This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
ANON. Costume designer for ‘Maison Lehman’. Circa 1925. ‘Marsfrau’ (‘Martian woman’). Pencil and watercolour design 0n tracing paper for the ballet Aelita, Queen of the Martians. Inscribed. Stamped ‘Maison Lehmann’ to mount. 12x9 inches.
KEITH Elizabeth (1887-1956) ‘The Old House, Malacca’ Woodcut printed in colours. Signed. 14.75x10 inches.
LA CAVE Peter (c.1769-1806) A remote farm. Ink and watercolour. Signed. 12.5x16 inches.
LADELL Edwin (1914-1970) ‘Sennen Cove’. Ink and watercolour. Inscribed on original backing. Exhibited: A.I.A. Exhibition. 11x15. Framed: 18.5x22.
LA DELL Edwin A.R.A. (1914-1970)
‘Kings Parade, Cambridge’.
Lithograph. Signed and dated, 1956.
13.5x18.5 inches.
LA DELL Edwin A.R.A. (1914-1970) Cley Windmill, Norfolk. Ink and watercolour. Signed. 17.5x13.5 inches. Framed: 23x18.75 inches.
LA DELL Edwin R.A. (1914-1972) ‘Queens’; Queen’s College, Cambridge. Lithograph. Signed and inscribed. 8x14 inches £775.
LAPORTE John (1761-1839) (Circle of) Herding cattle. Gouache. 7.25x10.5 inches.
LABOUREUR Jean-Emile (1877-1943) ‘Sur La Marne’. Engraving. Signed. 1924. 6.5x5 inches.
LABOUREUR Jean Emile (1877-1943) ‘Paysage au cycliste’ Engraving. Signed. 4/32. 10x12 inches.
LABOUREUR Jean-Emile (1877-1943) ‘Fleurs artificielles’ (G.280) Engraving. Artist’s Proof of Final state. 1924. Signed and inscribed. 8x5 inches.
LABOUREUR Jean Emile (1877-1943) Les Soldats a L’Estaminet. Engraving from ‘Petites Images de la Guerre sur le Front Brittanique’ publ.1916. Exhibited: Michael Parkin. 6.75x5.25 inches. Framed: 14.75x12.75 inches.
LAMBOURNE Nigel (1919-1988)
Study: Undressing.
Charcoal and crayon on tinted paper. Circa 1955. Signed.
29x17 inches.
£875. Framed Photo
LABRUZZI Carlo (1765-1818) Three men in Conversation. Pen, brush and ink. Exhibited: Covent Garden Gallery (William Drummond) Ill: back cover of catalogue. 4.75x6.75 inches. Framed: 11.5x13 inches.
LABRUZZI Carlo (1748-1817) ‘Ruins near Capua’. Pencil, brush and watercolour. Provenance: Sothebys 28.4.1983. Ex. Collection: Judy Egerton. 7.25x10.5 inches.
LABRUZZI Carlo (1748-1817) ‘Figure Originali di Carlo Labruzzi / FR (Fecit Roma) 1788’. Pen and ink design for a frontispiece. Inscribed, signed and dated. Exhibited: Covent Garden Gallery ( William Drummond). 5x6.75 inches. Framed: 11.5x13 inches.
LA CAVE Peter (1769-1822) Asking the way. Ink and watercolour. Trimmed and with remains of signature bottom right. 5.25x8 inches.
LACK Henry Martyn R.E. (1909-1979) Wartime refugee. Pencil, pen and ink. Prov: the artist’s estate. 7.5x10.5 inches.
LACK Henry Martyn Dieppe beach ‘February 1946 / waiting for the boat’. Pencil. Singed and inscribed.
LACK Henry Martyn R.E. (1909-1979) ‘Stubbs Farm’, Horsham, Sussex. Etching. Signed and dated, 1940. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 9x11.75 inches.
Henry Martyn LACK R.E. (1909-1979) Twenty-one etchings. CLICK HERE
LACRETELLE Jean Edouard (1817-1900) ‘Alice aged 9’. Alice Charlton (1852-1929) later Mrs Lewis Ayshford-Wise. Pencil, watercolour and gouache. Provenance: by family descent. Oval 10.25x7.5 inches.
LADBROOKE Robert (1768-1842) (Attributed to)
Smoking Lime Kiln.
Brush and washes. Ex.Collection: L.G.Duke ( as Ladrooke)
5.75x8.75 inches.
LA DELL Edwin A.R.A. (1914-1970) ‘In the Park’ Hampstead. Oil on board. Exhibited: Agnews. Austin Desmond. 14x18 inches. Framed: 19x23 inches.
'G. LAFIN.' A Zouave. Chalks. Signed and dated, 1915. 10.75x7.75 inches. Framed: 12.5x9.5 inches.
LAFITTE George (Late C19th)
On the banks of the Seine
Watercolour. Signed and dated, 1890. 7x9 inches.
LAING James Garden (1852-1915) ‘Bristol at dusk’. Ink and watercolour. Signed and inscribed. Exhibited: Venice International Exhibition, 1912. 21x27 inches.
LAKE DISTRICT Anon. Circa 1790. ‘Windermere Lake looking North / Lancashire Side’. Ink and watercolour. Inscribed verso by ?the artist / or a contemporary hand. Bears falso signature ‘P.Sandby’. 14x20 inches.
LAMB Henry R.A. (1883-1960) ‘French farm’. Watercolour. Circa 1955. Provenance: Lady Pansy Lamb (inscribed and signed by her verso). Ex. Coll: Joseph McCrindle.
LAMB Henry R.A. (1883-1960) Standing Nude. Charcoal. Signed and dated, 1911. Exhibited: Leicester Galleries, 1954, No.13. With visible repairs. 16x9 inches.
LAMB Henry R.A. (1883-1960) A Hampstead view. Watercolour and gouache. Circa 1905. Ex. Collection: Wyndham T Vint, Bradford. 10x14 inches.
LAMB Henry R.A (1883-1960)
A country meeting.
Oil on card. Inscribed ‘Henry Lamb c.1950 / signed Pansy Lamb’ verso by the artist’s wife.
16.5x19 inches. Framed: 21x24 inches.
LAMB Henry R.A. (1883-1960)
‘George Kennedy in fancy dress’.
Pen and ink. Circa 1910.
5x8 inches.
LAMB Henry (1883-1960) Profile: Edie McNeill. Pencil. Circa 1910. Ex. Coll: Lady Pansy Lamb. 10x7.75 inches.
LAMBERT James Jnr (1741-1799) ‘West View of Lewes Castle’. Ink and watercolour. Signed and dated, 1786. 11.5x16 inches. Framed: 17.5x22 inches.
LAMBERT James Jnr (1741-1799) St. Nicholas Hospital, Lewes. Watercolour. 9x11.75 inches oval. Framed: 16.5x19.25 inches.
LAMBERT George Washington A.R.A. (1873-1930) The artist’s wife, Amy, and their son Constant. Pencil. Signed and dated, 1905. 8.5x5.25 inches. Framed: 13.5x11 inches.
LAMBETH (subject) Anon. 1800. ‘Mrs Coade’s Artificial Stone Manufactory’. Ink and watercolour. Inscribed and dated 1800. 8.5x11.5 inches.
LAMBOURNE Nigel (1919-1988) Girl from above. Chalks and watercolour. Signed and dated 1952. 21x16 inches.
LAMBOURNE Nigel (1919-1988) Bending Model. Charcoal and pastel. Signed and dated, 1954. 16.75x27.75 inches. Framed: 23.25x33.75 inches.
LAMI Eugene (1800-1890) (Follower of).
A ballroom scene.
Watercolour. Circa 1855.
18.25x23 inches.
LAMONT Thomas Reynolds ‘The Laird’ (1826-1898) ‘Red Riding Hood’. Oil on canvas. Circa 1860. Oval 18.5x16 inches. Original frame available: 32x26 inches.
LAMPLOUGH Augustus Osborne (1877-1930) Westminster Abbey. Watercolour. Signed.
LANCASTER Sir Osbert (1908-1986) Watercolours and drawings. CLICK HERE
LANCASTER Percy (1878-1951) A Sussex landscape. Oil on canvas. Signed. 20.25x24 inches.
LANCASTER Sir Osbert (1908-1986) ‘Combien de kilometres d’ici a Stow-sur-le-Wold, s’il vous plait?’. Pen ink and crayon. Signed. Inscribed by the artist verso. For the ‘Daily Express’, 30.xii.1970. 9.5x5 inches.
LANDELLS Ebenezer (1808-1860) Studies of Ornamental Arches erected to welcome Queen Victoria and Prince Albert to the villages of Ash, Maids Morton, Wicken, Leckhampstead, Stony Stratford, Bracknell, ‘Gt.Weldon, 14 miles from Stanford’,(Lillingston) Dayrell and another. Pencil. Inscribed. Provenance: stuck into a broken album of Landell’s sketches.
LANDELLS Ebenezer (1808-1860) Queen Victoria and Prince Albert’s visit to Scotland, October, possibly the first in 1842. 20 sketches in pencil and watercolour mounted on 12 pages from an album of the artist’s studies for engravings for ‘The Illustrated London News’, some very slight, recording her visit to Taymouth Castle, Auchmore House, Pass of Glen Ogle, various welcoming arches at Earn, ‘Kincragie’,Perth, ‘The Duchess of Atholls’, Kinross, Loch Leven etc.
LANDELLS Ebenezer (1808-1860)
Girl, seated with an album.
Pen and ink. Circa 1835. Provenance: An album of the Illustrated London News illustrators work.
9.5x9 inches (irregular).
LANDELLS Ebenezer (1808-1860) Thames Barges. Pencil and watercolour on pink paper. Circa 1850. Provenance: Album of Landells studies. 4x6.75 inches.
LANDELLS Ebenezer (1808-1860) Fisherman’s tent on a beach.
Watercolour. Circa 1840. Provenance: an album of sketches by Landells.
4x7.5 inches.
LANDELLS Ebenezer (1808-1860) ‘Boat Race, Chiswick’. Pencil study heightened with white, on grey/green paper, probably for ‘The Illustrated London News’ and possibly recording the 1856 Race. Inscribed. Provenance: Album of Landells studies. 5.25x9.25 inches.
LANDELLS Ebenezer (1808-1860) ‘Changing the Escort at Abourfield (sic Arborfield)’, Berkshire. Pencil study for the engraving in The Illustrated London News’ (25.1.1845) of Queen Victoria being greeted outside ‘The Bull’ when driving from Windsor to Stratfield Saye to visit the Duke of Wellington on 20th January, 1845. Provenance: Album of Landells’ studies. 6.75x9.75 inches.
LANDELLS Ebenezer (1808-1860) ‘First Church of the Christians in Britain’. Pencil. Inscribed. Provenance: an album of sketches by Landells. 4.25x7.25 inches.
LANDELLS Ebenezer (1808-1860) Edinburgh; ‘The most beautiful sunset / I ever saw in June, 1825’. Brush and sepia wash. Inscribed. Provenance: an album of sketches by Landells. 6x9 inches.
LANDELLS Ebenezer (1808-1860) ‘Kensington Palace’. Pencil. Circa 1850. Possibly for ‘The Illustrated London News’. Provenance: Album of Landells studies. 6.5x6.5 inches.
LANDELLS Ebenezer (1808-1860) ‘Mark Lane Telegraph’. Pencil and ink advertisement for the Electric Telegraph office closest to the East London Produce and Commodity markets, and decorated accordingly. Inscribed: ‘General Intelligence / Hops / Market / Loom / Commerce / Manufactures, Agriculture’. Provenance: Album of Landells studies.
3.5x5 inches.
LANDELLS Ebenezer (1808-1860) ‘The Recorder presenting the Mace to the Queen at Wokingham’, Berkshire. Pencil study for the illustration in The Illustrated London News, 1845. Extensively inscribed by the artist. Provenance: Album of Landells’ studies. 6.75x9.75 inches.
LANDELLS Ebenezer (1808-1860) Queen Victoria being welcomed beneath a decorated Arch. Pencil. Indistinctly inscribed. Circa 1845. Provenance: Album of Landells’ studies. 7x10 inches
LANDELLS Ebenezer (1808-1860) Dignitaries attending (?)Queen Victoria, possibly at Versailles on her 1855 trip. Pencil study, probably for the Illustrated London News. Provenance: Album of Landell’s studies. 4.75x7 inches.
LANDELLS Ebenezer (1808-1860) Schoolboys parading in the Painted Hall, Greenwich. Pencil, possibly a study for ‘The Illustrated London News’. Circa 1850. Provenance: Album of Landells studies. 7x10 inches.
LANDELLS Ebenezer (1808-1860) Shipping off-shore. Watercolour. Circa 1840. Provenance: an album of sketches by Landells. 3.5x6.25 inches.
LANDELLS Ebenezer (1808-1860) ‘The Thunderer, Man-of-War firing a Royal Salute on her Majesties arrival at Walmer Castle’. Victoria and Albert stayed at Walmer for a month in 1842. Grey wash and gouache. Provenance: an album of sketches by Landells. 4.5x6.75 inches.
LANDELLS Ebenezer (1808-1860) ‘Signor Hopperini’s’ dancing class disturbing the downstairs neighbour. Pen, brush, ink and gouache. Circa 1840. Provenance: Album of Landell’s studies. 10x6.5 inches.
LANDELLS Ebenezer (1808-1860) Standing Boy. Pen and ink. Signed and dated, 1834. Provenance: Album of Landell’s studies. 6x4 inches.
LANDELLS Ebenezer (1808-1860) ‘The Comic Novel, or, Downing Street the Day of Victoria by Lynx’. Pencil. Inscribed. Design for a frontispiece for the novel published in 1840. Provenance: an album of sketches by Landells. 8x5 inches.
LANDELLS Ebenezer (1808-1860) ‘Ship Lord Ashbourne (?Ashburton) on fire / towed into the River by the Steamer / Charleston South Carolina’ ‘Clear blue sky / sun nearly vertical’. Pen and ink, probably for ‘The Illustrated London News’. Provenance: Album of Landell’s studies. 5.75x7 inches.
LANDELLS Ebenezer (1808-1860) Visitors at the unveiling(?) of a portrait in a crowded Gallery. Pen, ink and watercolour. Probably for ‘The Illustrated London News’. Provenance: Album of Landell’s studies. 5x8.5 inches.
LANDELLS Ebenezer (1808-1860) ‘Westminster Abbey’. Pen and ink designed for a frontispiece? Provenance: Album of Landell’s studies. 6.25x4 inches.
LANDELLS Ebenezer (1808-1860) ‘Waterloo Gallery, Windsor Castle’. Pencil. Inscribed. Probably for ‘The Illustrated London News’. Provenance: Album of Landell’s studies. 5.5x9 inches.
LANDER John St Helier (1868-1944) ‘Midshipman Porter’; Cole Theodore Porter (b.1901). Oil/board. 1917. Signed. 29x35 inches.
For more informationCLICK HERE.
LANDERSET Joseph de (1753-1824) Switzerland. ‘Vue de la vallee et du lac de Lowertz apres leboulement d’une partie de Rossberg, Canton de Schwitz’. Gouache. Signed and dated 1808. Inscribed thus verso. The natural disaster had occurred on 2nd September 1806. 18x24.5 inches. Framed: 27x33 inches.
LANDSEER Sir Edwin R.A. (1802-1873) Recto: studies of cattle and sheep. Verso: studies of a horse, a lion and a woman. Pencil. Paper watermarked 1802. Inscribed to the backing as from Landseer’s Sale in 1874. Exhibited: Walker’s Galleries. Ex. Coll: Sir John Witt. 7.75x12.75 inches. Click here for verso.
LANDSEER Sir Edwin R.A. (1802-1873) Studies of Cranes. Pencil and black chalk. Signed(?) or inscribed on backing. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 4x3.5 inches. Backing: 4.75x4.25 inches.
LANGENDYK Jan Anthonie (1780-1818) Plundering soldiers. Ink and watercolour. Signed and dated, 1798. 6x4 inches.
LANTE Louis-Marie (1789-1871)
Luxe et Indigence.
Ink and watercolour. c.1817. For Pierre La Mésangère's Le Bon Genre (Plate 104, Publ.1817). Inscribed verso ‘Bon Genre No.104 / Luxe et Indigence’. Exhibited: Hazlitt, Gooden and Fox.
7.25x10.25 inches. Framed: 14.5x17 inches.
Luxe et Indigence
Le Bon Genre
LANYON Andrew (b.1947) ‘Mullion’, Cornwall. Signed, inscribed and dated 1980 verso. 5.25x5.75 inches. Framed: 13.25x13 inches.
LAP Engelbert (1886-1970) Evening, Brenner. Woodcut printed in colours. Circa 1930. Signed, inscribed and numbered ‘36’. 8x9.25 inches.
LAP Engelbert (1886-1970) In the Tirol. Wood cut printed in colours. Circa 1920. Signed. 7.5x10 inches.
LAPORTE John (1761-1839) Distant river landscape. Gouache. Circa 1790. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 6.5x9 inches.
LAPORTE John (1761-1839) Landscape, possibly in the Lakes. Gouache. Circa 1790. 9.75x14 inches.
LAPORTE John (1761-1839) Landscape. Black chalk on card with original wash lines. Inscribed/?Signed. 8.75x11.75 inches.
LAPORTE John (1761-1839) (Attributed to) Cattle and distant Castle. Gouache. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 8.5x13 inches.
LAPORTE John (1761-1839) Cottage by an estuary. Gouache. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 8.75x13 inches.
LAPORTE John (1761-1838) (Attributed to) Deer watering. Gouache. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 8x11.75 inches.
LAPORTE John (1761-1839) Capriccio: Valley and river. Gouache. Signed and indistinctly dated 18(39?) 10.5x15 inches. Framed: 17.5x21.5 inches
LAPORTE John (1761-1839) Capriccio: river landscape. Gouache. Signed and dated, 1839. 10.5x15 inches. Framed: 17.5x21.5 inches.
LAPORTE John (1761-1839) Capriccio: Castle and lake. Gouache. 10.5x15 inches. Framed: 17.5x21.5 inches
LARCHER Dorothy (1882-1952) ‘Phacelia’. Oil (or gouache?) on card. Signed and dated, 1942. One of 40 flower paintings made between the beginning of the War and her death. 18x14 inches. Framed: 25x21.5 inches.
LANTOINE Fernand (1876-c.1958) An Austro-Hungarian soldier, possibly a Tiroler Jaeger. Pencil and watercolour. Circa 1915. Signed. 15x7.5 inches. Framed: 22x14.5 inches.
LAUDER Charles James R.S.W. (1841-1920) Richmond Bridge. Oil on paper. Signed. 12x8 inches.
Robert Scott Lauder R.S.A. (1803-1869) A Huntsman. Oil on panel. Ex. Collection: Andrew McIntosh Patrick. 8.75x7.25 inches. Framed: 12x10.5 inches. £1475Click here to view large framed photo.
LAURENCE Samuel (1812-1884) ‘Miss Mitford’, the authoress Mary Russell Mitford (1787-1855) Red, black and white chalks on tan paper. Inscribed. Provenance: Covent Garden Gallery / William Drummond. 20x14.5 inches.
LAVERS, BARRAUD and WESTLAKE (Firm of) (1868-1900) Christ the Good Shepherd. Ink and watercolour presentation watercolour for a stained glass window. Provenance: A Collection of Presentation watercolours by Lavers, Barraud and Westlake. 7.5x9.25 inches. Framed: 15x16.5 inches.
LAW David (1831-1901) Lighthouse and moonlight. Watercolour. Signed. 13.5x9.5 inches.
LAW David (1831-1901) ‘On the Yorkshire Coast’. Watercolour. Circa 1860. Signed. 10x14 inches.
LAW David (1831-1901) Scotland. Harbour at Tignachbruich. Watercolour. Circa 1860. Prov: Estate of the artist’s granddaughter. 9.5x13.25 inches.
LAW David R.B.A. (1831-1901) Wales. Valley near Capel Curig. Watercolour. Circa 1870. Prov: Estate of the Artist’s Granddaughter. 7.5x11.5 inches.
LAWRENCE Alfred Kingsley (1893-1975) Figure study for ‘The Arcadians’. Charcoal and pastel. Signed, inscribed and dated, 1967. Verso: pastel studies of hands. 23x14 inches.
LAWRENCE Alfred Kingsley R.A. (1893-1975) Portrait study. Oil/canvas. Dated by the artist ‘26th Aug 1953’. 34x24 inches. Framed: 30x20 inches.
LAWRENCE Alfred Kingsley R.A. (1893-1975) WW1 Runner. Pencil. Provenance: Christies S.K. A. K. Lawrence Studio Sale,1984. 14.25x9.5 inches.
LAWSON Cecil Gordon (1851-1882) Yorkshire landscape. Watercolour. Circa 1875. Signed. 6x6.5 inches. Framed : 13x14 inches.
LAWSON Cecil Gordon (1851-1882) London. Garden Row, Middle Temple. Watercolour. Signed and dated, January 1880. 11.25x8.75 inches.
LAWSON Cecil Gordon (1851-1882) Kent. ‘Hopfield and hedge’. Ink and watercolour. Signed. Exhibited: Michael Bryan. 7x13 inches. Framed: 18x23 inches.
LAWSON Cecil Gordon (1851-1882) Sunset over parkland. Watercolour. Exh: Michael Bryan. Ex. Coll: Darlington. 4.25x11.75 inches. 14.5x21.75 inches.
LAWSON Cecil Gordon (1849-1882) ‘A pause in the storm at sunset’ Gouache. Signed and inscribed beneath the mount. 3.5x6.255x6.25 inches (irregular).
LAWSON Frederick (1888-1968) ‘Gill Beck, Wensleydale’. Signed and dated, 1943. Inscribed and dated, March 1943, verso. 10.5x15 inches. Framed: 19.5x23 inches. £375.VIEW FRAMED●
Christopher Le BRUN P.R.A. Exhibition of Drawings. CLICK HERE
Christopher Le BRUN P.R.A. Exhibition of Watercolours. CLICK HERE
LE BAS Edward R.A. (1904-1966) Study for ‘Saloon Bar‘ (Oil on canvas, Tate Britain). Brush and ink, lightly squared. Inscribed by Duncan Grant ‘For Duncan Grant from Edward Le Bas, 1940’. 18x12 inches. Framed: 26x20 inches.
LE BRUN Christopher P.R.A. (b.1951) 'Nocturne' - the yellow house. Watercolour. 2006. Exh: Venice, City of Dreams, Sothebys 2007. 23x29 inches. Framed: 33x39 inches.
LE BRUN Christopher P.R.A. (b.1951) ‘Union – Horse with two discs’. Charcoal. c.1999. Signed. Exhibited: New Art Centre. 17.75x25.25 inches. Framed: 25x32.5 inches.
LE BRUN Christopher P.R.A. (b.1951)
Capriccio.
Etching. Signed, editioned 24/100 and dated, 1984.
8.75x12.5 inches.
LE JEUNE James (1910-1983) Florence: the Pitti Palace. Ink, watercolour and gouache. Signed. Inscribed verso.
LE JEUNE Henry A.R.A. (1819-1904) A Market Girl. Oil on panel. Inscribed, possibly signed on backing. £1500.
LE STRANGE Henry L’Estrange Styleman (1815-1862)
Egypt: ‘Karnak’
Pencil and watercolour. Inscribed, dated 1839 and ? signed verso.
13x9.5 inches.
LE STRANGE Henry L’Estrange Styleman (1815-1862)
Egypt: ‘Karnak’.
Watercolour. Inscribed and dated 1839 verso.
9.75x6.5 inches.
£375.
LE STRANGE Henry L’Estrange Styleman (1815-1862)
Egypt: ‘Interior of the rock hewn Temple at Abu Simbel, Nubia’.
Pencil and watercolour. Inscribed, dated 1839 and ?signed verso.
20x13 inches
LEAR Edward (1812-1888) Watercolours and drawings. CLICK HERE
LA CAVE Peter (fl.1769-1816) The Meeting. Ink and watercolour. Signed and dated, 1801. 10x14 inches.
LEDWARD Gilbert (1888-1960) The Deluge. Pen and ink. Circa 1913. Exhibited: Highgate Gallery. 9.5x13.5 inches. Framed: 15.75x19.5 inches.
LEDWARD Gilbert R.A. (1888-1960) 'The Seer'. ‘Study from life for a bronze figure…at Mercury House 195 Knightsbridge’. Pencil and crayons. Signed, inscribed and dated, 1955. 18.5x10.75 inches. Framed: 27.25x19 inches.
LEE Sidney R.A. (1866-1949) ‘The Bridge, Walberswick’. Wood cut on paper tinted with watercolour. 1908. Signed. 6x7 inches.
LEE Sydney (1866-1949) Fishing Boat. Woodcut on toned paper. Signed and inscribed '50 proofs on toned paper'. 197x210 mm.
LEE Sydney (1866-1949) Breton woman. Woodcut printed on tones paper. Signed and inscribed '50 proofs on toned paper'. 212x222 mm.
LEE Frederick Walter (1863-1948) London. ‘Lambeth Palace’ from the garden at dusk. Watercolour. Signed and dated ‘Jan. 1898’. Exhibited: The New Gallery, 1898. 9x13 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘A Sussex Church’ (RM.150) All Saints, West Dean. Wood engraving. 1920. 2nd state. Edition of 50. Signed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 7.5x5.75 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘The Oak and the Stag’ (RM.148) Richmond Park. Wood engraving. C.1920. Signed and editioned beneath mount ‘16-100’. 10x13.5 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘Three Gables, Market Square, Lincoln’ (RM.74). Wood engraving. 1908. 1st state (with border) 30 proofs. Signed and inscribed beneath mount. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 6.75x7 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘The House in the Wood (Isaak Walton’s Fishing Lodge)’ (RM.151) River Dove, Beresford Dale, Derbyshire. Wood engraving. 1921. One of an edition of ?100. Signed and inscribed beneath mount. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956) 15x8.5 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘French Peasant’ (RM.113). Wood engraving. 1914. 1st state. One of 19 (or 25) proofs printed on white paper. Signed. 8.5x8.75 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘On the Mediterranean’ (RM.92) Santa Maria Assunta, Positano. Wood engraving. 1910. Signed and editioned ‘No.48/50’. 8x9.75 inches.
LEE Sydney R.A. (1866-1949) Spanish courtyard (RM.159) Wood engraving. 1926. Signed and editioned ‘40’. 12x14.25 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘Top of the Hill’ (RM.137). Also known as ‘Trees in Wharfedale’. Wood engraving. 1916. Signed and inscribed beneath mount ‘No 20 -75’. 8x10.25 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘The Village Street’ (RM.104). Wood engraving. 1913. 2nd state. One of 12 proofs. Signed. 8.5x15.5 inches.
LEE Sydney R.A. S.W.E. (1866-1949)) ‘Spanish Courtyard’ (RM.159). Wood engraving. 1926. Edition of 83. Signed. 12x14 inches.
LEE Sydney R.A. S.W.E. (1866-1949) ‘Derelict’ (RM.49). Also known as ‘The Barque’, Walberswick. Wood engraving. 1906-1908. Signed and editioned ‘No.36-60’.
LEE Sydney R.A. S.W.E. (1866-1949) ‘The Gatehouse’ (RM.96) College Gate, Rochester. Wood engraving. 1910. Signed and inscribed beneath mount ‘Edition limited to 100 proofs’. 4.5x7 inches.
LEE Sydney R.A. (1866-1949)
‘The Limestone Rock’ (M38).
Wood engraving. 1904-5. 2nd State. Signed and inscribed. One of 100 impressions. 13x17 inches.
LEE Sydney R.A. (1866-1949) ‘St Ives Harbour’ (RM.35). Woodcut printed in colours. 1905-10. Signed. 14.75x10 inches.
LEE Sydney R.A. (1866-1949) ‘The Limestone Rock’. Engraving. Signed and inscribed ‘edition strictly limited to 100 proofs’. 13x17 inches.
LEE Sydney R.A. (1866-1949) ‘The Cottage Doorway’. Woodcut. Signed, inscribed and editioned 26/40. 7x8.5 inches.
LEE Sidney (late 20th century) ‘Marazion under Snow’ – view from the artist’s studio. Oil on card. Circa 1990. Signed. Inscribed verso. Exhibited: St Ives Society of Artists, 1989. 10x12 inches. Framed: 16x14 inches.
LEE Joseph (1901-1975) WW2: ‘Smiling Through / Expert Sex / “Could you spare my wife for a few moments Sir? Just to fix a small matter of a kitchen tap-washer…”. Pen, ink and crayon. Signed and inscribed. for ‘The London Evening News’. Dated: 10th December, 1941. 15x13 inches £475.●
LEE Anne (1753-1790) ‘Amarillis Lutea’. Ink and watercolour. Inscribed. Circa 1775. 7x5 inches.
LEE-HANKEY William R.W.S. R.E. (1869-1952) ‘The Quiet Hour’. Etching. Signed. 7x7 inches.
LEE-HANKEY William R.E. R.W.S. (1869-1952) ‘Pere Dachicourt, Etaples’. Etching. 1920. Signed. 5x4 inches.
LEE HANKEY William R.W.S. R.E. (1869-1952) ‘Dieppe’. Pencil and watercolour, squared for transfer. Signed, inscribed and dated, 1938. 8.5x11.5 inches.
LEE-HANKEY William R.W.S. R.E. (1869-1952) ‘Forgiveness’: Mother and Daughter. Etching. Signed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 7.75x7.25 inches.
LEE-HANKEY William R.W.S. R.E. (1869-1952) ‘Betrothal’. Etching. Circa 1910. Signed. 7.75x9.25 inches.
LEE-HANKEY William R.W.S. R.E. (1869-1952) ‘Sur le terrain’. Etching. Signed. Inscribed. 17.5x21.5 inches.
LEE-HANKEY William R.W.S. R.I. (1869-1952) ‘Mother and Child’. Etching. Signed. 10.75x9 inches. Framed: 20.75x16.5 inches.
LEE Frederick Walter (1863-1948) ‘Yard, Westminster’; Little Dean’s Yard. Watercolour. Signed and dated ‘June 1898’. 17x13 inches.
LEE Frederick Walter (1863-1948) London. Kensington Palace from the Broad Walk. Watercolour. Signed and dated ‘1895’. 9.75x17 inches.
LEE Frederick Walter (1863-1948) London. Kensington Palace, the entrance. Watercolour. Signed and dated ‘Aug. 1894’. 13x18 inches.
LEECH John (1817-1864) Awoken! Pencil and watercolour. Signed. Drawn to illustrate, ‘The Levey Papers’, Illuminated Magazine, Vol.12 p.286. Ex. Collection: Ronald Searle. 4.25x5.75 inches.
LEECH John (1817-1864) Holding a heroic pose in the Nursery. Ex. Collection: Gerald Reitlinger. Ronald Searle. Pencil. Inscribed. 4.25x6.5 inches.
LEECH John (1817-1864) ‘The Height of Politeness / Paying your Income Tax, and / opening the Collector a glass of / wine’. Pencil study. Signed and inscribed to the editor of Punch: ‘My Dear (Mark) Lemon / Will this do for a large cut? / Yours Ever J. Leech’. 10.5x7 inches.
LEECH John (1817-1864) Cockney Traffic. pencil study for a ‘Punch’ cartoon. Circa 1850. Indistinctly inscribed by the artist. 5.25x8.25 inches (irregular) £125.
LEE-HANKEY William Lee R.W.S. R.E. (1869-1952) A French market. Pencil and watercolour. Signed. 11x15 inches.
LEES Derwent N.E.A.C. (1885-1931) The Bay of Banyuls. Pencil and watercolour. 10x14 inches. Circa 1913. Signed. Exhibited: N.E.A.C. Spring 1915, No.136. Provenance: Agnews (no.28473).
LEES Derwent N.E.A.C.(1885-1931) Landscape, possibly Nant Ddu, Wales. Lees, Augustus John and John Dickson Innes painted at Nant Dhu between 1910-1912. Watercolour. Provenance: Wyndham Theodore Vint, Bradford; Christies SK, C20th Brit Art, c.12.2004 lot 93; Albany Gallery 9.75x14 inches.
LEETE Alfred (1882-1933) Schmidt the Spy: ‘S-O-S’. Pen and ink for ‘London Opinion’. Signed. With caption. Dated stamped 24 April 1915 verso. Ill: p.61 ‘Schmidt the Spy and his messages to Berlin’, Alfred Leete, Duckworth, 1916. 11x12.5 inches.
LEETE Alfred (1882-1933) Schmidt the Spy: ‘There is evidently great discontent in Kitchener’s Army, as the squeals of the new recruits…can be distinctly hear outside the barracks’. Pen and ink for ‘London Opinion’. Signed. With caption. Date stamped 12 Dec 1914. Ill: p.45 ‘Schmidt the Spy and his messages to Berlin’, Alfred Leete, Duckworth, 1916. 11.25x12.5 inches.
LEETE Alfred (1882-1933) Schmidt the Spy: ‘Owing to the activity of our Fleet, the English submarines have been driven from the sea and are hiding in inland canals’. Pen and ink for ‘London Opinion’. Signed. With caption. Date stamped 2 Jan 1915. Ill: p.55 ‘Schmidt the Spy and his messages to Berlin’, Alfred Leete, Duckworth, 1916. 10x12.5 inches.
LEETE Alfred (1882-1933) Schmidt the Spy: ‘All the Indian soldiers in London are wounded in the head…’ Crayon, pen and ink for ‘London Opinion’. Signed. With caption. Date stamped 13 May 1915 verso. 11x14 inches.
LEGGE Heneage Hon. M.P. (1788-1844) ‘Heidelberg’. Ink and watercolour. Signed and inscribed on backing. 3.75x5.75 inches. Framed: 12.25x13.5 inches.
LEGROS Alphonse R.E. (1837-1911) ‘Val Prinsep R.A.’. Etching. Signed. One of 50 impressions. 14x10 inches.
LEGROS Alphonse (1837-1911) ‘Victimes d’un combat’. Pen, brush and ink. Inscribed verso and ‘LAL’. 9.5x8.5 inches.
LEGROS Alphonse (1837-1911) ‘Etude de tete d’un homme’. Three coloured chalks. Inscribed verso and ‘LAL 118’. 16x12 inches
LEGROS Alphonse (1837-1911) Studies for a Statue. Red chalk. Signed. Ex.Collection: C. J. Knowles (1840-1900). 17x12 inches.
LEGROS Alphonse (1837-1911) ‘The Vallee des Dunes’. Drypoint. Signed and inscribed. Ex. Collection: Peter Ward-Jackson (1916-2015) 4x8.75 inches.
LEGROS Alphonse (1837-1911) La Barque en peril. Ink and watercolour. Signed and dated, 1903. Ex. Coll: John Abbott. 10.5x16 inches. Framed: 18.25x23.5 inches.
LEHMAN Olga (1912-2001) Theatre set design. Pencil, pen, ink, watercolour and gouache. Signed. Circa 1945. Framed: 17x16.5 inches.
LEHMAN Olga (1912-2001) Theatrical costume design. Gouache on black paper. Signed and dated, 1947. 18x12 inches.
LEHMANN Olga (1912-2001) ‘Mural design for a showroom in a store’. Watercolour and gouache. Signed. Circa 1945. 25x10 inches. Framed: 18x32 inches.
LEHMANN Olga (1912-2001) Idea for a stage set. Gouache on tan paper. Signed and dated, 1948. 9.75x12.5 inches.
LEHMANN Olga (1912-2001) Rooftops. Gouache. Circa 1935. 9.5x6.25 inches. Original frame available.
LEHMANN Henri (1814-1882) A standing man. Pen, ink and pencil. Signed and dated, 1832. Provenance: Christopher Powney. Exhibited ‘Nineteenth Century French Drawings’, Hazlitt, Gooden and Fox, June/July 1979, No.42, (label). 11.25x4.75 inches. Framed: 17x10 inches.
Clare LEIGHTON (1898-1989) Exhibition of wood-engravings from the Collection of HiIlaire Belloc. CLICK HERE
LEIGHTON Lord P.R.A. (1930-1896) A horseman. Black and white chalks on blue paper. Circa 1870. Studio stamp. 9x7.75 inches. Framed: 21.5x16.5 inches.
LEIGHTON Clare (1898-1989) ‘Sheep Shearing’ (‘May, Sheep Shearing’). Wood engraving. 1933. Signed, inscribed and numbered 3/30. 8x10.5 inches.
LEIGHTON Clare (1898-1989)
‘The Ploughman’.
Wood-engraving. Signed and editioned 7/50.
6.5x4.75 inches.
LEIGHTON Clare (1898-1989) Distant Clump. Wood engraving, probably a tailpiece. Signed and editioned 21/30. 1.25x3 inches.
LEIGHTON Clare (1898-1989) ‘The frightened shepherd boy’. Wood engraving. Signed, inscribed and editioned 17/20. Illustrated: Wuthering Heights, 1930, p.310/311. 7x5.25 inches.
LEIGHTON Clare (1898-1989) ‘Limbing’. Wood engraving. Signed, inscribed and editioned 59/100. 8.5x12 inches.
LEIGHTON Clare S.W.E. R.E. (1898-1989) Woman under umbrella. Wood engraving. Signed and edition16/30 inches. 4x2.75 inches. Framed: 12.5x11 inches.
LEIGHTON Clare (1898-1989)
‘Ellen hoeing’.
Wood engraving. Signed, inscribed and editioned, 34/50
6.25x4 inches. Framed: 15.5x13 inches.
LEISHMAN Robert R.S.W. S.S.A. (1916-1989) ‘Black and White’. Watercolour. 1983. Exhibited: Duncan Miller Fine Arts. Ex. Collection: Ingrams, Garsington Manor. 7x7.5 inches. Framed: 9x9.75 inches.
LEITCH William Leighton R.I. (1804-1883) Watercolours. CLICK HERE
LENS Bernard III (1680-1740) Kensington: ‘A West Prospect of the Mount in Kensington Gardens, 1732’. The Mount was between what is now the Serpentine Gallery and now the Albert Memorial Pen and ink. Inscribed verso. Ex. Collection: L. G. Duke. Provenance: An album of BL III drawings, Christies/Spink, 21.6.1998. 4.75x7.25inches. Framed: 12.5x14.5 inches.
LENS III Bernard (1682-1740) (Attributed to)
The Holbein Gate, Whitehall, demolished 1759.
Pen, brush and ink. Ex. Collection: Stanhope Shelton.
10.5x8.5 inches.
LEONARD John Henry (1834-1904) ‘Hartley New Colliery from North East’. Pencil. Signed and inscribed. The Hartley Colliery Disaster occurred on 16th January 1862. 6.25x9.25 inches.
LEONARD Michael (b.1933) ‘Man’s Back and Reflection’. Pencil. Signed and dated, 1980. Exhibited: Fischer Fine Art, 1980. Illustrated: Changing. 50 Drawings by Michael Leonard, 1983, P.71. 8x4.75 inches. Framed: 15x12 inches.
LEONARD Michael (b.1933) ‘Bather with intent’. Alkyd oil on board. Signed and dated 2001. Inscribed verso. 36x31.5 inches. Framed: 45x40 inches.
LEONARD Edward (Edouard) A. (fl.1870-1930) ‘The Avon from Clifton Down’. Watercolour. Signed and dated ‘(18)79’. 22x15 inches.
LEROY Denis-Sebastian (1770-1832) The Butterfly Pen, brush and ink. Signed. 2.75x1.75 inches.
LEROY Denis-Sebastian (1770-1832) The Assignation. Pen, brush and ink. Circa 1810. 3x2 inches.
LEROY Sebastien (1770-1832) A Napoleonic Romance. Pen and ink. 2x1.25 inches
LESAGE Davain (b.1908) Sur la plage. Oil on board. Signed. 7.5x13 inches. Framed: 12.75x18.25 inches.
LESLIE Charles (1839-1886)
‘Ben Arklet, Perthshire’.
Oil on canvas. Signed and dated, 1878.
11.5x23.5 inches. Framed: 14.5x26.25 inches.
LESLIE Charles Robert R.A. (1794-1859)
Girl surprised while reading a letter
Pen and ink study, possible for a composition. Provenance by repute: G. C. Eaton a pupil of Leslie and by descent to T.C.Eaton (1972)
9x6 inches. Framed: 17x14 inches.
LESSORE Therese (1884-1945) ‘Bill’s Circus’. Pencil and watercolour. Inscribed verso. Circa 1925. Ex. Collection: Wyndham T. Vint, Bradford. 8x6.5 inches. Framed: 15.5x13.25 inches.
LESSORE Therese (1888-1945) The Thinker. Watercolour. Signed and dated, 1921. 8.5x7.5 inches. Framed: 16.5x14.75 inches.
LESSORE Jules (1849-1892)
The courtyard.
Watercolour. Circa 1880. Signed.
14x20 inches. Framed: 26x19 inches.
LESSORE Jules (1849-1892) Venice: the Scuola Grande di San Marco and Ponte del Cavallo. Watercolour and gouache. Signed. 6.5x9.5 inches.
LESSORE Emile (1805-1876) Mother and Child. Watercolour. Circa 1850. Signed. 5.25x5.5 inches.
LESSORE Helen R.A. (1907-1994) ‘Spring’. Oil on canvas. Exhibited: RA 1993. Ex. Collection: Craigie Aitchison R.A. 14x36 inches. Framed : 22x42 inches.
LESSORE Jules (1849-1892) The rue Notre Dame, Dieppe. Watercolour. and gouache. Signed. 12x10 inches.
LESSORE Jules (1849-1891) ‘Honfleur’. Watercolour and gouache. Signed. 10x7 inches. Framed 18x14 inches.
LESSORE Jules (1849-1892) ‘Greenwich’. Watercolour. Signed. 6x14 inches.
LESSORE Jules (1849-1892) ‘Honfleur’; the quayside Watercolour and gouache. Signed. Circa 1885. 7x10 inches.
LESSORE Therese (1884-1945) ‘Tea Break’. Pencil and watercolour. Circa 1930. 9x14 inches.
LESSORE Therese (1884-1945) ‘Dignity and Impudence’, the Olympia Circus. Pencil and watercolour. Circa 1928. Exhibited: The Savile Gallery. Ex. Collection: Mr J. McDonald. 6.5x8.25 inches. Framed: 14x14.75 inches.
LESSORE Helen (1907-1994) ‘Snowstorm 8th April 1970’. Oil on card. Signed and dated verso. Inscribed on original backing. 9x7 inches.
LE SUEUR Nicolas (1691-1764) after Paolo FARINATI (1524-1606) ‘The Rape of Europa’ (Le Blanc 20). Chiaroscuro woodcut (with repairs). Circa 1730. 17x10.75 inches.
LETT-HAINES Arthur (1894-1978) Moroccan Street. Charcoal on a sketchbook page. Signed and dated, 1921. 16x8 inches.
LEWIN William (1747-1795) and Sons (Thomas, Thomas William and John William) Cinereous Eagle. Gouache. Stamped ‘W.Lewin, 1789’. 8.5x7 inches.
LEWIN William (1747-1795) and Sons (Thomas, Thomas William and John William) Goshawk. Gouache. Stamped ‘W.Lewin, 1789’. 8.5x7 inches.
LEWIN William (1747-1795) and Sons (Thomas, Thomas William and John William) Peregrine Falcon. Gouache. Stamped ‘W.Lewin, 1789’. 8.5x7 inches.
LEWIN William (1747-1795) and Sons (Thomas, Thomas William and John William) Lanner. Gouache. Stamped ‘W.Lewin, 1789’. 8.5x7 inches.
LEWIS Brian (b.1927) ‘Twitchers’, on the Norfolk coast. Oil on board. Signed. 9.5x27.5 inches. Framed: 18x35.25inches.
LEWIS John (1912-1996) At a Bar. Wood engraving. Signed and dated, 1934. 3.75x2.75 inches.
LINDER Philippe Jacques (1835-1914) A billet doux. Watercolour and gouache on grey green paper. Circa 1890. Signed. 12x9 inches.
LINDNER Moffat R.W.S. N.E.A.C. (1852-1949) Venice, the Bacino. Watercolour. Signed. 7x9.5 inches.
LINDSAY Thomas (1783-1861) ‘Blackheath’. Pencil and watercolour. Signed and inscribed. 7.5x10.5 inches.
LINDSAY Sir Lionel (1874-1961) ‘Courtyard in New Castile’. Etching, 1926. Signed. 5.25x6.75 inches. £95.
LINDSAY Sir Lionel (1874-1961) San Geremia and the Palazzo Labia on the corner of the Grand and the Cannaregio canals, Venice. Ink and watercolour. Signed, inscribed and dated, 22nd October 1929. 13x19.25 inches.
LINDSAY Sir Lionel (1878-1961) ‘Little Square, Segovia’. Etching. Circa 1925. Signed and numbered ‘80’. 9x8 inches.
LINES Vincent V.P.R.W.S. (1909-1963) Suffolk. ‘Saxtead Green Mill, the top floor with brake wheels and sack hoist’. Pen and ink. Ill: ‘The English Windmill’, Waites, p.17. 12x19.5 inches.
LINES Vincent (1909-1968) Paris: Canal St Martin. Etching. 7x11.5 inches. Framed: 14.5x19 inches.
LINES Henry Harris (1800-1889) ‘On the Teme, near Worcester’. Oil on board. Signed, inscribed and dated, 27th October 1855. 13x17 inches, Framed: 18x21.75 inches.
LINFIELD John N.E.A.C. (b.1930) Barcelona; the Cathedral courtyard. Pen, brush, ink and watercolour. Signed and dated, 1962. 22x15 inches. Framed: 30.5x23 inches.
LINNELL John (1792-1882) Conversation by a stream. Oil on card. Signed verso. 6.5x11 inches. Framed: 8.25x13 inches.
LINNELL William (1826-1906) or James (1820-1905) Kneeling Life Model. Black chalk. Provenance: Joan Linnell Burton. 16x11 inches.
LINNELL John (1792-1882)Sir William Charles Ross R.A. (1794-1860) ‘when a student at R.A.’. Pencil. Circa 1810. Signed and inscribed. 21x11.5cms. Framed: 41x30cms.
LINNELL John (1792-1882) Study of a lean-too. Pencil. Signed. Provenance: Spink-Leger. 7.75x4.75 inches. Framed: 14x11 inches.
LINNELL William (1826-1896) Study of a foot, from the Antique. Black and white chalks on grey/green paper. Circa 1845. Signed verso. Exhibited as by John Linnell: Men, Rodney Engen, Cheyne Walk. 11x17.5 inches. Framed: 15.5x22 inches.
37. LINNELL William (1826-1906) Mountain Pass, North Wales. Pastel on grey paper. Provenance: Mrs Joan Linnell Burton. 9.75x12.75 inches. Framed: 16.75x19.5 inches.
LINNELL James Thomas (1820-1905) Study of Woodland. Pastels on grey paper. Provenance: Mrs Joan Linnell Burton. 11x14 inches.
LINNELL John (1792-1882) The Shepherd at dusk. Oil on panel. Circa 1855. Signed. 16x20 inches.
LINNELL William (1826-1901) Woodland study. Oil on paper. Provenance: Mrs Joan Linnell-Burton. Ex. Collection: Judy Egerton. 4.5x8.25 inches.
LINTON Sir James Dromgole P.R.I. (1840-1916) The bunch of violets. Watercolour. Signed. Circa 1890. 14x10 inches. Framed: 22x18 inches.
LISTER Harriet (1753-1821) (Mrs Amos Green from 1796) Lake in ?North Wales. Watercolour. Circa 1795. 11.26x16.75 inches.
LISTER Harriet (1753-1821) (Mrs Amos Green from 1796) A Lake District waterfall. Watercolour. Circa 1790. 9.5x14 inches. Framed: 17x21 inches.
LITTLE Robert (1854-1944) A remote Scottish house. Watercolour. Circa 1890. Signed. 14x9.25 inches.
LIVENS Horace Mann (1862-1936) Town above a Quarry. Pencil and watercolour. Dated verso by the artist, April 2nd 1907. Exhibited: Ruskin Gallery. 11x15 inches. Framed: 20x23 inches.
LIVENS Horace Mann (1862-1936) At the Races. Pastel. Circa 1895. Ex. Coll: Darlington. 5x3.75 inches. Framed: 13x11.75 inches.
LLOYD Elizabeth Jane (1928-1995) Spring flowers. Watercolour. Signed and dated 1985. 14x20 inches.
LOCK Anton (1893-1971) ‘Billingsgate’. Oil on canvas board. Circa 1925. 14x19.75 inches. Framed: 17x22.5 inches. £475.VIEW FRAMED●
LOCK William, the Younger (1767-1847) Studies of two Heads. Pen, brush and ink. Exhibited: Christopher Powney. 4x5 inches. Framed: 11.25x12 inches.
LOCKER Edward Hawke (1777-1849) Southampton: ‘God’s House Gate’. Pencil and watercolour. Inscribed and dated ‘27th Sept.1803’ verso. Ex. Coll: Judy Egerton. 6x8.5 inches.
LOCKER Edward Hawke (1777-1849) Hampshire; Titchfield Abbey, Wriothesley’s gatehouse. Ink and watercolour. Circa 1800. Inscribed ‘Titchfield House’ and signed. Ex. Collection: Judy Egerton. 6x8.5 inches.
LOCKYER Isabel de Bohun (Exh: 1925-1938) ‘Wembury Church, South Devon’. Linocut printed in colours. Signed, inscribed and dated, 1931. Inscribed beneath mount ‘Next Print is 17/25’. 8.25x11.5 inches.
LOCKYER Isabel de Bohun (Exh: 1925-1938) ‘Chateau de Gruyeres. Linocut printed in colours. Signed, inscribed and editioned ‘8/50’. 10x6.5 inches.
LOIZOU Renos (1948 - 2013) ‘The Grape Garden’. Watercolour. Signed. 1982. Exhibited: Christopher Hull Gallery. Ex. Collection: Dr J. E. Reade 15x21.5 inches. Framed: 25x30 inches.
LOIZOU Renos (b.1948) ‘Sleeping Nude IV’. Watercolour on Japanese paper laid on silk. 1983. Signed. Exhibited: ‘Renos Loizou’, Christopher Hull Gallery, 1983. 11x14 inches. Framed: 19x22inches.
LOIZOU Renos (b.1948) ‘Sleeping Nude IV’. Watercolour on Japanese paper laid on silk. 1983. Signed. Exhibited: ‘Renos Loizou’, Christopher Hull Gallery, 1983. 11x14 inches. Framed: 19x22inches.
LONDON (Subject) ANON. 1834. The Palace of Westminster on fire, night of 16th - 17th October 1834. Pencil, brush, ink and gouache on tan paper. Inscribed verso ‘The fire thus avoiding it, burned towards / the river side – painted a spectacle, as viewed from / Lambeth, and in as lovely a moonlight night as could / be conceived, “horribly beautiful” / from the Morning Herald / Friday Oct.17 / 34’. Provenance: A scrapbook of mid-19th century sketches probably by a journalistic illustrator (Cf. No.98). 8.25x10 inches.
LONG Amelia, Lady Farnborough (1772-1837) Pencil, ink and watercolour. 11.25x9 inches.
LONG Amelia (Lady Farnborough) (1762-1837) ‘Bromley Hill’, Kent. Stump, chalk and gouache. Signed, inscribed and dated, 1814. Ex. Collection: Judy Egerton. Exh: Dundee Museum. 12x18 inches.
LOPPE Gabriel (1825-1913) View of Villefranche. Oil on panel. Signed and dated, 1880. 12x16 inches. Framed: 15.5x19.5 inches
LORDE Elyse Ashe (1900-1971) ‘Prologue to ballet, Japanese Snow, Costume No.1’. Ink and watercolour. Signed. Inscribed beneath the mount. 9x9 inches.
LOTIRON Robert (1886-1966) ‘Les charettes de pailles’. Oil/canvas. Signed and dated (19)24. Provenance: Robert Griffiths and by descent. 10.75x16.25 inches. Framed: 14x19.5 inches.
LOUND Thomas (1802-1861) Wales. Derelict Church, possibly Conway. Pencil, watercolour and gouache. Inscribed (signed?) and dated verso of backing ‘Old Houses at Conway North Wales / by T Lound / 1853’. 13x19.75 inches.
LOUTHERBOURG Philip James De (1740-1812) Fishing boats ashore. Pen, brush and ink. Ex. Coll: Heseltine; J. D. K. Lloyd, 1936). 3x4.75 inches.
LOW Sir David (1891-1963) Colonel Blimp. Pencil, charcoal and watercolour. 1942. Extensively inscribed by Low. Ex. Coll: Michael Powell (Powell & Pressburger). 38.5x36cms. Framed: 58.5x52cms. (Inscription)
LOW Sir David (1891-1963) ‘Canute shushes the waves’; Inflation threatening a nervous Sir John Simon Lord (Chancellor of the Exchequer 1937-1940), Lord Stamp and his Economic Advisory Council (1930-1939) while Maynard Keynes stands by with alternative plans. Brush, ink and crayon. Inscribed. Probably for The Evening Standard 1937-1940. 12.5x21 inches.
LOW Bet (1924-2007)
‘Australian Journalist – head of a man’.
Oil on panel. Signed, inscribed and dated 1946/47 verso. Bet Low Trust Studio Stamp verso.
18.25x14.75 inches.
LOW Sir David (1891-1963) ‘Sme! Brush and ink. Signed and inscribed. 14.75x12.5 inches.
LOW Sir David (1891-1963)
‘Cyprus Crusoe’. Bevan and Gaitskell (Crusoe and Man Friday) with Callaghan (Dog) finding ‘The Gov’s Foot Policy’. Sir Hugh Foot was Governor of Cyprus 1957-1960 and oversaw the Island’s independence.
Ink and watercolour for the Manchester Guardian, 1.7.1958. Signed and inscribed.
13.75x18.5 inches. Framed: 20.5x25 inches.
LOW David (1891-1963) ‘Sir Oliver Lodge’; the physicist (1851-1940). Pencil. Signed. Ill: Lions and Lambs, publ.1928. Ex. Collection: Mr and Mrs George Walker. 13x7.75 inches. Framed: 22x17 inches.
LOW Sir David (1891-1963 ‘In Darkest Kenya’. Ink and watercolour for the Manchester Guardian. Circa 1955. Signed and inscribed 12x19 inches.
LOWENTHAL Artur (1879-1964) ‘Colin Tennant, son of Lord Glenconner’. Colin Tennant, Lord Glenconner (1926-2010). Bronze. roundel Signed. Hand written label verso. 6x6 inches.
LOXTON KNIGHT Edward (1905-1993) Storm Cloud and Sunlight. Oil on canvas. Signed. 20x24 inches. Framed: 25x29 inches. £2750.
LOXTON PEACOCK Clarissa (1929-2004) ‘Country Flowers’. Oil on canvas. Signed and inscribed verso. 40x30 inches. Framed: 45x34 inches.
LUCAS Albert Durer (1828-1919) Lilies of the Valley. Oil on canvas. Signed and indistinctly dated ?1884. 10x8 inches.
LUCAS Edward George Handel (1861-1936) ‘The stony steps to Capri’. Oil on panel. Inscribed and dated 1886 on original label verso. 15.5x10.5 inches. Framed: 21x15 inches.
LUDOVICI Albert R.B.A. (1852-1932) The Thames at dusk. Oil on panel. Circa 1890. Signed. 9.75x14 inches.
LUDOVICI Albert Jnr. R.B.A. (1852-1932)
Venice: a corner of the Grand Canal.
Oil on card. Circa 1890. Signed.
13x18 inches. Framed: 18.5x23.75 inches.
LUDOVICI Albert (1852-1932)
Brittany: ‘Coin de plage a Concarneau’.
Watercolour and gouache. Circa 1900. Signed. Inscribed on the original backing.
5.5x9 inches.
LUDOVICI Albert Jnr (1852-1932) A fan dancer. Oil on canvas. Circa 1880. Signed. 7x5 inches. Original frame: 13.5x11.25 inches.
LUDOVICI Albert Snr (1820-1894) At the fireside. Oil on panel. Signed. 9.5 inches. Framed: 15x11 inches.
LUIGINI Ferdinand (1870-1943) ‘Dunkirk’. Watercolour. Signed, inscribed and dated. 19(?11). 10x14 inches.
LUM (check) Bertha Boynton (1869-1954) ‘Lung Fo Sou, a Chinese curio market’. Wood engraving printed in colours. Signed and dated, 1924. 9x10 inches. Framed: 18.5x14 inches.
LUMSDEN Ernest R.S.A. (1883-1948) ‘The Alcantara Bridge, Toledo’. Etching and drypoint. Pencil signed, inscribed and editioned’16 / 50’. 8.25x13.25 inches.
LUMSDEN Ernest R.S.A. (1883-1948) Canongate Church, Edinburgh. Etching and aquatint. Signed. 10x13.5 inches. Framed: 19.25x22.25 inches.
LUNN Augustus (1905-1986) ‘Sketch design for Scraffito / Woodberry Down Primary’. Pencil, watercolour and gouache. Signed and inscribed verso. In 1951 the Arts Council gave the LCC works salvaged from the Festival of Britain and ‘Scraffito’, the mural by Lunn from the South Bank’s Seaside exhibit was installed at Woodberry Down Primary School (1949). 17.5x18.5 inches (irregular). Framed: 23x24 inches.
LUNN Augustus (1905-1986)
Surreal Composition. Pencil. Signed and dated, 1945. Exhibited: 12x8.75 inches.
LYNE Michael (1912-1989) Co Cavan. ‘From Duffcastle towards Ardkill’. Pencil and watercolour. Inscribed verso. Provenance: from a 1937 sketchbook, Artist’s Estate. 5.5x9.25 inches.
LYONS-WILSON William (1892-1981) A Cornish Estuary. Watercolour Circa 1950. Signed. 14x18.25 inches. Framed: 23.5x27.5 inches.
LYTTON Neville (1879-1951) (3rd Earl Lytton) Head of a young man. Oil on card. 11x9 inches. Framed: 16.25x14 inches.
William Mouat Loudan (1868-1925)
‘Miss Mary Duthy’.
Oil on panel. Inscribed and dated, 1889. Signed verso.
9.5x7.5 inches. Framed: 15.5x14 inches.
