This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
SAUTER Rudolf Helmut (1895-1977)
‘The Rose Viaduct’.
Oil on canvas. Signed and dated, 1926.
12x17.25 inches. Framed: 17x22.5 inches.
SABATIER Leon Jean (d.1887) ‘Le Port, Marseilles’. Pen, brush and ink. Signed and inscribed. Exhibited: Colnaghi.
SALISBURY Frank O (1874-1962) ‘Middle Temple Hall, Inns of Court’. Oil on canvas. Signed and dated ‘1924’. 25x30 inches. Framed: 31x36 inches.
SALISBURY Frank O R.I. R.P (1874-1962) The lying-in-state of King George V in Westminster Hall, 23rd-28th January 1936. Pencil, watercolour and gold paint. Signed. 21x31. Framed: 28x37.
SALLBERG Harald (1895-1963) ‘Stockholm harbour’. Oil on canvas. Signed and dated, 1927. 20x24 inches. Framed:
SALMOND Gwen (Mrs Matthew Smith) (1877-1958) ‘The Seaweed Bay’. Oil on card. Circa 1930. Inscribed verso. 13x16 inches. Framed: 21.5x24.5 inches.
SALTWOOD CASTLE (Subject) Kent. Circa 1820. Saltwood Castle. Brush and sepia wash. Formerly attributed to Anthony Vandyke Copley Fielding P.O.W.S. (1787-1855) 3.5x5 inches. Framed: 9.5x10.75 inches.
SAMUELSON Peter (1912-1996)
Two Nudes.
Pen and ink. Circa 1950. Provenance: Artist’s Estate.
12x8.25 inches.
SAMUELSON Peter (1912-1996)
‘Man and Dog’.
Pen and ink. Inscribed verso. Circa 1955. Provenance: Artist’s Estate.
9x11.25 inches.
SAMUELSON Peter (1912-1996)
Boy at a desk.
Pen and ink. Circa 1950. Provenance: Artist’s Estate.
10x8 inches.
SAMUELSON Peter (1912-1996) CLICK HERE
SANDBERG Alexandra Forbes (Exh: 1933-1939) ‘Flowers from Switzerland’. Watercolour. Signed. Original ivory frame, crack but stable. Label verso. 2.75 (roundel)
SANDBERG Alexandra Forbes (1933-1939) A bowl of flowers. Ink and watercolour. Signed and dated, 1932. 4x4.5 inches. Framed: 7x7.5 inches.
SANDBERG Alexandra Forbes (Exh:1933-1939) Foxgloves beside a lake. Watercolour. Signed. Framed: 4.75x4.25 inches
SANDBY Paul R.A. (1731-1809) CLICK HERE
SANDBY Paul R.A. (1731-1809) (Circle of) A coming storm. Pencil, ink, watercolour and gouache. Circa 1780. 8x10.75 inches.
SANDBY Paul R.A. (1731-1809) (Attributed to) Recto: Head of a ?Saint. Verso: Partial study of a draped figure. Pencil. Provenance: Sandby Sale, Christies, March 1959. 5.5x4.5 inches.
SANDHAM Henry (Canadian 1842-1910) CLICK HERE
SAPIEHA Christine (Mid 20th Century) ‘Donkeys: Bramble and Thistle’. Pastels. Signed. Ex. Collection: Peter Ward Jackson (1916-2015). 7.25x10.25 inches. Framed: 14.25x17.25 inches.
SARTORIUS Malte (b.1933) ‘Still life on a large table cloth’. Etching. Signed and editioned 2/95. Exhibited: Francis Kyle Gallery 1986. 19.5x27 inches. Framed: 32x38.5 inches.
SATORSKI Cyril (b.1925) Portrait of the Artist’s Father. Oil on board. Inscribed and dated, 1946, label verso. Provenance: Christies 17.11.1988 (as Naviasky) 15.5x10.75 inches.
SAWANATEE Thongsuk (b.1963) Varanasi, on the Ganges. Watercolour. Signed. 14x19.5 inches.
SAYER Derrick (1917-1992) Cat having it’s stomach rubbed. Chalk, watercolour and gouache illustration to ‘ Beverley Nichol’s Cats A.B.C.’ , Beverley Nichols, publ.1960. Signed and indistinctly inscribed. Irregular paper backed on card. Ex.Coll: Peter Ward-Jackson (1916-2015) 5x8.75 inches.
SCARLETT DAVIS John (1804-1844) ‘Sainte Dennis’ (sic). Pencil. Signed, inscribed and dated 1831. Exhibited: Agnews. 9x5 inches. Framed 15x12 inches.
SCHICK Heidi (1870-1946) ‘Russia – Fair’. Watercolour and gouache stage set design. Signed, inscribed and dated 1943. 13x16.5 inches.
SCHICK Heidi (1906-1999) A theatrical apotheosis. Pastels. Signed and dated, 1943. 10x10 inches. £225.
SCHICK Heidi (1909-1999) ‘Shakespeare, Sturm / Tempest’. Pastel. Circa 1935. Signed. Inscribed on the original mount. 8x9 inches.
SCHICK Heidi (1909-1999) ‘Zimer bei Ottavia’ (sic) Pastel stage design for a production of Goldon’s ‘Ottavia’. Circa 1935. Signed. Inscribed on the original mount. 7.5x9.5 inches.
SCHMOLLE Stella WW2 Operations Room. Ink, watercolour and gouache. 13.5x18.75 inches.
SCHNEBBELIE Robert Blemmel (fl.1803-1849)
‘The Statue of Queen Elizabeth / formerly stood on the West Side of Ludgate…’.
Brush and sepia wash. Signed, inscribed and dated, 1832. Provenance: Walter Brandt.
8.5x6 inches.
SCHNELL Gabriel van (fl.1920s) 'Chelsea roof tops.’ Etching. Pencil signed, numbered ‘12’, dated ‘1927 and inscribed ‘Printed by R Ray Jones / Jubilee Place’.
SCHNELL Gabriel van (Exh: 1917-1934) ‘South Kensington Night’. Etching. Proof. Circa 1920. 9x6 inches.
SCHNELL Gabriel van (Twentieth-Century) ‘El-Bourrah-Sid’; capriccio. Etching. Signed. Inscribed verso. 177x153 mm.
SCHRANZ Giovanni (1794-1882) Malta. Watercolour. c.1865. Ex. Coll: Admiral Sir Robert Smart KCB KH (1796-1874) Commander-in-Chief, Mediterranean Fleet 1863-66. 6x8.5 inches. Framed: 13x16 inches.
SCHRANZ Giovanni (1794-1882) Gozo. Watercolour. c.1865. Ex. Coll: Admiral Sir Robert Smart KCB KH (1796-1874) Commander-in-Chief, Mediterranean Fleet 1863-66. 7.5x10.5 inches. Framed: 15.5x18.5 inches.
SCHULEIN Julius Wolfgang (1881-1970) In exile: ‘Gare Montparnasse’. Chalk, watercolour and gouache.1933. Signed and inscribed. 14x19.5 inches. Framed: 23.5x29.5 inches.
SCHWABE Randolph N.E.A.C. (1885-1948) CLICK HERE
SCHWABE Randolph N.E.A.C. (1885-1948)
‘Digge (s) Farm’, Kent.
Ink and watercolour. Signed and inscribed.
11x14 inches.
SCHWABE Randolph R.W.S. N.E.A.C. (1885-1948) ‘Bermondsey, Bridge House, 64 George Row’. Pen, brush and ink. Signed, inscribed and dated, 1934. Built in 1706 Bridge House was demolished following WWII bomb damage. 18.5x12.25 inches.
SCHWARZ Hans N.E.A.C. R.W.S. (1922-2003) CLICK HERE
SCHWARZ Peri (b.1951)
‘Still life with shell III’.
Etching. Signed, editioned 6/10 and inscribed.
6x9.25 inches.
SCOGNAMIGLIO Antonio (19th century) A Berber Warrior. Oil on canvas. Signed and dated, 1876. 25.5x21 inches. Original frame: 37x32 inches.VIEW FRAMED
Gordon SCOTT (1914-2016) Exhibition. CLICK HERE
SCOTT Gordon (1914-2016)
South London Street.
Lithograph. Circa 1935. Signed.
13x10 inches. Signed.
SCOTT Gordon (1914-2016) Letter, fruit and flowers. Oil on canvas. Circa 1938. 28.9x24.25 inches.
SCOTT Caroline Lucy (Lady) (nee Douglas 1784-1857) ‘Ham Lane’, (?Old Windsor) Watercolour. Signed on the mount. Inscribed. 7x10 inches. Framed: 17x19.5 inches.
SCOTT Caroline Lucy (Lady) (nee Douglas 1784-1857) ‘Strathendry House, Fife’; belonging to the Douglas family. Watercolour. Signed on the mount. Inscribed. 7x10 inches. Framed: 17x19.5 inches.
SCOTT Gordon (1914-2016) Bristol: the Central Fire Station, and Fry’s Factory chimney. Pencil and watercolour. Circa 1930. Provenance: Artist’s Estate. 20.25x13.5 inches.
SCOTT Gordon (1914-2016)
Barking Power Station.
Pencil and watercolour. Circa 1930. Provenance: Artist’s Estate.
14x21.5 inches.
SCOTT Gordon (1914-2016) South London Suburb. Pencil and watercolour. Circa 1935. Provenance: Artist’s Estate. 10x14 inches.
SCOTT Gordon (1914-2016)
Roadmen.
Etching. Proof. Circa 1935. Provenance: Artist’s Estate.
10x8 inches.
SCOTT Gordon (1914-2016)
South London street scene.
Lithograph. Circa 1935. Signed.
13x10 inches.
SCOTT Gordon (1914-2016)
The Betrayal of Christ.
Oil on board. Circa 1932. Signed.
10x17 inches.
Gordon SCOTT (1914-2016)
An NCC Soldier, possibly at Bulford Camp. Oil on canvas. Signed ‘G. N. Scott’ verso. Provenance: Artist’s Estate
14x12 inches.
SCOTT Gordon (1914-1916). Red tie. Oil on canvas. Circa 1935. Provenance: Artist’s Estate. 22x18 inches.
SCOTT MONCRIEFF Miss Mary Ann (mid-19th century) The voyage to India. A sketchbook of 22 watercolours recording Views, from Avignon (Nov.4th 1861) to Poona (Jan.1862). Signed and inscribed to her father Robert Scott-Moncrieff (1793-1869) in the frontispiece. Sketchbook: 4x6 inches.
SCOTT-MOORE Elizabeth R.W.S. (1902-1993) The skewbald horse. Watercolour and gouache. Signed and dated, 1954. 11.25x7.75 inches.
SEABROOKE Elliot (1886-1950) ‘Storm Clouds from Godstone Hill’, Surrey. Pen, brush and ink. Signed and dated, 1914. 13x19.75 inches.
SEAGO Edward R.B.A. R.W.S. (1910-1974) ‘Fred Rolfe, King of Norfolk Poachers’. Pen, brush and ink. Signed. Ill: ‘I walked by night: being the philosophy of the King of the Norfolk poachers, written by himself’, Frederick Rolfe, edited by Lilias Rider Haggard, publ.1935. 9x6.5 inches. Framed: 16x13 inches.
SEARGEANT John (1937-2010)
The Studio doll.
Watercolour. Signed and dated, 1965.
14x9.5 inches. Framed: 21.25x16.25 inches.
SERGEANT John (1937-2010)
Pierrot.
Pencil and watercolour. Inscribed by the artist to his wife ‘For Carolyn on your birthday 1983 with love from John’.
11x8.25 inches.
SEARLE Ronald C.B.E. (1920-2011) CLICK HERE
SERGEANT Carolyn (b.1937) The White House. Oil on card. Provenance: Artist's Estate. 4.75x8.5 inches.
SEGONZAC Andre Dunoyer de (1884-1974) ‘Paysage, St Tropez’ Oil on canvas. Circa 1939. Signed. 14x31.75 inches. Framed: 18x35.5 inches.
SEGONZAC Andre Dunoyer de (1884-1974) A Montparnasse. Pen and ink. Circa 1925. Signed. 11x8.5 inches.
SELBY-BIGGE Rachel Ruth (nee Humphries) (b. circa 1892) (Exh: 1914)
Apple still-life.
Oil on panel. Signed.
5x7 inches. Framed: 9.25x11.25 inches.
SELBY-BIGGE Rachel Ruth (nee Humphries) (b. c.1892) (Exh: 1914)
‘Cape gooseberries’.
Oil on panel. Signed.
7.25x10 inches. Framed: 6.25x12.25 inches.
SELF Colin (b.1941) ‘Cinema Study 1969 No.11’ (Cinema Curtain). Ink and watercolour. Verso: Signed and inscribed, dated ‘21st July 1969 (The day Armstrong and – walk on the Moon)’. 5.75x8.5 inches. Framed: 14.5x16.75 inches.
SELF Colin (b.1941)
‘Cinema Study 1969, No.3 (Cinema Curtain’)’.
Inks, watercolour and silver paint. Signed and inscribed verso.
6x8.5 inches. Framed: 14.5x16.75 inches.
SELF Colin (b.1941) ‘Cinema Study 1969 No.9, Cinema Curtain’. Ink and watercolour. Signed, inscribed and dated, 19th July 1969 verso. 6.25x8.25 inches. Framed: 14.5x16.75 inches.
SELF Colin (b.1941)
‘Cinema Study 1969, No.13 (Cinema Curtain’)’.
Ink. Signed and inscribed verso.
6x8.75 inches.
SELF Colin (b.1941) ‘Margaret’. Pencil. Signed, inscribed and dated, January 1972, verso. 10.75x19.5 inches. Framed: 18x27 inches.
SELF Colin (b.1941)
‘Landscape in rain, Norwich’.
Charcoal. Signed, inscribed and dated, 1971, verso.
12.25x18.5 inches. Framed: 22x28.25 inches.
SELF Colin (b.1941)
Norfolk. ‘Across the river at Whitlingham, 4th October, 1970’.
Watercolour. Signed, dated and inscribed verso.
11x8.75 inches. Framed; 21x18.5 inches.
SELF Colin (b.1941)
‘Last Year at Marienbad: Figures in ballroom / Two people on the balcony / Bedroom / The balcony’.
Pen, brush and ink on four sheets of paper mounted and framed together as one. Inscribed and dated, 28th January, 1971 on artist’s label, verso.
Framed: 19x26 inches.
SELLS Rev. Alfred (1822-1908) Liguria. ‘Peglie, the Castello’. Ink and watercolour. Inscribed on original backing and dated, 1897. 9x7 inches.
SELLS Rev. Alfred (1822-1898) Italy. ‘Genoa’. Watercolour. Circa 1895. Prov: album of watercolours by the artist. 8x5 inches.
SENIOR Mark (1864-1927) ‘At the Bar’. Pastel. Signed and dated, 1903. 13.5x9.75 inches. Framed: 22x17 inches.
SEPPINGS-WRIGHT Henry Charles (1850-1937) ‘The Prince of Wales at the Royal Military Tournament’. Ink and gouache for the Illustrated London News, June 3rd 1889. 7.5x11.5 inches.
SERGEANT John (b.1937) ‘Broken Cup II’. Charcoal. Exhibited: John Sergeant Drawings, Hazlitt, Gooden and Fox, no. 6, 1996. 8x11 inches. Frames 13x16 inches.
SERGEANT John (1937-2010) ‘Enamelled Cup’. Etching. Signed, dated 1995 and editioned 2/30. Exhibited: ‘John Sergeant Drawings’, Hazlitt, Gooden and Fox. 5.25x5 inches. Framed: 12x11 inches.
SERGEANT John (1937-2010)
A glass of flowers.
Ink and watercolour. Signed and dated, 1864.
14x9.75 inches. Framed: 21.75x16 inches.
SERGEANT John (1937-2010) ‘The Lion / Westminster Bridge’. Watercolour. Signed, inscribed and dated, 1974. 8.25x11 inches. Framed: 16.5x19 inches.
SERGEANT John (1937-2010)
Studies of Turkeys.
Charcoal and pastel on tan paper. Signed and dated, 1986.
11x18.25. Framed: 20x27 inches.
6SERGEANT John (1937-2010) ‘Sunset’. Pastels. Signed. 6.5x10 inches. Framed: 15x18 inches.
SERGEANT John (1937-2010) ‘Canopy over the High Altar’, Brompton Oratory. Watercolour and ink. Signed and dated, 1991. Exhibited: No.50,’John Sergeant’, Maas Gallery, 1992. 8.5x11.5 inches. Framed: 16.25x18.75 inches.
SERGEANT Carolyn (1937-2018) A study of Forget-Me-Nots. Oil on card. Provenance: Artist’s Estate. 6.75x7 inches.
SERGEANT John (1937-2010) ‘Old Board Room, Hambro’s Bank, 41 Bishopsgate’. Pencil, watercolour and gouache. Signed, inscribed and dated, July 1988. 17.5x23.75 inches. Framed: 28x33.5 inches.
SERGEANT John (1937-2010)
‘Hambro’s Bank: The Front Room, 41 Bishopsgate’.
Watercolour, gouache and respectability. Signed, inscribed and dated, 1988.
17.5x23.75 inches. Framed: 28x33.5 inches.
SERGEANT John (1937-2010) San Barnaba, Venice. Watercolour and gouache. Signed, inscribed and date, 1973. 9.25x12.5 inches. Framed: 19x22 inches.
SERGEANT Carolyn (1937-2018)
Herefordshire landscape.
Oil on card. Signed and dated, 1989. Provenance: Artist’s Estate.
8x9.75 inches.
SERGEANT Carolyn (1937-2018)
Winter scene, Herefordshire.
Oil on card. Provenance: Artist’s Estate.
8.5x12.75 inches.
£475.
SERGEANT Carolyn (1937-2018) Cottage on the Moor. Oil on card. Provenance: Artist’s Estate. 12x16 inches.
SERGEANT Carolyn (1937-2012)
The Sewing Box.
Oil on card. Signed and dated, 1993. Provenance: Artist’s Estate.
10x10 inches.
SERGEANT Carolyn (1937-2018)
Oaks at the corner of a Herefordshire field.
Oil on card. Provenance: Artist’s Estate.
10x12 inches
SERGEANT Carolyn (1937- c.2012) ‘…the leaf, the bud, the flower…’. Oil on gesso. Signed and dated 1997. Exh: Hazlitt Gooden and Fox, no.29. 1999.
SERGEANT Emma (b.1959)
South coast beach, possibly Brighton.
Oil on panel. Circa 1985. Exhibited: Agnews, label verso No.46232.
7.25x12 inches. Framed: 11x15.5 inches.
SERGEANT John (1937-2010) Distant Isle. Watercolour and gouache on blue paper. Signed and dated, 1972. 7.75x11.5 inches. Framed: 16x19.5 inches.
SERGEANT John (1937-2010)
‘Study Sheet 1’.
Charcoal. Signed and dated, 2002. Exhibited: No.15 ‘John Sergeant Recent Drawings’, Fine Art Society, October 2002.
6.25x9.25 inches. Framed: 11.75x14.75 inches.
Framed Photo
SERGEANT Carolyn (b.1937) Studies of field flowers. Oil on card. Provenance: Artists Estate. 7.5x13.75 inches.
SERGEANT John (1937- 2010) Broken pot; still-life. Pen, ink and pencil. Signed, inscribed and dated, 1994. 9.75x7 inches. Framed: 14.5x11.75 inches.
SERRES John Thomas (1759-1825) ‘Toscana’ – fishermen on the Tuscan coast. Pen, brush and ink drawn on his 1790/1792 Italian Tour. Inscribed by the artist verso. Exhibited: An Italian Journey 1790-1792 – ‘Studi di figure Italiani’ by John Thomas Serres, Abbott and Holder, Feb.2002. 11x6.5 inches. Framed: 19x14 inches.
SERRES John Thomas (1759-1825)
‘Neapolitani’ (sic).
Black and white chalks on blue paper. Signed and inscribed. Serres made an Italian tour 1790/91. Ex. Coll: L. G. Duke. Exhibited: Appleby Bros, 1961.
5.5x6.75 inches.
SERRES John Thomas (1759-1825) ‘Studio dal vero / Livorno’. Pen, brush and ink. Signed, inscribed and dated, 1790. Painted on the artist’s ‘Grand Tour’. 3.5x8 inches.
SERRES John Thomas (1759-1825) ‘Jacky Gordon and her brother / as seen at the Assembly in Edinb. 1806’. Pencil, pen and ink. Inscribed. Exhibited: Christopher Powney. 12.75x8.75 inches
SEVERN Arthur R.I. R.O.I. (1842-1931) ‘A Day of Hope’. Watercolour. Signed. 8.5x15 inches.
SEVERN Walter (1830-1894) Road building, possibly the Bosphorus. Watercolour and gouache. Signed and dated, January 1862. 14x20 inches.
SEVERN Walter (1830-1894) Serrania di Ronda and ‘the lines’ (La Linea) from Gibraltar. Watercolour. Signed, inscribed and dated, September 1858. 13.5x19.5 inches.
SEYMOUR James (c.1702-1752) A gallop. Graphite. 5.5x7 inches.
SEYMOUR James (c.1702-1752)
Horseman on prancing steed.
Pencil. Provenance: Stanhope Shelton. Covent Garden Gallery.
6x7.25 inches. Framed: 14x14.5 inches.
SEYMOUR Robert (1789-1836) (Attributed to) Neck and Neck. Pen and ink. Ex. Collection: Ronald Searle, by whom attributed. 6x7 inches.
SEYMOUR James (1702-1752) Stag and Doe. Pencil. Exhibited: William Drummond. 3.25x8.25 inches. Framed: 8.25x12.75 inches.
SEYMOUR HADEN Sir Francis P.R.E. (1818-1910) Woodland. Etching. Signed. 4x3 inches.
SEYMOUR HADEN Sir Francis PRE (1818-1910) A Coast. Dry-point. Signed. 2.25x4 inches.
SHACKLETON William (1872-1933) ‘Beamsley’, Yorkshire. Etching. 1893. Signed. 5x7 inches.
SHACKLETON Keith R.S.M.A S.W.L.A (b.1923) The Evening Flight. Oil on canvas. Signed and dated 1948. 20x24 inches. Framed: 24x28 inches.
SHACKLETON William (1872-1933)
Radiant figures.
Gouache. Signed and dated, 1903.
11.5x15.75 inches. Framed: 20.25x25.25 inches.
SHACKLETON William (1872-1933)
Self-portrait at 42 years.
Gouache. Signed and dated, 1914.
Oval 12.5x10.5 inches. Framed: 16x13.5 inches.
SHACKLETON William (1872-1933) ‘The Burning of the S.S.Volturno’. Gouache, or oil on card. Signed. The Volturno was an emigrant ship from Rotterdam to New York which burnt and sank with terrible loss of life in the North Atlantic on 9th October 1913. 13x15 inches.
SHACKLETON William (1872-1933)
The wreck of a blazing ship.
Oil and gouache on card. Signed.
14x16 inches.
SHACKLETON William (1872-1933) Snow on the Fells. Oil on paper. Signed and dated, 1925. 9x21.5 inches. Framed: 15x28 inches.
SHACKLETON William (1872-1933) Street at dusk. Etching. 1893. Signed. 4.75x3.25 inches.
SHANNON James Jebusa (1862-1923) Low tide. Watercolour. Circa 1895. Provenance: Artist’s Estate and by descent. 9.75x14.25 inches.
SHANNON James Jebusa (1862-1923) Dawn at Sea. Watercolour. Circa 1895. Provenance: Artist’s Estate and by descent. 9.75x14 inches.
SHANNON Charles Hazelwood R.A. (1863-1937) Figure study. Red chalk with some gouache. 11x7 inches.
SHANNON Charles Hazelwood R.A. N.P.S. (1863-1937) Figure study. Red and black chalks. Signed and dated, 1911. 11x16 inches. Framed: 18.5x22.5 inches.
SHANNON Charles Hazelwood R.A. (1863-1937) ‘Lucien Pissarro’ (R.32) 1895. One of 30 proofs.
SHANNON Charles Hazelwood R.A. (1863-1937) ‘White Nights’ (R.16) Lithograph. One of 50 proofs. 1893. Signed. Inscribed verso by the artist ‘Drawn upon transfer paper’. 13.5x9 inches.
SHANNON Charles Hazelwood R.A. (1863-1937) ‘White Nights’. Lithograph. Signed. Inscribed by the artist verso ‘Drawn upon transfer paper’. 1893. One of 50 proofs. 340x225 mm. £575
SHANNON Charles Hazelwood R.A. (1863-1937) ‘Thomas Sturge-Moore’ (R.41). Lithograph. Signed and inscribed ‘C H Shannon del et imp’. 1896. 1 of 30 proofs. Ex. Collection: Laurence Hodson and by descent. 243x170 mm.
SHANNON Charles Hazelwood R.A. (1863-1937) ‘The Pursuit’. Lithograog printed in green. Signed and dated 1918. 9.75x10 inches.
SHANNON Charles Hazelwood R.A. (1863-1937) ‘Autumn’. Chalk study. Signed and inscribed. 10.75x11 inches.
SHANNON Sir James Jebusa (1862-1923) Lady Marjorie Manner (b.1883) at Haddon Hall. Watercolour. Circa 1895. Provenance: Shannon family and by descent. 12.5x9.75 inches.
SHANNON Sir James Jebusa (1862-1923) The Dreamer; A study of John Manner at Haddon Hall, possibly in the Earl's bedroom. Ink and watercolour. Circa 1895. Provenance: Artist’s Estate and by descent. 10.75x9.75 inches.
SHANNON Sir James Jebusa (1862-1923) Tree and river bank. Pencil and watercolour. Provenance : Artist’s Estate and by descent. 15x11 inches.
SHANNON Charles Hazlewood R.A. (1863-1937)
Figure studies.
Red chalk. Signed and dated, 1894. Exhibited: Fine Art Society 1987.
12x7 inches. Framed: 20.5x14.75 inches.
£975.
SHANNON Charles Haslewood R.A. (1863-1937)
‘Late Summer’.
Lithograph printed in red. 1917. Signed and inscribed ‘No.85’.
14.5x14.75 inches.
SHANNON Charles Haslewood R.A. (1863-1937)
‘Autumn’
Lithograph printed in red. 1917. Signed and inscribed ‘No.84’. Edition of ?50.
18.5x12.75 inches.
SHANNON Charles Haslewood R.A. (1863-1937)
‘The Ebb Tide’.
Lithograph printed in red. 1917. Signed and inscribed ‘No.86’.
11.5x11.75 inches.
SHANNON Charles Haslewood R.A. (1863-1937)
The Grape Harvest.
Lithograph.
5.25x5.25 inches circular.
£125.
SHANNON Charles Haslewood R.A. (1863-1937) The Porch; No.7 of his 12 Idylls of Rural Life. Wood cut printed in colours. Proof. Ex. Collection: Peter Ward-Jackson (1916-2015) 5x5.5 inches.
SHANNON Sir James Jebusa (1862-1923) Misty Estuary. Watercolour. Provenance: Artist’s Estate and by descent. 9.5x10.75 inches.
SHANNON Sir James Jebusa (1862-1923) Estuary at low tide. Pencil and watercolour. Provenance: Artist’s Estate and by descent. 7x14 inches.
SHARLAND Edward W (1884-1967)
Bristol: The Wills Memorial Tower, completed.
Etching. Signed.
The Tower was built between 1915 and 1925.
18x12 inches.
SHARLAND Edward W (1884-1967)
Bristol: The interior of the Wills Memorial Tower under construction.
Etching. Signed.
The Tower was built between 1915 and 1925.
18x12 inches.
SHARLAND Edward W (1884-1967)
Bristol: The Wills Memorial Tower under construction.
Etching. Signed.
The Tower was built between 1915 and 1925.
19x12.75 inches.
SHEARD Professor Thomas Frederick Mason (1866-1921) ‘Capri’ from the main land. Oil on card. 1906. Inscribed verso. 7x10 inches. Framed: 9.75x13 inches.
SHEFFIELD George (1839-1892) River landscape. Charcoal. Signed and dated, 1892. 13.5x20 inches.
SHELL ARCHIVE Various artists including A. Lamont, James Smith, Dick Hart, Margaret Webb, David Collins, E. Saunders and Hugh Walker. Approx. 50 pen and ink drawings for the 19503 ‘Place Name Series’.
SHELLEY Samuel O.W.S. (1750-1808) ‘The Lady from ‘Comus’ lost, thus exposing herself’ (to the seducer Comus), Milton. Watercolour. Circa 1805. Inscribed verso and partial ?signature. 8x6 inches. Framed: 16.5x14 inches.
SHELTON Harold (1913-1994) The Sorting Office. Pen, brush, ink and gouache. 14x16 inches. Signed and dated, 1947.
SHEPARD Ernest Howard M.C. (1879-1976)
‘Jeremy and Ernest’.
Pencil study for an illustration to ‘Jeremy’ by Hugh Walpole (Publ.1919)
Exh: no.31 ‘Ernest Howard Shepard’, Fine Art Society, 2002.
8.75x5.75 inches. Framed: 17.5x15.5 inches.
SHEPARD Ernest Howard M.C. (1879-1976) Study of trees. Verso: Moorland study. Pencil. Provenance: Mary Knox, the artist’s daughter. 10x14 inches.
SHEPARD Ernest Howard O.B.E. M.C. (1879-1976) ‘Paris, City of Contrasts’. Pen and ink. Signed. For Punch; initialled beneath the mount by the editor Kenneth Bird (‘Fougasse’). 12x18 inches. Framed: 20x25 inches.
SHEPARD Ernest Howard M.C. (1879-1976) Vespers: Christopher Robin saying his prayers. Will soften the hardest heart. Pencil study on transparent paper for ‘Vespers’, A. A. Milne When we were very young, Methuen, 1924, pp.99-100. Exhibited: The British Art of Illustration 1780-1980, Chris Beetles Gallery, No.216. 5x4.25 inches.
SHEPARD Ernest Howard O.B.E. M.C. (1879-1976) Ratty ‘Executing a jig in the snow’. Pencil study for The Wind in the Willows, Kenneth Grahame, 1931 edition. Signed. Exhibited: ‘E. H. Shepard, The Wind in the Willows’, Sally Hunter Fine Art, 1992, No.47. Provenance: Artist’s Estate. 3.75x2.75 inches. Framed: 12.5x11 inches.
SHEPARD Ernest Howard D.S.O. (1879-1976) ‘They enquired of the Rabbit’. Pencil study for ‘The Wind in the Willows’, Kenneth Grahame, 1931 edition. Exhibited: No.215 ‘E. H. Shepard: The Wind in the Willows’, Sally Hunter Fine Art, 1992. Provenance: Artist’s Estate. 3.5x2.75 inches. Framed: 13x11 inches.
SHEPARD Ernest Howard O.B.E. M.C. (1879-1976) ‘The Goaler’s daughter’ visiting Toad. Pencil study for The Wind in the Willows, Kenneth Grahame, 1931 edition. Signed. Exhibited: ‘E. H. Shepard, The Wind in the Willows’, Sally Hunter Fine Art, 1992, No.16. 6.25x4.5 inches. Framed: 13.5x12 inches.
SHEPARD Ernest Howard O.B.E. M.C. (1879-1976) ‘Haloo, Washerwoman!’: Toad escaping. Pencil study for The Wind in the Willows, Kenneth Grahame, 1931 edition. Signed. Exhibited: ‘E. H. Shepard, The Wind in the Willows’, Sally Hunter Fine Art, 1992, No.153. Provenance: Artist’s Estate. 4x6.5 inches. Framed: 12x13.5 inches.
SHEPARD Ernest Howard M.C. (1879-1976) ‘Looking Forward – Parking in Town’. Pen and ink. Signed. Inscribed verso. Possibly for ‘Punch’, circa 1935. 12.25x9.25 inches. Framed: 20x16 inches.
SHEPARD Ernest Howard M.C. (1879-1976) ‘Rough idea for Winter Scene’. Pencil, brush and ink. Signed and inscribed beneath the mount. 9x7 inches.
SHEPARD Ernest Howard M.C. (1879-1976)
‘I started this with a London Square background, but I think a sea view better’.
Pencil, brush and ink. Signed and inscribed beneath the mount.
8.75x6.5 inches.
SHEPARD Ernest Howard M.C. (1879-1976)
A canal beneath trees.
Ink and watercolour. Signed.
8x11.5 inches.
SHEPARD Ernest Howard M.C. (1879-1976) ‘The Magician’s Heart’. Pencil. Inscribed by the artist ‘One step nearer & in goes the knife’. Provenance: Estate of the artist’s daughter, Mary Knox. 9.75x8.5 inches.
SHEPARD Ernest Howard (1879-1976) Stalin and ‘The New Lure’. Pencil study for a ‘Punch’ cartoon. Circa 1945. Inscribed by the artist. 11x8 inches.
SHEPARD Ernest Howard (1879-1976) ‘Barn near Longdown, Guildford. 1930s. Rough’. Pencil. Signed and inscribed. 14.5x10 inches.
SHEPARD Ernest Howard (1879-1976) ‘The Air Force Pageant – the couple who were determined to miss nothing / Aerobatic thrills during the lunch break’ Pen and ink for Punch Circa 1925. Signed. Inscribed bebeath the mount. Exhibited: No.170, ‘E.H.Shepard’, The Fine Art Society, 2006. 7x10 inches. Framed: 15x17.5 inches.
SHEPARD Florence Eleanor (nee Chaplin) (c.1876-1927) Head of an art school model. Charcoal. Circa 1900. Prov: Estate of Ernest Howard Shepard via his daughter Mary. 13x13 inches.
SHEPHARD Rupert (1909-1992) ‘Policeman’. Linocut printed in colours. Signed and editioned 51/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975.
SHEPHARD Rupert (1909-1992) ‘The Serpentine’. Linocut printed in colours. Signed and editioned 51/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975.
SHEPHARD Rupert R.S.P.P. (1909-1992) ‘The Bus’. Linocut printed in colours. Signed and editioned 51/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975. 16x11.75 inches.
SHEPHARD Rupert (1909-1992) ‘Putney Reach’. Linocut printed in colours. Signed and editioned 22/60 of the Set ‘London – The Passing Scene’, Patrick Seale Prints, 1975. 9.75x11 inches.
SHEPHARD Rupert (1909-1992) ‘The Serpentine’. Linocut printed in colours. Signed and editioned 53/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975. 12.5x10 inches
Jess SHEPHERD Leafscape. CLICK HERE
SHEPHERD Thomas Hosmer (1792-1864) Covent Garden: The Opera House after the 1856 fire. Watercolour. Signed. Exhibited: Agnew’s (no.32990) 6.5x9.5 inches.
SHEPHERD Thomas Hosmer (1792-1864) Regent’s Park Zoo. Pen, brush and sepia ink. Circa 1850. Signed. ‘Jack’ was the Zoos first elephant acquired in 1831. 6x9.5 inches
SHEPHERD Thomas Hosmer (1792-1864) The British Museum, (1823-1847) designed by Sir Robert Smirke. Pen, brush and sepia ink. Circa 1850. Signed. 6x9 inches.
SHEPHERD Thomas Hosmer (1792-1864) The Bank of England, (1828) designed by Sir John Soane Pen, brush and sepia ink. Circa 1850. Signed. 6.25x9 inches.
SHEPHERD Thomas Hosmer (1792-1864) The Custom’s House, London, (1825-1827) designed by Sir Robert Smirke Pen, brush and sepia ink. Circa 1850. Signed. 6x9 inches.
SHEPHERD Thomas Hosmer (1792-1864)
Marlborough House – the Entrance Front before Pennethorne’s 1860s alterations.
Pen, brush and ink. Signed.
6x9 inches.
SHEPHERD Thomas Hosmer (1792-1864) ‘Entrance to Canterbury’. Pencil. Inscribed by the artist. 5x7 inches.
SHEPHERD George (1784-1862) Margate. ‘Spellers Court, a turning off Love Lane. It was presumably pulled down when Hawley Street was constructed in 1825’. Watercolour. Signed, inscribed and dated,June 30th 181(?7) 5.25x7.25 inches.
SHEPHERD George Sidney (1782-1862) London ‘The house in Cock Lane…’. Pen and sepia ink. Signed. 5.25x3 inches.
SHEPHERD George Sidney (1784-1862) Sunset. Ink and watercolour. Signed. 3.5x6 inches.
SHEPHERD George (1784-1862) Hampshire. Titchfield Abbey. Watercolour. Signed and dated, 1806. 7.5x11 inches. Framed: 13x16 inches.
SHEPHERD George (1784-1862) ‘Rochester Castle from the bridge’. Watercolour. Inscribed. 5x7.25 inches. Framed: 11x13 inches.
SHEPHERD George N.W.S. (1784-1862) ‘Back of Cross Street / Queen Elizabeth’s, or Fowlers Lodge’. Pen, brush and in. Signed. Inscribed in pencil. 5x4.5 inches. Framed: 13x11.5 inches.
SHEPHERD Thomas Hosmer (1793-1864) Quay on the Medway. Watercolour. Signed. 4x7 inches.
SHEPPERSON Claude Allin A.R.A. (1867-1921) ‘Lady (at Railway Restaurant Counter) “Will you please give me a Bath Bun?” Waitress “Will you eat it here or in a bag?” … ’. Pen and ink for ‘Punch. Circa 1910. Signed. 7.5x11.25 inches.
SHEPPARD Rupert (1909-1992)
‘Lichine, Danilova and Woizikorski’ reputedly dancing ‘Petrouchka’ for Colonel de Basil’s Ballets Russes de Monte Carlo, 1935.
(David Lichine 1910-1972) (Alexandra Danilova 1903-1997) (Leon Woizikovsky 1899-1975)
Ink and watercolour. Signed and dated, 1935. Exhibited: Sally Hunter Fine Art, 1985.
10.5x14.25 inches. Framed: 16.5x20 inches.
SHEPPARD Maurice P.P.R.W.S. (b.1947)
Grazing sheep.
Watercolour. Signed.
8x11.5 inches. Framed: 15.5x18.5 inches.
£95.
SHEPPARD Maurice P.P.R.W.S. N.E.A.C. (b.1947) Landscape study. Watercolour. Signed. 8x11.25 inches. Framed: 15.5x18.5 inches.
SHEPPARD Maurice P.P.R.W.S. N.E.A.C. (b.1947) Wintry woodland. Watercolour. Signed. 8x11 inches. Framed: 15.5x18.25 inches.
SHEPPARD Maurice P.P.R.W.S. (b.1947) Normandy. ‘Sainte Adresse’. Watercolour. Signed and dated, 1974. Inscribed verso. 7.5x11 inches.
SHEPPERSON Claude Allin (1867-1921)
Boy “What’s he been doing Mother?" Mother "I don’t know Dear, but it must have been something very bad indeed” Boy “I know, he must have been contradicting his mother’.
Pen and ink for ‘Punch, 22.12.1909. Signed.
7.5x10 inches. Framed: 15x16 inches.
SHEPPERSON Claude Allin A.R.A. (1867-1921) ‘Lady to Caller “You won’t mind my going on with my work while you are here will you? Then I shan’t feel I’m wasting my time”’. Pen and ink for Punch. Circa 1910. Inscribed on the original backing. Signed. 9x11.75 inches.
SHEPPERSON Claude Allin R.I (1867-1921)
The Home Front: Kensington.
‘Mother to Visiting Curate: And do you really pray for your enemies?’
Ethel (overhearing): I do, Mummy’.
Curate: And what do you say in your prayer my child?’
Ethel: I pray they may be beaten’.
Pen and ink for ‘Punch’. Circa 1915. Caption inscribed verso.
7x10 inches.
SHERBORN Charles William (1831-1912) ‘Apollo’. Engraving. Circa 1875. Signed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 4x2.5 inches.
SHERINGHAM George P.S. (1884-1937) Dahlias. Gouache. Signed. 21x14 inches. £250.
SHERINGHAM George (1884-1937) ‘Ward, 1833 / Backdrop for the Building Centre’. Ink and watercolour. Signed and inscribed beneath the mount. 11x13 inches.
SHERLOCK Marjorie (1897-1973) On the Ganges. Pencil. Signed and dated, 1931. 15x10 inches.
SHERLOCK William Pengree (fl.1800-1820) ‘River Thames from near Greenwich’. Watercolour. Inscribed verso. 4.5x9.5 inches.
SHERRIFFS Robert S. (1906-1960) ‘The Belles of St Trinian’s / Frankenstein / Mr Ronald Searle’. Pen, brush and ink. Signed and inscribed. Published to accompany the film’s review in Punch, 13th October 1954, p.486. 8x9.5 inches. Framed: 16x17.25 inches.
SHIELDS Frederick James (1833-1911) ‘The Harvest Offering’. Watercolour. Signed and dated 1873. 13.25x7.5 inches. Framed: 21.5x15 inches.
SHIRLEY SMITH Richard (b.1935)
Still Life.
Oil on card. Signed and dated, 1996.
14.5x21 inches. Signed and dated, 1996.
SHORT Sir Frank R.A. P.R.E. (1857-1945) Sussex. ‘Seaford’. Pastel on blue paper. Signed, inscribed and dated December 1923. 8x10 inches. Framed: 16.75x18.5 inches.
SHORT Sir Frank R.A. P.R.E. (1857-1945) ‘Stonehenge at day break’ Mezzotint after a sepia drawing by J M W Turner (mezzotinted but not publishes). 1897. Signed by Short. 8.5x11 inches. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956).
SHORT Sir Frank R.A. P.R.E. (1857-1954) ‘Canterbury from the Meadows’. Etching. 1930. Signed. Ex. Coll: Sir John Stirling-Maxwell of Pollok (1866-1956) 10x14 inches.
SHORT Sir Frank R.A. R.E. (1857-1945) ‘Nithsdale’ Mezzotint. Signed. 8x12.25 inches.
SHORT Sir Frank P.R.E. R.A. (1857-1945) ‘The Thames at Twickenham’. Aquatint. Signed. 8.25x11.25 inches.
SHORT Sir Frank R.A. (1857-1945)
‘St Mary Redcliffe, Bristol’ (MN.53)
Mezzotint after the watercolour by Cotman. 1888. Signed.
6.75x9.25 inches.
SHORT Sir Frank R.A. P.R.E (1857-1954) ‘The Breaking Up of the Great Eastern’, No.1. Etching. 1890. Signed. 6x8 inches.
SHOTTER BOYS Thomas (1803-1874) River landscape. Pencil, brush and grey washes. Exh: The Folio Society. Christopher Powney.
SHOTTER BOYS Thomas (1803-1874) ‘Barking’ Creek. Pencil and watercolour. Inscribed verso. 4.25x6.5 inches.
SHUNSEN Natori (1886-1960) Portrait of Wilhelm Solf (1862-1936) Governor of German Samoa (1900-c.1912) Ambassador to Japan (1924-1928). Woodcut printed in colours. Signed with the artist’s seal and signed and dated 1930 by the sitter. Ex. Coll: Professor P. H. Plesch. 14.75x10 inches.
SICKERT Bernard (1862-1932) (Circle of) Snow – St James’s Palace. Pastels. Circa 1920. 14x17 inches. Framed: 18x21 inches.
SICKERT Walter Richard R.A. N.E.A.C. (1860-1942) Drawings CLICK HERE
SICKERT Walter Richard (1860-1942) CLICK HERE
SICKERT Walter Richard (1860-1942)
‘Envermeu’, Dieppe.
Oil on millboard. Signed. We are grateful to Dr Wendy Baron for suggesting a date ‘circa 1913’, Exhibited: Redfern Gallery, 1938.
7.5x9.5 inches.
Henry SILK (1883-1948) and East End Vernacular CLICK HERE
SILK Henry (1883-1947) East London Still Lifes. CLICK HERE
SILLINCE William (1906-1974) ‘So I’m giving you this ticket for ‘Cinderella’, but don’t be late home’. Pencil for Punch, 11th January, 1939. 7.5x10.5 inches. Framed: 16x17.5 inches.
SILLINCE William R.W.S. (1906-1974) Royal Hospital, Chelsea gardens. Ink and watercolour. Circa 1935. Signed. Provenance: Sir John Stirling Maxwell of Pollok (1866-1956). 6.5x10 inches.
SILLINCE William Augustus (1906-1974) At the Gallery. Ink and watercolour. Signed. Circa 1935. 11x16 inches. Framed: 19x23.75 inches.
SILLINCE William (1906-1974) ‘That? I fancy it’s by Pinocchio or somebody’. Pencil on linen paper for ‘Punch’, 8th May, 1940. Signed. Exhibited: For the Love of Drawing: Drawings from an Oxfordshire Collection., June-August 2002, Ashmolean Museum, Oxford. Ex. Collection: Mr and Mrs George Walker. 6.25x7.5 inches. Framed: 12x13 inches.
SILVESTRE Israel (1621-1691) After View of Avignon. Ink and watercolour. 4.5x8.5 inches.
SIMCOCK Jack (1929-2012) ‘Two figures’. Oil on board. Signed and dated 1957. Ex.Collection: Balliol College JCR. 15.5x17.5 inches. Framed: 17x18.75 inches
SIMCOCK Jack (1929-2012) ‘From Wood Street, Mow Cop’. Oil on board. Signed and dated, 1972. 8x14 inches.
SIMCOCK Jack (1929-2012) ‘Figures in a Dark Lane’. Oil/card. Signed and dated, 1965. Exhibited: Piccadilly Gallery. 13x20 inches.
Simmonds S Noel (1909-1938) Dieppe: the Quai Henri IV. Ink and watercolour. Signed and dated, 1912. 11x15 inches.
SIMMONS B.J. & Co, of Covent Garden. 1939. ‘Kathie’ in Tyrolean walking outfit. Gouache costume design for the Metro Goldwyn Meyer film Goodbye Mr Chips (1939). Provenance: Simmons Archive Sale, Sothebys. 19x14 inches.
SIMON Jacques (1875-1965) On the banks of the Seine. Oil on canvas laid on card. Signed and dated, 1917. 5.5x8.5 inches. Framed: 9x12 inches.
SIMON Jacques (1875-1965) The banks of a French river. Oil on board. Indistinctly inscribed. Signed verso. 5.5x8.75 inches. Framed: 7x10 inches.
SIMPSON Joseph (1879-1939) Portrait of D H Lawrence (1885-1930). Charcoal and gouache. Signed. Illustrated: The Sunday Dispatch, 17.02.1929. 9.25x8.25 inches. Framed: 21x18.75 inches.
SIMPSON Charles R.I. (1885-1971) ‘Well over a nasty place’. Gouache. Signed. Inscribed verso. 14.5x21 inches.
SIMPSON William (1823-1899) ‘Jung Bahadur’ (H.H. Commanding-General Sir Jung Bahadur Kunwar Rana, Maharaja of Lamjung and Kaski, Prime Minister and ruler of Nepal) (1817-1877) Pencil and watercolour. Signed, dated 19th February 1876 and inscribed by the artist ‘Sketched as Sir Jung was waiting to Receive H.R.H. Prince of Wales / on the north bank of the Sarda, at Bunbassa’. 4.75x4 inches.
SIMPSON William (1823-1899) ‘The Siege of Metz’; an engagement between the French Navy / Gardes Mobiles and Bavarian troops. August - October 1870. Chalk, ink and gouache 0n three pieces of joined paper. 31x18 inches.
SIMPSON William (1823-1899) ‘Mount Ida, Island of Crete, Greece’. Pencil, brush, watercolour and gouache on two sketchbook pages. Signed, inscribed and dated, January 1869. 11x17 inches.
SINGLETON Henry (1766-1839) The Morning Walk. Pencil and watercolour. Exhibited: Maas Gallery. 5x4 inches.
SINOTT Kevin (b.1947) ‘Turandot’. Oil on board. 1986. Signed. 12x10 inches. Framed: 15.5x13.5 inches.
SITWELL Lt. Harold Cooper, 9th Bengal Light Infantry (1837-1884)
Indian Mutiny: ‘Action at Seray Ghat’ (sic)
Pencil, ink and gouache on toned paper. Signed, inscribed and dated, 9th December, 1857 verso. Inscribed on the backing ‘Action at Seray (/g) Ghant (sic) and capture of 15 guns from the Gwalior rebels 9th December 1857’.
6x10 inches.
SITWELL Lt. Harold Cooper, 9th Bengal Light Infantry (1837-1884)
Indian landscape.
Pencil. Circa 1857. Provenance: Cf. Sitwell, A and H Sold Archive.
4x11.25 inches.
SKELTON Jonathan (1735-1759)
Pencil, pen, ink and watercolour.
Exhibited: Leger Galleries, June 1995.
5.5x8.5 inches. Framed: 15.5x18 inches.
SLATER Charles (1820-1890) Still-life: dog roses and bird’s nest. Watercolour and gouache. Circa 1860. Signed. 6.75x10.5 inches.
SLATER John (c.1779-1837) Portrait of a Young Man. Chalk and watercolour. Signed, dated 1813 and inscribed ‘17 Neman Street’. 9x7.25 inches.
SLEIGH John (Exhibited: 1841-1872) ‘The little gleaners’. Ink, watercolour and gouache. Signed and dated ‘1855’. Exh: Maas Gallery. 5x7 inches. Framed: 13.5x15 inches,
SMALL William R.I. (1843-1929) Royal Scottish Academy Schools life study. Pen and ink. Circa 1860. Provenance: One of a group, some of which were signed. 19x12 inches.
SMIRKE Robert R.A. (1752-1845) ‘The Death of Leonard da Vinci’. Pen and ink. Engraved for ‘The Spectator’, c.1784. 4x3 oval. Framed: 11.5x10 inches.
SMIRKE Mary (1809-1896) ‘A willow by the Thames near Barnes’. Ink and watercolour sketchbook page. Exhibited: Andrew Wyld, October, November 1973. 5.5x9.25 inches. Framed: 13.25x16.25 inches.
SMIRKE Mary (1779-1853) Richmond from the Thames. Watercolour. Provenance: Judy Egerton. 4.5x7.75 inches. Framed: 10x12.5 inches.
SMIRKE Mary (1779-1852) Kent. ‘Herne Bay’. Watercolour. Signed with initials, inscribed and dated ‘Sept.1814’ on the original mount. 6x9.25 inches. Framed 11.5x14.25 inches.
SMIRKE Robert R.A. (1752-1845) Child and dog. Pencil, pen and ink. Signed and dated 1824. 6x7.5 inches. Framed: 13x14.25 inches.
SMITH Sir Matthew (1879-1959) Study for the London Group Members 1955 Exhibition Poster. Brush, ink and watercolour. 30x22 inches.
SMITH Edward B (Royal Engineers) (fl.1820s) India. ‘Siege of Bhurtpore’. Ink and watercolour. ?signed verso. 10x16 inches.
SMITH Percy Delf (1882-1948)
‘The Diggers’.
Etching from the series ‘Twelve Drypoints of the War 1916-1918’ published by Colnaghi in 1825. Signed and inscribed.
6x8.5 inches. £775.
SMITH Peter R.E. S.W.E. (b.1945)
‘Fallen Tree’, Richmond Park.
Wood engraving. Signed, inscribed and editioned 209/250.
From the series of wood engravings ‘The Great Storm of October 1987 and its aftermath’, the Society of Wood Engravers.
7x5 inches.
SMITH Arthur Reginald A.R.A. R.W.S (1871-1934) ‘Sunset Glow, Pont-Audemar’, Normandy. Watercolour. Signed. Inscribed verso. 15x10.75 inches.
SMITH A Thomas (fl.1930s) Motor Bike Racers. Linocut. Signed and dated, 1932. 6x7.25 inches.
SMITH John Raphael (1752-1812) A fancy portrait. Red and black chalks. Signed. 9x6 inches. Framed: 16.5x13 inches.
SMITH John Thomas (1766-1833)
‘Sir Isaac Newton’
Watercolour on paper watermarked 1828. Inscribed on the reverse by Smith ‘Sir Isaac Newton / from an ivory carving’. Ex. Collection: J. T. Smith. Alexander Hallam Murray (1854-1934) Leonard G Duke (1890-1971) (D.2738). 6x4.5 inches.
SMITH John Thomas (1766-1833)
‘Sir John Hawkins’ (1719-1798) Author and friend of Samuel Johnson.
Watercolour on the reverse of a printed ‘Present Acknowledgement Form’ from the British Museum. Inscribed on reverse ‘Sir John Hawkins / from a medallion / by Manning / a pupil of Bacon’ Inscribed on recto of backing ‘Drawn by J. T. Smith, from a medallion the same size’.
Charles (1776-1812) and Samuel (1786-1842) were partners of the sculptor John Bacon (1777-1839).
Ex. Coll: J. T. Smith’s Coll of Johnsoniana. Alexander Henry Hallam Murray (1854-1934). Leonard G Duke (1890-1971) (D.2737).
6.25x4.5 inches.
SMITH Sir Matthew (1879-1959)
Landscape: Var. Watercolour. Signed. Exhibited: Redfern Gallery, September 1935, to Mr Harold F. Smith. 4.5x4.75 inches circular. Original frame: 12.75x15.75 inches.
SMITH John ‘Raphael’ (1752-1812) ‘Miss Harvey’. Pastel. 10x8 inches. Framed: 14x12 inches.
SMITH Carlton Alfred R.I. (1853-1946) The letter; lamplight. Ink and watercolour. Signed and dated, 1885. 15.75x11.5 inches. Original framed available/included: 26x22 inches.
Carlton Alfred Smith R.I. R.O.I. (1853-1946) ‘Study of a Head’. Watercolour and gouache. Signed and dated, 1888. Inscribed on the original label. 11.5x8.5 inches. Framed: 22.5x19 inches.
SMITH David Henry (b.1947) ‘Ein Advat’. Etching. 34/250. Signed. Issued as a Christmas Card by Fisher Fine Art in 1979. 151x130 mm
SMITH Erik (1914-1973) Sous les toits: Paris from the studio window. Etching. Proof. Circa 1938. 7x11 inches.
SMITH Erik (1914-1973)
Paris : ‘Sous le toits’: view from the artist’s studio
Etching. Proof. Circa 1938.
SMITH Sir Matthew L.G. (1879-1959) The Little Lake. Pencil and pastel. 7x10 inches. Signed.
SMITH Percy Delf (1882-1948) ‘The Diggers’ Etching. Signed and inscribed. 6.25x8.5 inches.
SMITH Percy Delf (1882-1948) ‘The 15 inch Howitzer’. Etching. 1916. Signed. Inscribed by the artist ‘Etching of 15 inch Howitzer, 30 proofs of which this is No.14’. 8x9.75 inches.
SMITH Ronald R.S.W. R.G.I. (b.1946) ‘Mediterranean Harbour’. Oil on canvas. Signed. 32x40 inches. Framed: 39x47 inches. £2500.
SMITH Thomas (fl.1780-1822) ‘Front view of the Convent of Vallombrosa, 18 miles east of Florence…’. Pencil and watercolour. 9x13.5 inches. Framed: 17.5x20.75 inches.
SMITH Thomas (fl.1780-1822) ‘Temple of the Sybil at Tivoli, with Horace’s Villa behind’. Ink and watercolour. Signed and dated, 1796, inscribed verso. Ex. Collection: Judy Egerton. 5x7.5 inches.
SMITH Sir Matthew (1879-1959) ‘Late Autumn’. Watercolour. Circa 193. Signed. Ex. Collection: Mrs and Mrs George Walker. 10x13 inches. Framed: 19.5x17 inches.
SMITH John 'Warwick' (1749-1831) 'Near the Porto Pinciano at Rome' (sic). Watercolour. Signed with monogram and dated 1784. The original washline mount inscribed recto. 202x325mms. ●
Wash-line mount. Wash-line mount inscription recto. Framed photo.
SMITH John ‘Warwick’ (1741-1839) ‘Coast of Salerno’. Watercolour. Inscribed verso. 12x17.5 inches. Framed: 20.5x25 inches.
SMITH John ‘Warwick’ (1749-1831) ‘View 0n the Fraeth Mawr Sands, towards Snowdon / 0n crossing them between Penmorsa & Cynant / Merionethshire’. Ink and watercolour. Inscribed and dated, ‘July 21st 1795’, to the original wash-line mount. The National Library of Wales holds 156 Welsh views mounted and inscribed in this manner. Provenance: Richard Burnett, Finchcocks Musical Museum. Lit: Iolo Williams, Early English Watercolours, p.86. 5x9 inches. Original mount: 12x17 inches.
SMITH John ‘Warwick’ (1749-1831) ‘Llan Elltyd Bridge over the Maw – 0n the road between / Barmouth and Dolgelly – looking to Hnegwrt, and beyond to Cader Idris / Merionethshire’ (sic). Ink and watercolour. Inscribed and dated, ‘July 16th 1790’, to the original wash-line mount. Mount inscribed ‘(taken) July 16th 1790’ verso. The National Library of Wales holds 156 Welsh views mounted and inscribed in this manner. Lit: Iolo Williams, Early English Watercolours, p.86. Provenance: Richard Burnett, Finchcocks Musical Museum. 5x8.25 inches. Original mount: 12x17 inches.
SMITH John ‘Warwick’ (1749-1831) ‘Town and Castle of Montgomery on the approach to it from Welsh Pool’ (sic) Ink and watercolour. Accompanied by the artist’s original inscription. Provenance: Warwick Castle Collection, via King & Chasemore, Sussex, 3.4.1979. 5.25x8 inches.
SMITH William Harding (1848-1922) The coast at Lyme Regis, Dorset. Watercolour. Signed. 7x14 inches.
SMITHARD George Reginald (1873-1919) Market scene. Watercolour and gouache. Circa 1905. Signed. 12x18 inches.
SMYTHE Reg (1917-1998) Andy Capp: at the bar. Ink and watercolour for the Daily Mirror. Signed. Circa 1960. 8x10 inches.
SMYTHE Reg (1917-1998) Andy Capp: closing time. Ink and watercolour for the ‘Daily Mirror’. Signed. Circa 1960. 6x10.5 inches.
SMYTHE Reg (1917-1998) Andy Capp: the Gentleman. Ink and watercolour. Signed and inscribed. 8x9.5 inches.
SMYTHE Lionel Percy R.A. R.W.S. (1839-1918)
The Spring.
Watercolour. Signed.
10x6.75 inches.
SOER Chris (1882-1962) View from Wetstraat towards Eglise St Marie, Brussels. Oil on canvas. Signed. 9.75x7 inches. Framed: 14x11 inches.
SOLOMON Simeon (1840-1905) Putti. Pastels. Signed and dated 1885. 12x9.75 inches.
SOLOMON Simeon (1840-1905) The Final Crossing. Watercolour. Signed and dated 1887. 13.5x20 inches.
HOWARD SOMERVELL William M.P. (1860-1934) In the Alps. Chalk and watercolour. Circa 1930. Provenance: Peter Mallalieu. 10x9.5 inches.
SOMERVILLE Edith (1858-1949) Sketchbook page studies, possibly Etaples. Pencil. Circa 1898. Ex. Collection: Lionel Lambourne. Lit: Clifford Lewes, Somerville and Ross, 1985, p.187. 7.25x6 inches. Framed: 13x11.5 inches.
SOMM Henri (1844-1907) 0n patrol. Ink and watercolour. Signed.Circa 1895. 12x9 inches. Framed: 20x16 inches.
SOMM Henri (1844-1907) Rabbit for lunch. Ink and watercolour. Signed. 11x7.25 inches.
SOMM Henri (1844-1907) ‘Dame en tenue 1900’. Ink and watercolour. Signed. Exhibited: Robert Noortman Gallery. 8.25x6 inches. Framed: 15x12.5 inches.
SOMM Henri (Francois-Clement Sommier 1844-1907)
A winged hat.
Ink and watercolour. Signed. Exhibited: Hazlitt, Gooden and Fox.
4.5x2.25 inches. Framed: 9x6.25 inches.
SONNABEND Yolanda (1935-2015) ‘Goddess’: Elizabeth Welch (1904-2003) Ink, watercolour and collage costume design for the Soprano Elisabeth Welch in Derek Jarman’s film ‘The Tempest’, 1979. Signed, also inscribed ‘Tempest, for Elisabeth’ and dedicated ‘to Bee’. 15.5x10.75 inches.
SONNABEND Yolanda (1935-2015) ‘Tempest / Caliban’. Pencil, ink and collage costume design for Jack Birkett in Derek Jarman’s fil ‘The Tempest’, 1979. Signed, inscribed and dedicated ‘For Bee’. 14.5x10.25 inches.
Yolanda SONNABEND (1935-2015) Selected Costume Designs from the Artist's Estate. CLICK HERE
SOPER Eileen (1905-1990) ‘Black Puss’. Etching. 1925. 1 of 7 signed impressions of the 6th and final state. 4.5x7.5 inches.
SOPER Eileen (1905-1990) ‘Spring Tide’. Etching. 1929. Signed.
SOPER Eileen (1905-1990) ‘Garden Gate’. Circa 1925. Signed. 5x7 inches.
SOPER Eileen (1905-1990) ‘The Sailor’. Etching. 1929. Signed. 5x7.25 inches.
SOPER Eileen (1905-1990)
George Soper, the artist’s father, etching in his studio, Harmer Green, Hertfordshire.
Oil on canvas. Circa 1920. Signed.
24x20 inches.
JULIA SORRELL RI RBA Wild and Ancient Orkney. CLICK HERE
SORRELL Alan R.W.S. (1904-1974) ‘At the hour of midnight the Salarian Gate was silently opened and the inhabitants were awakened by the tremendous sound of the Gothic trumpet…’ (Gibbon). Pencil, ink, watercolour and gouache. Inscribed by the artist: ‘Barbarians enter Rome. Prog. 1 / or 2’. Inscribed by the artist 0n label ‘Goths entering Rome / The Salarian Gate / opened by traitors at / midnight. (see Gibbon)’ 14.5x20 inches. Framed: 22x26 inches.
SORRELL Alan (1904-1974) ‘Londinium, 1st Century A.D’. Pen, brush and ink. Signed and dated, 1954. Commissioned by the Illustrated London News, 1954. 14x22 inches. Framed: 21x29 inches.
SOUKOP Willi (1907-1995) ‘The Dancer’: Dail Ailian (1916-2006) Resin. Circa 1939. 13x11x8 inches approx.
SOUSTER Ernest George William (1882-1953) Designs for the interior of the ‘Oxford and Poland Street Cinematograph Theatre’: Auditorium ceiling and back wall (25x34.5 inches) Auditorium Screen wall (15x25 inches) Auditorium side Wall (15x28 inches) Pencil. Circa 1910. The set of three, unmounted.
SOUTHALL Joseph R.W.S. N.E.A.C. (1861-1944) ‘A story from Grimm’. Pencil. Signed and dated 6th February, 1908. 8.25x5.25 inches. Framed: 15.75x12.25 inches.
SOUTH AMERICA (subject) Anon. Circa 1850. ‘Le Soir / souvenir du rio Parana’; which flows through Paraguay, Brazil and Argentina. Pencil and watercolour. Inscribed on the original backing. Signed with monogram and dated, 1854. 8x11.5 inches.
SOUZA Francis Newton (1924-2002) Standing Nude. Pen and ink. Signed and dated, 1962. 13x8 inches. Framed: 19x13.5 inches.
SOZONOV Valerie (mid-20th Century) The beach at Scheveningen. Pencil, watercolour and gouache. Signed and dated, 1932. Ex. Collection: Wyndham T. Vint, Bradford. 16x21.5 inches. Framed: 23x28 inches.
SOZONOV Valerie (fl.1920-1940) ‘Henley Regatta’. Watercolour and gouache. Circa 1935. Signed. 15x21.5 inches.
SOZONOV Vsevolod (1899-1966) Santa Margherita, Liguria. Gouache. Signed. Circa 1930. 14x20 inches. Framed: 20x25.5 inches.
SPARE Austin Osman (1886-1956) ‘The Apache’. Pencil. Signed and inscribed. 6x4.5 inches.
SPARE Austin Osman (1886-1956) ‘Mountains of the Moon’. Pastels. Signed and dated, 1955. Inscribed verso ‘Mountains of the Moon’ No.183 / By Austin Osman Spare 1888-1956 / Owned by Ernest Chapman / Owner of the Four O’Donnell Pearls’. 23.5x19 inches. Framed: 30x27 inches.
SPARE Austin Osman (1886-1956) ‘Paphian Aftermath’. Pencil and watercolour. Signed. Inscribed verso. 10x11 inches. Framed: 17x18 inches.
SPARE Austin Osman (1886-1956) Snakes and Spirits. Pencil. 10x7.5 inches. Framed: 18.75x16 inches.
SPEAR Ruskin R.A. C.B.E. (1911-1990)
‘Cruise’.
Pencil. Signed, inscribed and dated, 1934.
10.25x7.5 inches. Framed: 18x15.25 inches.
SPENCE Robert (1871-1964)
‘Les Grans (sic) Lunettes de Villon’.
Drypoint. Signed and inscribed.
6.75x9.75 inches.
SPENCELAYH Charles (1865-1968) ‘Lost’. Etching. 3x4 inches.
SPENCER Roy (1918-2006) ‘Tropical House, Kew’. Ink and watercolour. Signed and dated, 1986. Exhibited: ‘The Secret Gardens of London’, Sally Hunter Fine Art, May 1987, no.60. 14x20 inches. Framed: 21.25x27.25 inches
SPENCER Sir Stanley R.A. RA (1891-1959) ‘Hilda’. Pencil. Circa 1925. Inscribed and numbered ‘15’ by the artist. Ex. Collection: Shirin Spencer. 8x9 inches. Framed: 17x17 inches.
SPENCER Sir Stanley K.C.B. C.B.E. R.A. (1891-1859) Slade Model. Pencil. Circa 1908-1912.Provenance: Pamela Spenser, the artist’s niece. 12x10.5cms (irregular). Framed: 32x29cms.
SPENCER Noel (1900-1986) ‘Thames Craft’. Etching. Signed and inscribed. 9.75x12.75 inches.
SPENCER Noel (1900-1986) ‘Downey’s Wharf, Battersea’. Etching. Signed, inscribed and ‘Unfinished state’, and dated, 1925. 7.75x9.75 inches.
SPENCER G ( ?S ) W. (U.S.A. fl.1940s)
‘House Cats’.
Lithograph. Signed, inscribed and dated, 1948.
7x6.25 inches.
SPENCER Sir Stanley C.B.E. R.A. (1891-1959) At table. Pen, brush and wash. Provenance: Spencer Studio Sale Christies 5.11.98. 3x4.75 inches. Framed: 9x12 inches.
SPENCER Sir Stanley R.A. (1891-1951) Recto: composition studies for ‘Disembarkment’, ‘Embarkation’ and ‘Hotel Lawn’. Verso: Plan for a hang? Ball point pen on Arthur Tooth Compliments slip. Provenance: Studio Stamp from Christies Sale Christies 5/11/98. 8x5 inches. £675. Verso
SPENCER Sir Stanley R.A. (1891-1951) Three studies of women. Pencil. Provenance: Studio Stamp from Christies Sale 5/11/98. 9x7 inches.
SPENCER Sir Stanley R.A. (1891-1951) Studies of a Coronation. Pencil. Provenance: Studio Stamp from Christies Sale 5/11/98. 7x4.25 inches. £575. Verso
SPENCER Sir Stanley R.A. (1891-1951) Recto: squared up composition study, and notes. Verso: extensive notes including ‘Hilda, Me and East Heath Road ... Boys at Odney…’ ‘Outside Chapel Door’ etc. Provenance: Studio Stamp from Christies Sale 5/11/98. 7.5x5.5 inches. £575. Verso
SPENCER Sir Stanley R.A. (1891-1951) Composition studies on reverse of ‘Challenge Toilet Tissue’ wrapping. Pencil. Provenance: Studio Stamp from Christies Sale 5/11/98. 4.5x10 inches. £875. Verso
SPENCER Sir Stanley R.A. (1891-1951) Composition studies: ‘Part of Baptism … H. Memorial …’ on Arthur Tooth Compliments slip. Recto and verso. Studio Stamp from Christies Sale 5/11/98. 8x5 inches. £675. Verso
SPENCER Sir Stanley R.A. (1891-1951) Composition studies, ‘Sitting / Standing at Table’. Pencil composition study. Studio stamp from Christies Sale 5/11/98. 8x6.5 inches. £475.
SPENCER Gilbert R.A. (1892-1979) ‘The man who picked up sticks on the Sabbath’. Pencil, pen and ink. Prov: Robert Harding. 21x13.5 inches.
SPENCER Gilbert R.A (1892-1979) ‘Corner of the Garden’. Pencil and watercolour. Signed and dated, 1958. Exhibited: R.W.S. Autumn Exhibition 1958. 14x18 inches. Framed: 21x24.5 inches.
SPENCER Roy (1918-2006)
Reclining Girl: ‘Diana Somers Yates’.
Pen and ink. Signed and inscribed.
6.5x14 inches. Framed:12.25x19.5 inches.
SPENCER Pamela (1924-2012) ‘Midsummer’. Oil on canvas. Circa 1950. Signed. 17x21 inches. Framed: 21x25 inches.
SPENCER Pamela (1924-2012) Kitchen Interior. Oil on canvas. Signed. 24x18 inches. Framed: 27.5x24 inches.
SPENCER Pamela (1924-2012) The Outhouse. Oil /canvas.Circa 1950. Signed. 18x14 inches. Framed: 22x18 inches.
SPENCER Pamela (1924-2012) Students at St Martins (the artist was there 1945-1951). Oil on panel. Provenance: Estate of the Artist. 12x16 inches. Framed: 16x20 inches.
SPENCER Sir Stanley R.A. (1891-1959) ‘Drawing of T. Sturge Moore’ (Thomas Sturge Moore, 1870-1944). Pencil. Signed and dated, 1921. Inscribed and price ‘5 gns’ verso by the artist. 10x7 inches.
SPENCER Sir Stanley R.A. (1891-1959) Head of a Slade Girl. Chalk. Inscribed verso: ‘Drawn by Stanley Spencer/when at the art School of Slade/ University (sic) in the year 1909’ and in his sister Florence Image’s hand ‘above is in Stanley’s or Sydney’s/ handwriting – I believe Sydney’s/ Florence Image, 1940’. Provenance: Florence Image (nee Spencer); her niece Pamela Spencer (1924-2012). 5x4.75. Framed: 13x12.
SPENCER Sir Stanley R.A. (1891-1959) Composition study. Pencil, brush and sepia ink. Exh: Bernard Jacobson Gallery. 5.25x5 inches.
SPENCER Sir Stanley K.C.B. C.B.E. R.A. (1891-1859) Slade Model. Pencil. Circa 1908-1912. Provenance: Pamela Spenser, the artist’s niece. 12x10.5cms (irregular). Framed: 32x29cms. (Framed photo)
SPENCER Sir Stanley R.A. (1891-1959) ‘Hilda’. Pencil. Circa 1925.Inscribed and numbered ‘21’ by the artist. 13.5x9.5 inches.
SPENCER Sir Stanley R.A. N.E.A.C. (1891-1959) Self - portrait study. Pencil. Inscribed by the artist ‘Shirin wants to keep this, Self-portrait’. Verso: pencil studies of caped men and a mule. 10x14.25 inches. Framed: 19x21 inches.
SPENCER Sir Stanley R.A. (1891-1959) ‘Hilda’. Pencil. Circa 1925. Inscribed, and numbered by the artist ‘23’ ‘Hilda Shirin wants to keep this’. 14x10 inches.
SPENCER Sir Stanley R.A. N.E.A.C. (1891-1959) Figures at the piano, used for ‘At the Piano’, oil, 1957. Pencil and watercolour. Circa 1936. Christies 'Stanley Spencer Studio Sale' stamp verso. 5.5x4 inches. Framed: 13x11 inches.
SPENDER Humphrey (1910-2005)
Design, based on aboriginal motifs, for panel for P&O Liner ‘Canbera’.
Mixed media. Circa 1952. Signed. Exhibited: ‘Art and Liners’, Southampton City Art Gallery, 1986
12x18 inches.
SPENDER Humphrey (1910-2005) Maquette for mosaics in S.S.‘Canberra’. Fibreglass, aluminium film and watercolour. Signed. Circa 1957. 12.25x18 inches. Framed: 20.25x25.75 inches.
SPENDER Humphrey (1910-2005) Aboriginal Motifs: design for the P&O liner ‘Canberra’. Mixed media. Circa 1952. Signed. Exhibited: Art on the Liners, Southampton Art Gallery, 1986 12x18 inches.
SPIERS Charlotte (Exh: 1880-1914) Norfolk. Blakeney: the Priory Gate, and village roofs. Watercolour. Signed. 7.5x13.5 inches. Framed: 15.75x21 inches.
SPILSBURY Maria (1776-1820) A Fancy Subject. Pencil. Exhibited: Sabin Gallery. 7.5x6 inches.
SPILSBURY Maria (1776-1820) A garden gate. Pen and ink. 17.5x9.5 inches. Exhibited: Sabin Gallery
SPRINGS John (b.1962) ‘Sir Wilfred Thesiger C.B.E. D.S.O. F.R.G.S. (1910-2003) Pen and ink. Signed. 13x8.5 inches.
SPRINGS John (b.1962) ‘Aubrey Beardsley’. Black and coloured inks. Signed. Inscribed ‘Unpublished c.2000’. 10.5x7.75 inches.
SPRINGS John (b.1962) ‘Max Beerbohm’. Black and coloured inks. Signed. Inscribed ‘unpublished’. 12.5x9 inches.
SQUIRRELL Leonard Russell R.W.S. (1893-1979) Norfolk; an ancient lime kiln and sheds 0n the cliffs at East Runton. Watercolour. Signed and dated, 1945. 9x15.5 inches. Framed: 17x22.5 inches.
SQUIRRELL Leonard R.E. R.W.S. (1893-1979) Claydon: ‘June, in a Suffolk Dell’ Chalk and watercolour washes. Signed, dated 1922 and inscribed. Inscribed verso. 7.5x11.5 inches.
SQUIRRELL Leonard Russell R.W.S. (1893-1979) The Ipswich boat builders. Watercolour and gouache. Signed and dated, 1913. Provenance: Paul family. 9x13 inches. Framed: 17x21 inches.
SQUIRRELL Leonard R.W.S. R.E. (1893-1979) ‘Durham’. Aquatint. Signed. 9.5x13 inches. £475.
SQUIRRELL Leonard R.W.S. R.E. (1893-1979) ‘Bamborough Castle’. Etching. Signed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 7.5x13 inches.
SQUIRRELL Leonard R.W.S. R.E. (1893-1979)
Edinburgh.
Etching and aquatint. Signed.
9x14 inches.
SQUIRRELL Leonard R.W.S. R.E. (1893-1979)
Loch Ness.
Etching. Signed.
9.75x11.75 inches.
SQUIRRELL Leonard R.W.S. R.E. (1893-1979)
Alnwick Castle.
Etching and aquatint. Signed.
7.75x13.5 inches.
SQUIRRELL Leonard R.W.S. R.E. (1893-1979)
High Mill, Needham Market.
Mezzotint. Signed.
9x12.25 inches.
SQUIRRELL Leonard R.W.S. R.E. (1893-1979)
‘Wymondham Abbey’.
Etching and aquatint. Signed.
9.5x14.5 inches.
SQUIRRELL Leonard R.W.S. (1893-1979) ‘Stoke-by-Nayland, Suffolk’. Etching and aquatint. Signed, inscribed and dated, 1930. 8.5x13 inches.
SQUIRRELL Leonard R.W.S. R.E. (1893-1979) The Custom’s House, Kings Lynn. Etching and aquatint. Signed. Exhibited: R.A. 1940. 8.5x12.5 inches.
STACEY Walter S R.I. (1846-1929) ‘The Brunswick Ghost’ Ink and gouache en grisaille illustration. Signed inscribed and dated 26.1.1887 on artist’s label verso. 5.75x7.25 inches.
STAFFORD-BAKER Julius (1869-1961) Bombed railway station, Foggia. Ink and watercolour. Signed and dated, 22.6.1944. Provenance: The Artist’s Estate. 17x22.5 inches. Framed: 25x30 inches.
STAFFORD-BAKER Julius (1904-1988) ‘Carpiquet near Caen Normandy, Canadians fighting on one side of aerodrome with Huns on the other / Captured in June (1944). Ink and watercolour. Signed, inscribed and dated, 17.8.1945. 20x27.5 inches. Framed: 30.5x37.5 inches.
STAFFORD-BAKER Squadron-Leader Julius (1904-1988) WW2 Dump. Pencil, ink and watercolour. Circa 1942. During WW2 the artist doubled as an RAF Intelligence Officer and an artist with the RAF Public Relations Directorate. He served and painted in North Africa and in Europe. Provenance: Artist’s estate to Abbott and Holder. 19x25 inches. Framed: 27.75x33 inches.
STAFFORD-BAKER Philip (1908-1955)
‘Reflections in the river Cam’.
Watercolour. Signed. Exhibited: no.74, ‘Julius and Philip Stafford-Baker’, November, 1989, Sally Hunter Fine Art.
13.75x15.75 inches. Framed: 25x27.25 inches.
STAMPA George Lorraine (1875-1951) Cricket: ‘The Captain: “The bloomin Vice President’s forgot the stumps – Young Bill ‘ere better be the wicket – e’ wants to play and e’s too little to bat agin swift bowlin …”’. Pen and ink for ‘Punch’, circa 1930. Signed, inscribed and dedicated to E. V. Lucas. 7x9.5 inches.
STANFIELD Frederick (aka William) Clarkson R.A. (1793-1867)
‘Franz Wallenstadt / Trieste, Gulf of Venice’.
Pencil, watercolour and gouache on blue paper. Signed, inscribed and dated, 1830.
9.75x8 inches. Framed: 16.75x14.75 inches.
STANFIELD Clarkson R.A. (1793-1867) Portrait of a man smoking a chibouk. Pencil and watercolour. Circa 1830. Signed. Provenance: The Newell Collection, Christies, 13, 14 December 1979, Album, lot 249. We are grateful to Pieter van der Merwe for confirming the Hand. get him a photo and quote 9x7.75 inches.
STANLEY Dorothy (1855-1926) La Source. Oil on canvas. Circa 1890. Signed. 9x12 inches.
STANNARD Henry John Sylvester (1870-1951) Highland valley. Watercolour. Circa 1900. Prov: ‘Estate sale 1.10.2001, Phillips of William Stannard (1934-2000), the artist’s son. 14x10 inches.
STANNARD Henry John Sylvester (1870-1951) Harvest field. Watercolour sketch. Circa 1910. Provenance: the artist’s son William Stannard (1934-2000). Phillips Son and Neale, 1.10.01. 10x14 inches.
STANNARD Henry John Sylvester (1870-1951) Autumn woodland. Watercolour and gouache. Circa 1900. Provenance: The artist’s son William Stannard (1934-2000) sale Phillips.1.10.2001. 10x14 inches.
STANNARD Henry John Sylvester (1870-1951) A bluebell wood. Watercolour sketch. Circa 1910. Provenance: the artist’s son William Stannard (1934-2000). Phillips Son and Neale, 1.10.01. 10.25x14 inches.
STANNARD Joseph (1797-1830) A destitute family. Pencil and watercolour. Circa 1820. 8x11 inches.
STAPLES Sir Robert Ponsonby (1853-1943) ‘Cromer Church’, Norfolk. Pencil. Signed, inscribed and dated, 1899. 12.25x9.5 inches.
STARK Arthur James (1831-1902)
Sky Study.
Oil on card. Signed verso. Exhibited: Aldeburgh Fine Arts.
6.5x10 inches. Framed: 9.75x13.5 inches.
STARK James (1794-1859) Norwich. ‘Postwick Grove’. Watercolour. Signed, inscribed and dated, 1830. 9.5x13.5 inches.
STARK James (1794-1859) Fishing nets, probably on the upper Thames. Pencil and watercolour. Circa 1840. 6.5x10.75 inches.
STARK James (1794-1859) Barges, possibly the upper Thames. Watercolour and gouache. Circa 1840. 7.75x11.5 inches.
STARK Arthur James (1831-1902) 'Broadstairs'. Watercolour. Inscribed and dated, 1894. Ex. Collection: P. Stark. Exhibited Aldeburgh Fine Arts. 5x7 inches.
STEADMAN Ralph (b.1936) The Temptation of Lord Longford, The Longford Report on Pornography was published in 1972. Pen, brush and ink. Signed. 20x28.5 inches. Framed: 31.75x40 inches.
STEADMAN Ralph (b.1936) Tied together: Harold Wilson and George Brown. Pen, brush and ink. 20x26 inches. Circa 1967. Signed.
STEEL Kenneth (1906-1970) ‘Elvet Bridge, Durham’. Engraving. Circa 1930. Signed and inscribed. 8x8.75 inches.
STEEL Kenneth (1906-1970) Durham Cathedral from the river. Engraving and drypoint. Signed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 13.5x10 inches.
STEEL Kenneth R.B.A. (1906-1970) Edinburgh Castle. Engraving and drypoint. Signed. 14.25x10 inches.
STEEL George Hammond (1900-1960)
‘Pembrokeshire landscape’. Oil on card. Signed. Inscribed on backing. 5.5x8.5 inches. Framed: 8x11 inches.
STEER Philip Wilson N.E.A.C. (1860-1942) Near Ironbridge, Shropshire. Pencil, watercolour and gouache. Signed and dated 1910. Inscribed to Charles Aitken (Director of the Tate).
STEER Philip Wilson N.E.A.C. (1860-1942) Woods near Bridgnorth. Watercolour. 1925. Signed. Ex. Collection: Sir Eric Maclagan (1879-1951) (Director of the V & A 1924-1945) 7x10 inches. Framed: 13x15 inches.
STEER Philip Wilson O.M. N.E.A.C. (1860-1942) Thames barges. Watercolour. Signed and dated, 1932. Ex. Collection: Wyndham T Vint, Bradford. 9x12 inches. Framed: 21x24.25 inches.
STEER Philip Wilson O.M. (1860-1942) ‘Shoreham’, a misty morning along the beach. Watercolour. Signed and dated, 1926. 9x13 inches.
STEER Philip Wilson O.N. (1860-1942) ‘Low Tide, Whitstable’ Watercolour. Inscribed and dated, 1931, by artist verso. Exhibited: Aitken Dott, 1943. 8.75x12 inches. Framed: 16x19 inches.
STEER Philip Wilson N.E.A.C. O.M. (1860-1942)
Landscape, probably near Bridgnorth.
Watercolour. Signed and dated, 1912. Provenance: Francis Bate N.E.A.C. (1858-1950) and by descent.
8.5x13.25 inches.
STEGGLES Harold (1911-1971) ‘Brightlingsea’. Oil on canvas. Signed. Exhibited: Alex, Reid & Lefevre Ltd. 8.5x10.5 inches. Artist’s original frame: 14.5x16.5 inches.
STEGGLES Harold (1911-1971) Sheds at Walberswick. 112x18 inches.
STEGGLES Walter J (1908-1997) ‘Yorkshire landscape’. Oil on panel. Signed. Signed and inscribed verso. 6.5x8.25 inches. Framed: 7.75x9.75 inches.
STEGGLES Harold (1911-1971)
Cookham, Berkshire. Oil on canvas. Signed.
8x10 inches. Framed: 11.5x13.75 inches.
STEGGLES Harold (1911-1971)
‘Near Great Sampford, Essex’.
Oil on board. Signed. Signed and inscribed verso.
8x12 inches. Framed: 12x16 inches.
STEIBEL Victor (1907-1976) Presentation drawing of white and gold lace and white tulle evening dress. Pencil, watercolour and gouache. Mounted in the original presentation folder. The folder 15x12 inches.
STEIBEL Victor (1907-1976) Presentation drawing of a cocktail dress. Charcoal and pastel. Mounted in the original presentation folder with fabric sample, dated March, 1954. The folder 15x12 inches.
STEINLEN Theophile (1859-1923) The market stall. Pencil. Verso: figure studies. 6x9 inches.
STEINTHAL Helen (1911-1991) A Voice in the Woods. Ink, watercolour and gouache. Signed. 16x22 inches. Framed: 25.5x31.5 inches.
STEUART Sir John James F.R.S.E. (1779-1849)
Scottish landscape study.
Pen, brush and sepia ink. Exhibited: Appleby Bros, 1966.
6x9 inches. Framed: 13x16 inches.
STEVENSON James (Late 18th/early 19th Century) Peebleshire: ‘Habbies How, Peggy’s Pool and Carlops Hill’. Ink and watercolour. From a series by the artist that were engraved for an 1808 edition of Allan Ramsay’s Gentle Shepherd. Possible provenance: New Hall House, Carlops. We are grateful to Dr Joe Rock for this information. 13x19 inches. Framed: 21x26 inches.
STEVENSON Hugh (1910-1956)
‘Peasant’, costume design for Franklin White for the Sadlers Wells Ballet, 1943.
Pencil and watercolour. Signed, inscribed and dated, 1943. Ex. Coll: John Carr Doughty.
21.5x14.75 inches.
STEVENSON Hugh (1910-1956)
‘Pas de Trois’: costume design for Alexis Rassine in the ballet ‘Promenade’, Sadler’s Wells Ballet, King’s Theatre, Edinburgh, 1943. Choreographer: Ninette de Valois. Ex. Coll: John Carr Doughty.
20.5x14.5 inches.
STEVENSON Hugh (1910-1956) 'Peasant', costume design for Peggy van Praagh for the Sadlers Wells Ballet, 1943. Pencil and watercolour, with fabric sample attached. Signed, inscribed and dated, 1943. Ex. Coll: John Carr Doughty. 21.5x14.75 inches.
STIEBEL Victor (1907-1976)
‘A White Silk Tulle Picture Dress embroidered with flower motifs carried out in gaiged rose-coloured tulle and diamonds. The skirt cascades from the left hip. The bodice is cuffed with rose-coloured slipper satin which is also used for the narrow belt’.
Pastel and gouache on grey paper. With fabric sample. Believed to be for Princess Margaret. Circa 1955.
14.5x10.5 inches. Mounted in a Presentation folder, numbered ‘52’and signed: 19x14 inches.
STIEBEL Victor (1907-1976)
‘A White Tulle Evening Dress. The bodice is closely embroidered with very small silver sequins which are used also to border thickly each of the skirt flounces. Many stiffened net underskirts’.
Chalk, watercolour and gouache on grey paper. With fabric sample. Believed to be for Princess Margaret. Circa 1955.
14.5x10.75 inches. Mounted in Presentation folder inscribed ‘PM’, numbered ‘38’and signed: 19x14 inches.
STIEBEL Victor (1907-1976) Presentation drawing of a Garden Party Dress in turquoise and white spotted surah. Possibly for Princess Margaret. Charcoal, pastel and gouache. Mounted in the original presentation folder with three fabric samples. Signed. The folder 15x12 inches.
STIEBEL Victor (1907-1976)
‘Cinnamon-Coloured Silk Chiffon powdered with black spots makes this Afternoon Dress. The draped bodice frames a neatly collared gilet which is fastened with narrow black velvet ribbon bows. The skirt is stiffened with several underskirts of cinnamon coloured organza’.
Pencil, pastel and gouache. With fabric samples. Believed to be for Princess Margaret.
10.75x9.75 inches. Mounted in a Presentation folder, numbered ‘17’and signed: 15x12 inches.
STIEBEL Victor (1907-1976) ‘Coat in heavy white shantung’. Pencil and watercolour heightened with gouache. Circa 1960. Provenance: Richard Addinsell (1904-1977) Stiebel Presentation folder. 15x12 inches.
STIEBEL Victor (1907-1976) ‘White chiffon (printed with long stemmed roses) day dress’. Pencil, watercolour and gouache with accompanying fabric sample in a Victor Stiebel Presentation folder. Circa 1960. Provenance: Richard Addinsell (1904-1977) 12x10 inches.
Peter STILWELL Recent Works, 2016. CLICK HERE
Peter Stilwell Exotica. CLICK HERE
STIRLING Dorothy (b.1939)
‘Sea Window IV’.
Wood, glass and oil paint Construction. Artist’s label verso. Exhibited: Sue Rankin Gallery, September, 1987.
24x18x3.5 inches.
STOCKS Arthur (1846-1889) Study of a girl. Red, white and black chalk on blue paper. Circa 1870. Prov: Stocks Sale, Christies, 15.9.1993. lot 141. 6.5x7.5 inches.
STOKES Adrian (1902-1972) ‘Still Life’. Oil on canvas. Signed and dated 1965 on reverse. Exh: ‘Adrian Stokes’, Arts Council of Great Britain, 1982. Ex. Coll: Sir Norman Reid. 20x24 inches. Framed: 20.5x24.5 inches.
STOKES Adrian (1854-1935)
‘Birch trees in the Tyrol’.
Oil on panel. Circa 1903. Signed. Inscribed verso as ex.coll the artist’s sister-in-law, Lady Stokes (nee Irene Ionides 1875-1972).
15x11.5 inches. Framed: 20x16.5 inches.
Related to 'Autumn in the Mountains' (Tate, 1903).
STONE Reynolds S.W.E. (1909-1979)
The Old Rectory garden, Litton Cheney.
Wood engraving. Signed and editioned 50/150.
No.3, ‘The Old Rectory, seventeen wood engravings by Reynolds Stone’, Warren Editions, 1976.
2.5x3.5 inches.
STONE Reynolds S.W.E. (1909-1979)
The Old Rectory, Litton Cheney.
Wood engraving. Signed and editioned 50/150.
No.7, ‘The Old Rectory, seventeen wood engravings by Reynolds Stone’, Warren Editions, 1976.
3.25x4.5 inches.
STONE Reynolds S.W.E. (1909-1979)
The Old Rectory garden, Litton Cheney.
Wood engraving. Signed and editioned 50/150.
No.10, ‘The Old Rectory, seventeen wood engravings by Reynolds Stone’, Warren Editions, 1976.
2.75x4.25 inches.
STONE Reynolds S.W.E. (1909-1979)
The Old Rectory garden, Litton Cheney.
Wood engraving. Signed and editioned 50/150.
No.13 ‘The Old Rectory, seventeen wood engravings by Reynolds Stone’, Warren Editions, 1976.
3x4 inches.
STONE Reynolds (1909-1979) ‘Autumn trees at the Old Rectory from the Water Board Field’. Ink and watercolour on blue paper. 13x20 inches. Signed. Inscribed verso. Exhibited: New Grafton Gallery, 1972.
STONE Reynolds (1909-1979) ‘Old Rectory, Winter’, Litton Cheney. Ink and watercolour on blue/grey paper. Signed. 14x21 inches. Framed: 21x27.5 inches.
STONE Reynolds C.B.E. R.D.I. (1909-1979) Dorset. ‘Hedge row and bank’. Ink and watercolour on blue/grey paper. Inscribed on original backing. 12.5x14 inches.
STONE Frank (1800-1859) Samuel Rogers (1763-1855) with Caroline Norton (1808-1877) and Maria-Louisa Phipps (d.1888). Oil on paper. Inscribed to original label: ‘S. Rogers the Poet with the / Hon.ble Mrs Norton and another / lady – the first sketch for a / larger picture by / Frank Stone A.R.A. / A new years gift to / C.R. Brown / from / E.W. Radclyffe / Jan. 1 1861’. Prov: Sir John Stirling Maxwell (1866-1956) descendant of Caroline Norton’s last husband Sir William Maxwell Stirling (1818-1878), and by descent. 10x12.5 inches.
STONE Frank (1800-1859) Portrait study of Caroline Norton (1808-1877) Legal Reformer and Celebrity Figure. Brush and ink. Signed and dated, ‘Dr. (December) 1860’. Or, Inscribed ‘Frank Stone, Bt (Bought) 1860’. Provenance: By decent from her second husband Sir William Stirling Maxwell (1818-1878) to Sir John Stirling Maxwell (1866-1956) and his descendant. 11x8 inches. (Cf. Nos. 68, 73, 74, 75, and 89)
STONE Reynolds C.B.E. R.D.I. (1909-1979) ‘Holly and Alder / In the Dell at The Old Rectory’, Litton Cheney, Somerset. Ink and watercolour. Signed. Inscribed 0n the original backing. 21x14.25 inches. Framed: 22x30 inches.
STONEHENGE subject. Anon. Pencil. Sketchbook page dated ‘Sept.3, 1826’ verso. 5x14 inches.
STONEHOUSE Brian (1918-1998) ‘Dachau’. Charcoal. Signed and inscribed ‘Dachau – 4t’(sic). Although saved from Dachau 29/4/45 Stonehouse returned to the camp two days later to draw a record for the American liberators. 12x15. Framed: 17x19.5.
STONEHOUSE Brian (1918-1989) An Evening Dress. Pencil, watercolour and gouache. Signed. Fashion illustration for an American magazine, probably (as signed) American Vogue. Circa 1960. Provenance: The artist’s estate. Stamped ‘Stonehouse Estate / A and H’ verso. 28x19 inches. Framed: 34x25 inches. Click here to view our Exhibitions of fashion drawings by Brian Stonehouse
STONEHOUSE Brian M.B.E. (1918-1998) ?New York. Clapboard town houses. Ink and watercolour. Signed and dated 1952.
STONEHOUSE Brian M.B.E. (1918-1998) Watercolour and gouache. Studio Sale / Abbott and Holder Stamp verso. Provenance: the artist’s estate. 68x50cms. Framed: 79x60.5cms.
STONEHOUSE Brian M.B.E. (1918-1998) Fashion illustration, probably for American Vogue. Gouache 0n card. Circa 1958. Provenance: Artist’s Estate. Stamped verso ‘Stonehouse Estate / A and H’. 26x19 inches. Framed: 33x25 inches.
STORER James Sargant (1771-1853) ‘High Street, Bristol’. Pencil, pen and sepia wash. Exh: Spink. 4x6.25 inches. Framed: 12.5x14 inches.
STOREY E. J. (Early 20th Century) ‘Su Pia-Lou. Peking’. Etching. Circa 1930. Signed and inscribed. 7.5x12 inches. £225.
STOREY George Adolphus R.A. (1834-1919) ‘Miss Brome(?)’ washing her hair . Pencil, pen and ink. Signed and inscribed. 12.75x9.75 inches.
STOREY Paul (b.1957) ‘St Catherine’. Etching. Etching. 1989. Signed and editioned 9/25.
STOTHARD Thomas R.A. (1755-1834) Neptune and Nelson. Pencil, pen and ink study for an illustration, or Relief. 1.75x6.5 inches.
STOTHARD Thomas R.A. (1755-1834) Herms and feet. Pen and ink. 2x8 inches.
STOTHARD Thomas (1755-1834) Composition studies. Pen and ink. 8x11 inches.
STOTHARD Thomas (1755-1834) Frieze design, possibly for the unrealized decorations at Buckingham Palace. Pen, brush and ink. 4x14 inches.
STOTHARD Thomas R.A. (1755-1834) ‘Venus and Cupid’. Pencil, pen, brush and ink. Ex. Coll: L.G. Duke (D651). 3.5x3.25 inches.
STOTHARD Thomas R.A. (1755-1834) As You Like It; ‘In the Forest of Arden’. Oil on panel. Circa 1825. 15x12 inches. Framed: 20x17 inches.
STOTHARD Thomas (1755-1834) Composition study inspired by the Elgin Marbles. Pen and ink. Signed. Circa 1810. 5x6.5 inches. Framed: 12x13 inches.
STOTHARD Thomas (1755-1834) ‘Venus and Adonis’. Ink and watercolour. Inscribed verso. 3.25x2.75 inches.
STOTHARD Thomas (1755-1834) Child listening to the grown-ups at dinner. Grey washes. 3.5x2.75 inches.
STOTHARD Thomas R.A. (1755-1834)
Two pages of plant studies (pen and ink), a design for or record of a mantlepiece (pencil) and the sketch for a picture hang (pen and ink).
Four pages mounted together. Exhibited: Spink.
Framed: 24.5x16.25 inches.
STOTHARD Thomas R.A. (1755-1834) ‘Pansy’. Pencil, brush and ink for the John Langthorne’s ‘Fable of Flora’, publ. 1794. Signed. Prov: Christopher Powney 28.5.1986. 3x3.5 inches.
STOTHARD Thomas R.A (1755-1834) Owl and sleeping fairy. Pencil brush and ink. Possibly ‘The Garden Rose and the Wild Rose’ for ‘Fable IV’ in John Langthorne’s ‘Fables of Flora’, publ.1794. Prov: Christopher Powney 28.5.1986. 3x4 inches.
STOTHARD Thomas R.A. (1755-1834) Fame crowning a harpist. Pencil, brush and ink. Signed. Possibly ‘The Violet and the Pansy’ for ‘Fable V’ in John Langthorne’s ‘Fables of Flora’, publ.1794. Prov: Christopher Powney 28.5.1986. 3x3.25 inches.
STOTHARD Thomas R.A. (1755-1834) Statesman attended by the Graces. Pen, brush and ink. 8x7 inches.
STOTHARD Thomas R.A. (1755-1834) The Fates crowning a Victor. Pen, brush and sepia ink. 4x4 inches.
STOTHARD Thomas R.A. (1755-1834)
A woman, children, and blindfolded figure.
Ink and watercolour.
4x4.75 inches.
STOTHARD Robert T (fl.1821-1857) William Bollaert FRGS (1807-1876) ‘W.B in costume of a Chilean Peasant drawn by R Stothart, 1832’. Bollaert explored Peru and Chile 1825-1830. Ink and watercolour. Signed and dated, 1832. Inscribed verso, and ‘To Panchita from her affectionate Papa Wm. Bollaert, May 1868’. 9x7 inches.
STOTHARD Thomas R.A. (1755-1834) Led away. Pencil, brush and monochrome wash illustration. Circa 1800. 5x3.5 inches.
STOTHARD Thomas R.A. (1755-1834) Apollo with his lyre. Pen, brush and ink. 2x4.25 inches.
STOTHARD Thomas (1755-1834) Circle of
An English neo-classical composition.
Pen and ink.
4.5x7.75 inches. Framed: 12x17 inches.
‘STOTHARD Jnr.’
‘The Head of a Jesuit taken from Life / by Stothard Jnr’.
Oil on ivory. Damage and old repairs. Inscribed on reverse of original frame.
Possibly by the Antiquarian draughtsman Charles Alfred Stothard (1786-1821)
5x5 inches. Framed:5.75x5.75 inches.
STOTHARD Thomas R.A. (1755-1834) Standing Girl. Pen, brush ink and watercolour. Provenance: (By repute: Windus Collection). 3.5x1.5 inches. Framed: 10x7.5 inches.
STOTHARD Thomas R.A. (1755-1834) ‘Music’ Oil on canvas. Exhibited: Colnaghi, as Ex. coll. J. A. Tulk. 11x8.5 oval. Frame available: 16x18.25 inches.
STOTHARD Charles Alfred (1786-1821) The 'Gros Horloge', Rouen. Pencil and sepia wash. Made on the artist's 1818 trip to Normandy and Britanny. He had been gone to France to study and record the Bayeux Tapestry for the Society of Antiquaries. Exh: Covent Garden Gallery. 8x5 inches. Framed: 15x12 inches.
STOTHARD Thomas R.A. (1755-1834) Brush and sepia wash. Stamped with a collectors mark. 4x6 inches. Framed: 13x15 inches.
STOTT Edward A.R.A. (1859-1918) ‘The Adoration of the Shepherds’ Pastel. 14x13 inches. Framed: 24x23 inches.
STOTT Edward A.R.A. N.E.A.C. (1858-1918)
‘Summer Sky’. Pastel on joined paper. Signed. Exhibited: Edward Stott Memorial Exhibition, Rochdale Art Gallery. 19.5x19.5 inches. Framed: 26x26 inches.
STOTT Edward A.R.A (1859-1918) Study for ‘The Entombment’ (Williamson Art Gallery). Pencil. Exh: Fine Art Society, 1968. 11x9 inches. Framed: 19.5x15.75 inches.
STOWERS Thomas (fl.1778-1813) London: ‘View of (from) Hampstead’. Gouache. Signed. Inscribed verso. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 9x11.5 inches oval.
STRANG William R.A. R.E. (1859-1921) ‘Christian is troubled’; Pilgrim’s Progress. Etching. Printed, signed and inscribed by David Strang (1887-1967). 7x5 inches.
STRANG William R.E. R.A. (1859-1921) Pilgrim in the Slough of Despond. Etching. Printed and inscribed by David Strang (1887-1967). 173x125 mm.
STRANG William R.A. (1859-1921) Head studies. Pencil. Circa 1880. Provenance: An album of Slade drawings given by Strang to his Slade contemporary Ernest Sichel (1862-1941). 9.5x6.5 inches.
STRANG William R.A. R.E. (1859-1921)
Studies of a baby.
Red and black chalks on toned paper. Circa 1900. Signed and dedicated to Laurence W Hodson, Compton Hall, Wolverhampton. Provenance: Hodson family by descent.
8x12.5 inches.
STRANG William R.A. N.E.A.C. R.E. (1859-1921)
‘A Sale of Prints at Sotheby’s’ (WS.172)
Etching. 1889. Signed.
11.75x15.5 inches.
William Strang R.A. R.E. (1859-1921) The Artist’s Wife: Agnes Rogerson Strang (c.1860-1933). Three coloured chalks on tinted paper. Signed and dated, 1904. 10x15 inches. Framed: 23x17 inches.
STRANG Ian R.E. (1886-1952) St Anne’s, Soho. Etching. Signed and dated, 1912. 14x10 inches. Framed: 23x18 inches.
STRANG William R.A. I.S. (1859-1921) ‘The Temptation of St Anthony’. (WS.22) Etching. 1883. Impression later printed by David Strang (1887-1967). 8.5x6.75 inches.
STRANG Ian R.E. (1886-1952)
‘The Preservation of St Pauls.
Etching 192x. Printed from the original plate by the Artichoke Press for Abbott and Holder.
13.25x10.75 inches.
STRANG Ian R.E. (1886-1952) Paris: Le Pont St Michel. Oil on panel. Circa 1907. Signed and inscribed verso. 9.5x13 inches. Framed: 12x15.25 inches. CLICK HERE to view framed.
STRANG William R.A. (1859-1921) Head of a child. Pencil, pen and ink with some gouache. Circa 1895. Prov: Laurence Hodson and by descent. 7x5 inches. £575.
STRANG Ian R.E. (1886-1952) Buckinghamshire landscape. Etching. Signed, inscribed ‘No.168, 100 proofs’. 177x290 mm.
STRANG Ian R.E. (1886-1952) A Buckinghamshire Village. Etching. Signed, inscribed ‘No.154, 75 proofs’. 177x238mm.
STRANG William R.A. (1859-1921) A conspiracy. Pen, brush and ink. Circa 1905. Signed.
STRANG William R.A. R.E. (1859-1921) ‘Colonade’. Etching. Signed. 20x26 inches.
STRANG William R.A. R.E. (1859-1921) ‘Church in Palermo’. Etching. Signed. 11.5x9.5 inches.
STRANG William R.A. R.E. (1859-1921) ‘Castel Nuovo’. Etching. Signed. 10x14 inches.
STRANG William R.A. (1859-1921) ‘Will Hodson’. Red, white and black chalks. Signed and dated, 1904. 14x9.75 inches.
STRANG William R.A. (1859-1921)Arthur Clifton (1863-1932)
Oil on canvas. Signed and dated, 1912.
60x50cms.
STRANG Ian R.E. (1886-1952) ‘London from Hampstead Heath’. Oil on panel. Inscribed and dated by the artist on verso ‘Hampstead Heath / October 10, 11, 1921’. Artist’s label signed and inscribed ‘Study for larger oil painting’. 12.5x16 inches. Framed: 18x22 inches.
STRANG William R.A. R.E. (1859-1921) Head of a Peasant (B.4. S.15). Mezzotint. Signed. 10x8.5 inches.
STRANG William R.A. R.E. (1859-1921) ‘A Sale of Prints’. Etching. 1889. Printed by David Strang. 11.75x15.25 inches.
