This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
O’CONNOR Henry E. O. (Regency) ‘Disappointed Dandies: Or a vain attempt to get a peep at the fair Circassian’. Lords Petersham and Yarmouth, the Prince Regent and the Marquis of Worcester vying for a Beauty. Pen, brush, ink and watercolour. Signed, inscribed and dated 1819. After the print published by Fores, May 1818. Ex. Coll: Ronald Searle. 8.25x13 inches.
O’CONNOR John (1913-2004) Bonfire and Storm Clouds, Essex. Ink, watercolour and apple-twig pen. Circa 1955. Signed. 14x18.25 inches. Framed: 24.5x28.25 inches.
OAKLEY Captain Robert Carter (1795-1835) (20th Regiment of Foot)
‘Napoleon’s Tomb’, St Helena.
Pencil. Signed. Inscribed ‘Napoleon’s Tomb’ recto, and verso ‘Sketch of the Emperor Napoleon’s tomb / taken in the month of February, 1822’. Also verso (in latin) ‘They that see thee shall narrowly look upon thee, and consider thee, saying,
Is this the man that made the earth to tremble, that did shake kingdoms…
Isaiah 14, v.16-17.’
Details
9x13.5 inches. The sheet: 10x15.25 inches.
Inscription verso. The 20th Regiment of Foot arrived on St Helena in 1819 and guarded Napoleon. On his death Napoleon's coffin was borne by 12 grenadiers of the Regiment.
OAKLEY Charles (b.1925) Construction: the Scheveningen Panorama. 1985. Exhibited: Pyms Gallery. 10x20x5 inches.
OCEAN Humphrey R.A. (b.1951) ‘Buddy Holly’. Oil on board. 1984. Signed. This image was used on the 45 r.p.m single record ‘Buddy Holly / True Love Ways’. 12x9 inches. Framed: 14x11.25 inches.
OCHS J. (Early 20th Century) Lloyd George still playing ‘les lieus et les souvenirs serieux’ of WWI in 1922. Pen, brush, ink and watercolour. Signed, inscribed and dated, 1922. 11.75x10.5 inches.
O’CONNOR John (1913-2004) Harvest at Oliver’s Farm, near Colchester. Essex. Ink, watercolour and gouache. 1955. Signed. 15.5x18inches.
ODLE Alan Elsden (1888-1948) ‘A Nocturne’. Ink, watercolour and gouache. Signed and inscribed on the original label. 13x8. Framed: 20x14.
OFEK Avraham (1935 - 1990) View of Jerusalem. Pencil and gouache. Signed and dated, 1957. Exhibited: Neil Sack Gallery, Durban. 20x21 inches. Framed: 29x29 inches.
OLDENBERG Claes (b.1929) ‘Icons in a smoke-filled room’. Screenprint. Signed and editioned ‘34/100’. Fourteen printings on Gresham Handmade 320 gsm. Printed by Gresham Studio, 1997. From the Freud Museum’s 10th Anniversary Portfolio, published 1997. 20x24.25 inches
OLSSON Julius R.A. (1864-1942)
Swedish winter.
Oil on canvas. Signed and dedicated to ‘Olga Ljn (Lin)’.
20x24 inches. Framed: 25x29 inches.
ONWHYN Thomas (1811-1886)
‘View from Waterloo Bridge’.
Watercolour. Signed and dated, 1832.
11.5x17.5 inches.
ORDE Thomas (1st Lord Bolton) (1746-1807) Profile of a Gentleman. Pen and ink. Circa 1775. Exhibited: The Covent Garden Gallery. 2.5x2 inches.
ORDE Thomas (Thomas Orde-Powlett Lord Bolton) (1746-1807) (attributed to) ‘G. Muckle, 1776’. Pencil. Inscribed and dated. 3x2.25 inches.
ORDE Thomas (Thomas Orde-Powlett Lord Bolton) (1746-1807) (attributed to) ‘John Rochley – condemned to be / hanged at Lancaster – August 1777’. Pencil strengthened with ink. Inscribed and dated. 4x3.25 inches.
ORGAN Bryan (b.1935) ‘Models: One kneeling’. Pencil, gouache and crayon. Signed and dated, 1968. Inscribed verso by the artist. 16.25x11.5 inches.
ORGAN Bryan (b.1935) ‘Models: One kneeling’. Pencil, gouache and crayon. Signed and dated, 1968. Inscribed verso by the artist. 16.25x11.5 inches.
ORSI Alex (late 20th century) ‘Le Siamois’. Aquatint with hand colouring. Signed and editioned 70/200. Ex. Coll: Marianne C Gourary (1920-2014) 13.5x9 inches.
ORPEN Sir William R.A. R.W.S. (1878-1931) Head of a girl. Red chalk on blue/grey paper. Circa 1895. Provenance: Maurice Bradshaw, Secretary of the Goupil Gallery. 12x8 inches. Framed 20x16 inches.
ORPEN Sir William R.A. R.H.A. (1878-1931) ‘Petticoat Lane’: Sir Hugh Lane (1875-1915). Pen and ink. Inscribed and drawn on the reverse of a letter to Lane from and signed by Orpen. 8.5x5.5 inches. Framed: 15.5x12 inches.
ORPEN Sir William R.A. R.H.A. (1878-1931)
‘Entertainer’.
Red chalk. Exhibited: Pyms Gallery, Cat. No. 89.
5.5x4.75 inches.
ORPEN Sir William (circle of) Head of a girl. Red chalk. Circa 1925. 10.5x8.25 inches.
ORPHOOT Burnett (1880-1964) ‘Syracuse’. Etching. Signed. 7x5 inches.
OSBORNE Walter R.H.A. (1859-1903) Walter Armstrong in the Life Class. Pencil. Signed, dated '10.3.[18]94'. Dedicated 'to Walter Armstrong/RHA Schools'. 7x10 inches.
OSBORNE Malcolm A.R.A. R.E. (1880-1963) Portrait of Job Nixon (1891-1938) Etching. Signed and dated, December 1st, 1938. Provenance: Estate of the artist’s daughter. 12.5x7.25 inches.
OSBORNE Malcolm R.A. P.R.E. (1880-1963) ‘Cahors Cathedral’. Dry-point. Signed and inscribed. 10.5x10.75 inches.
OSPOVAT Henry (1877-1909) ‘A pretty little friend’. Brush and ink. Signed ‘Mitty Otibet’ and dedicated. 6x4.25 inches.
OSPOVAT Henry (1877-1909) Study of a man in a topper. Charcoal. Circa 1905. Provenance: A large group of Ospovat drawings. 6x3.5 inches.
OPSOVAT Henry (1877-1909) ‘The Court of the King’. Pen and ink. Signed. 8x7 inches. Framed: 16x14 inches.
OSPOVAT Henry (1877-1909) ‘Little Tich’ (Harry Relph 1867-1928) Crayon, pen, brush, ink and gouache. Signed. Ex.Collection: Ronald Searle.
OSPOVAT Henry (1877-1909) A theatrical figure, possibly ‘Sir Beerbohm Tree’ Brush, watercolour and ink. Circa 1908. From a series of Music Hall and Theatre stars the artist was working 0n when he died. Inscribed. Ex. Collection: Ronald Searle. 18x11.5 inches.
OSPOVAT Henry (1877-1909) ‘James Welch’ (Actor and Comedian) (1865-1917). Pen, brush, ink and watercolour. Circa 1908. Signed. Ex. Collection: Ronald Searle. 12.75x9.25 inches.
OSPOVAT Henry (1877-1909) ‘Irene Vanbrugh’ (1872-1949) Study for his series ‘Stars of the Music Hall Stage’, circa 1908. 20x14 inches. Framed: 28x22 inches.
OVENDEN Graham (b.1943) ‘She trembled like a reed’ (Catherine, Wuthering Heights). Pencil. Signed. 1980. Exhibited: Piccadilly Gallery. Galerie XX, Hamburg, 1981. 9x7 inches. Framed 15x12 inches.
OVENDEN Graham (b.1943) ‘Then holding up his head by the chin’ (Heathcliff). Pencil. 1980. Signed. Exhibited: Piccadilly Gallery. Galerie XX, Hamburg, 1981. 9x7 inches. Framed 15x12 inches.
OVENDEN Graham B.R. (b.1943) ‘Cathy silently turned her face’: ‘Wuthering Heights’. Pencil. Signed and dated, 1980. Exhibited: Piccadilly Gallery. 9x7 inches. Framed: 14.5x12 inches.
OWEN Will (1869-1957) ‘The Night Watchman’. Black chalk. Signed, inscribed and dated, 1914. 12x7.75 inches.
OWEN Samuel (1768-1857) Shipping off a pier. Ink and watercolour. Indistinct signature. 10x13.75 inches.
PAGE Dione SWA RWS (b.1936) Essex. ‘Flooding at Beeley’. Charcoal and gouache. Signed, inscribed and dated 1974. Ex. Collection: Oleg Polunin. 33x23 inches. Framed:40x30 inches.
‘PAGE’ (?William 1794-1872) Turkey. ‘House at Hagilar, near Smyrna, formerly / the residence of the Chev. A. K de Cramer / drawn by Page about 1812 / The original drawing of Mrs De Cramer’s house at Hagilar’. The Chevalier Ambroise Hermann de Cramer (1757-1809) was Austrian Consul in Smyrna and married to the daughter of an English merchant, Sarah Maltass. Watercolour. Inscribed on the original backing, and verso. 17.5x11.5 inches.
PAGET Rev. William (1775-1825) Hampshire. ‘Calshott Castle’ and shipping. Pencil and watercolour. Provenance: A sketchbook inscribed ‘Isle of Wight, 1805’ by family descent. 3.25x9.5 inches. Framed: 11x16.75 inches.
PAGET Rev. William (1775-1825) Hampshire. ‘Cowes’ and shipping. Pencil and watercolour. Pencil and watercolour. Provenance: A sketchbook inscribed ‘Isle of Wight, 1805’ by family descent. 3.25x9.75 inches. Framed: 11x16.75 inches.
PAGET Rev. William (1775-1825) Hampshire. Ships off Calshott Castle, Isle of Wight. Pencil and watercolour. Provenance: A sketchbook inscribed ‘Isle of Wight, 1805’ by family descent. 2.25x7.25 inches. Framed: 10x14.25 inches.
PAGET Rev. William (1775-1825) ‘Southampton Water’. Watercolour. 1805. Inscribed. Provenance: The Paget Collection by family descent. A sketchbook inscribed ‘Isle of Wight, 1805’. 3.25x9.75 inches. Framed: 11.25x17 inches.
PAGLIACCI Aldo (1913-1991) ‘San Marcello in flames’. Oil on panel. 1951. Signed. Exhibited: Aldo Pagliacci, Arthur Jeffress Gallery, no.16. 21.5x16.5 inches. Framed: 22.25x17.25 inches.
PAINE James II (1756-1801) ‘Restoration of the Porta Maggiore, Rome, as I believe it to have existed after the alterations by Titus’. Pencil, ink and watercolour. Inscribed and signed. Note: Damaged and fragile. 10.5x16 inches.
PALARDY Jean (1905-1991) Woodlanders, Charlevoix, Quebec. Oil on panel. Signed and dated 1934. During the early 30s the artist and his wife Jori Smith lived in Charlevoix and documented local life. 19x24 inches.
PALENSKE Reinhold (1884-1954) ‘James Swan etching’. Etching. Proof. 8x10 inches.
PALMER Samuel (1805-1881) ‘The Herdsman’s Cottage’. (L3ii) Etching. 1850. 2nd state and final state as published in ‘The Portfolio’, 1872. 3.75x3 inches. Framed: 20.25x16.5 inches.
PALMER Samuel R.W.S. (1805-1881) ‘The Early Ploughman’ (L9). Etching. VIII state of IX on laid paper. 5x7.75 inches.
PALMER Samuel (1805-1881) ‘The Sepulchre’ (L. E16ii/iv). Etching by Palmer with some touches by A. H. Palmer. Printed by A.H.Palmer, as issued for ‘An English version of the Eclogues of Virgil’, 1883. 4x6 inches. Framed: 14.75x16.5 inches.
PALMER Samuel (1805-1881) ‘The Cypress Grove’ Lister 15. (1880/83) Etching printed for ‘An English Version of the Eclogues of Virgil’ (1883) 4x6 inches.
PALMER Samuel (1805-1881) The Sepulchre (Lister 16) (1880-83) Etching printed for ‘An English Version of the Eclogues of Virgil’ (1883) 4x6 inches.
PALMER Samuel (1805-1881) and Alfred Herbert Palmer (1853-1932)
‘The Sepulchre’ (L.16) 1880-1883.
Etching for ‘An English Version of the Eclogues of Virgil’ (1883). Proof before lettering.
4x6 inches.
PALMER Samuel (1805-1881) ‘The Herdsman’s Cottage’. Etching. E.3.ii. 1850. As published in ‘The Portfolio’, Novemebr 1872 as ‘Sunrise’. Exhibited: Craddock and Barnard. 4x3 inches.
PALMER Samuel (1805-1881)
‘The Herdsman’s Cottage’.
Etching. 1850. L.3.ii/ii (final) state as published in ‘The Portfolio’,1872.
4x3 inches
PALMER Samuel (1805-1881) ‘Christmas’ Etching. 1850. Proof printed after 1873 and signed. No edition was printed until after the artist’s death. 3.75x3.25 inches.
PALMER Samuel (1805-1881) ‘The Bellman’ (L.E.11). Etching. 1879. Initialed ‘F.S.’ ‘M.H.’ ‘F.L.G.’. An impression from the 1926 edition of 75 proofs printed by F. L. Griggs and initialed by Frank Short, Martin Hardie and F. L. Griggs. 167x233 mm
PALMER Samuel (1805-1881) ‘The Lonely Tower’ (L.E12). Etching. Signed ‘M.S’ and numbered 7/25. An impression from the edition of 25 proofs printed by Mary Sholten in 1954 from the plate as restored by Henry Macbeth Raeburn during the 1920s. 6.5x9.25 inches.
PALMER Samuel (1805-1881) and A H Palmer ‘Moeris and Galatea’ (L.E.17). Etching. State iii/iv. 1880-1883). 4x6 inches.
PALMER Samuel (1805-1881) ‘Opening the Fold – early morning’ (L.E.13). Etching. 1880. State viii/x. 117x176 mm
PALMER R.I. Harry Sutton (1854-1933) ‘Surrey – an upland farm’. Watercolour. Signed. Inscribed by the artist’s daughter verso. 8.75x14 inches.
PELUSO Francesco (1836-1916)
A Neapolitan scene.
Oil on canvas. Circa 1870. Signed.
17x13.5 inches. Framed: 22x19 inches.
PAUZEN Arthur (1890-1940) Reclining Nude. Etching. 1935. Editioned 3/20, inscribed and signed. 6.5x7.75 inches.
PAOLOZZI Sir Eduardo R.A. (1924-2005) Drawings. CLICK HERE
PAPAS William ‘Bill’ (1927-2000) ‘Manchester Cathedral on a rainy day’. Pen and ink. Signed and inscribed. 29.5x19 inches.
PARKER Cornelia R.A. (b.1956) ‘A Feather from Freud’s Pillow’. Screenprint. Signed and editioned ‘34/100’ verso. Eleven printings on Velin Arches Blanc 300 gsm. Printed by Gresham Studio, 1997 From the Freud Museum’s 10th Anniversary Portfolio, published 1997. 19.25x24.75inches.
PARROTT William (1813-1869) A new moon; south of Rome. Ink and watercolour. Signed and dated, 1864. 11x16.5 inches.
PARSONS Alfred R.A. P.R.W.S (1847-1920) ‘At the Metropolitan’ – probably the Metropolitan Music Hall , Edgware Road. Pen and ink. Circa 1895. Prov: one of Parson's sketchbook with Abbott and Holder. 5.25x4.25 inches.
PARTHENIS Konstantinos (1878-1967) An Offering. Oil/canvas. Circa 1935. Signed. 17x12 inches. Framed: 22x16.5 inches.
PARTRIDGE Bernard (1861-1945)
Uncle Sam patronising China…
Pen and ink for ‘Punch’. Signed and inscribed.
14.5x10 inches.
PARTRIDGE Sir Bernard R.I. N.E.A.C. (1861-1945) Watercolours and drawings. CLICK HERE
PASMORE Victor C.H. C.B.E. (1908-1998)
‘Blue Movement and Green’
Screenprint. Signed and dated, 1980. Embossed: Kelpra Studio. Printed by Kelpra Studio and published by Kelpra Editions and the Tate Gallery in an edition of 150.
29.5x23.5 inches. Framed: 32.25x26.25 inches.
PASMORE Victor C.H. (1908-1998) The artist being drawn. Pencil. Circa 1938. Signed with initials. 9x8 inches.
PASMORE Victor C.H. C.B.E. (1908-1998) ‘Nude’; study of the artist's wife, Wendy, for 'Studio of Ingres', oil (1945-1947). Pencil. Signed. Exhibited: Roland, Browse and Delbanco, December 1947 (to Rex de C Nan Kivell). 6.5x10.5 inches. Framed: 14.25x17.75 inches. We are grateful to Dr Alastair Grieve for identifying this drawing as a study for 'Studio of Ingres'.
PASQUIER James Abbott (1851-1872)
An artist, possibly William James Ferguson (fl.1849-1886) ‘Enjoying a smoke, Bakewell’.
Watercolour and gouache. Probable provenance: Bill Drummond.
13.25x19.5 inches. Framed: 17x20.25 inches.
PASQUIER James Abbott (fl.1851-1872) Bank Holiday. Pencil. Exh: Covent Garden Gallery. 9x13 inches. Framed: 16.5x19.5 inches.
PATON Sir Joseph Noel R.S.A. (1821-1901) The Arrival. Pen and ink. Dated ‘Feb/15/(18)74’. Provenance: Artist’s descendant. 4.5x6 inches.
PATON Sir Joseph Noel R.S.A. (1821-1901) Warrior advising a boy. Pencil, inscribed ‘Cancelled’. Circa 1860. Provenance: Artist’s descendant. 5x4.25 inches.
PATON Sir Joseph Noel FRSA (1821-1901) Head of an angel. Pen and ink. Inscribed and dated ‘Carlsbad. June 14th 1868’. Prov: by descent from the artist. 6.25x4 inches.
PATON Waller Hugh R.S.A R.S.W. (1828-1895) Coastal sunset. Watercolour. Signed and dated 186?2. 6x10 inches.
PATON Waller Hugh R.S.A. R.S.W. (1828-1895) A Scottish loch at dusk. Watercolour and gouache. Signed and dated, 1866. 2.75x6.75 inches (shaped). Framed: 12.5x10.5 inches.
PATON Waller Hugh R.S.W. (1828-1895) ‘The Sand Dunes’. Watercolour and gouache. Signed. Framed: 15x19.5 inches.
PATERSON Viola (1899-1981) ‘Circus’. Lithograph. Signed and editioned, 4/12. 10.75x14.75 inches. Framed: 19.5x22.5 inches.
PATON Waller Hugh R.S.A. R.W.S (1828-1895) 'Kyleakin, Skye'. Watercolour and gouache. Signed, inscribed and dated, 11th July, 1866. 8.5x14 inches. Framed: 17.25 inches.
PATON Waller Hugh R.S.A. R.W.S. (1828-1895)
‘Evening at Tyndrum’.
Watercolour and gouache. Signed, inscribed, and beneath the mount, and dated September 1885.
8.5x14 inches.
PAUL Celia (b.1959) ‘Cerith and Angus’. Etching. 1/15. Signed. 14x9.5 inches.
PAUL Celia (b.1959) Seated girl. Soft-ground etching. 1/25. Signed. 6x5 inches.
PAUL Celia (b.1959) Two figures. Soft ground etching. 2/25. Signed. 5.5x4.5 inches.
PAUNZEN Arthur (1890-1940) Torso. Etching. Signed and dated, 1933. 11.5x6.5 inches.
PAUW Rene de (1887-1946) ‘Jeane’. Tempera on gesso’d board. Signed, inscribed and dated, 1930 verso. 28x24 inches. Framed: 33x28 inches.
PAYNE William (1760-1830) Watercolours and drawings. CLICK HERE
PAYNE Edward (1906-1991)
A Cotswold Village, possibly Box
Pen, brush and ink. Signed and dated, 1936.
15x22 inches.
PEAKE Mervyn (1911-1968) Mother and child. Ink and watercolour. Signed and dated, 1941. 13.25x9.5 inches. Framed: 21x16 inches.
PEAKE Mervyn (1911-1968)
Nude.
Pen and ink. Signed and dated, 1937. Exhibited: No.86,’The Westminster School of Art’, June-July 1991, Sally Hunter Fine Art.
11x9.25 inches. Framed: 21x17.5 inches.
PEARCE Charles Maresco N.E.A.C. (1874-1964) ‘Paris’. Oil on card. Signed and dated 1938. 28x36 inches. Framed: 35x43 inches.
PEARCE Charles Maresco N.E.A.C. (1874-1964) Dieppe, the Place Moulin a Vent. Ink and watercolour. Signed and dated, 1909. 10.75x14.75 inches. Framed: 19x22.5 inches.
PEARCE Charles Maresco (1874-1964) ‘The House by the Meat Market, St Malo’. Etching on blue paper. 1911. Signed. 17x10 inches.
PEARCE (Lord) Holroyd PC (1901-1990)
‘Joyce’s Country’, Lough Corrib.
Oil on card. Signed. Inscribed verso.
10x14 inches. Framed: 16.5x20.5 inches.
PEARCE Edward Holroyd (1901-1990)
‘Coast of Antrim’.
Oil on card. Signed.
10.25x14.25 inches. Framed: 16x19.75 inches.
£775.
PEARCE Charles Maresco N.E.A.C. L.G. (1874-1964) Sea lavender and chrysanthemums in a glass. Oil on canvas. Signed and dated, 1919. 18x14 inches.
PEARCE Charles Maresco (1874-1964) ‘The House by the Meat Market, St Malo’ Etching and aquatint. 1911. Signed. 420x260 mm.
PEARSALL Richard (1891-1971)
‘Rio della Fava, Venice’.
Etching. Trial proof. Signed, inscribed and dated, 1936.
8.75x10 inches.
PEARSALL Richard Montague Stack (1891-1971)
Calle del Vicario, Toledo’.
Etching. 1933. Signed, inscribed and editioned 4/75.
10.75x6.75 inches.
PEARSON Harry John R.B.A (1872-1933)
‘Ready for the Car’.
Oil on canvas board. Signed. Inscribed on label verso.
12x9 inches.
PEARSON William (1772-1849) ‘Blackfriars. Old Bank Court’. Ink and watercolour. Signed and dated ‘May 1803’. 10x16 inches. Framed 18x24 inches.
PEARSON William (1772-1849) Lilleshall Abbey. Pen, brush and ink. Provenance: Stewart Morley Tonkin. Ill: engraved for Pearson’s ‘Selected views of the Antiquities of Shropshire’, published 1807. 5x7 inches.
PEGRAM Fred (1870-1937) ‘Caged’ – A sketch in the Jakoutsk (sic.Yakutsk) Prison’, Siberia. Pencil, brush and ink. Signed and inscribed. Possibly for ‘The Pall Mall Gazette’ or ‘The Illustrated London News’. 10x8 inches.
PELHAM James (1840-1906) The Borrigo Valley, near Mentone. Watercolour. Signed and dated 1895. 10x13 inches. Framed: 17x21 inches.
PELL Cynthia (1933-1977) ‘Old Person with Scull Head’. Crayon on black paper. 1974-1977. Provenance: Pell Estate. Illustrated ‘Cynthia Pell’ (publ.2000). 10x5.75 inches. Framed: 18.5x13.5 inches.
PELL Cynthia (1933-1977) ‘Angela Gros’. Charcoal and ink by the psychotic genius. Illustrated: Cynthia Pell, publ.2000. Provenance: Artist’s Estate (Pell No.B11). 14x8.5 inches. Framed: 17x11.5 inches.
PELLEW Claughton (1890-1966) ‘The Interior’. Wood engraving. Signed, editioned 5/30 and dated, 1925. 5x5.5 inches.
PELLEW Claughton (1890-1966)
‘The Burial’ (AS 1)
Wood engraving. Signed, dated, 1923 and indistinctly inscribed ‘No.(5 or 6 )’
8x6 inches. Framed: 22.5x16.5 inches.
PELLEW Claughton (1890-1966)
‘Norfolk Lane’ (AS 18)
Wood engraving. Signed, dated 1925 and editioned 18/25.
6x 6.5 inches.
PELLEW Claughton (1890-1966)
‘Landscape - Bavaria’ (AS 28)
Wood engraving. Signed, dated 1924 and editioned 13/25.
3.5x6.5 inches.
PELLEW Claughton (1890-1966)
‘The Smithy’ (AS 50).
Wood engraving. Signed, inscribed, dated 1930 and editioned 5/30 (State 2)
10x8 inches.
PELLEW Claughton (1890-1966) Harbour at night. Wood engraving printed from the original block in an edition of 150 in 1987. 11x10 inches.
PELLEW Claughton (1890-1966) ‘The Smithy’. Wood engraving. Pencil signed, inscribed, editioned ‘22/40’, dated 1930.
PELLEW Claughton (1890-1966) ‘Marsh Marigolds’. Wood engraving. Signed, inscribed, editioned State ‘2- 5/30’ and dated 1930. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956) 11x10 inches.
PELLEW Claughton (1890-1966)
‘Marsh Marigolds’ (AS 53)
Wood engraving. Signed, inscribed, dated 1930 and editioned 5/25.
11x9.75 inches. Framed 17.75x16 inches.
Alexander PEMBERTON Thames Paintings. CLICK HERE
PEMBERTON Muriel R.W.S. (1909-1993) Summer woodland. Oil on canvas. Signed. 20x24 inches. Framed: 21.5x25 inches.
PEMBERTON Muriel R.W.S. F.S.I.A. (1909-1993) Evening Dresses. Gouache Fashion Illustration. Circa 1938. Signed. 17x12 inches. Framed: 25x20 inches.
PEMBERTON Muriel R.W.S. (1909-1993) Fashion illustration. Pencil. Circa 1975. 21x14.5 inches. Framed: 29.5x22.5 inches.
PEMBERTON John (1908-1960)
Composition Study.
Pen, brush and ink. From a sketchbook. Circa 1954.
6.5x8.75 inches
PEMBERTON John (1908-1960)
‘A Visitor to the Spa: The Dandy’.
Pencil and watercolour on blue grey paper.1944. Signed and inscribed. Costume design for ‘Ballonzolo & Balloona’.
14.25x9.25 inches.
PEMBERTON John (1908-1960)
‘The Balloon’.
Pencil, ink, watercolour and gouache on blue/grey paper. Signed, inscribed and dated 1944. Signed and inscribed verso ‘Costume design for ‘Ballonzolo / & Balloona’.
13.5x9.25 inches.
£375.
PEMBERTON John (1908-1960)
‘Visitors to the Spa: Light Hearted Ladies’.
Pencil and watercolour on blue/grey paper. 1944. Signed and inscribed. Costume design for ‘Ballonzolo & Balloona’.
14x9.25 inches.
PEMBERTON John (1908-1960)
‘A Visitor to the Spa: The Man from the Balloon’.
Pencil and watercolour on blue/grey paper. 1944. Signed and inscribed. Costume design for ‘Ballonzolo & Balloona’.
14.25x9.25 inches.
PEMBERTON John (fl.1950s) Seated Couple I. Pen, brush, ink and gouache. From a sketchpad signed and dated 1954 on the frontispiece. 9.5x6.75 inches.
PEMBERTON John (fl.1950s) Standing Figure and Disc I. Brush, ink and gouache. From a sketchpad signed and dated 1954 on the frontispiece. 6.5x4 inches.
PEMBERTON John (1908-1960)
Standing Figure IV
Brush, ink and gouache. From a sketchpad signed and dated 1954 on the frontispiece.
9x5.5 inches.
PENDER CRICHTON Alexander (fl.1929-1931)
‘Lamington Bridge and Tinto’.
Wood engraving. Signed and inscribed.
6.5x7 inches.
PENN William Charles (1877-1968) ‘The Mersey Ferries’. Etching. Signed., inscribed and dated, 1930. 10.75x17.5 inches.
PENNACCHINI Domenico (1860-1917) An Italian Contadina wooe’d by a Shepherd. Watercolour. Signed. 14x20 inches. Framed: 21x27 inches.
PENNELL Joseph R.E. (1858-1926) ‘Fruit Boat’, NY harbour. Watercolour and gouache. Signed. Inscribed verso. Exhibited: Fine Art Society. 10x13. Framed: 19x21.
PEPPERCORN Alfred Douglas I.S. (1847-1924) ‘Powderham Castle’. Oil on canvas. Signed. 32x12 inches. Original frame. Framed: 29x40 inches.
PEPPERCORN Alfred Douglas I.S. (1847-1924)
A wooded shore.
Oil on canvas.
30x50 inches.
PEPPERCORN Alfred Douglas I.S. (1847-1924) Porchester Castle looking towards the Isle of Wight. Pencil and watercolour. Signed. 7x12 inches. Framed: 16x20 inches.
PEPPERCORN Alfred Douglas I.S. (1847-1924) Porchester Castle. Watercolour. Signed. 6.75x11.75 inches. Framed: 15.5x20 inches.
PERAKIS-THEOCHARIS Helen (fl.1940s) (after) ‘Greece, Crete – Palace of Cnossos’ (sic). Colour lithograph printed by Phoenix Company Ltd, Athens and published by the Tourist Department of Greece. 1949. 31.5x23.5 inches.
PERRONET BRIGGS Henry R.A. (1793-1844) Portrait study. Pencil on tan paper. Circa 1835. 18x12 inches.
PETERSEN Jakob (Danish 1774-1854) The schooner ‘Bloom’ off Elsinore. Ink and watercolour. Circa 1840. Signed. 19.5x26 inches.
PETHER Abraham (1756-1812) ‘Crummock and Buttermere Lakes from near Scale Force’. Pencil heightened with gouache on tan paper. Signed and inscribed. 5.5x8 inches.
PETIT Rev. John Louis (1801-1868) ‘Syndenham’: the Crystal Palace under reconstruction, 1852-1854. 9.75x14.5 inches.
PETLEY Roy (b.1950) Venice in mist; Accademia Bridge toward Santa Maria della Salute. Watercolour. Signed. 14.5x22.25 inches.
PETTINGER John Frederick (1877-1939) The Quays side, St Ives. Oil on canvas. Remains of artist’s label verso. 11.25x9.25 inches. Framed: 20.5x18.5 inches.
PETTIT Wilfred (1904-1978) The country road. Gouache. Signed. Verso dated 1946. 6x7.25 inches.
PETTIT Wilfred Stanley (1904-1978) ‘Ploughing’. Gouache. Circa 1935. Signed. 5.5x6.75 inches.
PFLEGER Ludwig (Late Eighteenth Century) ‘Ficht oder Roth Dannen’. Watercolour. Exh: Ludwig Pfleger, Hazlitt, Gooden and Fox, March 1977, Cat. No.6. 19x12 inches. Framed: 24.5x17 inches.
PHILLIPS Tom R.A. C.B.E. (b.1937) Humument. Screenprint. Signed and editioned 2/xxv. From a series in progress since 1966 (first version in print from 1973) 7.5x5.5 inches.
PHILIPSON Sir Robin P.R.S.A. R.A. (1916-1992) ‘Catedrale di San Ruffino, Assisi’. Pencil. Signed on original label. Exh: Loomshop Gallery, Lower Largo, Fife. 14.75x22 inches. Framed: 23.25x29.5 inches.
PHILLIPS Tom C.B.E. R.A. (b.1937) ‘No.34.Document Fragment’. Gouache, ink and collage on paper. Signed, inscribed and dated ‘III / LXIX’. 1969. 3.5x4.5 inches. Framed: 10.75x11.5
PHILLIPS Tom R.A. (b.1937) ‘Collage envelope’. Collage. Signed and indistinctly dated. Circa 1977. Exhibited: Gimpel Fils. 3.5x6.25 inches. Framed: 11.25x13.75 inches.
PHILPOT Glyn R.A. (1884-1937) Study for ‘Negro thinking of Heaven’ (Brighton and Hove Museums and Art Galleries) Pencil on sketchbook page. Studio stamp verso. Ex. Collection: Michael Trevor-Williams. 11.25x9 inches.
‘PHIZ’, (BROWNE Hablot Knight) (1815-1882) ‘Tom Pinch’ playing the Salisbury organ (Dickens, ‘Martin Chuzzlewit’). Watercolour. Signed and inscribed. Provenance: Richard Burnett, Finchcocks Musical Museum. 9.5x7.5 inches. Framed: 19x16.5 inches.
‘PHIZ’ (Halbot Knight Browne) (1815-1882) Study of a child. Oil on paper. Circa 1850. Signed. Exh: Fine Art Society, 1971. 10x8.25 inches, irregular. Framed: 18x15.5 inches.
PICART Bernard (1673-1733) Seated woman sewing. Red chalk. Inscribed (possibly signed) and dated 1722. 7.25x5 inches. 13.25x10.5 inches.
PICART Bernard (1673-1733) Putti and leopard in a cartouche. Pen and ink. Signed and dated, 1718. 2.5x6 inches.
Frederick Richard PICKERSGILL P.R.A. (1820-1900) Exhibition of watercolours and Drawings. CLICK HERE
PICKERSGILL Frederick R.A. (1820-1900) / HOOK James Clark R.A. (1819-1907) An broken album of photographs. Provenance: left with the rest of his work by Pickersgill to Mary Hook’s sister, and by descent.
PICKERSGILL Frederick Richard R.A. (1820-1900) Mountain road. Pencil, heightened with white, on blue paper. Provenance: An album from the Artist’s Estate. 3x4.75 inches.
PICKERSGILL Frederick Richard R.A. (1820-1900) Windmill on a heath. Pencil on blue paper. Provenance: An album from the Artist’s Estate. 4.75x6.5 inches.
PICKERSGILL Frederick R.A. (1820-1900) ‘James Clark Hook (later R.A.) making stirabout’. Pencil. 4.75x3.25 inches. Inscribed by the artist. Prov: album of FP drawings left to his sister-in-law, Mary Hook.
PIDGEON Henry Clarke (1807-1880) Wales. ‘Near Llangollen, looking over the valley of Llandisilio (sic)’ Ink and watercolour. Signed and inscribed. 12.5x18.5 inches. Framed: 20.5x26 inches.
PIETTE-MONTFOUCAULT Ludovic (1826-1877)
The Spinner.
Gouache. Signed and dated, 1872. Exhibited: Stoppenbach & Delestre.
9.5x13 inches. Framed: 15x17.5 inches.
PIKESLEY Richard R.W.S. N.E.A.C. (b.1951) ‘Cotre Corsaire and other vessels’. Watercolour. Signed. Exhibited: Richard Hagen Fine Paintings. 20x20 inches. Framed: 32x32 inches.
PILKINGTON W. (possibly Major General William 1765-1834) Rome. French tourists visiting the Tomb of the Scipios off the via Appia. Pen, brush and grey washes. Signed, inscribed and dated, 1818. 6x8 inches. Framed: 13x14.75 inches.
PILLEAU Henry (1813-1899) ‘The Plain of Thebes, with Medinet Abu, Temple of Gournon and the two Colossi’ Watercolour. Signed. 8x16 inches.
PILSBURY Wilmot (1840-1908) A stockyard at dusk. Watercolour and gouache. Signed and dated, 1881. 10.75x16.5 inches.
PIMM William E. (Exh: 1890-1910) Off shore. Oil on panel. Signed. 6.25x9.5 inches. Framed: 9.5x12.5 inches.
PINK Edmund (fl.1819-1836) ‘Perspective view of design for the Metropolitan Benefit Societies Asylum’. Pencil and watercolour. Inscribed. 7.5x13 inches.
PINWELL George John (1842-1875) ‘Study of head 5’. Watercolour. Prov: Maas Gallery, as exhibited in Works of the late G.J. Pinwell, Deschamps Gallery, 168 New Bond Street, 1876 (no.193). Artist’s Sale, Christies 16.3.1876, lot 155. 6.5x6 inches.
PINWELL George (1842-1875) Study of a crawling child. Charcoal. Prov: Christopher Powney. 4.75x6.5 inches.
PINWELL George Joseph R.W.S. (1842-1875) Woman at her desk. Pen and ink. Provenance: Christopher Powney. 6x4.25 inches.
PINWELL George Joseph R.W.S. (1842-1875) Head Study. Watercolour and gouache. Signed and later inscribed ‘From Dalziel and Arnold Hall Collections’. 8.5x6.5 inches.
PINWELL George R.W.S. (1842-1875) Study of a girl. Ink, watercolour and gouache. 9x6.5 inches.
PIPER John C.H. (1903-1992) Watercolours, drawings and prints. CLICK HERE
PIRANESI Gionanni Battista (1720-1778) ‘Veduta interna del Tempio della Tosse…’. Etching. For Vedute di Roma, 1764. 25.5x17.75 inches.
PISIS Filippo de (Luigi Filippo Tibertelli) (1896-1956) ‘The Monument’. Pencil, pen, brush, ink and watercolour. Exhibited: Zwemmer Gallery (label). The artist visited London in 1935 and 1938. 21x13.25 inches. Framed: 30x22 inches.
PISSARRO Orovida (1893-1968) ‘Cart Horses’. Etching and watercolour. Exhibited: Three Generations of Pissarros, Leicester Galleries, No.46. To: Mrs Bensusan Butt. 200x25s mm.
PISSARRO Orovida (1893-1968)
‘Zebra and Foal’.
Etching. Signed, inscribed, editioned 20/50 and dated 1930.
8x7 inches.
PISSARRO Lucien (1863-1944) Draped Girl. Black and white chalks on grey green paper. Pencil monogram. 16x10 inches.
PITCHFORTH Vivian R.A. (1895-1982) ‘Essex’. Watercolour. Circa 1930. Signed. Inscribed verso. 13x21.5 inches
PITCHFORTH Vivian R.A. R.W.S (1895-1982) ‘River Dee’. Watercolour. Signed. Inscribed. 18x24 inches.
PITCHFORTH Roland R.A. (1895-1982) ‘The River Tees’. Watercolour. Signed. Exh: R.A. 1968. 12x18.5 inches.
PITCHFORTH Roland Vivian R.A. (1895-1982) ‘Poole Harbour’. Watercolour. Circa 1960. Signed. 17x23.5 inches.
‘PJZESKA’ (Middle European/Parisian) Fl: 1920s/30s An Evening Glove. Pencil and watercolour for a fashion magazine. Circa 1930. Signed. 11x9.5 inches.
‘PJZESKA’ (Middle European/Parisian) Fl: 1920s/30s. An Enamel Compact. Pencil and watercolour for a fashion magazine. Circa 1925. Signed. 11x9.5 inches.
PLACE Francis (1647-1728) Study of a Norman Keep. Pen, brush and ink. Ex Coll: Michael Ingram, his stamp verso. Exhibited: Christopher Powney; Sotheby’s, 11.7.1991, lot 10. 7x5.5 inches.
PLACE Francis (1647-1728) View out of a Grotto. Pencil, brush and sepia ink. Prov: Traditionally believed to be from the Patrick Allan Fraser Collection. 7.5x13.5 inches. Framed: 14.5x20 inches.
PLATT S. Circa 1830.
‘Western Circuit / Characters / not / Caricatures / sketches taken from life principally in Court on the Western Circuit’
Sketchbook with approx. 32 pages with pencil portraits of ‘Felons’, officials, jurymen, defendants, prosecutors etc. Signed and inscribed in the frontispiece.
7.5x4.5 inches.
PLESSIS Enslin du (1894-1978) ‘Still-life’. Pencil and watercolour. Signed. Exhibited: Johannesburg Art Gallery. 10.5x12 inches.
PLESSIS Enslin du (1894-1978) ‘Back garden, Kent’. Pencil and watercolour. Signed. Inscribed verso. 10.5x14 inches.
‘PLIMMER’ possibly John Plimmer (1722-1760) Fisherman beneath a Castle’s walls. Pen, brush and ink on original wash line mount inscribed ‘Plimmer’. Provenance: 5x7 inches. Mount: 10x13 inches.
POCOCK Nicholas O.W.S. (1740-1821) ‘The Hag Wood and part of Proud Magson from Matlock’. Monochrome watercolour washes. Signed. Inscribed by a later hand beneath the mount. 6x11 inches.
POCOCK Nicholas O.W.S. (1740-1821) Watercolours and drawings. CLICK HERE
POCOCK Nicholas (1740-1821)
‘Castleton, near the Peak’.
Pencil, ink and watercolour. No.27 from a sketchbook dated 1797.
9x13.25 inches. Framed: 25x22 inches.
POCOCK Nicholas (1741-1821)
A coming storm.
Watercolour. Signed and dated, 1800.
18x16 inches.
POCOCK Nicholas (1740-1821)
Portishead, near Bristol: three old sailors watching boats cutting about.
Watercolour. Signed and dated, 1788.
16.5x23.5 inches.
PODESTI Francesco (1800-1895) Attributed to An Abduction. Pen, brush and sepia wash. Circa 1840. 10x12 inches.
PODESTI Francesco (1800-1895) (Attributed to)
The Centaur.
Pen, brush and ink.
10x12 inches. Framed: 15.75x17.25 inches.
POGGI Cesare (1803-1859) ‘Peter Ist at the battle of Poltava’, 1709. Watercolour and gum arabic. Signed. 7x10 inches.
POLLITZER Arthur Sigmund (1913-1983) Seated boy. Wax resist on watercolour ground. Signed and dated, 6.12.1948. Exhibited: Hanover Gallery. 17x22 inches. Framed: 27x22 inches.
POLLIZER Sigmund (1913-1982)
‘Portofino’. Chalk and watercolour. Signed and dated, 1938. Inscribed verso. 14x18.75 inches. Framed: 25x29.5 inches.
POLLOK House (subject) (Circa 1850) ‘Old Cunningham, the butler at Pollok in Sir John and Lady Matilda’s (Stirling-Maxwell) time’. Ink. 5.5x2.25 inches.
PONT (Graham Laidler) (1908-1940) ‘Pleasure Cruiser Rolling: Scene at the Swimming Pool’. Ink. Signed. Circa 1935. Inscribed beneath the mount. Ex. Collection: Mr and Mrs George Walker. 12x10.25 inches. Framed: 22.5x18.5 inches.
POOLE Samuel (b.1870) Hopcott Quarry, Somerset. Watercolour. Circa 1900. Signed. 10.5x15 inches.
POOLE Samuel (b.1870) Bratton, Somerset. Watercolour. Circa 1900. Signed. 9.5x12 inches.
POOLE Monica R.E. S.W.E. (1921-2003)
‘Spring, 1988’.
Wood engraving. Signed, inscribed and editioned 209/250.
From the series of wood engravings ‘The Great Storm of October 1987 and its aftermath’, the Society of Wood Engravers.
9x6.25 inches.
POOLE Monica R.E. S.W.E. (1921- 2003)
‘Pilgrim’s Way’.
Wood engraving. Signed, inscribed, inscribed and numbered 80/150.
6x 10.25 inches.
POPE Henry (1843-1908)
‘The stepping-stones Dwygyfylchi’.
Watercolour. Signed. Inscribed verso.
6.75x4.75 inches. Framed: 16x14 inches.
POTTER Mary (1900-1981)
Study for ‘The Wood’.
Oil on canvas. Signed verso. Ex. Coll: Donald Mitchell.
12x14 inches. Framed: 18.5x20.5 inches.
POTTER Mary N.E.A.C. L.G. (1900-1981) ‘Dog Rose’. Oil on canvas. 1968. Exh: The New Art Centre. 30x14 inches. Original canvas float frame: 20x36 inches.
POTTER Mary L.G. N.E.A.C. (1900-1981) ‘Terracotta Still Life’. Watercolour. 1960. Exhibited: The New Art Centre. 9x5x13 inches. Framed: 16.5x20 inches.
POTTER Mary L.G. (1900-1981) Sea view, Aldeburgh. Watercolour on sketchbook page. 1958. Exhibited: New Art Centre. 5x7 inches. Framed: 12.75x14 inches. CLICK HERE to view framed.
POVEY Edward (b.1951)
‘The Observer’.
Oil on canvas. Signed and dated, 1994. Artist’s label verso dated ‘July-Sept. 94’. Exhibited: Louis Newman Galleries, Beverly Hills.
20x24 inches. Framed: 28x32 inches.
Edward Povey (b.1951) ‘Self-portrait at Forty-Three’. Oil on canvas. Artists label inscribed and dated ‘July-Sept 94’. Exh: Louis Newman Galleries, Beverley Hills. 20x16 inches. Framed: 25.5x21.5 inches.
POWELL James and Sons (Whitefriars) Ltd, 100 Wigmore Street, London, England.
U.S.A. St Luke’s Episcopal Church, Evanston, Illinois.
Presentation drawing (No.2) for the ‘St Polycarp / Atlanta/ Bethleham’ Window .
Ink and watercolour. 1928. Inscribed.
16.5x11.5 inches.
POWELL James and Sons (Whitefriars) Ltd, 100 Wigmore Street, London, England.
U.S.A. St Luke’s Episcopal Church, Evanston, Illinois.
Presentation drawing (No.5) for the ‘St Augustine / New Hampshire / Porto Rico’ Window .
Ink and watercolour. 1928. Inscribed.
16.5x11.5 inches.
POWELL James and Sons (Whitefriars) Ltd, 100 Wigmore Street, London, England.
U.S.A. St Luke’s Episcopal Church, Evanston, Illinois.
Presentation drawing (No.6) for the ‘St Columba / Oregon / Pennsylvania’ Window .
Ink and watercolour. 1928. Inscribed.
16.5x11.5 inches.
POWELL James and Sons (Whitefriars) Ltd, 100 Wigmore Street, London, England.
U.S.A. St Luke’s Episcopal Church, Evanston, Illinois.
Presentation drawing (No.7) for the ‘St Hilda / Erie / Pittsburgh’ Window .
Ink and watercolour. Inscribed and dated, 1928..
16.5x11.5 inches.
POWELL Joseph. P.N.W.S. (1780-1834) Surrey. ‘Near Esher’. Watercolour. Signed and dated, 1822.
POWELL Eric Walter (1886-1933) Skye: the Cuillin Ridge. Watercolour. Signed. Ex. Coll: Peter Mallalieu, Keeper of the Alpine Club’s pictures. 9x11.5 inches. Framed: 18.25x19.5 inches.
POWELL Joseph P.N.W.S. (1780-1834) Surrey, ‘Near Esher’. Watercolour. Signed and dated, 1822. 5x7.75 inches. Framed: 13.25x15.25 inches.
POWELL Joseph P.N.W.S. (1780-1834) ‘At Rydal’. Watercolour. Inscribed. Ex. Collection: A W Payne. Exhibited: Agnews (No.37035) 7.75x11 inches. Framed: 13.25x16 inches.
‘POWELL James and Sons (Whitefriars) Ltd, 100 Wigmore Street, London, England’. U.S.A. St Luke’s Episcopal Church, Evanston, Illinois. Presentation drawing (No.8) for the ‘Venerable Bede /Spokane / Olympia’ Window . Ink and watercolour. 1928. Inscribed. 16.5x11.5 inches.
‘POWELL James and Sons (Whitefriars) Ltd, 100 Wigmore Street, London, England’. USA. Church of the Ascension, Mount Vernon N.Y. Presentation drawing for the ‘Nativity’ Window in the South Transept. Ink and watercolour. Inscribed and dated, 1927. 13.5x8.25 inches.
POYNTER Sir Edward P.R.A. (1836-1919) ‘From Luz’. Black and white chalks. Inscribed by the artist. Provenance: the Baldwin Album. 6x10 inches.
POYNTER Sir Edward P.R.A. R.W.S. (1836-1919) Westminster Abbey from St James’s Park. Watercolour. Inscribed verso and with date ‘about 1853 or 4’. Provenance: Poynter albums from the Baldwin family by descent. 8.5x7 inches.
Sir Edward POYNTER P.R.A. R.W.S. (1836-1919) Exhibition of rawings. CLICK HERE
POYNTER Sir Edward P.R.A. (1836-1919) Study from the Nude. Chalk. Provenance: the Baldwin albums. 7x5 inches. Framed: 15x12 inches.
POYNTER Sir Edward P.R.A. (1836-1919) ‘Under the Church, Moltrasio ’ (Lake Como) Pencil. Inscribed. Provenance: Volume of Poynter drawings collected by and belonging to the Baldwin family. 9x11.5 inches.
PRADIER Raoul (b.1929) ‘Paysage de la Gaude’. Oil on canvas. Signed. Exhibited: Arthur Tooth, 1954. 22.5x33.5 inches. Framed: 29x41 inches.
PRATELLA Attilio (1856-1949)
‘Capri’.
Oil on panel. Signed and inscribed.
8x6 inches.
PRICE William Lake (1810-1896) Paris. ‘Beginning of King’s stabling’. Watercolour. Signed. Inscribed verso. Painted c.1828 while a student with Augustus Charles Pugin working on Heath’s ‘Paris… et ses Environs’, publ. 1830. 6.75x6 inches.
PRICE Edward (1800-1885) Circle of
Train in landscape.
Oil on canvas. Circa 1840.
8x13 inches. Framed: 9x16 inches.
PRIESTMAN Bertram R.A. (1868-1951) ‘After a Shower at Lenno, Lake Como’. Oil on panel. Signed and dated, 1913. Exhibited: R.I. 8.25x10.5 inches. Framed: 17.5x20 inches.
PINGRET Louis Jean (Exh: 1831-1835) French Villa I. Gouache en grisaille. Signed. Circa 1835. 10.75x15.5 inches.
PINGRET Louis Jean (Exh: 1831-1835) French Villa II. Gouache en grisaille. Signed. Circa 1835. 10.75x15.5 inches.
PRINSEP Emily (1798-1860) The Aunts. Watercolour. Signed and dated, August 14th 1814. 2.5x4.25 inches.
PRINSEP James (1799-1840) ‘Augustus in a rage, Kenton Street’. Augustus Prinsep (1803-1830) author of The Journal of a voyage from Calcutta to Van Diemens Land. Pencil. Signed, inscribed and date, 1816. Provenance: an album of the artist’s drawings, Bonhams 19.12.1984 3x3 inches. Framed: 9x9 inches.
PRINSEP James (1799-1840) A Church Tower. Watercolour. Signed and indistinctly dated, 181(?7). Provenance: Sotheby’s 18.3.1982, an album of drawings by (mainly) Emily Prinsep, and her brothers. 7.25x5.25 inches.
PRINSEP James (1799-1840) Hurdy gurdy player singing La Marmotte (Goethe lyrics set to music by Beethoven). Pencil and sepia wash. Dated 1816. Intialled and inscribed: 'Ji quittai la montagne & c / voulez vois la marmotte la marmotte un vie' (sic). 14x10 inches.
PRINSEP Emily Rebecca (1798-1860) Surrey. ‘Lord Cardigan’s, Richmond Hill’. Pencil. Inscribed and dated ‘Sept.1826’ by the artist. Provenance: An album of Prinsep’s work, Sothebys 18.3.86 to Abbott and Holder. 4.5x5.25 inches.
PRINSEP William (1794-1842) The Pyramids of Saqqara. Ink and watercolour. Inscribed on the original, attached backing ‘The land of Goshen / Bricks chiefly used / the chopped straw / peculiarly visible in them (left); Gizeh / 8 miles off (beneath distant pyramid) Pyramids of Sakhara / Cairo in the distance’. Exhibited: No.46 ‘The overland route of William Prinsep (1794-1874): A pictorial record of his journey across the desert from Koseir to Luxor and down the Nile to Cairo in 1842’, Martyn Gregory Gallery, 1984. 10x14 inches. Framed: 18x23.75 inches.
PRINSEP William (1794-1874) 'Concentration of Light / Lesson from Chinnery'. Ink and watercolour. Signed. Inscribed on the original backing. 3.25x5 inches.
PRINSEP Emily (1798-1860)
‘Richmond Bridge’.
Pencil and sepia wash. Inscribed and dated, 23rd August, 1825. Provenance: Sothebys 18.3.1982, an album of works by the artist, to Abbott and Holder.
3.25x6.5 inches.
PRINSEP Emily Rebecca (d.1861) ‘Twyford Abbey from the drawing-room’. Ink and watercolour. Signed, inscribed and dated 18th May 1840. 7x10 inches.
PRINSEP Thomas (1800-1830) India: ‘Sunset at Rajmahal’. Ink and watercolour. Inscribed ‘Ganges’, ‘Rajmahal’. Circa 1825. Exh and Ill: pl.20, Thomas Prinsep, Drawings received from Calcutta, Colnaghi in association with Martyn Gregory, March 1988. Catalogue by Mildred Archer. 5.5x7.5 inches. Framed: 13.25x16.25 inches.
PRITCHETT Robert Taylor (1828-1907) ‘Ashridge’, Hertfordshire. Pencil and watercolour. Signed, inscribed and dated, May 30th 1863. 7.5x15.75 inches.
PROCKTOR Patrick R.A. (1936-2003) CLICK HERE
PROCKTOR Patrick R.A. (1936-2003) ‘Queen’s necklace, Bombay’ from the ‘India / Mother’ suite (TS). Aquatint. 1970. Signed and editioned 8/60. Exhibited: Redfern Gallery, 1971. 17x24.5 inches.
PROCKTOR Patrick R.A. (1836-2003) ‘Palazzo Dario’, from ‘The Venice Suite’. Aquatint printed in colours.1978. Signed and editioned 9/35. 35x25.5 inches.
PROCKTOR Patrick R.A. (1936-2003)
‘Soochow Lion Rocks’.
Aquatint. Artist’s proof. Signed and dedicated by the artist.
17.5x23.5 inches.
PROCKTOR Patrick R.A. (1936-2003) ‘Aesthete’ (TS.83). Etching and aquatint. Artist’s proof. 1979. Signed and inscribed. 16.5x11 inches.
PROCTER Ernest A.R.A. (1885-1935)
The trunk of a massive beech tree.
Watercolour. Signed.
14.75x10.75 inches.
PROCTER Ernest A.R.A. (1886-1935) ‘The Beech Tree’. Watercolour. Signed. Exhibited: ‘Ernest Procter’, Leicester Galleries, 1936. 14.25x10.5 inches. Framed: 23x19 inches.
PROCTER Ernest A.R.A. (1885-1935)
‘Stafford’, near Dorchester, Dorset. Oil on card. Signed and dated, 1924. Exhibited: Exhibition of workd bys Ernest and Dod Procter, Leicester Galleries, December, 1929, No.99 (to Lt. Col. G. Portman). 15.25x18 inches. Framed: 22x24.5 inches.
PROCTER Ernest A.R.A. (1886-1935) ‘Ypres. The Moat from the Menin Gate’. Watercolour and pastel on tan paper. Signed, inscribed and dated, October, 1918. 9.5x13.5 inches. Framed: 17x21 inches.
PROCTOR Ernest A.R.A. (1886-1935) ‘The Kindergarten. Chalk on paper laid on card stamped ‘Friends Ambulance Unit’ verso. Signed and dated, 1917.
PROCTOR Ernest A.R.A. (1886-1935) ‘Paris from the Sacre Coeur’. Watercolour. Signed and dated, 1911. Inscribed 0n the backing. 9.25x13.75 inches.
PROSDOCIMI Alberto (1852-1925) La Porta Della Carta, Palazzo Ducale, Venice. Ink, watercolour and gum arabic. Circa 1885. Signed. 14x10.5 inches. Framed: 22x17.5 inches.
PROUT Samuel O.W.S (1783-1852) Watercolours and drawings. CLICK HERE
PROUT Samuel Gillespie (1822-1911) ‘On the Yealm, S. Devon’. Watercolour. Signed and inscribed verso. Provenance: S. G. Prout / Clara Alberta Allen and by descent. 5x7 inches.
PROUT Samuel Gillespie (1822-1911) The beach at Hastings. Pencil, brush and wash. Signed verso and inscribed ‘Early sketch Hastings’. Provenance: S. G. Prout / Clara Alberta Allen and by descent. 7x10.25 inches.
PROUT Samuel Gillespie (1822-1911) ‘Rusthall Common, near Tunbridge Wells’. Pencil, watercolour and gouache on blue paper. Signed, inscribed and dated ‘about 1845’. 10x14 inches.
PROUT Samuel Gillespie (1822-1911) A shelter. Pencil and watercolour. Signed. Provenance: S.G.Prout / Clara Alberta Allen and by descent. 9x13.5 inches.
PROUT Samuel Gillespie (1822-1911) ‘Dieppe’ fishermen’s shacks. Pencil, ink, watercolour and gouache on grey paper. Signed and inscribed. 13.5x9.5 inches.
PROUT Samuel Gillespie (1822-1911) A Turkish Port. Pencil, watercolour and gouache. Signed. 4.5x6.25 inches.
PROUT Samuel Gillespie (1822-1911) ‘Chateau a Dieppe’. Chalk, watercolour and gouache. Signed and inscribed. 13.75x9.75 inches. Framed: 23.5x19 inches.
PROUT John Skinner N.W.S. (1805-1876)
‘Roulage Generale / Ed Laine’.
Pencil and gouache on blue paper. Inscribed and dated ‘Sept xx’ by the artist.
6.25x9.5 inches. Framed: 14.5x17 inches.
PRYDE James (1866-1941) and DAVIEL Leon (1865-1932). The Sinister House. Wood engraving on japon by Daviel after Pryde. 1919. Signed by both. Repairs. 13x10 inches. Lit + Ill: Granville Fell article Print Collector's Quarterly, Vo.20, 1933.
PRYDE James I.S. (1866-1941) Ellen Terry as ‘Nance Oldfield’. Ink and gouache. 11x8 inches. Terry appeared in this role in ‘A Pageant of Great Women’ by Cecily Hamilton in 1909. Exhibited: Duncan Miller Fine Arts.
PRYDE James (1866-1941) Ruined House. Ink and watercolour. Signed. Exhibited: Christopher Hull Gallery. Ex. Collection: Ingrams, Garsington Manor. 6.25x5.5 inches. Framed: 18x17 inches.
PRYDE James I.S. (1886-1941) ‘The Exit’. Oil on paper. Inscribed on remains of original label. Exhibited: Leicester Galleries. 5x4 inches. Framed: 12x10 inches.
PRYSE Gerald Spencer (1882-1956) The return of the lifeboat, Connemara. Oil on canvas. Circa 1925. Signed. 36x54 inches. Framed: 43x61 inches.
PUGIN Augustus Welby Northmore (1812-1852) An architectural capriccio. Pencil. Circa 1830. Provenance: Mrs Pugin (Jane Knill) great-great grandmother of the previous owner. 1928 at the transfer of The Grange, Ramsgate to the Benedictine Monks, this with the contents passed to Charles Pugin Purcell, grandfather of the previous vendor. 7x10.5 inches.
PUGIN Augustus Welby Northmore (1812-1852) Studies of barges. Watercolour. Inscribed on backing ‘Done at the age of 13’. Provenance: Mrs Pugin (Jane Knill) great-great grandmother of the previous owner. 1928 on the transfer of The Grange, Ramsgate to the Benedictine Monks, this with the contents passed to Charles Pugin Purcell, grandfather of the previous vendor. 3.25x13 inches.
PUGIN Augustus Charles de O.W.S. (1762-1832) The Screen, Carlton House. Ink and watercolour. Engraved by Ackermann, 1809. 4.5x7.5 inches. Framed: 13x15.75 inches.
PUGIN Charles Augustus (1762-1832) ‘The Hall of Eton College’. Ink, watercolour and gouache. Inscribed and possibly signed verso. Later aquatinted by Joseph Stadler for Ackermann’s History of Eton College, Publ. 1816. 8x10.5 inches.
PURSER William (1790-1852) ‘Vicenza’. Watercolour. Inscribed verso. 3x2 inches.
PYM Roland (1910-2006) A Tuscan Caprice. Ink and watercolour. Signed. 14x10 inches.
PYM Roland (1910-2006)
Stage set: Capriccio.
Ink, watercolour and gouache.
11.75x17 inches.
PYNE George (1800-1884) Oxford. Tom Tower, Christ Church from Pembroke Square. Ink and watercolour. Signed and dated, 1849. 11x7.5 inches. Framed: 18.5x15 inches.
PYNE George (1800-1884) Oxford. Christ Church: Peckwater Quad, looking East. Ink and watercolour. Signed and dated, 1850. 7.5x11 inches. Framed: 15x18.5 inches.
PYNE George (1800-1884) Oxford. Christ Church: Peckwater Quad, looking West. Ink and watercolour. Signed and dated, 1850. 7.5x11 inches. Framed: 15x18.5 inches.
PYNE George (1800-1884) ‘Trinity College, Oxford’. Ink and watercolour. Signed and dated 185(9). 5x8 inches.
PYNE George (1800-1884) ‘Queen’s College, Oxford.’. Ink and watercolour. Signed and dated, 1859. 6x8 inches.
PYNE William Henry O.W.S. (1769-1843)
‘Mr Ranter’s Company’ arrives at ‘The Bull by Toby Jug’.
Ink and watercolour. Circa 1800. Signed.
24x17.5 inches. Framed: 32.5x26 inches.
PYNE George (1800-1884)
Christ Church: Peckwater Quad.
Ink and watercolour. Circa 1850.
6x8.5 inches.
PYNE George (1800-1884) Oxford. Magdalen from the Bridge. Watercolour. Circa 1850. 5.75x8 inches. Framed: 13x14.75 inches.
PYNE George (1800-1884) Oxford. Christ Church. Watercolour. Circa 1840. Bears false signature ‘J. B. Pyne’. 8.5x.5 inches.
PYNE James Baker (1800-1870) A view down the Avon Gorge. Watercolour. 1841. 9x12 inches. Framed 17x20 inches.
PYNE James baker (1800-1870) (After) Buttermere. Hand coloured lithograph by W Gauci. For The English Lake District, publ. Agnews, 1853.
PYNE James Baker (1800-1870) The hay stack. Oil on panel. Signed. 6.5x8.5 inches. Framed: 9.5x11.5 inches.
PYNE William Henry O.W.S. (1769-1843) ‘Obadiah and the Ambassador’. Ink and watercolour. 7x9.5 inches. Framed: 15x16.75 inches.
