This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
IHLEE Rudolph NEAC (1883-1968)
Landscape, probably above Collioure.
Oil on canvas. Circa 1930. Signed. Exhibited: Alton Gallery, circa 1980.
18x21.5 inches. Framed: 24.25x28 inches.
IHLEE Rudolph N.E.A.C. (1883-1968) The roofs of Collioure. Pencil and watercolour. Circa 1925. Provenance: Belgrave Gallery, 1983.
IHLEE Rudolph (1883-1968) ‘Breton Serving Maid’. Pencil. Signed. 10.5x4.5 inches. Framed: 16.75x10.5 inches.
IHLEE Rudolph N.E.A.C. (1883-1968) The Art Student. Pencil. Circa 1920. 11.75x8 inches. Framed: 19x15 inches.
IHLEE Rudolph (1883-1968) ‘Art Student’. Pencil. Circa 1925. 11.5x7.75 inches. Framed: 19x15 inches.
IHLEE Rudolph N.E.A.C. (1883-1968) Seated girl. Pencil. Signed. Exhibited: Sally Hunter Gallery, 1996. 11.5x8.5 inches.
IHLEE Rudolph N.E.A.C. (1883-1968) Study for ‘The Magic Wand’. Pencil. Signed. 9x8 inches.
ILLINGWORTH Leslie (1902-1979) Battle of Britain: ‘Makes you fair giddy to look at un’. Pen, brush and ink. Signed and inscribed. 14x11 inches. Framed: 23.25x19.25 inches.
IMAGE Selwyn (1849-1930) Summer tree. Charcoal. Signed. 11x8.75 inches.
IMMS David (b.1945) ‘Dunshay Manor Pool’, Dorset. Pencil and gouache. Signed, inscribed and dated, (28.8) 1990. 16x11.75 inches. Framed: 24x18 inches.
INAMURA Professor (Japanese Mid-20th century) ‘Mount Fuji’. Brush and ink. Signed and inscribed. Prov: the studio potter Henry Hammond. 15x17 inches.
INCE Joseph Murray (1806-1859) St John’s College, Cambridge. Watercolour. Signed and dated 1835.
INCE Joseph Murray (1806-1859) ‘Harrow - on - the - Hill’. Watercolour. Signed and dated, 1830. 12x16 inches.
INCE Joseph Murray (1806-1859) Canterbury Gate and Christ Church Quad, Oxford. Watercolour. Signed and dated, 1833. 10.5x7.75 inches.
INCE John Murray (1806-1859) ‘East Cliff, Hastings’. Ink, watercolour and gouache. Signed, inscribed and dated, 1839. 8.75x8.5 inches.
INGHAM Bryan (1936-1997) ‘Dartington Hall Gardens’. Etching and aquatint. Signed, editioned 62/65 and dated, 1975. 11x17 inches.
INGLIS William (Exh.1910-1940) Trompe l’oeil. Ink and watercolour. Signed and dated, 1939. 15x10.5 inches.
INNES John Dickson (1887-1914) Chepstow Castle. Watercolour. Circa 1908. Exhibited: Agnews. 10.25x15 inches.
IRELAND Samuel (1744-1801) France. ‘Chateau du Duc de Penthicure proche de la Ville D’Eu en Normandie. Watercolour. Signed, inscribed and dated 16th October 1791. 6x8.75 inches.
IRONSIDE Robin (1912-1965) At the altar. Oil on canvas. 20x24 inches. Framed: 24x27 inches.
ISABEY Jean-Baptiste (1767-1855) ‘Ma chaumiere dans mon petit jardin a Sevres’. Pen, brush and sepia washes. Signed, inscribed and dated, ‘en aoust 1816’. 5.5x7.25 inches.
ISLE OF WIGHT (Subject) ‘E.P.M’. 1826. ‘South Yarmouth’. Pen, brush and wash. Inscribed on the original mount. 4x6.25 inches. Framed: 13.5x15.75 inches.
IZZARD Pamela (b.1926) ‘Disembarkation of The Queen of Thanet’. Oil on board. 1950. Ex. Collection: Hertfordshire County Council / Education Department / Collection of Original Pictures / Group: F/E, No.24’ (label verso). 12.75x22 inches. Framed: 17x26 inches.
JACKANORY (Subject) Peter Rush (Contemporary) Approximately 60 story board drawings by Peter Rush for this 1970s BBC children’s favourite. 20x25 inches each (approx.).
JACKSON Frederick Ernest A.R.A. (1872-1945) ‘Last Model, Oxford’. Oil on canvas. Label verso by his pupil Pamela Ovens ‘painted on the morning of the accident which led to his death March 2nd 1945’. 18x14 inches. Framed: 25x21 inches.
JACKSON Mary N.E.A.C. (b.1936) Venice. ‘Crowded alley from St Mark’s Square’. Pencil, watercolour and gouache. Signed. 10x7 inches. Framed: 17x14 inches.
JACKSON Samuel Phillips (1830-1904) Beached fishing boat. Watercolour and gouache. Signed and dated, 1853. 5.25x8 inches.
JACKSON Samuel Phillips R.W.S. (1830-1904) ‘View across the Bristol Channel’. Watercolour. Exhibited: Agnews (No.DB.2705) 4.75x6.75 inches Framed: 13x14.75 inches.
JACKSON John R.A. (1781-1831) Portrait of Samuel Prout O.W.S. (1783-1852) Watercolour. Circa 1820. Provenance: Samuel Gillespie Prout (1822-1911) to his executor Clara A. Allen and thence by descent. S G Prout left Jackson’s oil portrait of Samuel Prout to the NPG. BADA are planning a Prout Exhibition at their 2017 Fair. 7.5x5.5 inches.
JACOBI Otto Reinhard P.R.C.A. (1812 Konigsberg-1901 Canada) Trees and lake: study. Ink and watercolour. Signed and dated, 1846. 2.75x5 inches.
JACOBI Otto Reinhard P.R.C.A. (1812 Konigsberg-1901 Canada) Castle capriccio. Ink and watercolour. Signed and dated, 1846. 5.25x3.75 inches.
JACOBI Otto Reinhard P.R.C.A. (1812 Konigsberg-1901 Canada) Castle by a lake. Capriccio. Ink and watercolour. Signed and dated, 1846. 7x3.5 inches.
JACOBI Otto Reinhard P.R.C.A. (b. Germany 1812 - d. Canada 1901) Watercolour. Signed and dated 1845. 5x8 inches.
JACOBI Otto Reinhard P.R.C.A. (b. Germany 1812 - d. Canada 1901) Twelve watercolours by the German born artist who emigrated to Canada in 1863, and became President of the Royal Canadian Academy of Arts in 1890. CLICK HERE
JACOBS Helen (1888-1970) An illustration to Ugly Martha. Pen and ink. Signed. 7x10.25 inches.
JACOBSEN Ludwig (Danish 1890-1957) ‘Au Café’. Oil on canvas. Signed and dated, 1933. Inscribed on stretcher. 20.5x16 inches.
JACOMB-HOOD George Percy R.B.A. (1857-1929) John Singer Sargent R.A. (1856-1925) in his studio Pencil, brush and Indian ink. Signed and inscribed. Ex. Collection: C.A. Bell-Knight. Jacomb-Hood had a Tite Street studio near Sargent’s in the mid-1890s. See the recently published The Street of Wonderful Possibilities: Whistler, Wilde and Sargent in Tite Street by Devon Cox. 16x10 inches. Framed: 25x18 inches.
‘JAK’ (Raymond Jackson) (1927-1997) Confused identities during the 1977 Grunwich Strike. Ink and watercolour. Signed, inscribed and dated, 22nd June 1977 for the Evening Standard. 17x21.5 inches
JAMES Francis R.W.S. N.E.A.C. (1849-1920) The vase of dahlias. Watercolour. Circa 1900. Signed. 16x12 inches. Framed: 25x21 inches.
JANES Norman (1892-1980) Becalmed yachts. Woodcut printed in colours. Signed. 15x21 inches.
JANES Norman R.W.S. R.E. (1892-1981) Drifters at Whitby. Woodcut printed in colours. Signed. 17x21 inches.
JAMES Francis N.E.A.C (1850-1920) ‘White on White’. Watercolour. Signed. 11.5x15. Framed: 20.75x23.5 inches.
JAMES Francis Edward R.W.S. N.E.A.C. (1849-1920) London; view from the artist’s Chelsea balcony. Pencil, watercolour and gouache. Circa 1900. Signed. 9.5x14 inches.
JAMESON Cecil Stuart (1884-c.1962) Essex: ‘Grays, near Gravesend’. Watercolour. Signed. Inscribed and dated verso, July 1932. Ex. Collection: Sir John Stirling Maxwell (1866-1956) 8x11 inches.
Peter JAMIESON Recent Paintings. CLICK HERE
JAMIESON Robert Kirkland (1883-1950) After the Blitz. Oil on card. Signed. 16x20 inches. Framed: 21x25 inches.
JAMIESON Peter (b.1945)
‘Happisburgh beach’, Norfolk.
Ink and watercolour. Signed and inscribed.
5.5x18.25 inches. Framed: 13x25.5 inches.
Alfred JANES (1911-1999) A loan exhibition. CLICK HERE
JANES Norman R.E. R.W.S. (1892-1980) ‘Liverpool Street Station’. Wood engraving. Signed, inscribed and editioned 19/40. 7x9 inches.
JARMAN Derek (1942-1994) ‘A Dead Soul’s Whisper’. Oil on canvas. Signed and dated January 1984 verso. Provenance: gift of the artist to a Curator of his 1984 ICA Exhibition ‘Black’. 16x14 inches.
JARMAN Derek (1942-1994) ‘The Pleasure of Ruins’. Pencil and watercolour. 5x8 inches. Signed, inscribed and dated, 1972. Ex. Coll: Michael Fish.
JARMAN Derek (1942-1994) Costume design for a cloaked figure, ‘Don Giovanni’. Ink and fibre tip pen. Inscribed. For the 1968 Sadler’s Wells Opera Production (Dir. John Gielgud) at the London Coliseum. Provenance: given to the previous owner while working on that set with Jarman. 6.75x5 inches.
JARMAN Derek (1942-1994)
Costume design for ‘Don Giovanni’.
Gouache and silver paint on black paper.
This ‘Don Giovanni’ was a Sadler’s Wells production for the London Coliseum in 1968.
Provenance: given to the previous owner by the artist.
5.5x4 inches.
JARMAN Derek (1942-1994) ‘Don Giovanni’: set design. Study for the Sadler’s Wells Opera 1968 Production at the London Coliseum. 3.25x4.25 inches.
JARMAN Derek (1942-1994) ‘Delos’. Pen and ink. Signed, inscribed and dated December 1962 on original backing. 6.5x6.75 inches. Framed: 10x14 inches.
JARMAN Derek (1942-1994)
‘Sower of the Systems’.
Oil on canvas, with sequins. Signed, inscribed and dated, 1984, verso.
10x10 inches. Framed: 15.25x15.25 inches.
JARMAN Derek (1942-1994) Hooded figure: costume design for ‘Don Giovanni’, (Dir. John Gielgud) Sadler’s Wells Opera at the London Coliseum, 1968. Ink and gouache. Provenance: given to the previous vendor while working on that set with Jarman. 6.5x5.75 inches.
JARMAN Derek (1942-1994) ‘Ist sketch for Demon. Don Giovanni’, (Dir. John Gielgud) Sadler’s Wells Opera at the London Coliseum, 1968. Pencil, ink and watercolour. Provenance: given to the previous vendor while working on the set with Jarman. 10x6.5 inches. Framed: 18.25x14.25 inches.
JENKINSON Geoffrey R.C.A. (1925-2006) 'Seattle; Tokyo Bound'. Watercolour. Indistinctly signed, inscribed and dated, 1952. 10.5x16.5 inches. Framed: 18x24 inches.
JENKINSON Geoffrey (1925-2006) Yorkshire: Abbey ruins. Pencil, charcoal and watercolour. Signed and dated, 1945. 9x12 inches. Framed: 17x19 inches.
JENKINSON Geoffrey (1925-2005) Yorkshire: ‘Castleford from the South’. Pencil and watercolour. Signed, inscribed and dated, 9th February 1944. 11.75x19.25 inches. Framed: 19x27 inches.
JENKINSON Geoffrey (1925-2005) ‘Castleford, Yorkshire’, in fantastic post-war detail. Pencil and watercolour. Signed, inscribed and dated, 1946. 8x11.25 inches.
JENNINGS William George (1763-1854) Hampstead capriccio. Oil/paper. Provenance: An album of fifteen oil paintings inscribed ‘Hamstead 1828 – oil sketches’. Exhibited: Krios Gallery. Works … by William George Jennings, 1981, no.129. 8x11 inches. Framed: 15x18.5 inches.
JENNINGS William George (1763-1854) A view, possibly on Hampstead Heath Pencil and watercolour. Circa 1830.. Exhibited: Krios Gallery ‘William George Jennings’, no.80. 7x11 inches.
JENNINGS William George (1763-1854) A view, probably of Hampstead. Pencil and watercolour. Circa 1830. 4x7 inches.
JENNINGS E Owen (1895-c.1985) The Sand Cart, Siena. Engraving. 1932. Signed. 10x12 inches.
JENNINGS Edgar Owen (1899-1985) ‘Leeds: tram queue’. Ink and watercolour. Circa 1930. Signed. Ex. Collection: Sir John Stirling Maxwell (1866-1956) 9x10.5 inches.
JENNINGS William George (1763-1854)
‘Hampstead Heath’
Oil on millboard. Signed, inscribed, dedicated to ‘J Park Esq’ and dated 1832 verso.
8.75x11.75 inches.
JENNINGS William George (1763-1854)
Hampstead Heath.
Oil on canvas. Circa 1830. Provenance: ‘J.Park Esq’ to whom the ‘Hampstead Heath’ in our Archive also belonged.
10x12 inches.
JENNIS Gurnell Charles A.R.E. (1874-1943) Waitress (to Tommy home from the Somme) ‘Has your friend been wounded?’. Tommy ‘No Miss, he cut ‘isself shaving this morning’. Pen and ink, probably for Punch. Signed and dated 1916. Inscribed by the artist verso. 9.5x13 inches.
JERACE Gaetano (1860-1940) ‘Capri Spring 1882’. Oil on panel. Signed. 7x5 inches. Framed: 10x8 inches.
JETTEL Eugen (1845-1901) ‘Bei Lovec’ (Lovetsch) Bulgaria. Oil on card. Signed. Inscribed verso. 7x9 inches. Framed: 14x16 inches.
JEZZARD Stanley (1911-1983) ‘The Plough Team’. Pencil, watercolour and gouache. Signed and dated, 1947. 8x11.75 inches.
Rebecca JOHN Drawings and Studies from Nature. CLICK HERE
JOHN Rebecca (b.1947) ‘From the Hedgerow, Ty Draw, February 1999’. Pencil and watercolour on vellum. Signed and dated. Exhibited: No.8, ‘Plant Life, Watercolour Drawings by Rebecca John’, Lefevre Gallery, May 1999. 12x9 inches. Framed: 18.5x15.5 inches.
JOHN Augustus O.M. R.A. (1878-1961) Drawings. CLICK HERE
JOHN Augustus O.M. R.A. (1878-1961) Etchings. CLICK HERE
JOHN Gwen (1876-1939) Sleeping cat. Gouache and watercolour. Stamped signature. Prove: Browse and Darby. Ex. Collection: Cecily Langdale. 6.75x8.75 inches. Framed: 13.5x15 inches.
JOHN Gwen (1876-1939) ‘Votre Eveque / Mgr Gilier / Juillet 29 / (19)29’. Meudon. Pen, brush and ink on tan paper. Inscribed by another hand on the attached, original backing. Provenance: Private Collection, France to 2017. 5x8.25 inches.
JOHN Gwen (1876-1939) Woman in a hat. Pencil and watercolour. Circa 1920. G3J2. 5.5x4 inches. Framed: 13.5x11 inches.
JOHN Gwen (1876-1939) ‘Standing Girl with wooden post in her hand’. Pencil and wash. Studio Stamp. Exhibited: Matthieson. Ex. Collection: Sara John. 12x9.25 inches. Framed: 20x16.75 inches.
JOHN Gwen (1876-1939) Study for ‘Mere Poussepin seated at a table’ (National Museum of Wales). Pencil. Circa 1915. Studio stamp. Provenance: Artist’s Estate to Edwin John (EJ76c). Exhibited: Matthiesen Ltd., Gwen John Memorial Exhibition, 1946, No.104; Matthiesen Ltd Catatalogue (Feb/March 1958), No.39; Gwen John, Arts Council, 1968, No.65. 9.5x6 inches. Framed: 16x12 inches.
JOHN Gwen (1876-1939) ‘La rue des Clos Moreaux’, Meudon. Watercolour. Inscribed and dated, ‘Juin 11 (19)28’ verso of backing. Provenance: Private Collection, France, since c.1929. 8.5x6.75 inches. Framed: 15x13 inches.
JOHN Gwen (1876-1939) Standing Woman, Eglise Saint-Martin, Meudon. Pencil, brush and watercolour. Circa 1925. Provenance: Private Collection, France, since c.1929. 8.5x6.75 inches. Framed: 17x14.5 inches.
JOHN Gwen (1876-1939) ‘Chloe Boughton-Leigh’. Pencil. Circa 1907. Studio stamp. Verso: Chloe Boughton Leigh. Pencil. Provenance: Edwin John (EJ.1357 verso). Davis & Langdale, New York. Anthony d’Offay. Barry Flanagan R.A. Of the three paintings of Boughton-Leigh by John this drawing relates most closely to that in the Tate. 9.5x6.25 inches. Framed: 16x13 inches.
JOHN Gwen (1879-1939) The congregation, Meudon Church. Pencil. Circa 1925. Prov: Christies 23.11.1993, Lot 141 (three sketchbooks containing about 70 such studies by Gwen John). 6,5x5 inches. Framed: 15.5x12.5 inches.
JONGKIND Johan (1819-1891) Fishermen on a river. Pencil, ink and watercolour. Signed with stamp. Exhibited: For the Love of Drawing: Drawings from an Oxfordshire Private Collection, Ashmolean Museum, Oxford, 2002. Ex. Collection: Mrs and Mrs George Walker. 8.5x11 inches. Framed: 13x15.25 inches.
JOHNSON Sara (living)
River at dusk, East Anglia.
Pencil, ink and watercolour. Signed.
12x19.5 inches. Framed: 22x29 inches.
JOHNSON Audrey (b.1919) ‘Primulas’ in a stoneware mug. Oil on panel. 1972. 6x5 inches. Framed: 9x8 inches.
JOHNSON Harry John R.I. (1826-1884) ‘Tasso’s Oak, St Onofrio Monastery, Rome’. Pencil. Inscribed. Studio stamp. 10x6.75 inches.
JOHNSON William Aloysius (1892- c.1960) Spain. ‘Leon’. Ink and watercolour. Signed, inscribed and dated, July 1931. Ex. Collection: Sir John Stirling Maxwell (1866-1956) 8.5x13 inches.
JOHNSON Audrey (b.1918) ‘Buttercups’. Oil on board. Signed and inscribed on artist’s label verso. 10x8 inches.
JOHNSON James (1803-1834) ‘Lower Berkley Place / from Bellevue, Clifton. Pencil and watercolour. Signed and inscribed verso. Exhibited: Andrew Wyld, Spring Exhibition, 1982. 13x11 inches. Framed: 22.25x20 inches.
JOHNSON Audrey (1919-2005) Vegetable Still Life. Oil on board. Signed and dated, 1989. 12x16 inches. Framed: 17x21.5 inches.
JOHNSON Audrey (1919-2005)
White Begonias.
Oil on board. Signed and dated, 1982.
12x10 inches.
JOHNSON Audrey (1919-2005)
Wild Flowers.
Oil on board. Signed and dated, 1995.
9x10 inches.
JOHNSON Harry John (1826-1884) ‘Lugano’. Pencil, watercolour and gouache. Exhibited: Spinks. Ex. Collection: Judy Egerton. 7.25x16.5 inches. Framed: 15x24 inches.
JOHNSON Harry John (1826-1884) The Gorge at Ronda. Pencil, ink and watercolour heightened with gouache on blue/grey paper. Inscribed. Studio stamp. Exhibited: Spink (K3 8773) 16x8 inches. Framed: 24x15.5 inches.
JOHNSTONE Gwyneth (1914-2011) Mediterranean landscape. Gouache. 5x8 inches. Signed.
JOHNSTONE Gwyneth (1914-2010) The Village Visit. Oil on card. Signed. 8.25x10.25 inches.
JOHNSTONE Gwyneth (1914-2010) Lonely landscape. Ink and gouache. Circa 1960. Exhibited: Goldmark Gallery. 15x19 inches. Framed: 26x29.5 inches.
JOHNSTONE Gwyneth (1914-2010)
Spanish Village.
Ink and watercolour.
5.5 inches. Framed: 13.25x14.25 inches.
JOHNSTONE Gwyneth (1915-2010) Spanish henhouse. Pen, brush and ink. Provenance: Artists Estate. 7x9 inches. Framed: 14.25x16.25 inches.
JOHNZEN Karin (1914-1998) Europa and the Bull. Bronze. Signed. 1948. Prove: bought from the artist by the previous owner 13.1.1998. Ill: Karin Jonzen Sculptor, Edward Lucie-Smith, p.94.
JOLIFFE Margaret (flourished 1925-1955) ‘Looking down on Mecklenburgh Square’. Watercolour and gouache. Signed and dated, 1935. 10x13 inches. Framed: 12.5x15.25 inches.
JOLLEY Martin Gwilt (1859-1916) 'The cottage by the sea, St Ives Bay’. Oil on panel. signed. Inscribed verso. 6x9.5 inches.
JONES Barbara (1912-1978) ‘One Hen Up, One Hen Down’. Oil on board. Signed and dated 1957. 20x32 inches.
JONES David C.H. (1895-1974) ‘Pelican in her Piety’: Accendat in Nobis. Engraving. Signed and dated 1929. 3.25x4.25 inches.
JONES Allen R.A. (b.1937) Studies for a painting. Pencil. Signed. Inscribed and dated, 1974. 21x27. Framed: 28x36.5.
JONES George R.A. (1786-1869) ‘Geo. IV’: Study for ‘The Banquet at the Coronation of George IV’ (Oil, 1821-2) (H.M. The Queen). Pencil and watercolour. Inscribed. Exhibited: Covent Garden Gallery. 4.25x3.5 inches.
JONES Fred Cecil (1891-1956) ‘Lancaster’. Watercolour. Signed and dated, 1949. 12.5x20.5 inches.
JONES Fred Cecil (1891-1956) ‘A meal in the fields’. Pen and ink. Signed. 10x14 inches.
JONES Reginald R.B.A. (1857-1920) Valetta harbour, Malta. Watercolour. Circa 1900. Signed. 13.75x9.75 inches. Framed: 20.25x16.25 inches.
JONES T.H. (probably Thomas Howell Jones fl.c.1840) ‘The Regent’s Circus, Jay’s General Mourning Warehouse’ (Oxford Circus). Pen, brush and ink. Circa 1850. Signed and inscribed. 6x9 inches.
JONES T. H. (probably Thomas Howell Jones fl.c.1840) The Palm House, Kew Gardens. Pen, brush and ink. Circa 1850) Signed. 6x9 inches.
JONES T. H. (fl.1850s)
‘Northumberland House’ and Trafalgar Square from the NE corner.
Pencil and sepia washes. Circa 1850.Signed and inscribed. Possibly for the Illustrated London News.
6.25x9 inches.
JONES T H (fl. mid 19th century)
King William Street from London Bridge.
Pencil, brush and sepia ink. Signed. Circa 1845.
6.5x9.25 inches.
JONES Leslie R.E. (b.1934) ‘Tylorstown, Rhondda, S.Wales’. Ink, watercolour and gouache. Inscribed and dated 1952. 14.5x21.5 inches. Framed: 22.5x28.75 inches.
JOPLING Joseph Middleton (1831-1884)
A Wanderer.
Watercolour and gouache. Signed.
14x12 inches.
JOPLING Joseph Middleton (1831-1884) Sleeping Girl. Watercolour. Signed and dated, 1873. 12.5x13.75 inches.
JOSEPHERITSCH Karl (Mid-Twentieth Century) Genoa; a steep quayside scalinata before the Front was ruined by the motorways. Gouache. Circa 1935. Prov: Dr Goldschneider, the artist’s doctor while living in London c.1950-1960. 19x15 inches. Framed: 28x24 inches.
JOWETT Percy (1892-1955) ‘Ambleside, Nook End Farm’. Watercolour. Signed and inscribed. Provenance: Sir John Stirling-Maxwell of Pollok (1866-1956). 12.5x16.15 inches.
JOY John Cantiloe (1805-1859) Norfolk. Dutch fishing smacks off ?Yarmouth Pier. Monochrome washes. Exh: Cyril Fry. 6.25x9 inches.
JULLIAN Philippe (1921-1977) ‘At chess’. Ink and watercolour. Signed, dedicated and dated March 1952. 6x7 inches.
JULLIAN Philippe (1920-1977) Mistress to the King. Ink and watercolour. 17x13 inches. Signed.
JULLIAN Philippe (1921-1977) ‘Fairy Tales of Land and Sea’; eight pen and ink studies for the compilation by Simonne Ratel published by The Bodley Head’. 4x3 inches each (approx.).
JULLIAN Philippe (1921-1977) ‘The Past’. Oil on card. Signed. 14x10.5 inches. Framed: 13.75x10.5 inches.
JULLIAN Philippe (1919-1977) The Portrait. Ink and watercolour. Signed and dated, 'Aout ’52'. 14x10 inches. Framed: 21x17 inches.
JUNGMANN Nico (1872-1935) The Dutch Madonna. Pencil, watercolour and crayon. Signed. 21x16. Framed: 30x24.
JUNGMAN Nico (1872-1935) 'Het Land van Goes', Zeeland. Ink, watercolour and gold leaf. Signed and inscribed. Circa 1900. 5x4 inches. Framed: 18.5x12.5 inches.
JUNGMAN Nico (1872-1935) ‘Hydrangeas’. Oil on canvas, Signed and inscribed verso. 30.5x25.25 inches.
JUNGMAN Nico (1872-1935) Volendam Nativity. Watercolour and gouache. Signed. Circa 1900. 22x33 inches. Framed: 28.5x39 inches.
LINNELL William (1826-1906). Distant range of mountains. Charcoal and pastel. Provenance: Mrs Joan Linnell Burton. 15x23 inches.
