This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
NASCHEN Donia (fl. c.1930) ‘Louka does not understand how anyone can fall in love with Paul’. Pen and ink to illustrate ‘Out of Childhood’, Irina Odoevtseva, translated and illustrated by Donia Naschen (Constable, 1930). Inscribed in pencil and noted ‘Part 3 / Chapter 7 / Page 177’ 2.5x3.25 inches.
NAFTEL Paul Jacob R.W.S. (1817-1891) The coast of Guernsey. Watercolour and gouache. Provenance: Fry Gallery. 4x6 inches.
NAPPER John (1916-2001)
‘Corks’.
Oil on canvas. Signed and dated, 1983.
7.25x9.25 inches. Framed: 11x13 inches.
Paul NASH A Private World, 25 Photographs. CLICK HERE
NASH Paul R.A. (1989-1946) ‘Still Life’. Wood engraving. Signed, inscribed, dated, 1924 and editioned ‘Edition 25’. 4.5x4.5 inches.
NASH Joseph O.W.S. (1809-1873) Warwickshire; Kenilworth, the fireplace in the Gatehouse. For Mansions of England in the Olden Times, Publ.1839. Watercolour and gouache. Signed and dated, 1835. 13x18.5 inches. Framed: 20x26 inches.
NASH Joseph (1809-1878) Labourers at work. Pencil, sketchbook page. Signed and dated, May 1827. 4x5.5 inches.
NASH Paul (1889-1946)
‘Design of Flowers’ (Postan W75)
Wood engraving. Signed, inscribed, dated 1926 and editioned 19/25. Inscribed verso of frame by the artist’s wife ‘To Hubert J Cox / from Margaret Nash / 1950’.
6x3.75 inches. Framed: 16x12 inches.
NASH Frederick John O.W.S. (1782-1856) Architectural perspective. Another version of this interior by Nash, given to the R.W.S. by W.Collingwood Smith R.W.S. (1815-1887), is in the RWS Collection. Watercolour. Circa 1805. Ex. Collection: Sir Howard Colvin. 17x23 inches. Framed 26x21 inches.
NASH Frederick. O.W.S. (1782-1856) Cambridge: St John’s College. Watercolour. Signed. Circa 1840. Exhibited: Spinks. 10x14 inches.
NASH Frederick O.W.S. (1782-1856) London. ‘Broad Street Coach Stand, June 13’. Pencil. Signed, inscribed and dated. 4.5x6 inches
NASH John R.A. (1893-1977) Watercolours and drawings. CLICK HERE
NASH Joseph ‘Mansions’ (1809-1878) The interior of a Jacobean chapel. Watercolour and gouache. Circa 1839. Signed. Probably a study for Mansions of England in the Olden Times. 16x13 inches.
NASH Joseph ‘Mansions’ O.W.S. (1809-1878) Bramhall Hall, Cheshire. Pencil, watercolour and gouache. A different view of this drawing room was lithographed and published circa 1849. 21x29.5 inches. Framed : 28x36 inches.
NASH Joseph O.W.S. (1809-1878) Welsh cottage interior. Watercolour and gouache. Signed. Circa 1835. 9x12 inches.
NASH Joseph (1809-1878) ‘The Duke of Wellington’s Funeral in St Paul’s Nov.1852’. Pencil, watercolour and gouache. Inscribed and ?signed verso. Possibly a study for his ‘The Ceremony in St Paul’s’ a ‘two coloured lithographic picture which will appear in two or three weeks’ as advertised by Dickinson Brothers of New Bond Street in Bent’s Literary Advertiser, December 1852. 21x16.5 inches.
NASH Paul (1889-1946) ‘Tree Wound’. Black and white photograph. Inscribed verso: ‘From Paul Nash’s own / negative / illustrated in the artist’s / book of his photographs / ‘Fertile Image’ / Plate 29. Tree Wound’. / Bought from Margaret / Nash. / 1951 / Mrs Paul Nash / Copyright’. 8x5.5 inches. CLICK HERE to view our exhibition of Paul Nash photographs
NASH Paul (1889-1946) Cros de Cagnes. Pencil and crayon. Drawn between 1925-1927. Indistinctly inscribed on original backing by the artist. Ex. Collection: Lance Sieveking. 5.25x8 inches. Framed: 12x15 inches.
NASH Paul N.E.A.C. L.G. (1886-1946) ‘March Woods, Study 1’. Pencil and watercolour. 1937. Signed, inscribed verso by the artist. Exhibited: Redfern Gallery, 1965. Hamet Gallery, 1973. 15.25x22.25 inches. Framed: 24x31 inches.
NASMYTH Alexander (1758-1840) (Circle of) Capriccio. Oil on artist’s board. Bears signature. 9x11.75 inches. Framed: 10.5x13.5 inches.
NATHAN Max (Danish 1880-1952) ‘Eget Tryk’. Woodcut. Circa 1920. Signed and inscribed. Ex. Coll: Marianne C Gourary (1920-1914). 4x3.5 inches.
NATTES Jean-Caude (c.1765-1835) Essex, ‘Suttons, Farm Yard etc from the interior of a Barn’. Suttons stands on the edge of the parish of Stapleford Tawney, five miles south-east of Epping. Pen and ink. Inscribed. 9x13 inches.
NATTES Jean-Claude (c.1765-1839) Lincolnshire. ‘View of the Parsonage House at Gate Barton’. Watercolour and gouache. Signed, inscribed and dated, 1794. 11x18 inches. Framed: 19x26 inches.
NATTES Jean Claude (c.1765-1839) ‘Lake Major on road from Geneva to Lyons’. Ink and watercolour. Signed and inscribed 1789.
NATTES John Claude (c.1765-1822) A town, traditionally believed to be in Devonshire. Ink and watercolour. Signed and dated 1786. 15x22.75 inches.
NATTES Jean-Claude (1765-1822) Lincolnshire: ‘Part of Long Sutton House , the Seat of Joshua Peart Esq’. Gouache and watercolour. Circa 1790. Black border inscribed (indistinctly) and signed ‘C Nattes delt. 49 South Molton (Street). In 1792 Lord of the Manor of Long Sutton Joshua Peart (b.1744) changed his name to Scrope on his wife (m.1771) inheriting a large Scrope fortune. The Peart/Scropes lived at Long Sutton from 1771-1795. Sir Joseph Banks commissioned Nattes to record the buildings of Leicestershire between 1789-1797. 8.5x11.25 inches.
NAVIASKY Philip (1894-1983) The Two Girls. Oil on canvas. Circa 1935. Ex. Collection: Wyndham T Vint, Bradford. 16x22 inches. Framed: 21.5x27.5 inches.
NEALE John Preston (1780-1847)
A View of York Minster.
Pen, ink and watercolour. Signed and dated, 1813. Exhibited: Michael Bryan.
6x8.5 inches. Framed: 16.5x18.5 inches.
NEEDELL Philip Gregory (1886-1974) ‘Castle at Dieppe’. Watercolour and gouache. Signed. Inscribed and dated 1960 beneath mount. 6.5x8.5 inches.
Caspar NEHER (1897-1962) Costume and Set Designs. CLICK HERE
NELSON George (1864-1921)
Davos, Switzerland.
Watercolour and gouache. Signed and dated, 1918.
16.5x28 inches.
NENCI Francesco (1781-1850) Page of caricatures, recto and verso. Pencil, pen and ink. Ex. Collection: Ronald Searle. 6x7.5 inches.
NETTLESHIP John Trivett (1841-1902) A Lion Fight. Pencil, ink and watercolour. Verso: Study of a lion. 4x8.25 inches. Framed: 12.5x17 inches.
NEVINSON Christopher Richard Wynne (1889-1946)
‘Place du Tertre’, Paris. (JB no.67)
Lithograph. Signed and dated, 1920. See Cat. No.67, Jonathan Black ‘C R W Nevinson The Complete Prints’, 2014.
15.75x17.75 inches. Framed: 25.5x27 inches.
NEVINSON Christopher Richard Wynne A.R.A. (1889-1946) The Beach. Charcoal and watercolour. Signed. Circa 1930. Exhibited: Nevinson Retrospective, Kettle’s Yard, 1988, No.75. 9.5x13.5. Framed: 16x20.
NEVINSON Christopher Richard Wynne (1889-1946) La Grande Allee, Versailles. Ink and Watercolour. Signed. Circa 1925. 14x10 inches.
NEVINSON Christopher Richard Wynne (1889-1946) Romney Marsh. Etching and drypoint. Circa 1925. Signed. 11x17.5 inches. Framed: 19.25x25 inches.
NEWBERRY John R.W.S. (b.1934) Damascus: the Umayyad (‘Great’) Mosque. Watercolour. Signed. 8.75x12.5 inches. Framed: 16x21 inches.
NEWBERRY John R.W.S. (b.1934) Damascus: the Al-Hamidiyah Souk. Watercolour. Signed. 8.75x12 inches. Framed: 16x21 inches.
NEWBERRY John R.W.S. (b.1934) Egypt: 'Pyramid of Kephren with Mycerinus, Giza'. Watercolour. Signed. Inscribed and dated, 15th December 1997, beneath the mount. 9.25x13.5 inches.
NEWBERRY John RWS (b.1934)
Singapore: ‘Thian Hock Keng’.
Watercolour. Signed. Inscribed and dated,18th August 1992, beneath the mount. 8.75x11.75 inches.
NEWBERRY John R.W.S. (b.1934) Malaysia: 'Cloth stalls, Muar'. Watercolour. Signed. Inscribed and dated, 12th July 1993, beneath the mount. 7.5x11.5 inches.
NEWBERRY John R.W.S. (b.1934)
Kenya: Watamu Beach.
Watercolour. Signed. Inscribed and dated 28th March 2006, beneath the mount.
8.5x12.5 inches.
NEWBERRY John R.W.S. (b.1934)
‘Sunlight on snow, near Alexander Nevsky Cathedral, Talllinn’, Estonia.
Watercolour. Signed. Inscribed and dated 27th December 2005 on verso.
6x9 inches. Framed: 14.5x17 inches.
NEWBERRY John R.W.S. (b.1934) ‘Early Morning Sun, Notre Dame’. Watercolour. Signed. Inscribed and dated, 6th August 1990, beneath mount. 6.75x8.5 inches. Framed: 13x17.5 inches.
NEWBERRY John R.W.S. (b.1934) Paris ‘Cars around la Sainte Chapelle’. Watercolour. Signed, Inscribed and dated, 6th August 1990, beneath mount. 6.5x9.5 inches. Framed: 17x23.5 inches.
NEWBERRY John R.W.S. (b.1934)
‘Cliffs with clouds, Baltimore’, County Cork.
Watercolour. Signed.
5.5x5.75 inches. Framed: 14x13.25 inches.
NEWBERRY John R.W.S. (b.1934) ‘Cairo’. Watercolour. Signed. 9.75x13.25 inches. Framed: 16.25x21.25 inches.
NEWCOMB Mary (1922-2008)
Grasses in the wind.
Oil on card. Signed and dated, September 1996.
23.5x35 inches. Framed: 28.5x40.25 inches.
NEWCOMB Tessa (b.1955)
‘Christmas in the Museum’.
Oil on card. Signed and dated, 1975.
8x10 inches. Framed: 8.5x11 inches.
NEWCOMB Tessa (b.1955) Frieze of Nudes. Oil paints on a wooden tray (Perspex protective sheet) Signed and dated, 1992. 15.5x21.5 inches.
NEWCOMB Tessa (b.1955) Above the Sea. Oil on board. Signed and dated, 2009. 9x12.5 inches. Framed: 13x16.75 inches.
NEWCOMBE Peter (b.1943) Oil paintings for 'Shell'. CLIC HERE
NEWCOMB Tessa (b.1955) ‘Christmas Rose’. Oil on board. Signed. 1990.
NEWCOMB Tessa (b.1955) Venice: ‘Always someone sweeping’. Pencil and gouache on an opened out envelope. Signed and dated, 2006. 13x12 inches irregular. Framed: 18x16.5 inches.
NEWLYN SCHOOL. ‘E.L.G.’ Circa 1890. Character study. Watercolour. Signed. 9x6.5 inches. Framed: 17x14 inches.
NEWSOME Victor (b.1935) Untitled. Pencil, ink and tempera. Signed and dated, 1983. Exhibited: Marlborough Fine Art, 1983. 22x32.25 inches. Framed: 29x38.5 inches.
NEWTON Dorothea Warren (c.1910-c.1980) ‘The Island of the Head and the Heart’. Ink and watercolour. Inscribed on the original label and dated, 1958. Possibly an illustration to one of her sister Monica Edwards’ books. 9.5x15 inches.
NEWTON Richard (1777-1798) ‘Take Advice’. Pencil and watercolour. Two sheets juxtaposed on one backing, possibly by a later hand. Ex. Collection: Ronald Searle. 11x8.75 inches.
NEWTON Richard (1777-1798) ‘Babes in the Wood’ (A110). Hand coloured etching. ‘Drawn and etched by R Newton’. Publ. by William Holland, March 1st 1794 (Price 2s). Prov: Ronald Searle. 250x312mms.
NEWTON Algernon R.A. (1880-1968) Warwick Avenue Bridge No.1, Grand Union Canal (Regent’s Canal) looking West. Pencil and watercolour. Signed and dated, 1922. 8.75x11.75 inches.
NEWTON Algernon R.A. (1880-1968) White horse and storm cloud. Oil on board. Signed. Ex. Collection: Francis King. 9x12 inches. Framed: 15x17 inches.
NEWTON Algernon R.A. (1880-1968) ‘Sunshine through fog – from Tower Bridge’. Ink and watercolour. Signed and dated 1928. Inscribed verso. 10x15 inches. 15x20 inches.
NEWTON James (Mid-20th Century) ‘Pond Street, Hampstead’. Ink and watercolour. Exhibited: R.A.1952 no.1001. 14x20 inches. Framed: 22x27 inches.
NIBBS Richard Henry (1816-1893) ‘Ancient Yew-tree. In Stanmer Church yard, Sussex, 1852’. Pen and ink. Inscribed and dated. 10x6.75 inches.
NICHOLL William (1794-1840) and Andrew R.H.A. (1804-1886) Five views in ireland. CLICK HERE TO VIEW
NICHOLL Andrew R.H.A. (1804-1886) ‘Branch of the Cup leaf Tree / Island of Ceylon / Oct.20th 1847’. Watercolour. Signed. Dated and inscribed with a full description of the leaf verso. Exhibited: No.163/8, ‘Watercolour drawings by the late Andrew Nicholl R.H.A. on exhibition at 55 Donegall Place, Belfast, 26th May, 1886’. Exhibited: No.29, ‘Andrew Nicholl, The Plants of Ceylon’, Spink, August, 1981. Nicholl held the Government appointment of teacher of drawing, painting and design at the Colombo Academy, Ceylon, from 1846-c.1849. 13.5x9.5 inches.
NICHOLLS Bertram P.R.B.A. (1883-1974) ‘Lake Garda’. Pencil. Signed and dated, 1928. 7.5x11 inches.
NICHOLLS Bertram P.R.B.A. (1883-1974) London. Lambeth Bridge and Palace from the West. Pencil. Circa 1930. 7.5x11.25 inches.
NICHOLLS Bertram P.R.B.A. R.O.I. (1883-1974) ‘Stokesay Castle’. Watercolour en grisaille. Signed and dated, 1934. Ex. Collection: Sir John Stirling Maxwell (1866-1956) 11x15 inches.
NICHOLSON Roger (1922-1986)
Summer of ’76, Kent landscape.
Watercolour. Provenance: Artist’s Estate.
7x10 inches. Framed: 16x18.5 inches.
NICHOLSON Francis O.W.S. (1753-1844) The grounds of Wiganthorpe Hall, Yorkshire. Ink and watercolour. Signed and dated, 1793. 12x16.5 inches. Framed: 20.25x25.25 inches.
NICHOLSON Rachel (b.1934) ‘Porthmear with four still life objects’. Gouache 0n board. Signed, titled and dated, Easter 1997, verso of frame. 6.5x9 inches. Framed: 11.25x13.75 inches.
NICHOLSON Kate (b.1929) ‘Eigg Seascape (small)’. oil on canvas. Signed, inscribed and dated 1980 verso of artist’s frame. 10x12 inches. Framed: 19x21 inches.
NICHOLSON Francis O.W.S. (1753-1844)
‘Rivaulx Abbey, near Helmsley, Yorkshire’.
Ink and watercolour. Inscribed on the reverse of the original washline backing.
7.5x10.25 inches. Washline backing:10.25x13.25 inches.
NICHOLSON Francis O.W.S. (1753-1844) ‘Loch Lomond’. Ink and watercolour. Signed on the original backing and inscribed with the artist’s Ripon and London addresses. 11.5x16.5 inches.
NICHOLSON Francis O.W.S. (1753-1844) ‘Stone Byer Lin, a Fall of the Clyde below Lanerk’ (sic). Ink and watercolour. Signed on the original backing and inscribed with the artist’s Ripon and London addresses. 11.5x16.5 inches.
NICHOLSON Francis O.W.S. (1753-1844) A waterfall. Watercolour. Prov: Rebecca, Lady Chatterton (1806-1876, a friend of the artist) and by descent to Rebecca, Countess Ferrers (1830-1923) 18x14.75 inches.
NICHOLSON Francis (1753-1844) (Family of) Coastal scene. Ink and watercolour. Circa 1810. 8x11.5 8inches.
NICHOLSON Rachel (b.1934) ‘Goblet on green’. Gouache on card. Signed and dated 1985 verso of frame. Exhibited: Montpelier Studio. 6.75x6 inches. Framed: 10.75x9.75 inches.
NICHOLSON Rachel (b.1934) ‘Lifeboat No.1’. Acrylic on canvas board. Signed and dated 1990 on reverse of frame. Exh: Montpelier Studio. 6x10 inches. Framed: 12x16 inches.
NICHOLSON Roger (1922-1986) Beach near Tenby. Oil on panel. Signed. Circa 1960. 11x16 inches. Framed 16x20 inches.
NICHOLSON Thomas Henry (d.1870) ‘The American Equestrienne’, Astley’s Circus. Ink and watercolour. Signed and inscribed. 5.5x6.5 inches.
NICHOLSON Sir William (1872-1949) ‘Farm Buildings, France’. Charcoal. Exhibited: 25th Anniversary Show Part II, New Grafton Gallery, June 1993. Provenance: Marguerite Steen. Mrs Jill Daruth. 14x12 inches. Framed: 17x14 inches.
NICHOLSON Winifred (1893-1981) ‘Aesculus orchid’. Gouache. 23x19 inches. Signed, inscribed and dated, 1966, on the original backing.
NICOL Erskine R.S.A. A.R.A. (1825-1904) The Scots girl. Pencil, watercolour and gouache. Signed and dated (18)5 (5?). 9x7.5 inches.
NICOLLE Victor Jean (1754-1826) Rome. ‘Il pedestallo del Giove piu alzo sopra molti gradi’ (sic). Ink. Inscribed. Prov: Album of Rome studies by Nicolle with A & H c. 1975. 4x5 inches. Framed: 12x13 inches.
NICOLLE Victor Jean (1754-1826) Rome. ‘Vue du Colesseo pris du portale de Sta.Maria in Dominica a M.Celius’. Ink and watercolour. Inscribed. Prov: An album of Rome studies with A and H c.1975. 3x5 inches. Framed: 11x12 inches.
NICOLLE Victor Jean (1754-1826) Staircase courtyard, Rome. Pen, brush and ink. Nicolle visited Rome 1787-89 and 1806-11. Prov: Nicolle album of drawings of Rome with A and H circa 1973. 4.75x2.75 inches. Framed: 12x9 inches.
NICOLLE Victor Jean (1754-1826) Grottaferrata: the courtyard of the Monastery. Ink and watercolour. Signed. 7x4.5 inches.
NICOLLE Victor-Jean (1754-1826) Rome: The Temple of Venus and Roma (Forum), with the campanile of Santa Francesca Romana. Ink and watercolour. Signed. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 7.25x5 inches.
NICOLLE Victor-Jean (1754-1826) (circle of) Girl at a wayside Calvary. Ink and watercolour. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 4.75x3.25 inches.
NICOLLE Victor Jean (1754-1826) Rome. ‘Vue du Palais et de la Place Barberini et de la fontaine de Triton a Rome’. Nicolle visited Rome 1787-89 and 1806-1811. Provenance: ‘Victor Jean Nicolle – pen and ink drawings of Rome’: Abbot and Holder, circa 1973. Pencil, pen, brush and ink.
NICOLLE Victor Jean (1764-1826) An Italian church. Pen, brush and ink on joined sketchbook pages.. Exhibited: Colnaghi, as ‘S. Sebastiano on the Appian Way’. 8x12 inches.
NIJMEGAN Dionys van (1705-1798) Musicians in an architectural cartouche. Ink and watercolour. This drawing relates to a similar composition in the Rijksmuseum (RP-T-1968-1972. 18x12 inches.
NIXON Job (1891-1938) ‘Old Houses, St Ives’. Oil on panel. Circa 1930. Signed. Exhibited: Colnaghi. Provenance: Estate of the artist’s daughter. 11.75x17.75 inches.
NIXON Job (1891-1938) ‘Gypsy Encampment’. Oil on canvas. Signed. Exhibited: ‘Job Nixon Paintings’, Colnaghi, March 1939, No.7. 18x24 inches.
NIXON John (c.1750-1818) Devon; Babicombe. Pen, ink and watercolour. Inscribed recto. Falsely signed ‘Rowlandson’. 5x7.5 inches. Framed: 13x14.5 inches.
NIXON Job (1891-1938) ‘Italian Harvesters travelling’. Pencil and chalks. Inscribed verso. Circa 1924. Ex. Collection: Wyndham T. Vint. Exhibited: Bradford City Art Gallery. 19.5x28.5 inches. Framed: 30x39 inches.
NIXON Job (1891-1938) ‘Mentone’. Etching. Circa 1925. Signed and editioned 5/60. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 8x12 inches.
NIXON Job (1891-1938) ‘Dieppe Harbour’. Engraving. 1929. Signed. 10x13.5 inches.
NIXON Job (1891-1938) ‘An Italian Hill Town’, Anticoli Corrado.in Spring. Etching and drypoint. Circa 1922.Signed. Provenance: Estate of the artist’s daughter. 10x14 inches.
NIXON Job (1891-1938) ‘Les Lavoirs, Vannes’. Engraving and drypoint. One of 75 proofs. Signed. Provenance: Estate of the artist’s daughter. 9.5x16.5 inches.
NIXON Job R.W.S. R.E. (1891-1938) ‘The Tuileries Gardens, Paris’. Ink and watercolour. Circa 1925. Inscribed by the artist verso. Provenance: Estate of the Artist’s Daughter. 10x18.5 inches. Framed: 17x26 inches.
NIXON Job (1891-1938) Plymouth harbour. Pencil and watercolour. Circa 1930. Provenance: Estate of the Artist’s daughter. 12x18 inches.
NIXON Job (1891-1938)
A ?Fen town.
Pencil and watercolour. Circa 1925.
12x18.75 inches.
NIXON Job R.E. (1891-1938)
‘Isola San Giulio, Lago di Orta’.
Etching. From an edition of 60. Signed.
9.25x14.25 inches.
NIXON Job A.R.E. (1891-1938) 'The Castle, Dieppe'. Drypoint. 1929. Signed and dated in the plate. Ink signed. 10x15 inches.
NIXON Job R.E. (1891-1938) ‘The Demolition of Devonshire House’. Engraving Pencil signed. One of 60 impressions. 1925.
NIXON Job A.R.E. (1891-1938) On the Arno, Florence. Engraving and drypoint. 1926 10x8 inches.
NIXON Job (1891-1938) ‘Home Farm – near Plymouth’. Chalk, ink and watercolour. Circa 1930. Signed, inscribed verso. Provenance: Estate of the Artist’s daughter. 12x18 inches.
NIXON Job (1891-1938) A Cornish Harbour. Pencil and watercolour. Circa 1930. Provenance: Estate of the Artist’s daughter. 12.5x17.5 inches.
NIXON Job (1891-1938) ‘The Piazza, Anticoli’. Drypoint. 1 of 60 proofs. Signed. Circa 1920. 12x15 inches.
NIXON Job (1891-1938) ‘Dartmouth’. Ink and watercolour. Signed. Circa 1930. Inscribed verso. Provenance: Estate of the Artist’s daughter. 11.25x15.5 inches.
NIXON John (1750-1818) Watercolours. CLICK HERE
NOBLE Robert R.A. R.S.A. (1857-1917) ‘At Rome’. Oil on card. Signed and indistinctly dated. Signed and inscribed verso. 14x11 inches. Framed: 17x14 inches.
NODDER Richard P (fl.1786-1820) Study of a crab. Ink and watercolour. Signed, inscribed and dated, 1803. 6.5x9.75 inches.
NOLAN Sir Sidney O.M. (1917-1992) ‘Near Birdsville’, the Simpson Desert, Queensland, Australia. Ripolin on paper. Signed. Inscribed verso and numbered ‘48’. 6x8 inches. Framed: 15x16.5 inches.
NOLAN Sir Sidney O.M. A.C. (1917-1992) ‘Painting’. Mixed media. Signed. Backing signed and dated, 1968. Exhibited: Sidney Nolan, Marlborough Fine Art, Cat. No.62 11.5x9.5 inches. Framed: 19.5x17.5 inches.
NOLAN Sir Sidney O.M. (1917-1992) Landscape. Ripolin on paper laid on card. Signed and dated, 1959. Exh: Phipps & Co. 10x12 inches. Framed: 15x17.5 inches.
NOLAN Sir Sidney O.M. A.C. (1917-1992) Rinder subject. Lithograph. Circa 1969. 62/75. Signed. 765x560 mm
NOLAN Sir Sidney R.A. O.M. (1917-1992) Ruins of Antiquity. Ripolin on paper. Signed and dated, 1955. 11.75x9.75 inches. Framed: 20.5x18.5 inches.
NOLLEKENS Joseph R.A. (1737-1823) Study for a Monument, with Britannia draping a cenotaph or tomb decorated with artist’s palette, mallet and set square. Pencil. Verso inscribed: ‘Nolekens Esq / Mortimer Street / Cavendish Square’. 6x5.75 inches roundel.
NORDEN Gerald (1912-2000) Isola Tiberina, Rome. Oil on card. Signed and dated 1972. 10x14 inches. Framed: 13.5x17.5 inches.
NORDEN Gerald (1912-2000) ‘Kitchen Cupboard’. Oil on card. Signed and dated, 1968. Exhibited: Trafford Gallery. 12x8 inches. Framed (original Trafford Gallery frame): 16.5x12.5 inches.
NORDFELDT Bror Julius Olsson (1878-1955) ‘Wave, Moonrise’. Woodcut printed in colours. Signed and dated, 1906. With repair. 9.25x11 inches.
NORFOLK (subject) 1816.
‘In Felbrig (sic) Park’.
Ink and watercolour on original wash line mount. Mount inscribed verso ‘ In Felbrig Park. July 24th 1816’ and signed ‘WJ’. Traditionally attributed to William Joy (1803-1867) and possibly a juvenile work.
6.75x9.5 inches.
NORIE Orlando (1832-1910) Royal Horse Artillery exercises. Pencil and watercolour. Signed. Exhibited: Parker Gallery 15.5x16.25 inches.
NORTH Miss Marianne (1830-1890) (Subject) ‘Egypt. Elephantine Island. Jan.27th 1866. Miss North’. Pencil sketch by the architect Richard Phene Spiers F.S.A (1838-1916). Marianne North was then travelling with her father whose death in 1871 released her to her wonderful career. 6.5x9 inches.
NORTH Marianne (1830-1890) ‘View in Minas Geraes. Brazil / near Gongo – a species of bamboo in foreground / quaresma & trumpet trees / Painted on the spot by Miss Marianne North’. Oil on card. In mount and original frame and thus inscribed on label on backing by the artist. Painted on the artist’s first trip alone, 1871. 13.5x9.75 inches. Framed: 21x17 inches.
NORTH John William R.A. R.W.S. (1842-1924) The woodland stream. Ink and watercolour on OEP paper. Signed and dated 1892. 16x22 inches. Framed: 28x22 inches.
NORTON Caroline (nee Sheridan) (Lady Stirling Maxwell, 1877) (1808-1877) ‘Grief and Death’. Pen and ink. Inscribed. Provenance: By family descent to Sir John Stirling-Maxwell of Pollok (1866-1956). 6x4 inches.
NORTON Caroline Elizabeth Sarah (nee Sheridan) (1808-1877) Madonna and Child. Pen, brush and ink. Signed and dated, 1848. Provenance: With a group of oil and watercolour studies by and of Caroline Norton (1808-1877) by direct descent from her 2nd husband Sir William Maxwell Stirling (1818-1878). 9x7.25 inches. (Cf. Nos. 68, 73, 75, 89 and 90)
NORTON Caroline Elizabeth Sarah (nee Sheridan) (1808-1877) Study of a child. Watercolour. Inscribed ‘Mrs Norton’. Provenance: With a group of oil and watercolour studies by and of Caroline Norton (1808-1877) by direct descent from her 2nd husband Sir William Maxwell Stirling (1818-1878). Ex. Collection: Sir John Stirling Maxwell (1866-1956) 6x5 inches.
NORTON Frank (1916-1983) RAN Official War Artist.
‘Fitting Out H.M.A.S. Yarra at Sydney’.
Pencil and gouache on grey paper. Signed, inscribed and dated, 1935.
‘Yarra’ was a Grimsby Class Sloop, one of four laid down at Cockatoo Island Dockyard, Sydney, Australia in 1934 and launched in 1935. She was sunk by the Japanese in March 1942.
9x10.5 inches.
NOVELLO Edward Petre (1813-1836) (Attributed to) ‘Student’. Pencil. Circa 1833. 7x5 inches.
