This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
RABIGOT Prof Gabriel Jean (1753-1834) Capriccio. Ink and watercolour. Circa 1785. 8x13 inches.
RABIGOT Prof Gabriel Jean (1753-1834) Capriccio. Ink and watercolour. Circa 1785. 8x13 inches.
RACZINSKI Stanislav (1903-19820 ‘Knock Out’. Wood cut. Signed, inscribed and dated, 19(2 or 3)9’. 8.5x10 inches.
RADFORD Edward (1831-1920) ‘The Lady of Shalott’. Watercolour and gouache. Circa 1880. Signed. 22x14 inches. Framed 30x21 inches.
RAE Barbara R.A. (b.1943)
‘Orchard’.
Ink, watercolour and gouache. Signed, inscribed and dated, 1972.
18.5x25 inches. Framed: 25x32 inches.
RAE Barbara R.A. (b.1943)
‘West Highland Pool’.
Oil on paper and panel. 1983. Exhibited: Scottish Gallery at Bath Art Fair, 1983.
16x16 inches. Framed: 17.75x17.75 inches.
RANDELL Gordon (living) ‘Zennor’. Ink and watercolour. Signed and inscribed. 11x14.5 inches.
RANDLE Charles (Regency) ‘View of Southampton’. Ink and watercolour. Signed, inscribed and dated, 1814. Ex. Coll: Dudley Snelgrove. 5.5x10.25 inches.
‘RAOKIN’ (HAWKINS Harold Weaver 1893-1977) ‘Maltese Market’. Linocut. Signed and inscribed. 5.5x7 inches.
‘RAOKIN’: HAWKINS Harold Weaver (1893-1977) ‘Maltese Cart’. Linocut. Signed and inscribed. 5.5x7 inches.
RAPHAEL Sarah (1960-2001) Paintings and drawings. CLICK HERE
RAPHAEL SMITH John (1752-1812) ‘Mr Thomas Wormold’. Pastels. Inscribed verso and dated, March 1808. 9.5x8 inches. Framed: 17x15.5 inches.
RAPHAEL SMITH John (1752-1812) (Circle of) Rev. Marmaduke Matthews, Vicar of St Mary’s Church, Warwick. Pencil, pastel and gouache. With original backing. 7.75x5.75 inches. Framed: 17.75x15.5 inches.
RAPHAEL SMITH John (1752-1812) Pastels/paper laid"https://www.abbottandholder-thelist.co.uk/wp-content/uploads/2014/02/Raphael-Smith-89818-Framed.jpg">(Framed photo)
SMITH John Raphael (1751-1812)
‘Portrait of Mr Dagley, Artist, painted at Doncaster in 1809 by Mr Smith of Newman Street, London’. Richard Dagley (1765-1841) was a painter and engraver was also a drawing master at (a) Doncaster girls school.
Pastels. Inscribed on the back of the original framed.
10.5x8.75 inches Framed: 16.25x14.5 inches.
RATHBONE James (1750-1807) Cattle watering at dusk. Oil on panel. Circa 1800. 7x9.5 inches.
RATHBONE John (1750-1807) Rydal Bridge, Westmoreland. Oil on panel. Circa 1800. A related, larger version of this subject by Rathbone is in the Victoria and Albert Museum. 7x9.5 inches.
RAUSCHER Johann (1754-1808) Thuringian(?) landscape. Gouache. Circa 1800. Signed. Original proto Biedermeier frame and glass. 19x27 inches. Framed: 22x30 inches.
RAUSCHER Johann (1754-1808) Coburg / Thuringia: ‘Bei Coburg nach den Gleichens bergen hin’. Gouache. Circa 1800. Signed. Original Biedermeier frame and glass. 19x27 inches. Framed: 22x30 inches.
RAVEN HILL Leonard (1867-1942) ‘ … - But it had its little disadvantages’. Pen and ink. Circa 1900. Signed and inscribed. Inscribed with instructions to printer beneath the mount. 8x5 inches.
RAVEN-HILL Leonard (1867-1942)
‘Our Entertainment: Winded Performer “Easy on Bess, I can’t keep it up’.
Pen and ink for ‘Punch’, 20th April, 1904.
7x11.5 inches. Framed: 15.5x18 inches.
RAVEN-HILL Leonard (1867-1942) Just going out. Pen and ink for Punch. Signed and dated, 1892. 8x9 inches.
RAVERAT Gwen S.W.E. (1885-1957)
Archive of Sold Prints. CLICK HERE
RAVERAT Gwen R.E. (1885-1957) Farm near Haslingfield, Cambridgeshire. Oil on paper. 14x10 inches. Signed, inscribed to ‘Binia’, dated ‘Xmas 1935’ verso.
RAVERAT Gwen S.W.E. (1885-1957) Cambridgeshire stream. Oil on board. Signed. 15x12 inches. Framed: 20.5x17.5 inches.
RAVERAT Gwen S.W.E (1885-1957) Boat race, Cambridge. Oil on panel. Signed verso. 10.5x14 inches
RAVILIOUS Eric (1903-1942) ‘Garden Memories’. Wood engraving. 1936. Printed in 1994 by Previous Parrot Press. Editioned ‘183/200’ and signed ‘AU’ (the artist’s daughter Anne Ullman). 2.75x3.5 inches.
RAVILIOUS Eric (1903-1942) ‘Baker and Confectioner’: p.56. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Cheesemonger’; p.92. Coloured lithograph from the first,1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Clerical Outfitter’: p.60. Coloured lithograph from the first, l 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Family Butcher’: Frontispiece / p.10. Coloured lithograph from an original 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Restaurant and Grill Room’: p.40. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Knife Grinder’: p.100. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Oyster Bar’: p.84. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Pharmaceutical Chemist’:p.88. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Hams’: p.44. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Saddler and Harness Maker’; p.48. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Submarine Engineer’: p.72. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAVILIOUS Eric (1903-1942) ‘Undertaker’: p.68. Coloured lithograph from the first, 1938 edition of ‘High Street’ written by J.M. Richards and illustrated by Eric Ravilious, printed by the Curwen Press, published by Country Life. 9x6 inches. £225.
RAWLINSON William Thomas S.W.E. (1912-1993)
‘Fig tree, Tripoli’.
Wood engraving. Signed, inscribed, editioned 1/50 and dated 1954.
9x9 inches.
RAWLINSON William Thomas S.W.E. (1912-1993)
‘Irish Pastoral’.
Wood engraving. Signed, editioned 6/50, inscribed and dated 1940.
6.75x9 inches.
RAWLINSON William T (1912-1993) ‘Anglesey Farmyard’. Wood engraving. Signed, inscribed, edition 11/50 and dated 1938. 8.75x7.25 inches.
RAY-JONES Raymond R.E. (1886-1942)
‘Lamplight’.
Etching. Edition of 100. 1925. Signed. Print Collectors Club Presentation plate for 1925.
7.75x 7.25 inches.
RAY-JONES Raymond R.E. (1886-1942) ‘La rue des Quatre-Vents, Paris’. Etching. First exhibited in 1922. Signed. 10.75x6.25 inches. 278x165 mm £775
RAZE Louis-Laurent (1805-1872) Italy. ‘Studio of Signor Shakespeare Wood, Sculptor, 504 Corso, Rome’. Ink, watercolour and gouache. Inscribed. Indistinctly signed and dated ?1867. 13.5x10.5 inches.
READ Blackwood M (fl. 1830s) An Incident. Ink and watercolour. Exhibited: William Drummond (Covent Garden Gallery) 4.5x5 inches.
READE Albert Vincent (1864-1940)
‘Three Liners’.
Oil on card. Signed. Circa 1935. Artist’s label verso.
10x13.75 inches. Framed: 16x19.5 inches.
RECKITT Rachel (1908 - 1995) ‘Visby, Gotland’. Ink and watercolour. Signed and inscribed verso. 15x11 inches. Framed: 22x17 inches.
REDDICK Peter S.W.E. (1924-2010)
‘Beeches’.
Wood engraving. Signed, dated 1989 and editioned 209/250.
From the series of wood engravings ‘The Great Storm of October 1987 and its aftermath’, the Society of Wood Engravers.
8.5x10.75 inches.
REDFERN David L.G. (b.1947) Plant forms. Etching. Signed and editioned, 6/15. 9.75x7.5 inches.
REDGRAVE Richard R.A. (1804-1888) The Letter. Etching. Proof. 11x7.5 inches (plate mark).
REDGRAVE Richard RA (1804-1888) A Welsh bridge. Watercolour. Signed and dated, 1836. 8.5x13 inches.
REED Edward Tennyson (1860-1933) ‘Peggy Crewe’ (Countess of Crewe, nee Lady Margaret Primrose, 1881-1967), political hostess and pioneering woman magistrate. Pencil. Signed. Inscribed by the sitter. 9.5x7 inches.
REED Edward Tennyson (1860-1933) ‘Joan of Arc … I’ll never ride one of those wretched Parthenon-cum-Carter-Paterson chargers again…’. Pencil study for arcane Parliamentary Sketch. Circa 1900. Signed and inscribed. 5x6.75 inches.
REED Edward Tennyson (1860-1933) ‘Dan Leno’s Light Horse’ including caricatures of Henry Irving, Beerbohm Tree, ‘R.B’, W. S. Penley, Forbes Robertson, ? and ‘E.P’. Pen and ink for Punch. Signed and with a presentation dedication. Dated, ‘November, 1902’. Ex. Collection: Ronald Searle. 9.5x14 inches.
Richard REES F.S.A.I. (Chairman) / R.I.B.A. Patterns of Settlement. CLICK HERE
REEVE Russell R.E. R.B.A. (1895-1970) Portugal. ‘Maiore’. Ink and watercolour. Circa 1950. Provenance: artist’s estate. 11x15 inches.
REEVE Russell R.E. (1895-1970) ‘Silves’, Algarve. Watercolour. Signed and dated, 1953. Studio stamp verso. 10.75x15.25 inches.
REEVE Russell R.E. (1895-1970) ‘Viana do Castello’, Norte, Portugal. Watercolour. Signed. Circa 1950. Studio stamp verso. 10.75x15.25 inches.
REEVE Russell (1895-1970) Portugal. ‘Fiesta’ Pencil and watercolour. Signed, inscribed(?) ‘Everis’ and indistinctly dated. 10x6.75 inches.
REEVES George (fl.1820s) after POLLARD James (1792-1867)
‘Mail Coach in a Snow Storm…Engraved James Watson’.
Pencil. Inscribed in pencil, and also ‘Painted by J.P’ in ink.
‘The Mail Coach in a Storm of Snow’, hand-coloured aquatint was engraved by George Reeves and published by James Watson in 1826.
10x15.5 inches.
REID Stuart (1883-1971) 2nd Lieutenant Gilbert Stuart Insall V.C. M.C. (1894-1972) attacking a German Aviatik near Achiet, France, 7th November 1915. Action for which he was awarded the V.C. Oil/canvas. Signed. 16 x 20 inches. Provenance: Insall Family to the previous owner.CLICK HERE for more information on Lieutenant Insall and the artist.
REID Stephen (1873-1948)
Works on the ‘Derwent Aqueduct’
Oil on canvas. Signed, inscribed and dated, 1939, and 1946.
During the construction of the earthen embankment of Ladybower Dam (1935-43) the aqueduct on the east side of Derwent Valley was diverted through a raised pipeline and the pipes near Ashopton and Ladybower Gorge were rerouted on new viaducts.
24x18 inches.
REID Samuel (1854-1919) ‘On the Firth of Forth looking from Torryburn to Falkirk Oil on canvas. Circa 1890. Signed. Inscribed on the stretcher. 11.5x17.5 inches. Original frame: 23x29 inches.
REINGANUM Victor (1907-1995) Manhattan. Watercolour and gouache. Signed. 5.5x14.75. Framed: 14x22.5.
REINAGLE Richard Ramsay R.A. (1775-1862) Town overlooking the Pontine Marshes. Pencil, stump and wash. Signed and dated, 1810. 7.25x9 inches.
REINAGLE Richard Ramsay R.A. (1775-1862) Hertfordshire. The Angler’s return, Moor Park Cassiobury. Watercolour. Signed. Exh: Fry Gallery and according to their label the old mount inscribed ‘At Moor Park, Edward Burgess, George Skinner, Mrs Brayhey Burgess. Original drawing by Reinagle. Collection of the Lady Ashburton’. 8x10 inches.
REITLINGER Gerald (1900-1978) A Camden Town sofa. Oil on card. Reitlinger Estate Stamp verso. 13x17 inches. Framed: 20x23.5 inches.
REMINGTON Mary N.E.A.C. (1910-2013) ‘London Garden’. Oil on canvas. Exhibited: R.A. 1961. Lord Mayor of London’s Art Award First Prize 1961. 31x25 inches. Framed: 35x29.5 inches.
RENNELL Mary (Smith) (1901-1981) ‘Patmos’. Oil on board. Signed, inscribed and dated, 1935, verso. 11x14 inches. Framed: 15.25x18.5 inches.
RENNELL Mary (Smith) (1901-1981) ‘Ruined Temple of Hera at Olympia’. Oil on board. Signed, inscribed and dated, 1935, on verso. 11x14 inches. Framed: 15.25x18.5 inches. VIEW FRAMED
RENTON John (1770-1841) ‘Taplow’, Buckinghamshire. Pencil and watercolour sketch on blue paper. Inscribed. Exhibited Bernard Squire Gallery. A similar sketch in the British Museum (Ex.Coll: Iolo Williams) is dated 1806. 10.5x8.25 inches.
ZEPPELIN (Subject) RETHI Lili (1894-1971) LZ 127 Graf Zeppelin. Eight drawings of the Zeppelin works at Friedrichshafen, Bodensee. CLICK HERE TO VIEW
RETHI, Lili (1894-1969) ‘New York/United Nations Headquarters Site/Breaking Ground’. Pencil on joined paper. For New York Times. Signed, inscribed and dated, ‘Fall 1947’. 19x25 inches. Framed: 29x35 inches.
REUTERN Gerhardt Wilhelm von (1794-1865) Hothouse plants. Pen and ink. Signed and dated ‘19 febr’. Exhibited: G. W. von Reutern Drawings and Watercolours, Hazlitt, Gooden & Fox, December 1978, Cat. No. 34. 8.5x6 inches. Framed: 13.75x11 inches.
REYNOLDS Alan (b.1926) ‘Study at Shoreham’. Ink and watercolour. 7x5 inches. Signed and dated, 1953. Exh: Redfern Gallery (as ‘The Tree’), 1960.
REYNOLDS Alan (b.1926) ‘Forms black and yellow’. Watercolour. Signed. Exhibited: Redfern Gallery, 1962. 12.5x10 inches. Framed: 22x18 inches.
REYNOLDS Alan R.A. (1926-2014) ‘Joan’. Watercolour. Verso signed, inscribed and dated, 1952. 17.5x10.5 inches. Framed: 25x17.25 inches.
REYNOLDS Frank (1876-1953) “Oh Good! I see they are going to give us ‘The Ride of the Valkyre”. Pen, brush and ink for ‘Punch’. Dated stamped verso 6th March 1941. 9.75x7 inches.
REYNOLDS Frank (1876-1953)
‘Assistant to Customer requiring artistic door knocker / ‘I’m sorry we haven’t what you want – the fact is people aren’t knocking so much now. They’re ringing more …’
Pen and ink for ‘Punch’. Circa 1935. Initialled by Editor.
11.5x10 inches.
REYNOLDS Frank (1876-1953)
‘I’m not sure that I like you tanned Lesley, it makes your eyes glean so fiercely!’.
Pen and ink for ‘Punch’. Circa 1935. Signed and inscribed.
7x10.25 inches.
REYNOLDS Warwick (1880-1926) Tiger and Peacock. Etching. Signed. 9.5x17.75 inches.
REYNOLDS Frank (1876-1953) ‘Oh Frederick isn’t there some place where there are fewer fish?’. Pen and ink for ‘Punch’, circa 1935. Signed. 12x8 inches.
REYNOLDS Frank (1876-1953) ‘Old Lady (quite carried away; How nice it is to have the ticket proffered – as it were – instead of thrust upon one!’ Pen and ink for ‘Punch’, circa 1915. Signed and inscribed.
7x10 inches.
REYNOLDS Frank (1876-1953)
‘Goin’ to ‘ave a look at the Gee-Gees at Kempton Park today Sir?
‘No, I’.m going to watch the squirrels at Kew Gardens…’
Pen and ink for ‘Punch’. Circa 1935. Signed and inscribed.
9x6.5 inches.
REYNOLDS Frank R.I. (1876-1953) Recto: ‘The pledge’. Watercolour. Inscribed by the artist. 8.5x6 inches. Verso: ‘I saw George staggering along with Walter’. Ink and gouache. Circa 1915. Signed and inscribed.12.5x9.25 inches. VIEW VERSO
REYNOLDS Frank RI (1876-1953) ‘Visitor: "and how is your newly married daughter?" Mrs Reynolds "She finds her husband a bit dull – but then ‘as I tells her- the good ‘uns are dull..."' Pen and ink for ‘Punch’. Signed and inscribed. 7x10 inches.
RHODES Marion (b. 1907) ‘Mt. St. Michel’ Pencil. Signed, inscribed and dated, 1937. Prov: Sir John Stirling Maxwell of Pollok (1866-1956) 8x11.5 inches.
RICCIARDI Oscar (1864-1935) ‘Naples Streets’: dawn. Oil on panel. Signed. Circa 1900. 7.25x11 inches. Framed: 13.5x17 inches.
RICCIARDI Oscar (1864-1935) ‘Naples Streets’: midday. Oil on panel. Signed. Circa 1900. 7.25x11 inches. Framed: 13.5x17 inches.
RICE Bernard (1900-1998) Egyptian Girl. Watercolour, ink and crayon. Provenance: a small collection of the artist’s work. Rice founded and headed the Department of Printmaking at Cairo School of Arts from 1933-1948. Cf. Dr Yasser Mongy, Bernard Rice, the unknown father of Egyptian printmaking, 1912. 16.5x13.25 inches. £475.
RICE Bernard (1900-1998) The Shepherds Visit, Bethlehem. Ink and watercolour. Signed. Circa 1930. 8x8.5 inches.
RICE Bernard (1900-1998) Five Balkans wood-engravings. CLICK HERE TO VIEW
RICH Edmund (fl.1743) River scene. Gouache. Signed and dated, 1743. Ex. Collection: Walter Brandt. 9.5x14 inches.
RICHARDS Ceri C.B.E. (1903-1971) At the Piano. Ink and watercolour. Circa 1955. Impressed Studio Stamp. Provenance: Frances Richards. Ex. Collection: Anthony Dawson (1974). 7.5x9.5 inches. Framed: 15x16.25 inches.
RICHARDS Frederick R.E. (1887-1932) ‘Venice’. Etching. Inscribed ‘Printed by Frank Short, Professor R.C.A. at print Collectors Club Night’ and signed by Short. 7x6.5 inches.
RICHARDS Frederick R.E. (1887-1932) ‘The Street of Ink’: Fleet Street. Etching. Signed and inscribed. 7.5x7 inches.
RICHARDS Frederick (1878-1932) ‘Bond Street’. Etching and drypoint. Signed, inscribed and ‘Later State (plate reduced)’. 9x10.25 inches.
RICHARDS Frederick (1878-1932) ‘Boodles to St James’s Palace’. Etching. Signed and inscribed. 8.5x9.75 inches.
RICHARDS Frederick (1878-1932) ‘The Battle of Waterloo Bridge – The Truce- 1925’ Etching. ‘Early state’. Signed and inscribed. 7x8.75 inches.
RICHARDS Frederick (1878-1932) ‘The Wailing Wall’, Jerusalem. Etching. Signed and inscribed. 9x7 inches.
RICHARDS Frederick (1878-1932) ‘Jerusalem from the Jaffa Gate’ Etching. Signed and inscribed ‘The Church of the Holy Sepulchre from near the Jaffa Gate’. 9x7 inches.
RICHARDS Frederick (1878-1932) ‘Jerusalem and Mt. of Olives’. Etching. Signed. Inscribed. 8.75x6.75 inches.
RICHARDS Frederick (1878-1932) ‘Ancora Venezia’. Etching. Signed and inscried. Inscribed ‘First State (before plate reduced). 4.75x5.75 inches.
RICHARDS Frederick (1878-1932) ‘Modern Education – a Composition dedicated to The Teaching Profession’. Etching. Signed, inscribed and dedicated to ‘C (?G) Sutcliffe’. 9x7.25 inches.
RICHARDS Frederick (1878-1932) ‘The Ferry, Mahmoudieh Canal, Egypt’. Etching. Signed and inscribed. 7x7 inches.
RICHARDS Frederick (1878-1932) ‘In Cairo’. Etching. Signed and inscribed. One of 50 proofs. 7x7 inches.
RICHARDS Frederick (1878-1932) ‘A Market, Cairo’. Etching. Signed and inscribed. One of 50 proofs. 7x7 inches.
RICHARDS Frederick (1878-1932) ‘Sempre Venezia’. Etching. Proof. Circa 1922. Inscribed and initialled ‘(K)’ and inscribed ‘Venice’. Inscribed verso ‘First plate for larger trial. ‘W.M.K.’. 5.5x5 inches.
RICHARDS Ceri C.B.E. (1903-1971) Lyre Birds, drawn for ‘Poetry, London’. Ink and watercolour. c.1945. Impressed Studio Stamp. Verso inscribed and dedicated to Anthony Dawson (1921-2006) by Frances Richards. 7x10 inches. Framed: 14.25x16.5 inches.
RICHARDSON Thomas Miles Jnr R.W.S. (1813-1890) Sussex. Hastings Beach. Watercolour and gouache. Signed. 8x13 inches.
RICHARDSON Frederick Stuart R.I. R.W.S. (1855-1934) Drying Nets on the Yorkshire coast. Watercolour. Signed and dated, 1894 13x20 inches.
RICHARDSON Frederick Stuart R.I. R.W.S. (1855-1934) The Yorkshire coast. Watercolour and gouache. Circa 1895. Signed.
RICHARDSON Thomas Miles Jnr R.W.S. (1813-1890) Ballachulish. Ink and watercolour. Signed and dated, 1845. 3x11.75 inches.
RICHARDSON Thomas Miles Snr (1784-1848) The Fallen Knight. Pencil, watercolour and gouache. Inscribed by Thomas Miles Richardson Jnr. Backing inscribed ‘From an album at Encombe, 1979. TMR Jnr was drawing master to the daughters of the 3rd Earl of Eldon, Encombe Park, Dorset. 11.5x12.75 inches.
RICHARDSON William R (fl.1842-1880) Mount Grace Priory. Yorkshire. Watercolour. Signed and dated, 1878. 11.5x18.75 inches.
RICHARDSON Thomas Miles Jnr (1813-1890)
An Italian Lake.
Watercolour. Signed and indistinctly dated.
13x27 inches. Framed: 21.5x35 inches.
RICHARDSON Thomas Miles Jnr R.W.S (1813-1890) ‘Conway Castle’. Watercolour. Signed, inscribed and dated, 1842. 3.75x5 inches.
RICHARDSON Thomas Miles Jnr (1813-1890) A lane, supposedly near Alnwick, Northumberland. Watercolour and gouache. Signed and indistinctly dated 18(4or6)4. Exhibited: Colnaghi. 8.5x13 inches. Framed: 16.75x20.75 inches.
RICHARDSON Thomas Miles Snr (1784-1848) The Tyne at Gateshead. Watercolour with gum Arabic. 8.5x12.25 inches. Framed: 16x20 inches.
RICHMOND George (1809-1896)
Lady Hatherley, nee Charlotte Moor, (d.1878) wife of William Wood, 1st Lord Hatherley, Lord Chancellor (1868-1872) in Gladstone’s first Ministry.
Watercolour and gouache. Signed and dated, 1846
Provenance: by family descent till 1939.
21x16 inches. Framed: 35x29 inches.
RICHMOND George (1809-1896) A page of figure studies. Black chalk on tan paper. Prov: a folder of the artist’s work. 9x12 inches.
RICHMOND George R.A. (1809-1896) ‘Lady Nasmyth’. Watercolour and gouache. Extensively inscribed by the artist on the original label. 30x20 inches. Framed: 39x28 inches.
RICHMOND George (1809-1896) Rev. John Jackson (1811-1885) Bishop of Lincoln (1853) then Bishop of London (1869-1885) Black, red and white chalks. Signed and dated, 1853. 23x17 inches.
RICHMOND George R.A. (1809-1896) ‘Jocund day stands tip toe on the misty mountain tops’: Shakespeare, Romeo and Juliet, Romeo, Act III, Scene V. Pencil. Inscribed by the artist. Circa 1830. Provenance: Walter Coleridge Richmond and thence to a great-grandson of the artist. 16x10 inches. Framed:24x17 inches.
RICHMOND George (1809-1896) ‘A Shepherd Waking’. Pencil with some ink. Inscribed by the artist beneath the mount. Exhibited; ‘George Richmond’, Andrew Wyld, 2001, No.8. 5.5x8 inches.
RICHMOND George (1809-1896) William Wood, Lord Hatherley (1801-1881) Gladstone's 1st Lord Chancellor (1868-1872). Black chalk heightened with white on blue/grey paper. 11x9 inches.
RICHMOND George R.A. (1809-1896)
‘Miss Sandham’, a charming girl.
Pencil and watercolour. Circa 1840. Signed. Exhibited: Agnews (no.34277)
8.5x7 inches.
RICHMOND George R.A. (1809-1896)
Portrait of a boy, possibly the artist’s son Thomas (b.1833).
Ink, watercolour and gouache. Signed and indistinctly dated.
14.5x11.65 inches.
RICHMOND Laura Maria (1841-1915) At the window. Pen and ink. Signed and dated, December 1859. Signed and dedicated on the backing ‘to Mrs Rondi / April 8th, 1863’. 8.5x4.75 inches.
RICHMOND Sir William Blake R.A. (1842-1921) (Attributed to) Study of a Girl. Black and white chalks on blue paper. 22.5x14 inches.
RICHMOND George (1809-1896) Mr Beilby Porteous Hodgson (1808-1889) Pencil, ink, watercolour and gouache. Signed and dated, 1836. 13x10.5 inches.
RICHMOND George R.A. (1809-1896) Study of a reading man. Pencil. Prov: Edith Richmond, the artist’s daughter. Exh: Fry Gallery. 7x6 inches. Framed: 16x13.5 inches.
RECKITT Rachel (1908-1995) ‘Farm Cart’. Linocut printed in colours. Signed and editioned 1/25. Inscribed by the artist ‘Title Farm Cart, 1/25, £1.10.0. Rachel Reckitt, Golsoncott, W.Somerset’ 262x213 mm.
RICKMAN Philip (1891-1982) Study of a crane. Pencil and watercolour. 9.5x7 inches.
RIGAUD Stephen Francis O.W.S. (1777-1861)
Putti at play.
Watercolour. Circa 1810.
8x10 inches.
RIGBY Elizabeth (Lady Eastlake) (1809-1893) Study of a child, St Petersburg. Pencil. Dated by the artist, 1840. Provenance: An album of Rigby’s drawings bought by A and H at Sotheby’s 22/11/1979. Exhibited ‘Drawings by Lady Eastlake’, Abbott and Holder, 19?80. 4x4.5 inches.
RIGBY Elizabeth (Lady Eastlake) (1809-1893) Prince and Princes W(V)olkonsky. Pencil, with some watercolour and gouache, on tan paper. Signed and dated, February 1840. Grigori Petrovich Wolkonsky (1808-1882) and his wife Countess Maria Benkendorff (1820-1880). Rigby published ‘A Residence on the Shores of the Baltic’ in 1841. Provenance: A collection of 33 drawings by Elizabeth Rigby, Sotheby’s, 22.11.1979. Exhibited: No.28 ‘Portraits from Estonia and St Petersburg by Elizabeth Rigby’, Abbott and Holder, 1980. 12.5x8.75 inches.
RIGBY Elizabeth (Lady Eastlake) (1809-1893) ‘Count and Countess Benkendorff’. Pencil, with some watercolour and gouache, on tan paper. Signed and dated, January 1840. Konstantin Alexander von Benckendorff (1781/83- 1844) a founding member of Czar Nicholas 1 Secret Police and his wife Elisaveta Donez-Sacharshevskaya (1788-1857). Rigby published ‘A Residence on the Shores of the Baltic’ in 1841. Provenance: A collection of 33 drawings by Elizabeth Rigby, Sotheby’s, 22.11.1979. Exhibited: No.26 ‘Portraits from Estonia and St Petersburg by Elizabeth Rigby’, Abbott and Holder, 1980. 12.75x9 inches.
RITCHARD Edgar (1908-1984) ‘Portugal Boy’. Oil on card backed on board. Circa 1950. Later signed and inscribed by the artist verso. 22x15.5 inches. Framed: 18.5x26.5 inches.
RITCHIE Charles Edward R.O.I. (d.1940) Head of a Girl. Black, red and white chalks on toned paper. Signed and dated, 1907. 16.5x11 inches.
RIVEROS GOMEZ Hugo (Chilean d.1981) Chilean street scene. Ink and watercolour. Signed and dated, 1977. 14x9 inches.
RIVERS Elizabeth (1903-1964) Bathers at Dawn. Oil on canvas. Signed. Probably c.1935. 14x18 inches. Framed: 16.5x20.5 inches.
RIVERS (Richard) Godfrey (Exh.1880-1884) A settler’s wagon, Australia. Watercolour. Inscribed verso of frame and ‘G Rivers’ on label. 3.75x7.25 inches. Framed: 9x12 inches.
RIVERS Richard Godfrey (Exh.1880-1884) ‘Mentone’ through olives. Watercolour. Signed. 7x7 inches.
RIVIERE Henry Parsons (1811-1888) ‘Rome’ View of the Arch of Titus’. Watercolour and gouache. Signed. Inscribed verso. 12.25x19.75 inches.
RIZVI Jacqueline N.E.A.C. (b.1944) ‘Portrait study – the kimono’. 18918.5x14 inches. Framed: 28x23 inches.
ROBB Brian (1913-1979)
‘Interior’.
Oil on panel. Circa 1955. Signed verso.
8.75x13 inches. Framed: 11.5x15.5 inches.
ROBB Brian (1913-1979) Fifteen paintings 1955-1965. CLICK TO VIEW
ROBERSON Peter (1907-1989) ‘Hampstead’. Ink and watercolour. Signed, inscribed and dated, July 1980. 10x14 inches.
ROBERTS William (1895-1980) Major E. O. Kay. Pencil. Signed. 11.5x9.5. Framed: 20x17.
ROBERTS David R.A. (1796-1864) ‘Malaga’. Pencil, watercolour and gouache on grey paper. Inscribed and dated, 7th March, 1833. Exhibited: Agnews, Exhibition 93. 6.75x10 inches.
ROBERTS David R.A. (1796-1864) London. The Colosseum, Cambridge Gate, Regent’s Park. Pencil and ink. The architecture may be drawn by Robert Garland who performed this operation for other engravings in the volume for which it was engraved, Wood’s Views of London, 1837. 4x6 inches.
ROBERTS David R.A. (1796-1864) Circle of Sicily, the Cathedral, Palermo. Pencil, brush and watercolour on grey paper. Circa 1850. 9.75x14 inches.
ROBERTS-JONES Ivor R.A. (1913-1996) ‘Head of Augustus John’. Bronze. 1967. Editioned: 5/20 7 inches high.
ROBERTSHAW Norman (1925-2013) ‘Barra, the windswept Island … with Kisimul (sic) Castle’. Watercolour. Signed and dated 1989. Inscribed verso. 12x18 inches.
ROBERTSON Walford Graham (1867-1948) ‘The Castle Court’: a stage design for ‘La Princesse Lontaine’. Watercolour. Ex. Collection: Mrs Patrick Campbell. John Wyre, 1939. 6.75x8.75 inches. Framed: 11x12.75 inches. VIEW FRAMED
ROBERTSON Eric (1887-1941) The Lovers. Pencil. 9x7 inches. Signed and dated, 17 February 1910.
ROBERTSON Eric (1887-1941) A bathing party. Pencil. Signed and dated, 26th May 1919. 16x20 inches. Framed: 24x28 inches.
ROBERTSON Henry Robert (1839-1921)
Westminster: Dusk over Vincent Square with the Abbey, Big Ben and Victoria Tower in the background.
Watercolour. Signed and dated, 1899.
6.5x12 inches.
ROBERTSON ‘Drunken’ (fl.1815-1836) Romantic landscape. Ink and watercolour. 6x7 inches.
ROBERTSON James ‘Drunken’ (fl.1815-1936) Capriccio. Pen, brush and ink. 5.5x7.5 inches.
‘ROBIANO’. Circa 1820. A Highlander. Watercolour with original marbled paper border. Signed on the backing. 7x7 inches.
ROBINS William Palmer (1882-1959) ‘Foreshadow of Storm’. Woodcut. Signed and inscribed. 8x10 inches.
ROBINS William Palmer R.E. (1882-1959) ‘Veere from Camper Island’. Ink and watercolour. Signed and dated, 1939. 7.5x14 inches.
ROBINS William Palmer S.W.E. R.E. (1882-1959) ‘The Picnic’. Watercolour. Signed and dated, 1956. Inscribed verso. 10x13.5 inches.
ROBINS William Palmer R.E. (1882-1959) ‘Waterloo Bridge and the Shot Tower’. Etching. Signe and inscribed. 10.5x13.25 inches.
ROBINS the Elder, Thomas (1716-1770) ‘Narcissi’. Ink and watercolour. Provenance: An album of botanical watercolours from the Library of Sir Thomas Phillips (1792-1872) bought by A and H at Sotheby’s and Exhibited in March 1980. 11x7 inches.
ROBINS Thomas Sewell (1814-1880) ‘Dort’ (Dordrecht). Watercolour and gouache. Signed, inscribed and dated 16th August, 1850. 13.5x17.5 oval. Framed: 19.5x22.75 inches.
ROBINS the Elder, Thomas (1716-1770) Studies of an Auricular. Pencil and watercolour. Inscribed: ‘No.40’. Provenance: An album of botanical watercolours from the Library of Sir Thomas Phillips (1792-1872) bought by A and H at Sotheby’s and Exhibited in March 1980. 6x4.5 inches.
ROBINSON Alfred Douglas F.R.I.B.A. (1886-1965) Civic Building: perspective sketch for the Geissel Gold Medalion, RIBA. Pencil, pen, ink and watercolour. 1911. 20x30 inches.
ROBINSON William Heath (1872-1944) Pen and ink. Signed. 10.5x7 inches.
ROBINSON Hugh (fl.1950s) Lincoln Castle Keep from the Watch Tower. Crayon, pencil, ink and watercolour. Signed. 13.5x19.5 inches.
ROBINSON Alfred Douglas F.R.I.B.A. (1886-1965) ‘Hampton Court Palace’. Section for London Architectural Association School of Architecture. Pen and ink. Signed, inscribed and dated 1906/07 and signed by the headmaster Henry Maule F.R.I.B.A. (1873-1940). 20.5x23.5 inches.
ROBINSON Alfred Douglas F.R.I.B.A. (1886-1965) ‘Study for the Grissel Gold Medalion, R.I.B.A’ (sic) Pencil on blue grey paper. Signed, inscribed and dated 1911. 16x22.5 inches.
ROBINSON Frederick Cayley (1862-1927) Two lamp-lit girls and a starry sky. Tempera on card. Signed and dated, 1901. 9x7 inches.
ROBINSON (Possibly Peter Frederick F.R.S.A. 1776-1858) 'St Michael's Old Church, Bath'. Watercolour. Exh: Covent Garden Gallery. 11x8.5 inches. Framed: 17.5x14.5 inches.
ROBSON George Fennel P.O.W.S. (1788-1833) View on Derwentwater. Watercolour and gum Arabic.
RODECK Carl (1841-1909) A North German farm yard. Watercolour and gouache. Signed. 19x30 inches. Framed: 28x38 inches.
ROGERS R.S. (circa 1910) Newcastle-upon-Tyne. Watercolour. Signed. 15x22 inches.
ROLDAN Enrique (Late 19th century, Seville) Seated Sevilliano. Oil on canvas. Signed, inscribed and dated, 1880. 10.25x7.5 inches. Framed: 16.75x14.5 inches.
ROME (subject) ANON. Circa 1800. The Villa Celimontana (Mattei) on the Caelian Hill. The Obelisk stood there until 1817. The watercolour was previously attributed to Major-General Robert Pilkington (1765-1834) Watercolour. 7x10 inches. Framed: 17x15 inches.
ROME Nora Lorimer (1904-1997) ‘Rocher Corneille, Le Puy’. Oil on canvas. Circa 1935. Exhibited: RI (label verso). 16x23 inches. Framed: 24x31 inches.
ROMNEY George (1724-1802) 'The Procession'. Pencil. Haas Collection stamp (1937). Exhibited: Leger Galleries.
George ROMNEY Heroic Drawings for Shakespeare, Milton and Howard. CLICK HERE
ROMNEY George (1734-1802) Study, possibly of Marsyas. Pencil. Ex. Collection: Peter Boydell. 14x9 inches. Framed: 22x16.5 inches.
ROMNEY George (1734-1802) John Howard visiting the Lazaretto. Pencil. Circa 1792. We are grateful to Dr Alex Kidson for confirming this attribution. 5.5 inches. Framed: 14x17 inches.
ROMNEY George (1734-1802) Boadicea. Pencil. Circa 1792. 6x7.5 inches.
ROMNEY George (1734-1802) Study possibly related to the Ages of Man. Pencil. 8.25x7.5 inches.
ROMNEY George (1734-1802) Women and children, composition study. Pencil. 6.25x7 inches.
ROMNEY George (1734-1802)
Head of a Man. Possibly a study for a Shakespearean character. Pen and ink. c.1760, in all likelyhood drawn before Romney left Kendal for London. Provenance, by repute: Whitestock Hall, Rusland, Lancashire, from 1806 home of Romney's son Rev. John Romney (1758-1835). The house was in the family until the early C20th.
7.75x5.25 inches. Framed: 16.25x14.25 inches.
ROMNEY George (1734-1802)
Study for a portrait.
Pencil. Circa 1780.
4x2.5 inches.
RONALDSON Thomas Martin (1881-1942)
Kensington Gardens: the Round Pond and Kensington Palace.
Oil on panel. Circa 1910. Signed.
10.5x8.5 inches. Framed: 13x14.5 inches.
ROOKE Thomas Matthews R.W.S. (1842-1942) ‘Asquins’. Watercolour. Signed, inscribed and dated, 1904. 21x15 inches.
ROOKE Thomas Matthews (1842-1942) Venice. ‘Tower of the Frari and Fondamenta del Magazen from the Ponti’ (dei tre Ponti). Watercolour. Signed, inscribed and dated, 1907. Inscribed verso, and with the artist’s address 7 Queen Anne’s Gardens, Bedford Park’. 15x10 inches.
57. ROOKE Thomas Matthews R.W.S. (1842-1942) ‘Old Parish Church, Monastier in the Cevennes…’ Watercolour. Signed, inscribed and dated, 1908. Extensively inscribed verso. 14.25x11 inches.
ROOKE Thomas Matthews (1842-1942) Head of a woman. Pencil. Circa 1880. Prov: Celia Rooke; Julian Hartnoll. Ex. Collection: Peter Ward-Jackson (1916-2015). 11.5x8.5 inches.
ROOKE Thomas Matthews R.W.S (1842-1942) London. ‘Kensington; out of Canning Place’. Watercolour. Circa 1867. Exhibited: Walker’s Galleries. 9x12.75 inches.
ROOKE Thomas Matthew R.W.S. (1842-1942) Thames Barge. Pencil and watercolour. Provenance: a cache of Rooke’s work discovered in his Bedford Park house after Mrs Rooke’s death. 6.5x9.5 inches.
ROOKE Thomas Mathew R.W.S. (1842-1942)
‘Lisieux’.
Watercolour. Signed and dated, 1891.
17.5x7.5 inches. Framed: 25.5x14.75 inches.
ROOKER Michael Angelo (1746-1801) After The Manor of Marylebone as a school. Watercolour. Inscribed verso: St Mary Le Bone School / where Dr Crittenden was educated’. A contemporary version of the watercolour is in the Fitzwilliam Museum. 10x14 inches.
ROONEY Mick R.A. (b.1944) ‘Two Women Meeting’. Watercolour, gouache and pastel. Signed. Dated, 1988. 16x13. Framed: 24x20.
ROONEY Mick R.A. (b.1944) ‘Peasants in an Orchard’. Watercolour and gouache. 7x5 inches. Signed and dated, 1993. Provenance: Thomas W.P. Herbert.
ROONEY Mick R.A. (b.1944) Figures in an interior. Charcoal, pastel, watercolour and gouache.Signed and dated, 1986. 10x7 inches.
ROONEY Mick R.A. (b.1944) Men and Beasts. Acrylic and oil on board. Signed and dated, 1989. 19x14 inches. Framed: 25x20.5 inches.
ROONEY Mick R.A. (b.1944) Strange Market. Oil on board. Signed and dated, 1989. 20.5x14 inches. Framed: 25x18.25 inches.
ROSCOE S. G. William (1852-1922) The Welsh Coast. Watercolour. Signed and dated 1878 (and 89). 8.25x13 inches.
ROSE Sir Francis (1909-1979)
Travels in Italy ‘Florence Lady Museum’: cartouche for ‘Vogue’.
Pen and ink. 1939. Signed. Exhibited: Sir Francis Rose Retrospective, England and Co, May 1988.
14x12 inches. Framed: 22x19 inches.
ROSE Sir Francis (1909-1979)
Travels in Italy ‘Florence … Leopoldo’s : cartouche for ‘Vogue’.
Pen and ink. 1939.Exhibited: Sir Francis Rose Retrospective, England and Co, May 1988.
14x12 inches. Framed: 22x19 inches.
ROSENBERG Louis Conrad (1890-1983) ‘The Aurelian Wall and Pyramid of Cestius’. Etching. Pencil signed. 1927. 8.25x11.75 inches.
ROSENBERG Louis Conrad (1890-1983) ‘Beaune’. Etching. Signed. 9x5 inches.
ROSENBERG Louis (1890-1983) ‘Quai Marine, Villefranche’. Etching. Signed. 7.5x5 inches.
ROSENBERG Louis A.R.E. (1890-1983)
‘Ponte Fabricio, Rome’.
Etching. 1927. Signed
9x7 inches. Framed: 15.75x13 inches.
ROSENBERG Louis (1890-1983) ‘The Doge’s Palace’. Drypoint. 1927. Signed. 9.75x4.75 inches.
ROSENBERG Louis (1890-1983) ‘St Malo’. Dry-point. Circa 1925. Signed. 6.5x11.5 inches.
ROSENCRANTZ Arild (1870-1964) The Offering. Pastels. Signed and dated, 1920. 17x22.75 inches. Framed: 20.5x26.75 inches.
ROSENTHAL Doris (1889-1971) ‘Plum Girls’, Mexico. Lithograph. 83/95. Signed. 13x16 inches.
ROSENTHAL Doris (1889-1971) ‘Chiguillos’. Lithograph. 10/35. Signed, inscribed and dated 1939. 17x15 inches.
ROSOMAN Leonard R.A. (1913-2012) Study, possibly for a mural. Pencil and tempera on board. Signed. 12x13.25 inches. Framed: 23x29.5 inches.
ROSOMAN Leonard R.A. (1913-2012) ‘The Painted Room’. Watercolour. Signed and dated, 1978. Inscribed verso. 15.5x22.25 inches. Framed: 28x30.25 inches.
ROSS Sir William (1794-1860) ‘Lady Shaw Stewart’ (d.1849) Watercolour. Signed. Provenance: given by Sir H. Dalrymple to her descendant Sir John Stirling Maxwell 2.9.1943. Inscribed on the backing by the latter. 7.5x5.5 inches. Arched. Damaged.
ROSS Sir William R.A. (1794-1860) Hon. Charles Hugh Lindsay (1816-1889) Black and red chalks on tan paper. Signed and indistinctly dated. Inscribed and signed by his daughter Violet, Duchess of Rutland verso of original frame ‘My father. V. Rutland’. Provenance: Violet, Duchess of Rutland. Lady Diana Cooper. Viscount Norwich. 9.5x7.25 inches. Framed: 11.5x9.25 inches.
ROSS Thomas (fl.1730-1757) (Attributed to) Figures in a landscape. Black and red chalks. Exhibited: William Drummond, Bury Street Gallery, July 1983. 4.75x10.25 inches. Framed: 10.5x15.75 inches.
ROSENTHAL Doris (1889-1971) Mexican girls writing. Pastels. Signed. Circa 1940. 18x16. Framed: 27x24.
ROTHENSTEIN Sir William N.E.A.C. (1872-1945) Drawings. Click here to view
ROTHENSTEIN Michael R. A. (1908-1993)
The Cock.
Wood cut printed in colours. Signed and editioned, 23/50.
19.5x23.5 inches.
ROTHENSTEIN Michael R.A. (1908-1993) Cockerel. Screen print. Signed and editioned, 9/75. 12x11 inches.
ROTHENSTEIN Michael R.A. (1908—1993) ‘Black’. Plank print. 1962. Signed and editioned 12/25. 24x37 inches.
ROTHWELL Richard R.H.A. (1800-1868) Study from the Life Model. Black chalk, heightened with white on blue paper. Drawn in Rome circa 1834. Provenance: A folder of Rothwell’s work, Christies, 29.10.1985. 24x14.75 inches. Framed: 16.25x7.5 inches.
ROTKY Carl (1891-1977) ‘Town by the river: Winter’, Styria. Woodcut printed in colours. Signed and inscribed. 8x10.25 inches.
ROUSSEL Theodore Casimir (1847-1926) ‘Events over the Railings, Chelsea Embankment’ (Hausberg 22). Etching 1888/89. Signed on the stubb. 3.75x4.5 inches.
ROUSSEL Theodore Casimir (1847-1926) ‘Corner of Lunar Street, Chelsea Embankment’ (H.28). Etching. 1888/89. Signed to the stubb. 6.5x5.5 inches.
ROUSSEL Theodore (1847-1926) Hastings: the Front. Watercolour. Signed and dated, 1908. 6.75x10 inches. Framed: 13.75x16 inches.
ROUSSEL Theodore (1847-1926) Chelsea street. Etching. Proof. 5.75x8 inches.
ROWBOTHAM Charles (1858-1921) Sicily. ‘Messina, Reggio in the distance’. Pencil and watercolour. Inscribed by the artist. Executors stamp verso. 7x10 inches.
ROWBERRY Corporal Edwin Claud (1896-1962)
‘Gotterdammerung’. The Leaning Virgin on the Church spire at Albert.
Watercolour. Signed, inscribed and dated ‘20.ix.17’. Rowberry served in the 4th Battalion, D Squadron Tank Corps on the Somme.
11.5x7.5 inches. Framed: 19.5x15 inches.
ROWE Ernest Arthur (1863-1942) ‘The Loggia, Villa Novella’, an Italian garden, possibly near Lucca. Watercolour. Signed. Inscribed on the backing. 7x10 inches.
ROWLANDSON Thomas (1756-1827) Watercolours and drawings. CLICK HERE
ROWLETT George (b.1941) ‘Small seascape’. Oil on board. Exhibited: Cleveland Bridge Gallery, Bath, October 1989. 8x18 inches. Framed: 11x22 inches.
ROWLETT George (b.1941) ‘Thunder Clouds looming over Nelson Dock and Canary Wharf and Rotherhithe’. Oil on canvas. Signed, inscribed and dated 1990. 36x36 inches. Framed: 41x41 inches.
ROWLETT George (b.1941) ‘Small seascape’. Oil on board. 1989. Exhibited: Cleveland Bridge Gallery, Bath. 12x15 inches. Framed: 15x18 inches.
ROWLETT George (b.1941)
‘Work on Rotherhithe Tunnel, Cold Afternoon, Passing Cruiser’.
Oil on board. Signed, inscribed and dated, 1998, verso.
8.5x12 inches. Framed: 14.75x18.5 inches.
ROWLETT George (b.1941)
‘Blue and Yellow Cranes over Brunnel’s Tunnel’.
Oil on board. Signed, inscribed and dated, 1998. Exhibited: Michael Richardson Contemporary Art. The Discerning Eye’.
8.5x12.5 inches. Framed: 15x19 inches.
ROWNTREE Kenneth (1915-1997) Click here to view
ROYDS Mabel (1874-1941) The Musicians. Woodcut printed in colours. Signed. 7.5x9.75 inches.
ROYDS Mabel (1874-1941) ‘The Shrine’ Woodcut printed in colours. Signed. 9.5x12 inches.
ROYDS Mabel Allington (1874-1941) Christ in the Carpenters Shop. Woodcut printed in colours. Proof. 8.75x7.75 inches.
RUDGE Margaret (1885-1972) ‘Cornish Fishing Village’. Etching. Signed and inscribed.
RUDGE Margaret (1885-1972) ‘S.Ercolano, Perugia’. Etching. Circa 1930. Signed and inscribed. 9x6.75 inches
RUDGE Margaret (1885-1972) ‘The Town on the Hill’. Etching. Circa 1930. Signed and inscribed. 6.5x7.75 inches.
RUDGE Margaret (1885-1972) ‘Verona’. Etching. Circa 1930. Signed and inscribed. 8.75x9 inches.
RUSHBURY Sir Henry R.A. (1889-1968) ‘York’, in the rain. Pen, brush and blue grey ink. Signed, inscribed and dated, 1933. Ex. Collection Wyndham T Vint, Bradford. 15x10 inches.
RUSHBURY Sir Henry R.A. R.E. (1889-1968) Etchings. CLICK HERE
RUSHBURY Sir Henry R.A. R.W.S. (1889-1968) ‘SS Domenico e Sisto’, Rome. Pencil and watercolour. Lit. and ill: Sir Rennell Rodd, Rome, publ. 1932. p.96, 15x12 inches. Framed: 23x18.75 inches.
RUSHBURY Sir Henry R.A. R.E. R.W.S (1889-1968) ‘Debtors Prison, York’. Pencil and watercolour. Signed, inscribed and dated 1930(or 3?) 10.5x17 inches.
RUSHBURY Sir Henry R.A. R.E. (1889-1968) The Fish Market and Quay, Dieppe. Chalk, brush and wash. Signed and dated, 1926. 12.75x18 inches. Framed: 20x25 inches.
RUSHBURY Sir Henry R.A. R.E. (1889-1968) ‘Cliffords Inn’ (JR2). Dry-point. 1912. Signed. 14.5x10.5 inches.
RUSHBURY Sir Henry R.A. R.E. (1889-1968) ‘Horse Guards’ (JR85) Drypoint. 1947. Signed. 8.5x10.75 inches.
RUSSELL-FLINT Sir William R.A. P.R.W.S. (1880-1969) ‘Eve’. Drypoint printed in sepia ink 0n ‘Fin de Atelier 1753’ paper. 1930. Signed and editioned ‘D’. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 7x10 inches
RUST Graham (b.1942) ‘Rome’. Ink and chalk. Signed and dated, 1966. 7x10 inches. Artists frame and mount: 12.25x15 inches.
RUST Graham (b.1942) ‘Rome’, the via Margutta. Pen, brush and ink. Signed. 1970. 8.75x7.25 inches. Framed: 16.6x15 inches.
RUST Graham (b.1942)
The Fontana della Barcaccia, Piazza di Spagnia. Rome.
Pen, brush and ink. Signed.
9x11.75 inches. Framed: 14.5x17.25 inches.
RUSTAT Tobias (Twentieth Century) The Salute, Venice. Watercolour. Signed. 15x18.5 inches.
RUTHERFORD Harry (1903-1985)
Dinghies pulled up, possibly Penzance.
Oil on card. Signed.
6x8.5 inches. Framed: 12.5x15 inches.
RUTHERSTON Albert R.W.S. N.E.A.C. (1881-1953) ‘View from the Plateau Napoleon, Grasse’. Watercolour and gouache. 12x10 inches. Signed and dated, 1914. Inscribed verso. Ex. Collection: Wyndham T. Vint, Bradford.
RUTHERSTON Albert (1881-1953) Patricia, the artist’s mistress, asleep. Pencil and grey wash. Signed and dated, 1949. 7x7.75 CLICK HERE to view framed.
RUTLAND Violet, Duchess of (1856-1937) ‘Diana’ (Lady Diana Cooper, nee Manners, 1892-1986) Pencil and watercolour. Signed, inscribed and dated, 1918. Provenance: Viscount Norwich. 6.5x4.25 inches.
RUTLAND Violet, Duchess of (1856-1937) ‘F. Chaliapin / Boris’: Feodor Chaliapin (1873-1938) Pencil. Signed and inscribed, 1929. Provenance: Viscount Norwich. 6x3.75 inches.
RUTLAND Violet, Duchess of (1856-1937) King Lear: ‘Ellen Terry and Henry Irving’. The Lyceum, 1892. Pencil studies. Inscribed. Inscribed verso: ‘Done 1st night / of Irving’s & E. Terry for ‘Pall Mall Budget and initialled ‘V.G’ (Violet Granby) and ‘V.R.’ (Violet Rutland) Provenance: Viscount Norwich. 5.25x10.75 inches.
RUTLAND Violet, Duchess of (1856-1937) ‘John sitting to Shannon’ – John Manners later 9th Duke of Rutland sitting to James Jebusa Shannon in the artist’s studio, 3 Holland Park Road. Pencil. 1897. Inscribed by the artist (his mother) 9x10.5 inches. CLICK HERE for Shannon's painting of John Manners
RYAN Adrian (1920-1998)
‘Cnicht II’.
Pencil, watercolour and gouache. Inscribed. Exhibited: Redfern Gallery, 1953.
8.5x13.5 inches.
RYLEY Charles Reuben (c.1752-1798) ‘Saturday Morning’. Pen, brush and ink. Circa 1790. 5x4.5 inches.
RYMSDYK Andreas Van (1754-1786) Young boy with bow, arrow, bat and ball. Watercolour. Signed and dated, 1785. 10x9 inches. Framed: 18x16 inches.
RYSBRACK John Michael (1693-1770) Women and Bird, possibly from Aristophanes ‘The Birds’. Pen, brush and ink. Signed. Ex. Collection: Walter Brandt. 6x7.5 inches. Framed: 14.25x15.5 inches.
RYSBRACK John Michael (1694-1770) Dramatic, turbaned figure. Pen, brush, chalk, watercolour and gouache. Inscribed on the 18th century wash line backing ‘Mich:Rysbrack Invt:’. Ex. Coll: Judy Egerton. 8.25x5.5 inches. Mount: 10x7.25 inches.
RYSSELBERGHE Theo van (1862-1926) ‘ Le Café Concert’ (Jonson136) Etching printed in sepia. 1896. Edition of 100 printed by Clot and published by Vollard in ‘L’album des peintures-graveurs’. Signed and inscribed ‘en bon souvenir a Madame Griffiths / Paris, Jan. 1900’. Prov: Mary and Robert Griffiths and by descent. 11.5x9.75 inches.
