward ‘Waterfall’ (1794-1868)
A proud Border Terrier.
Oil on canvas. Circa 1850.
8x10.5 inches. Framed: 12x14.75 inches.
GILL Eric (1882-1940) ‘The Resurrection’. Wood engraving. Proof. 1917. Provenance: given by Gill to his chaplain, Dr Flood, and by descent. 5.5x3.5 inches.
GILL Eric (1882-1940) ‘Cantet Nunc Lo’ (P.75). Wood engraving. 1916. Proof. Signed. Given to his Chaplain Dr Flood by Gill. 2x2 inches.
GILL Colin N.E.A.C. I.S. (1892-1940) ‘Caroline Henderson’. Red and white chalks. Signed. 12x10. Framed: 21x18.
GILL Eric (1882-1940) An album of 108 wood engravings by Gill showing the full range of work done during his Ditchling period. Collected by Douglas Pepler at Ditchling between 1911-1922.CLICK HERE TO VIEW
GILL Eric (1882-1940) ‘Virgin and Child’. (P827) Wood engraving. Signed, inscribed. 1931. 6x3 inches.
GILL Eric (1882-1940) Reclining figures. Pencil and pastel. Signed and dated ‘ 4.6.26’. Ex. Coll: Wyndham T Vint, Bradford. 12.25x11.25 inches. Framed: 20.75x18.75 inches.
GILL Eric (1882-1940) ‘Thomas Esmond Lowinsky’. Wood engraving on Japon paper. 1924. Proof. 10.5x7.75 inches.
GILLIES William R.A. (1898-1973) ‘Rhum and Eigg’. Pencil and watercolour. Signed. 8.5x14 inches. Framed: 16x21 inches.
ANON. Formerly attributed to ‘Alexander’ (?William Alexander 1767-1816) Studies of fishermen and fishing boats. Ink and watercolour. Circa 1810. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 5.25x8 inches.
GILLRAY James (1756-1815) ‘Jackum’ rowing a dinghy. Ink and watercolour. Inscribed. Inscribed in the album ‘From Miss Alleyne’s Collection 1945’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 4.5x3 inches.
GILLRAY James (1756-1815) A sailor hauling on a rope. Ink and watercolour. Inscribed in the album ‘From Miss Alleyne’s Collection 1945’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 4.5x3 inches.
GILLRAY JAMES (1756-1815) Study of a sailor boy. Ink and watercolour. Circa 1810. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. Inscribed in the album ‘From Miss Alleyne’s Collection 1945’ 4.5x3 inches.
GILLRAY JAMES (1756-1815) Study of a sailor. Ink and watercolour. Circa 1810. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. Inscribed in the album ‘From Miss Alleyne’s Collection 1945’. 4.75x3.25 inches.
GILLRAY James (1756-1815) Study of a loaded boat. Ink and watercolour. Inscribed in the album ‘From Miss Alleyne’s Collection 1945’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 3x5 inches.
GILMAN Harold L.G. (1876-1919) ‘Romney Marsh’; near Snargate. Pen and ink. 11x14 inches. Inscribed verso. Circa 1910. Signed.
GILPIN Sawrey (1733-1807) Study of a savage dog. Pencil, pen and ink. Provenance: From a sketchbook of the artist’s work with Abbott and Holder c.1970. 3.5x7.5 inches.
GILPIN Sawrey R.A. (1733-1807) Study of a lion. Pencil. Provenance: a Gilpin sketchbook with A and H in the distant past.
GILPIN William Dr (1724-1843) (Circle of) Sublime Valley. Pen, brush and ink. Circa 1780. 5.5x9.5 inches.
GILPIN Rev. William (1724- 1804) Picturesque capriccio. Pencil, pen, brush and sepia ink. Embossed studio stamp. 6.5x9.5 inches.
GILPIN Rev. William (1724-1804) River landscape. Pen, brush and ink. Gilpin impressed stamp. On original backing and accompanied by Gilpin’s original half-page description. Ill: C. P Barbier, William Gilpin, OUP, 1963, Pl. 10(d). Ex. Collection: Sir Bruce Ingram, probably from his album of Gilpin drawings originally bought at the 1802 Gilpin sale (info. in attached 1966 letter by C. Barbier). 6x10 inches.
GILPIN Sawrey R.A. (1733-1807) Study of Cattle. Pencil, brush and wash. Ex. Collection Michael Ingram (his stamp). 9.75x13.5 inches.
GILPIN Rev. William (1724-1804) Wooded Lakeland Castle: capriccio. Brush and monochrome washes. Inscribed verso ‘W Gilpin’ and dated ‘1804’. Exhibited: Agnews (No.45755). 7x11.5 inches. Framed: 14x18 inches.
GILPIN Rev William (1724-1804) Capriccio landscape. Pen, brush and ink. 6.25x9.5 inches.
GILPIN William (1724-1804)
Capriccio: a road to the mountains.
Pen, brush and ink. Artists embossed stamp.
6.25x10.25 inches.
GILPIN William (1724-1804)
Picturesque landscape.
Pen, brush and ink. By descent through the Benson family.
4x6.5 inches. Original washline mount: 6x8.5 inches.
GILPIN Sawrey R.A. (1733-1807)
Studies of cattle.
Pencil. Signed and dated, September 1794.
8.5x12.75 inches.
GILPIN William (1724-1804) Capriccio. Pen, brush and monochrome washes. Inscribed in an 18th century had ‘Landscape by Gainsborough’ to the original mount. 10.5x14.25 inches. MOUNTED IMAGE
GINNER Charles (1878-1952) ‘Cornish Cottage’. Woodcut with watercolour added by the artist. 1919. Signed. 7.5x5.5 inches. Framed: 17x13.5 inches.
GINNER Charles (1878-1952) Preparatory study for ‘Spring Day at Boscastle’ (Oil on canvas, 1943, Arts Council Collection). Pencil, squared with pen and ink. 17x10.5 inches. Framed: 25.5x19.75 inches.
GIRTIN Thomas (1775-1802) Rustic cottage. Brush, watercolour and ink. Circa 1800. 3x3 inches.
GIRTIN Thomas (1775-1802) Ruined tower. Brush, watercolour and ink. Circa 1800. 3x2.75 inches.
GIRTIN Thomas (1775-1802) (Circle of) ‘View on the Wye’. Ink and watercolour. Circa 1800. Inscribed verso. Ex. Coll: David Loshak. 12x18 inches.
GIRTIN Thomas (1775-1802) The Rainbow. Mezzotint after Girtin by S W Reynolds, 1824. 1883 impression printed in an edition of 200 on plate paper before the plates were destroyed. Torn down. 6x8.5 inches.
GLASHAN John (1927-1999) ‘A Liege of ninety winters…’ Pen, brush and ink. Signed and inscribed. Commission for Queen magazine, 1968. 18x15.5 inches. Framed: 25x23 inches.
GLASHAN John (1927-1999)
‘How do you manage to keep your house free from weekend guests?’.
Pen, brush and ink. Signed and inscribed.
7.5x11.5 inches.
GLASHAN John (1927-1999) ‘Famine Relief’. Ink and watercolour. Signed and inscribed. 11x15 inches.
GLASS Margaret (b.1950) ‘Sunrise: Pin Mill Hard’, and the River Orwell. Pastels. Signed and dated, 1987. 15x22 inches. Framed: 25x31.5 inches.
GLEDSTANES Elsie (1891-1982)
‘The Workshop’.
Linocut. Signed and inscribed.
5.5x3.75 inches.
GLEHN Wilfrid de R.A. (1870-1951) View over Florence. Watercolour and gouache. Signed and dated, 1909. Exhibited: Messums. 12x15.5 inches. Framed: 24x26.5 inches.
GLENNIE Arthur R.W.S. (1803-1890) Pompeii: ‘House of Pansa’, via delle Terme. Watercolour. 1843/44. Inscribed by the artist. Prov: a group of Italian views by Glennie, Leitch, Cromek and Penry Wiliams bought at Sothebys Sussex 12.9.1995. 10.5x7.5 inches.
GLENNIE Arthur R.W.S. (1803-1890) Italy. ‘Licenza’. Watercolour. Signed and dated 183(?). 9x7.5 inches. Framed: 16.5x14.5 inches.
GLENNIE Arthur (1803-1899) Italy: ‘Mentone’. Watercolour. Inscribed and dated ‘April 2 (18)84’. 9x9 inches.
GLENNIE Arthur R.W.S. (1803-1890) A Neapolitan capriccio. Watercolour. Signed. Glennie was in Naples in the 1840s and then from the 1850s-1890. Provenance: S Prout / S. G. Prout / Clara Alberta Allen and by descent. 6x4.5 inches.
GLENNIE Arthur Glennie R.W.S. (1803-1890) The Temples of Paestum. Watercolour. 1843-44. Signed. 11.5x19.5 inches. Framed: 20x27 inches.
GLENNIE Arthur R.W.S. (1803-1890 Rome. ‘Foro Romano’. Pencil. Circa 1845. Inscribed by the artist. 15x10.5 inches irregular.
GLENNIE Arthur R.W.S. (1803-1890) Rome. ‘From the top of / Temple of Peace / Rome’. Pencil. Circa 1845. Inscribed by the artist. 9.75x15.5inches irregular.
GLENNIE Arthur R.W.S. (1803-1890) Rome. ‘from (?J Links) / via Gregoriana / Roma’. Pencil. Circa 1845. Inscribed by the artist. 9x14.5 irregular.
GLENNIE Arthur R.W.S. (1803-1890)
‘Foro Romano’.
Pencil. Inscribed ‘Foro Romano / before 1849’.
7.75x10.5 inches. Backed to show the damages.
GLENNIE Arthur R.W.S. (1803-1890) View south-east from La Cava, towards Vietri and Salerno. Watercolour. Circa 1840. Indistinctly inscribed verso ‘ xx from Corpo di Cava / near Salerno’. Provenance: a large collection of Glennie’s Italian views. Although Glennie settled in Rome in 1855 he first visited Naples in 1837 and painted there during the 1840s. Condition: Some water staining. 8.75x15 inches.
GLENNIE Arthur R.W.S. (1803-1890) Rome. The Piazza di Spagna and Spanish Steps. Watercolour. Circa 1840. Provenance: a large collection of Glennie’s Italian views. Although Glennie settled in Rome in 1855 he first visited Naples in 1837 and painted there during the 1840s. Condition: Water damage and infill. Stable. 11.75x15 inches.
GLENNIE Arthur R.W.S. (1803-1890) Landscape near Naples. Watercolour. Circa 1850. . Provenance: a large collection of Glennie’s Italian views. Although Glennie settled in Rome in 1855 he first visited Naples in 1837 and painted there during the 1840s. Condition: Damage to left hand side overmounted. 10.75x14.
GLENNIE Arthur R.W.S. (1803-1890) Mounted man drinking, near Naples. Watercolour. Circa 1835.Provenance: an album of Glennie watercolour studies with A and H in 1997. 6.5x4 inches. Framed: 13.75x10.75 inches. £300.VIEW FRAMED
GLOVER John P.O.W.S. (1767-1849) CLICK HERE TO VIEW WORKS
GULICH John Percival R.I. (1864-1898) Buckingham Palace. ‘The Grand Staircase / The Queen’s Drawing Room’. Gouache en-grisaille for The Graphic. 1898. 10x15 inches. Framed: 23x17 inches.
GLUCK David R.E. R.W.S. N.E.A.C. (b.1939) ‘Three Vases’. Etching. 1/30. Signed. 19x26 inches. Framed: 30x36 inches.
GOBLE Warwick (1862-1943) ‘The Black Coolins (sic), Isle of Skye’. Watercolour and gouache. Signed and inscribed. 9x13.5 inches.
GOBLE Warwick (1882-1940) Skye. Watercolour and gouache. Signed. 9x13.5 inches.
GOFF Colonel Robert Charles (1827-1922) The entry of the Coldstream Guards. Ink, watercolour and gouache. Signed and dated, 20th March 1874. Provenance: Artist’s descendants. 20x14 inches.
GOFF Robert Charles R.E. (1837-1922) ‘The Avon below Clifton’. Etching. Signed. 174x255 mm.
GOFF Robert R.E. (1837-1922) Venice. The Ponte dei Pignoli (1767) over the Rio dei Baveteri, S. Marco. Watercolour. Signed. 10.5x14.5 inches. Original framed size: 16x20 inches.
GOFF Robert Charles R.A. (1837-1922)
‘Bologna’.
Watercolour. Signed, inscribed and dated, 1896.
7x5 inches.
GOFF Colonel Robert Charles R.E. (1837-1922) ‘The Metropole’, Brighton. Etching and drypoint. Signed and inscribed. 5.25x8.25 inches.
GOFF Frederick (1855-1931) Norfolk. ‘Cromer from Golf Links’. Watercolour. Signed and inscribed. Circa 1898. 4.5x6 inches.
GOFF Frederick (1855-1931) Norfolk. ‘Cromer Beach’, looking west. Ink and watercolour. Signed, inscribed and dated, 1898. 4.5x6 inches.
GOFF Colonel Robert Charles R.E. (1837-1922) ‘The Piazza’,Venice. Oil on canvas board. Inscribed and dated '27 September 1906'. 5x9 inches. Framed 13x17 inches.
GOGIN Charles (1844-1931) ‘Memory sketch of Forty Winks on a Brighton train’. Watercolour. Circa 1900. Signed and inscribed beneath the mount. 8x14.5 inches.
GONCHAROVA Natalia (1881-1962) Study of Christ for La Liturgie. Pencil on sketchbook page. Goncharova designed the costumes and sets for the Ballet Russe (unperformed) ballet La Liturgie in Lausanne in 1915. Possible provenance: Property of the late Leonide Massine, Sotheby’s, London 30 March 1980, lots 88 and 88a. Exhibited: Leigh Underhill Gallery circa 1980. 10.5x8 inches.
GOOD Thomas Sword (1789-1872) Sunset. Watercolour. Signed or inscribed verso. Provenance: The Newell Collection, Christies, 13, 14 December 1979, Album, lot 249. 3.25x4.5 inches.
GOOD Thomas Sword (1789-1872) ‘Study for Smuggler’. Pencil, ink and gouache on blue paper. Signed and inscribed. Provenance: The Newell Collection, Christies, 13, 14 December 1979, Album, lot 249. 5.5x4.25 inches.
GOODALL Edward Angelo R.W.S. (1819-1908) ‘Rome, in the Trastevere / Near Sta.Cecilia’. Watercolour. Inscribed and dated, 1866, verso. Exhibited: Covent Garden Gallery. 8.75x13 inches.
GOODALL John Strickland R.I. R.B.A. (1908-1996) ‘Planting’. Pen and ink to illustrate The Inspired Folly by Nancy Pence Britton (Publ. Blackwoods, 1971).
GOODALL Edward Angelo RWS (1819-1908) The Rialto, Venice. Watercolour heightened with gouache. Studio stamp. Exhibited: Fine Art Society. 13.5x20.5 inches. Framed: 23x29 inches.
GOODALL John Strickland R.B.A. R.I. (1908-1996) Corfu, reputedly the house of Giles Eyre with whom the artist had served in India in the 1940s. Ink and watercolour. Signed. 14.5x20.75 inches. Framed: 22.5x28.5 inches.
GOODALL Frederick R.A. (1822-1904)
Militia practice, reputedly on Wimbledon Common.
Ink and watercolour on blue paper. Signed and dated, ‘F.G. 1862’.
4.5x8.5 inches. Framed:11x14.75 inches.
GOODEN Stephen R.A. (1892-1955) Engraving. Pencil signed and dated 1944. 3.75x3.75 inches.
GOODEN Stephen (1892-1955) The Gorge. Engraving. Proof. Signed. Inscribed beneath the mount ‘Excellent, except colour’. 7x4 inches.
GOODFELLOW Reginald (1894-1985) ‘Verlaine and Chrysanthemums’. Ink and watercolour. Circa 1930. Signed. 17.5x12.5 inches. Framed: 25x19.5 inches.
GOODFELLOW Reginald (1894-1985) France: ‘Pont, Tarascon’. Ink and watercolour. Signed, inscribed and dated July 1926. 9.5x13.5 inches.
GOODFELLOW Reginald (1894-1985) ‘A corner of my workroom’. Ink and watercolour. Inscribed by the artist. 9.5x9 inches.
GOODFELLOW Reginald (1894-1985) ‘Dieppe, Saint Jacques’. Red chalk and watercolour. Signed, inscribed and dated June 1939. 7x10 inches.
GOODWIN Albert (1845-1932) ‘Mediterranean Islands’. Watercolour. Signed, inscribed and dated, 1875. 3.5x7 inches.
GOODWIN Albert R.W.S. (1840-1932) CLICK HERE
GOODWIN Albert R.W.S. (1845-1932) Zermatt Valley, St Nicholas by moonlight. Watercolour and gouache. Signed and inscribed. Exhibited: Maas Gallery. 10.25x14.25 inches. Framed: 19x22.5 inches.
GOODWIN Albert R.W.S. (1845-1932)
‘Cley from Wiveton Bridge’, Norfolk.
Ink, watercolour and gouache. Signed and inscribed. Ex. Coll: Sidney Harris.
9.25x11.75 inches. Framed: 17.75x19.5 inches.
GOODWIN Albert R.W.S. (1845-1932) Sunset. Watercolour. Signed. 7.75x10 inches. Original frame: 11.25x13.5 inches.
GORDON Jan (Godfrey Jervis) (1882-1944) ‘War and Peace – winnowing’; Portugal. Tempera on paper. Signed. Painted in 1933 or 1934. 12x16 inches. Framed: 22x25 inches.
GORDON-CUMMING Constance Frederika (1837-1924) The Himalayas; ‘Snowy peaks beyond Rarung on the Sutledge looking to Chinese Tartary, July 1st 1869’. Watercolour painted on her first trip to India. Signed. 25x15 inches. Framed:34x25 inches.
GORDON-CUMMING Constance Frederika (1837-1924) Sri Lanka. ‘The Badulla Hills gymkana’. Watercolour and gouache. Signed and (some indistinct) inscribed with names. 7x10 inches.
GORE Spencer Frederick N.E.A.C. L.G. (1878-1914) The Alhambra Music Hall, Ink, black chalk heightened with white. 10x13 inches. 1909/1910. Signed. Possibly a scene from ‘Les Cloches de Corneville’.
GORE Charles (1729-1807) ‘Needles, Isle of Wight’. Ink and watercolour. Circa 1760. Inscribed by the artist. Provenance: Estate of Miss Joan May. 6x16 inches. Framed 14x24 inches.
GORE Charles (1729-1807) ‘Blackwall’. Pencil and watercolour. Circa 1770. Inscribed verso. Provenance: Estate of Miss Joan May, most of whose Gore Collection is in the National Maritime Museum. 9.25x18.5 inches.
GORE Charles (1729-1827) ‘North View Gibraltar’. Ink and watercolour. Circa 1775. Prov: Amongst the Gore Collection of Miss Joan May which we featured in July 2011. 6x16 inches. Condition: damaged area with visible repair to the right side.
GORE Charles (1729-1827) Shipping in a brisk breeze. Prov: Amongst the Gore Collection of Miss Joan May which we featured in July 2011. Ink and wash. Circa 1775. 8x12.75 inches. Condition: Repaired but visible vertical fold.
GORE Frederick R.A. C.B.E (1913-2009) Venice: traghetto at the fish market. Oil on canvas. Signed. 12x15 inches. Framed: 14x17 inches.
GORE Frederick R.A. C.B.E. (1913-2009)
‘Landscape near Mausanne, Bouche du Rhone’. Oil on canvas. Signed. Signed, inscribed and dated, 1954 verso on stretcher. Provenance: The artist to Abbott and Holder in 1984. 20x30 inches. Framed: 25.75x35 inches.
GORYNSKA Wiktorya (Vienna 1902-Ravensbruck 1945) Self portrait on the telephone (‘Autoportret z telefonem’). Wood engraving. Signed, dated, 1930, and editioned ‘No.5’. 14x8 inches.
GOROKHOVA Elena, Artist’s Union of St Petersburg, (1933-2014) Circus Act. Pencil and tempera. Signed. 8x11 inches.
GOROKHOVA Elena (Russian b.1933) Circus Act. Pencil and tempera. Signed. 7.5x11 inches.
GOROKHOVA Elena, Artist’s Union of St Petersburg, (1933-2014) Circus Act. Pencil, ink and watercolour on a tempera ground. Signed. 8.25x11 inches.
GOSSE Sylvia (1881-1968) ‘Notre Dame de a rue de Bailly, Envermeu, Dieppe’. Oil on canvas. Signed. Inscribed and dated, 1923, verso. 16.5x13 inches. Framed: 23x19 inches.
GOSSE Sylvia (1881-1968) ‘Lansdown Crescent. Bath’. Etching and aquatint. Proof. Inscribed by the artist. 12x9 inches.
GOSSE Sylvia (1881-1968) Walcot Church, Bath. Soft-ground etching and aquatint. Proof before lettering. Circa 1923. 12x9 inches.
GOSSE Sylvia (1881-1968) ‘L’Hotel de Paris’, Dieppe. Etching. Signed. 5x4 inches.
GOSSE Sylvia (1881-1968) ‘Walcot’s Parade, Bath’. Etching and acquatint. Signed. 197x146 mm.
GOSSE Sylvia (1881-1968) ‘St Mark’s, Bryanston Square’. Etching and aquatint.Pencil signed. Inscribed beneath mount. 9x6 inches.
GOSSE Sylvia R.E. (1881-1935)
‘Le Chateau, Dieppe’.
Etching.
9x7.75 inches.
GOSSE Sylvia (1881-1968)
‘San Simeone, Venice’. Oil on canvas. Signed. Lit: Kathleen Fisher, ‘Conversations with Sylvia - Sylvia Gosse Painter, 1881-1968’, Publ. 1975, p.128. Ex. Collection: Kathleen (Lady) Fisher. 28x20 inches. Framed: 33.5x26.5 inches.
GOSSELIN Joshua (1739-1813) The Keep of Guildford Castle, Surrey. Ink and watercolour. Signed, inscribed and dated 1793 verso. 7x9 inches.
GOSSELIN Joshua (1739-1813) ‘Town of St Peter’s Port in the Island of Guernsey’. Pencil, ink and watercolour. Signed, inscribed and dated, 1793 verso. Provenance: By direct family descent. 8.5×52.5 inches. Framed: 18.75×62.25 inches.
GOTCH Bernard (1876-1963) Oxford: Christchurch through winter trees. Watercolour. Signed. 14.5x9.5 inches.
GOTCH Thomas Cooper (1854-1931) A West Country village street. Watercolour. Signed. 9.25x8.75 inches.
GOTCH Bernard (1876-1986)
Oxford: Christ Church.
Watercolour. Circa 1930. Signed.
10.5x14.75 inches. Framed: 19.75x25 inches.
GOTHIC (Late 14th/Early 15th Century.) Calligraphic initials. Pen and ink on vellum. Probably cut from an Antiphonal. Authenticity was confirmed by Dr Janet Backhouse, Curator of Illuminated Manuscripts, British Library 12.11.2000. Mounted with conservation glue to conservation card. 6.5x2 inches.
GOTHIC (Late 14th/Early 15th Century.) Calligraphic initials. Pen and ink on vellum. Probably cut from an Antiphonal. Authenticity was confirmed by Dr Janet Backhouse, Curator of Illuminated Manuscripts, British Library 12.11.2000. Mounted with conservation glue to conservation card. 7.25x2.25 inches.
GOULD Sir Francis Carruthers (1844-1925) The General Election, 1906: Balfour defeated at Manchester while Chamberlain keeps Birmingham. Pen and ink. Signed. For The Westminster Gazette. 8x12 inches.
GOULD Francis Carruthers (1844-1925) ‘A shadow of the South African Committee, W. Blake’. Brush and ink. Inscribed on the original backing. Probably for the Westminster Gazette. 10.5x4.75 inches.
GOWING Sir Lawrence (1918-1991) ‘Downs at Ham, 1951’. Pencil and ink. Two sheets of blue grey paper. One sheet inscribed by the artist. Exhibited: Lawrence Gowing Retrospective, Arts Council of Great Britain, 1983. Exh: Austin Desmond Fine Art. Two sheets each 9.5x7 inches mounted together. Framed: 15.75x20.75 inches.
GOWING Sir Lawrence R.A. (1918-1991)
‘Watermeadows, Sawbridgeworth’.
Oil on card. 1946. Exhibited: No.1, ‘Exhibition of works by Lawrence Gowing’, Leicester Galleries, April, 1948. To Mr Peter Harris. Label verso.
8x11.5 inches. Framed: 12.5x16 inches.
GOYA Y LUCIENTES Francisco (1746-1828) ‘Que Guerrero!’ (‘Disparate conocido’). Etching and aquatint on laid paper. 1 of the 4 supplementary plates for Los Proverbos (‘Los Disparates’) printed in L’Art, (Francois Lienard, Paris, 1877) Los Proverbos, Goya’s last series of 22 prints (1815-1823), was first printed posthumously in 1864. 8.5x13 inches.
GOYA Y LUCIENTES Francisco (1746-1828) ‘Una Reina del Circo’. (‘Disparate puntual’). Etching and aquatint on laid paper. 1 of the 4 supplementary plates for ‘Les Disparates’ (‘Los Proverbos’) first printed in ‘L’Art’, (Francois Lienard, Paris, 1877). ‘Los Proverbos’, Goya’s last series of 22 prints, was first printed posthumously in 1864. 8.5x13 inches.
GOYA Y LUCIENTES Francisco (1746-1828) ‘Que Guerrero!’ (‘Disparate conocido’). Etching and aquatint on laid paper. 1 of the 4 supplementary plates for Los Proverbos (‘Los Disparates’) printed in L’Art, (Francois Lienard, Paris, 1877) Los Proverbos, Goya’s last series of 22 prints, was first printed posthumously in 1864. 8.5x13 inches.
GOYA Francisco Jose de (1746-1828) ‘Hasta la muerte’ (Delteil 92 i. 1922; Harris 90 ii. 1964). Etching and aquatint. 1797/99. Pl.55 from 2nd edition of ‘Los Caprichos’, Madrid, Real Academia c.1855. 7.5x5.25 inches.
GOYA Francisco de (1746-1828)
‘No hubo Remedio’ Capricho 24.
Etching and aquatint. 1797. Impression circa 1900.
8.25x6 inches.
GOYA Francisco de (1746-1828)
‘Ta Barbara la seguridad como el delito’ (The detention is as barbarous as the crime) (Harris 1964 26.)
Etching. Circa 1815. Printed after the edition printed by Delatre for the Gazette des Beaux Arts, vol.xxii, p.196, 1867.
4x3 inches.
GOYA Jose de Goya y Lucientes (1746-1828)
‘Que viene el Coco’: No.3, of 80, from ‘Los Caprichos’.
Etching and aquatint. 1799. From the 3rd (1868, unknown number of impressions) or 4th (1878, 65 impressions) editions.
8.5x6 inches.
GRAHAM Fergus (1900-1968) ‘The Blade of Grass’. Pencil. Circa 1935. Provenance: a Collection of the artist’s work. 6.5x12 inches.
GRAHAM Fergus GRAHAM (1900-1968)
The Beach, St Brelade’s Bay, Jersey.
Watercolour. 14x18 inches.
Signed. Circa 1935.
Exhibited: Colnaghi.
GRAHAM Fergus (1900-1968) Kent. ‘View towards Deal’. Watercolour. Circa 1946. Inscribed by the artist on label. 10.75x14 inches.
GRAHAM Robert (1938-2008) Room. Colour etching. 63/65. 1969. Signed. 16.5x23.5 inches.
GRAHAM Fergus (1900-1968) Still-life Oil on canvas. Signed. Circa 1930. Exhibited: Redfern Gallery. Ex. Collection: Edward Marsh. 14x15 inches. Framed: 27x28 inches.
GRAHAM George (1881-1949) Winter moon over Castle Bolton, North Yorkshire. Oil on canvas. Signed. 20x24 inches. Framed: 25.5x29.5 inches.
GRANGER-TAYLOR Edith R.W.S. N.E.A.C. (1888 - 1958) ‘Women, tents and washing’. Gouache. 1937. Exhibited : ‘Edith Granger-Taylor’, Gillian Jason Gallery. 19x24.75 inches. Framed: 26x32 inches.
GRANT Alistair (1925-1997) ‘Ravenscourt Park’. Oil on canvas. Circa 1955. Signed. Inscribed on the frame. 30x 30 inches. Frame: 38x38 inches.
GRANT James Arden (1887-1974) Head of a girl. Pencil. Circa 1925. Provenance: Artists son. 15.5x13 inches.
GRANT James Arden R.E. P.P.S (1887-1973)
‘Mother and Child’: the artist’s wide and son Ian.
Etching and drypoint. Signed and dated, 1927.
8x9.5 inches.
GRANT James Arden (1887-1973) Life Study. Charcoal on tracing paper. Provenance: Ian Grant, the artist’s son. 30x12 inches.
GRANT Sir Francis P.R.A. (1803-1878)
A mother and her daughters gathered at a drawing-room table.
Pen and ink. Signed. Circa 1835.
7x10.25 inches.
GRANT James Arden P.P.S R.E. (1887-1973)
Self-portrait study.
Pencil, Circa 1920. Provenance: Ian Grant Estate Sale, Sotheby’s Olympia 18.9.2001
12x9 inches.
GRANT James Arden P.P.S. R.E. (1887-1973)
Self-portrait study, with pipe.
Pencil, Circa 1920. Provenance: Ian Grant Estate Sale, Sotheby’s Olympia 18.9.2001
14.5x10.5 inches.
GRANT James Arden P.P.S. R.E. (1887-1973)
‘Parc Monceau’, Paris.
Oil on panel. Circa 1910. Signed and inscribed verso. Provenance: Ian Grant, the artist’s son, his Sale, Sotheby’s Olympia, lot 390.
10.5x13.5 inches. Framed: 14.5x17.25 inches.
GRANT Ian (1904-1993) ‘Tree Trunks in a Bog’. Oil on canvas. Signed and dated, 1943. 28.5x36.5 inches. Framed: 33.5x41.5 inches.
GRANT Duncan L.G. (1885-1978) Oil paintings, prints and drawings. CLICK HERE
GRANT Sir Francis R.A. (1803-1878) Carriage crash! Pen, brush and sepia ink. Inscribed and ?signed.
GRANT James P.S. (1887-1973) Life study. Red chalk. Circa 1920. 20x12 inches. Prov: Artist’s Estate.
GRANT James R.P. (1887-1974) The Coster Hat. Chalk, ink and watercolour. Signed and dated, 1923. 16x12 inches. Framed: 24.5x19.75 inches.
GRANT Alistair (1925-1997)
‘Holland Park’. Oil on canvas. Signed and dated, 1954. Exhibited: No.502, Royal Academy, 1955. Zwemmer Gallery. 30x20 inches. Framed: 37x26.5 inches.
GRANT Keith (b.1930) ‘Afternoon Heat, La Saone Vereux’. Oil on board. Signed. Signed, inscribed and dated 1990 verso. Exhibited: Bruton Gallery. 36x48 inches. Framed: 38x50 inches.
GRANT Keith (b.1930) ‘Reflections with distant fire’. Oil on canvas. Signed, inscribed and dated ‘Oct/Nov 1969’ verso. 66x44 inches.
GRANT Keith (b.1930) ‘The Sea of Galilee’ Gouache. Signed and dated, 1988. Inscribed beneath mount. 14.75x9.5 inches.
GRAY Joseph (1890-1962) Scottish moor. Drypoint. Pencil signed and editioned ‘XLI’(of 75). 8x11.75 inches.
GRAY Douglas Stannus R.I. R.S.P.P. (1890-1959) Life Model, Royal Academy School. Oil on canvas. Gray entered the RA Schools in 1908. Artist’s Estate and by descent. 36x24 inches.
GRAY Douglas Stannus (1890-1959)
A vase of old fashioned roses.
Oil on canvas. Circa 1920. Exhibited: Spink. Provenance: Artist’s Estate from which Spink Ltd and Nevill Keating Ltd selected two exhibitions of Gray’s work, in 1986 and 1988.
18x14 inches. Framed: 22.75x18.75 inches.
GRAY Vivian Seaton (1892-1949) ‘Runswick Bay’, Whitby. Oil on board. 10x14 inches. Original frame (distressed): 13.5x17.5 inches.
GREAVES Walter (1846-1931) Battersea Bridge. Charcoal heightened with white on tan paper. Traditional provenance: Bought by the art critic Randall Davies from Walter Greaves in February 1917. 10x8.25 inches. Framed: 16x13.75 inches.
GREAVES Walter (1846-1931) ‘Toll House, Old Battersea Bridge’, with Whistler sketching. Pen, brush and ink. Signed. Inscribed beneath the mount. Ex. Collection: Wyndham T Vint, Bradford. 8.25x13 inches. Framed: 17x21.75 inches.
GREAVES Walter (1846-1931) ‘Swan Wharf, Chelsea’. Pen, brush and ink. Signed. Inscribed beneath the mount. 10x8.5 inches.
GREAVES Walter (1846-1930) Thames wharf, Chelsea or Battersea. Pen and ink. Signed. 9.5x6.5 inches.
GREAVES Walter (1846-1930) Old Battersea Bridge: Nocturne. Ink and watercolour on blue paper. Signed. 7.5x11.5 inches.
GREAVES Walter (1846-1930) ‘Greaves’ the boatman’s moorings at Chelsea. Pencil, brush and ink. Signed.
GREAVES Walter (1846-1930) ‘Firework Gallery, Cremorne Gardens’. Pen, brush, ink and pencil. Signed and inscribed. 10x8 inches.
GREAVES Walter (1846-1930) ‘Rotherhithe’ Charcoal. Exhibited: No.81, Walter Greaves 1846-1930 and the Goupil Gallery, paintings, drawings & etchings; Michael Parkin Gallery, 18 January-17 February 1984. 9.5x5.5 inches. Framed: 17x12.25 inches.
GREEN Amos (1735-1807) A Welsh bridge. Ink and watercolour. Verso: Capriccio. 9x11.75 inches.
GREEN Donald (fl.1950-1965) ‘Image of My Father’. Gouache dust jacket design (used) for the novel by Ray Coryton Hutchinson. Published 1961. 8x11.75 inches.
‘GREEN M.’ ‘French Diligence’; the Eurostar of it’s time. Pencil and watercolour from a sketchbook of drawings circa 1830. 3.5x6 inches.
GREEN James (1771-1834) On the upper Thames Watercolour. Signed and dated, 1794. Exhibited: Walkers Galleries, 1929. 14x22 inches. Framed: 23.5x31 inches.
GREEN Harriet (nee Lister b.1751) Tan-y-bwlch, Ffestiniog, 1801. Painted on Miss Green’s way to stay there with Mr Oakley in 1801. Watercolour. Provenance: Green sketchbooks bought by A and H from Phillips 21.6.1982. 4.75x7.75 inches.
GREEN Harriet (1735-1807) ‘Misty Morning dispersing in Wansfell’. Watercolour. Exhibited: Davis Galleries, New York. 5x7 inches. Framed: 10x11.75 inches.
GREEN Leonard James (1905-1993) Kangaroos. Ink and watercolour for ‘Visit Australia’ a calendar commissioned by John L Thornycroft & Co. (Australia) Circa 1950. Provenance: Gift from the artist to the previous owner in Australia. 12x9 inches.
GREEN Leonard James (1905-1993) Kookaburras and a Northern Quoll. Ink and watercolour for ‘Visit Australia’ a calendar commissioned by John L Thornycroft & Co. (Australia) Circa 1950. Provenance: Gift from the artist to the previous owner in Australia. 12x9 inches.
GREEN Leonard James (1905-1993) Emus. Ink and watercolour for ‘Visit Australia’ a calendar commissioned by John L Thornycroft & Co. (Australia). Circa 1950. Provenance: Gift from the artist to the previous owner in Australia. 12x9 inches.
GREEN Leonard James (1905-1993) Cranes. Ink and watercolour for ‘Visit Australia’ a calendar commissioned by John L Thornycroft & Co. (Australia). Circa 1950. Provenance: Gift from the artist to the previous owner in Australia. 12x9 inches.
GREEN Leonard James (1905-1993) Kuala Bears. Ink and watercolour for ‘Visit Australia’ a calendar commissioned by John L Thornycroft & Co. (Australia). Circa 1950. Provenance: Gift from the artist to the previous owner in Australia. 12x9 inches.
GREEN Leonard James (1905-1993) Lyre Birds. Ink and watercolour for ‘Visit Australia’ a calendar commissioned by John L Thornycroft & Co. (Australia). Circa 1950. Provenance: Gift from the artist to the previous owner in Australia. 12x9 inches.
GREEN Leonard James (1905-1993) ‘Australia’. Ink and watercolour for ‘Visit Australia’ a calendar commissioned by John L Thornycroft & Co. (Australia) Circa 1950. Provenance: Gift from the artist to the previous owner in Australia. 8x16 inches.
GREEN Margaret (1925-2003) ‘Pier, Seaton Carew’. Oil on card. Inscribed verso with Studio no. ‘MG 277’. 7.25x10 inches. Framed: 9.5x12 inches.
GREEN James (1771-1834)
A Young Blood with a Jacobin cut.
Ink, watercolour and gouache. Signed and dated, 1794.
10.25x6.25 inches.
GREEN Henry Towneley (1836-1899)
‘At the gate’.
Watercolour. Signed. Exhibited: Maas Gallery.
8.75x4.75 inches. Framed: 14.75x10.75 inches.
GREEN Amos (1735-1807) Recto: A picturesque capriccio. Verso: another. Pen, brush and grey washes. Circa 1790. 11.5x15.5 inches
GREEN William, of Ambleside (1760-1823) View in the Lake District. Watercolour 13.75x19.75 inches.
GREEN Amos (1735-1807) ‘Skiddaw and part of Derwentwater / as seen from the Borrowdale Road / near the slate mine’. Watercolour. Inscribed by the artist verso. 10x15 inches.
GREEN Amos (1735-1807) Yorkshire. ‘Roche Abbey’. Pen, brush and ink. Inscribed and dated ‘Oct.12th 1787’. 9x14 inches.
GREEN Amos (1735-1807) Capriccio. Blue, grey washes. Exhibited: Fine Art Society, 1974. Framed: 18.75x22.25 inches.
GREEN Amos (1735-1807) ‘Dovedale’. Pencil. Inscribed and dated 1800. Prov: an album of Green’s drawing with A and H in c.1970. 10x14 inches.
GREEN Charles R.I. (1840-1898) An Irish hearth. Watercolour. Signed and dated, 1873. 4.75x6.75 inches.
GREEN Charles R.I. (1840-1898) A Irish tinker. Watercolour. Signed and dated, 1873. 4.75x6.75 inches.
GREEN Charles R.I. (1840-1898) The Arrival. Ink and watercolour Signed. 5x7 inches.
GREEN Amos (1735-1807) ‘Kirkby Lonsdale Bridge’. Pencil. Inscribed and dated, 1799. 9x13 inches.
GREEN John Hippisley (f.1775-1820) Industrial works on the Thames. Watercolour. Signed and dated 1796. Exhibited: Walker’s Galleries, 1929. 14x21 inches.
GREEN Amos (1735-1807) ‘Matlock’. Pencil. Inscribed and dated, 1800. Provenance: An album of Green’s sketches, Christies, 8.7.1986. 9x14 inches.
GREEN William of Ambleside (1760-1823) Lake District: ‘Sty head, between Borrowdale and Wardale’ (sic). Watercolour. Signed and inscribed on the original wash-line mount. 8.25x12 inches.
GREEN William of Ambleside (1760-1823) Pupil of In the Lakes. Ink and watercolour. Circa: 12.5x18.25 inches.
GREENAWAY Kate R.I. (1846-1901) Study of a laundry girl. Pencil. Inscribed. 14x9.5 inches.
GREENAWAY Kate R.I. (1846-1901) Study of a laundry girl. Pencil. Inscribed. 14x9.5 inches.
GREENAWAY Kate (1846-1901) Flowers and music. Ink and watercolour. Signed. Accompanied by a signed inscription. 3x7 inches.
GREENHALF Matthew (Contemporary) ‘Blue Bridge’. Oil on canvas. Signed on the artist’s label. 45x65 inches.
GREENHAM Peter R.A. C.B.E. (1909-1992) ‘The end of the holiday’. Oil on linen laid on board. Signed. Exhibited: New Grafton Gallery, 1989. Ex. Collection: Judy Egerton. 10x10 inches. Framed: 11.5x11.5 inches.
GREENHAM Peter R.A. (1909-1992)
View through tress to the roofs of a Chateau.
Oil on canvas board. Signed.
12x12 inches. Framed: 16.25x16.5 inches.
GREENHAM Peter R.A. (1909-1992)
Mother and child at a table.
Oil on canvas. Signed.
18x14 inches.
GREENHAM Peter C.B.E. R.A (1909-1992) ‘Sea shore, Norfolk’. Oil on canvas laid on board. Signed. 6x8 inches. Framed: 9x10.5 inches.
GREENHAM Peter C.B.E. R.A. (1909-1992) ‘In a Picture Gallery (the Louvre)’. Oil on linen laid on board. Signed. 1981. Exh: No.43 Peter Greenham, Arts Council of Great Britain, 1984/85. 14x11 inches. Framed: 16x13 inches.
GREENHAM Peter R.A. (1909-1992) The Chateau at Montreuil, Northern France. Oil on board. Provenance: Estate of Judy Egerton. 5x8.25 inches. Framed: 9.5x13.25 inches.
GREENHAM Peter R.A. (1909-1992) ‘A Cold Day In August’. Oil on board. Signed. 9.5x13.25 inches. Framed: 12.25x16.25 inches.
GREENHAM Peter R.A. (1909-1992) ‘San Gimignano’. Oil on linen laid on card. Circa 1960. Signed. Signed and inscribed verso. 10x14 inches. Framed: 12x16 inches.
GREENHAM Peter R.A. (1909-1992)
‘By the Lake’, Annecy.
Oil on panel. Signed. Exhibited: W.H.Patterson Ltd, 1991.
7x10.5 inches.
GREENAWAY Kate (1846-1901) Painting, Music and Music: three studies from a sketchbook mounted together. 5x3 inches each. Circa 1870. Framed: 12.75x17.5 inches.
GREENWOOD John F. S.W.E. (1885-1953) ‘Grassington’ by moonlight. Wood engraving. Signed, inscribed and editioned 13/75. 4.75x5.5 inches.
GREENWOOD Marion (American 1909-1970) ‘The fringed scarf’. Lithograph. Signed. Edition of 250. c.1945. 11x9 inches.
GREENWOOD Ernest P.R.W.S. (1913-2009)
Venetian Capriccio.
Ink, watercolour and gouache. Circa 1965.
21x29 inches.
GREENWOOD John Frederic (1885-1954) ‘Barden Bridge’. Wood engraving. Signed, inscribed and editioned 1/50. 4x6 inches.
GREGORY Edward John R.A. (1850-1909)
Study for ‘Boulter’s Lock, Saturday Afternoon’ (Lady Lever Art Gallery)
Pencil. Circa 1885. Exhibited: Maas Gallery.
9.5x7.75 inches. Framed: 16.25x14 inches.
GREIFFENHAGEN Maurice R.A. (1862-1931) Vesuvius and the Bay of Naples from above Castellammare. Watercolour and gouache. 10x14 inches. Signed and dated 1904. Prov: the artist to Mrs John William Waterhouse, and by descent. For H M Vaughan The Naples Riviera, Methuen. 1907. Ill. Opposite p.80.
GRIERSON Mary (1912-2012) Seashore composition. Watercolour. Signed and dated, 1981. 8x12 inches.
GRIFFEN F. (Twentieth Century) ‘Old Brompton Road Tube Station in Wartime’, the Brompton Road façade. Ink and watercolour. Signed, inscribed and dated, 1940. 12x15 inches.
GRIFFITHS Moses (1747-1819) Warwickshire: ‘Kelinworth (sic. Kenilworth) Castle’. Pen, brush and ink. Signed, inscribed and dated, 1776. Ex. Collection: Earl of Denbigh. 9x16.5 inches. 17.5x24 inches.
GRIFFITHS Moses(1747-1819) Golden Orioles Watercolour and gouache. 10×7 inches. Signed and inscribed.
GRIGGS Frederick Landseer Maur R.A. R.E. (1876-1938) CLICK HERE
GRIMM Samuel Hieronymous (1733-1794) The 14th century nave of the Greyfriars Church in Reading. Pen, brush and ink and watercolour. Circa 1760. 8.75x11.75 inches. Framed: 16.5x18.5 inches.
GRIMM Samuel Hieronymous (1733-1794) Derbyshire. St Lawrence’s Church at Whitwell. Ink and watercolour. Signed, inscribed and dated 1781. 16x15 inches. Framed: 21x24 inches.
GRIMM Samuel Hieronymous (1733-1794) Yorkshire. ‘Keppel’s Column and Scholes Coppice’. Ink and watercolour. Signed and dated, 1781. Inscribed verso. 14.5x21 inches.
GRIMM Samuel Hieronymous (1733-1794) A landscape, possibly Swiss or Continental, and painted before his arrival in Britain in 1768. Ink and watercolour. 11x16.5 inches.
GRIMM Samuel Hieronymous (1733-1794) Yorkshire. ‘Grenoside’, with Keppel’s Column in the distance, Sheffield. Ink and watercolour. Signed and dated 1781. Inscribed verso. 14.5x21 inches.
GRIMM Samuel Hieronymus (1733-1794) ‘S.W. view of Corfe Castle from Weymouth Road’. Pen, brush and ink. Inscribed verso. Exhibited: Spink. 4x7.25 inches.
GRIMM Samuel Hieronymus (1733-1794)
‘East End of Tewkesbury Abbey’.
Pen, brush and ink. Inscribed, and verso.
5.25x7.25 inches.
GRIMM Samuel Hieronymous (1733-1794)
A Swiss or French ruin.
Ink and watercolour. Circa 1768. Exhibited: Anthony Reed.
5.5x7.75 inches.
Framed: 11.75x13.75 inches.
GRIMM Stanley R.P. P.R.O.I. N.S. (1891-1966) A Cornish harbour. Ink and gouache. Signed. Circa 1935. Ex. Collection: Wyndham T Vint, Bradford. Exhibited: British Institute of Adult Education (as ‘Newlyn’). 14x20 inches. Framed: 22x27 inches.
GRINEAU Bryan (1883-1957) London. The Festival Hall in 1951. Watercolour and gouache. Signed. Possibly for the Illustrated London News. 12x18.5 inches.
GRISET Ernest (1844-1907) ‘Lawks!’. Ink, watercolour and gouache. Circa 1865. 14x10.5 inches.
GRISET Ernest (1844-1907) South Africa / Boer War. ‘The Battle of Nicholson’s Nek’, 30th October 1899. Watercolour and gouache. Signed and dated, 1899. 15.5x19.5 inches.
GRISET Ernest (1844-1907) ‘Off Home’. Ink and watercolour. Signed and inscribed. 10.5x17.5 inches.
GROSE Francis (1731-1791) ‘…Canterbury’. Ink and watercolour on paper laid on cotton on original stretcher. Partial label. 13x13 inches.
GROSE Francis (1731-1791) Isle of Wight. ‘Carisbroke Castle’ (sic). Ink and watercolour. Inscribed and dated verso, April 17th 1761. 4.5x13 inches.
GROSE Captain Francis (1731-1791) Suffolk. 'Saint Matthew Gate, Ipswich'. Ink and watercolour. Inscribed by the artist. Ex. Coll: Dudley Snelgrove. 4x6 inches.
GROSS Anthony R.A. (1905-1984) ‘A l’ombre d’un noyer’ (RHxx). Etching. 1969. Signed, inscribed and editioned 38/75. 11.25x13.75 inches.
GROSS Anthony R.A. (1905-1984)
‘Valley No.2’ (H.5904)
Etching. Proof of 1st state.
14.5x19.25 plate size. 13.25x19.25 image.
GROSS Anthony R.A. (1905-1984)
‘Winter Grasses’ (H.7205)
Etching.1972. Signed, inscribed and editioned 33/70.
13.75x19.5 inches.
GROSS Anthony L.G. (1905-1984) ‘The New Century’ (‘L’Ere Nouvelle’), L’Avenue de la Gare, Villeneuve-sur-Lot. Watercolour and gouache. 13x20 inches. Signed. Inscribed verso. 1930 or 31. Exhibited: Leicester Galleries.
GROSS Anthony R.A. L.G. (1905-1984) ‘Base Camp, Arakan’, Burma. Ink and watercolour. 14x22 inches. Inscribed verso. Signed and dated, 1943.
GROSS Anthony C.B.E. R.A. (1905-1984) ‘Le Soulier’. Etching. 5/60. Signed. 150x225 mm.
GROSS Anthony R.A. (1905-1984) ‘Children and wheelbarrow’ (H. 5602), Le Boulve. Etching. 15/50. Signed. 1956. 17.5x21 inches.
GROSS Anthony R.A. C.B.E. (1905-1984) ‘Orchard’. Ink and watercolour. 1956. Signed. Exhibited: ‘Anthony Gross’, Leicester Galleries, March 1962, No.22 (to Lady McFadyean). 14.75x21.75 inches. Framed: 21x28 inches.
GROSS Anthony R.A. (1905-1984) ‘Little Serignac landscape’ (RH7805). Etching. 1978. Signed, inscribed, editioned 40/75. 1978. 9x14.5 inches.
GROSS Anthony R.A. (1905-1984) ‘Charivari Tumult’ (RH.6004). Etching. 1960. Signed, inscribed and editioned 20/50. 13.75x18 inches.
GROSS Anthony R.A. (1905-1984) ‘Mississippi (or Rocky Pool)’. Etching. 1966. Signed, inscribed and editioned 2/50. 14x20 inches.
GROSS Anthony R.A. (1905-1984)
‘Fishing at Dover’ (H.4105)
Etching. Signed, inscribed Artist’s Proof and dated, 1941.
8x13 inches.
GROSS Anthony R.A. R.W.S. (1905-1984)
‘Valentines’s Fortune’ (H.5604)
Etching. 1968. Signed and editioned 41/75.
12.25x9.5 inches. Framed: 22.5x18.75 inches.
GROSS Anthony R.A. R.W.S. (1905-1984)
‘Les Heures de Boulve – Village Encounter’ (H.3010).
Etching. 1956. Signed, inscribed and editioned, 43/50.
15.75x21.75 inches. Framed: 25.75x31 inches.
GROSS, Anthony R.A. (1905-1984)
The beach at Cannes. Pencil and watercolour. Signed and dated, 1928. We are grateful to Mrs Mary West for confirming the subject. 14.5 x21.5 inches. Framed: 23x29.5 inches.
GROSS Anthony R.A. (1905-1984) Girl on a reindeer. Ink and watercolour study for a book illustration. 4.5x7.75 inches.
GROSS Anthony R.A. (1905-1985) A Huntress. Pencil study for a book illustration. 10.5x5.25 inches.
GROSS Anthony R.A. (1905-1985) ‘Entrance to Dover Harbour, 1940’ (RH4101.III). Etching. Signed, inscribed and editioned 16/50. 8x12.75 inches
GROSS Anthony R.A. (1905-1985) ‘The Old Royal Observatory, Greenwich’ (RH7504). Etching. Signed, inscribed and editioned 50/75. 10.5x13.5 inches.
GROSS Anthony R.A. (1905-1985) ‘Girl on Bicycle, Fulham’ (RH 4701) Etching. 1947. Signed, inscribed and editioned 29/50. 6.5x8 inches. £675.●
GROSS Anthony R.A. (1905-1984) ‘Valley No.2’ (H.5904). Etching. 1959. Trial proof. Signed and inscribed. 14.25x19 inches.
GROSS Anthony R.A. R.E. (1905-1984) ‘M. Bernede’s Vineyard No.2’ (RH.7802). Etching. 1978. Signed, inscribed and editioned 37/75. 10x12.75 inches. Framed: 20x24.75 inches.
GROSS Anthony R.A. R.E. (1905-1984) ‘Goats grazing in a wood’ (RH7304). Etching and engraving. 1973. Signed and editioned. 9x12.75 inches. Framed: 22.25x25.5 inches.
GROVES-RAINES Antony (b.1928) ‘Gew Gaws’. Watercolour. Signed. Exh: Arthur Jeffress Gallery. Ex. Coll: Richard Dormer. 20x14. Framed: 25x19.5.
GRUAU Rene (1909-2004) ‘to wear with a sweater’. Brush, ink and gouache. Signed and inscribed. Circa 1950. 16.5x11.5 inches. Framed: 25x19 inches.
GRUBAS Carlo (1802-1878) The Palazzo Ducale and the Riva from the Bacino. Gouache. Signed. 5.5x7.5 inches.
GUETTANT Gustave (1873-1934) Study of a leopard. Charcoal and pastel. Circa 1930. Signed. 13x18 inches.
GUEVARA ‘Chile’ Alvaro (1894-1951) ‘Piencourt, near Lisieux’. Oil on card. Circa 1935. Prov: the Artist’s Estate. Exh: Colnaghi. 20x20 inches. Framed: 24.5x24.5 inches.
GUNAY Lutfu (b.1924) Turkey. ‘Kosfence II (Kostence)/ 19 III 78 / Slum area on the hill from Kayas’. Pastel and gold paint. Signed. 17x20 inches. Framed: 24x27 inches.
GUNNING KING William (1859-1940) ‘D’you want a herrand-boy?’, ‘No, we’ve got one’, ‘No, you ain’t cos I’ve just seen ‘im rund over with the butcher’s cart…’. Pen and ink for Pick-Me-Up. Circa 1897. Signed and inscribed. 14x9.5 inches.
GUTHRIE Robin (1902-1971) ‘Walter de la Mare’, Poet and Novellist. Pencil. Signed, inscribed and dated, 1942. 12x8.5 inches.
GUTHRIE James J. (1874-1952) ‘Clouds’. Etching. Signed and inscribed beneath the mount. 7x5.75 inches.
GUTHRIE Robin (1902-1971) ‘John Geilgud’. Red chalk. Signed and dated, 1938. Inscribed beneath the mount by the artist. 12x9 inches.
GUTHRIE James Joshua (1874-1952)
Sunrise.
Pen and ink. Signed.
4.75x4.5 inches. Framed: 12x11 inches.
GUTHRIE James Joshua (1874-1952)
Rainstorm.
Etching. Proof. Signed in the plate.
7x5.75 inches.
GUTHRIE Kathleen (1905-1981) ‘The Woman in Black’, Hampstead No.2 Pond and the backs of Southill Park Gardens. Gouache. Circa 1935. Signed. Inscribed on the artist’s label verso. Inscribed and dated ‘Kathleen Guthrie / 6 Mall Studios, Parkhill Road, NWS’. 9.5x12.25 inches. Framed: 16x18.5 inches.
GUYS Constantin (1802-1892) ‘Out Walking’. Pencil, pen, brush and ink. Verso: Equestrienne. Pen and ink. Exhibited: Roland, Browse and Delbanco. 10.5x6 inches.
GUYS Constantin (1805-1892) An ox cart, possibly a Spanish scene. Pencil, pen and ink. Ex. Coll: Viscount Strathallan. 6.5x8.5 inches.
GUYS Constantin (1802-1892) The Dancer. Pen, brush and ink. 10x7 inches.
GUYS Constantine (1802-1892) Courtesans. Pen, brush and ink. Circa 1860. 9x6.5 inches. Framed: 14.25x11 inches.
GWYNN-JONES Allan C.B.E. R.A. (1892-1982) ‘The Unshaven Man’. Etching. Signed and inscribed. A painting of the same subject dated 1922-23 is in the Laing Art Gallery, Newcastle. 3.5x3 inches.
GWYNNE-JONES Allan R.A. (1892-1982) ‘Trinity Fair’, Gun Hill, Southwold. Etching. 1927. Signed. From an edition of 50. 5.5x5 inches. Framed: 16.25x12.75 inches.
GWYNNE-JONES Allan D.S.O. R.A. (1892-1982) Study for ‘Spring Evening Froxfield’ (Oil on canvas, Birmingham Museums Trust). Pencil and watercolour, lightly squared. Signed and dated, 1922. 7.5x9.5 inches.
GWYNNE-JONES Allan R.A. (1892-1982) ‘Midday – Froxfield’. Oil on panel. Signed and dated, 1924. Exhibited: Arthur Tooth. 10x14 inches. Framed: 13x17 inches.
GWYNNE-JONES Allan R.A. (1892-1982)
Portrait of the Greek Scholar, Poet and Collector, Professor John Mavrogordato (1882-1970)
pencil, Signed and dated, 1944.
11.5x8.25 inches.
