This archive is a selection of SOLD WORKS that have appeared on our monthly ‘Lists’ since 2012.
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ANON – A – B – C – D – E – F – G – H – I/J – K
L – M – N – O/P/Q – R – S – T/U/V – W/X/Y/Z
WADDINGTON Vera (1886-1954) ‘Decoration’. Oil on card. Signed. Inscribed verso. Artist’s frame. 18x15 inches. Framed: 19.5x16.5 inches.
WADDINGTON Frank (fl.1930s) ‘The Clarence Hotel / Blackpool / for Charles Westwell Esq’. Pencil, watercolour and gouache elevation for the Architect Halstead Best F.R.I.B.A., Blackpool. 15x24 inches. Framed: 22x31 inches.
WADE Jonathan Armigal (b.1960) ‘Sea Breeze’. Oil on board. Signed. 5x7 inches. Framed: 11x13 inches.
WADE Jonathan Armigel (b.1960)
‘Vernal’.
Oil on board. Signed. Inscribed verso.
4.75x7 inches. Framed:10x12 inches.
WADSWORTH Edward (1889-1949) ‘Portrait of a Boy’: the dancer Rupert Doone (1903-1966). Woodcut. 1920. ?Edition of 30. 180x72 mm.
WAGHORN Tom (1900-1959) Industrial townscape. Pen, brush, chalk and ink on tan paper. Circa 1960. Provenance: Artist’s Estate. 10x15 inches.
WAIN Louis (1860-1939) At the Stage Door. Pen and ink. Signed. Exh: Michael Parkin Gallery. 7x9 inches. Framed: 13.25x15 inches.
Louis Wain (1860-1939) A Stage Door Tommy. Pen and ink. Signed. Prov: J. H. Cozens, his autograph book, and dated 14.8.07 by him. 7.5x5 inches. Framed: 15x13 inches.
WALCOT William (1874-1943) Etchings. CLICK HERE
WALES (Subject) ANON. Circa 1825. Welsh Interior. Watercolour. Pencil and watercolour. Circa 1825. Provenance: a folder of drawings believed by his family to be by Samuel Prout and given by them to the North Devon Athenaeum. They are not like anything else drawn by Prout and are too early to be by Samuel Gillespie Prout (b.1822) his son. Joseph Powell PNWS (1780-1834) has been considered a possible artist but we sell it as by an as yet un-confirmed hand. 10x16.75 inches.
WALKER Fred A.R.A. (1840-1875) The Sisters. Watercolour and gum arabic. Exhibited: Agnews (No. 29739). Provenance: Lord Strathallan 6x4 inches.
WALKER Frederick A.R.A. R.W.S. (1840-1875) Reading the letter. Pencil, brush and wash. Provenance: Chris Beetles, 1986. 4x2.75 inches. £225.
WALKER Dame Ethel N.E.A.C. (1861-1951) Farm horses watering at dusk. Oil on canvas. Circa 1900. Prov: the artist to Marion Kratochwil, to Roger Schantz. 25x32 inches. Framed: 29x35.5 inches.
WALKER David (1934-2008) ‘Cinderella / The Dancing Master / Covent Garden’. Pen, brush, ink, watercolour and swatches of cloth. Inscribed by the artist. 12.5x10 inches.
WALKER David (1934-2008) ‘Cinderella / Mice for Coach / Covent Garden’. Pen, brush, ink, watercolour. Inscribed by the artist. 12.5x10 inches.
WALKER Edward (Exh: 1891-1892) Children playing in the churchyard. Watercolour. Exhibited: Maas Gallery. 9.5x14 inches. Framed: 16.75x21 inches.
Walker Dame Ethel N.E.A.C. (1861-1951) Figure study Oil on card. Backing: Head of a man. Prov: An Executor of the artist and by descent. 14x11 inches.
WALKER Dame Ethel N.E.A.C. (1861-1951) Head of a girl. Oil on canvas. Circa 1920. Prove: Estate of the Artist / Marion Kratochwil 20x16 inches. Framed: 26x22 inches.
WALKER Dame Ethel N.E.A.C. A.R.A. (1861-1951) The Bathers. Pencil and watercolour. Circa 1920. Ex. Collection: Peter Langan. 18x14 inches. Framed: 27x22 inches.
WALKER Dame Ethel N.E.A.C. (1861-1951) Head of a Boy. Oil on canvas. Circa 1935. Prov: An Executor of the artist and by descent.
WALKER Dame Ethel N.E.A.C. (1861-1951) The Companions. Oil on canvas. Circa 1935. Prov: An Executor of the artist and by descent. 30.5x25 inches.
WALKER Cordelia (fl.1860s) Self-portrait. Pencil and grey washes. A sketchbook, in which it was included, of 30 pages of figure subjects and compositions by this artist comes with this work. The sketchbook signed and dated, September 29th 1861. Portrait: 4x4 inches (roundel). Sketchbook: 4.5x7.5 inches.
WALLESZ Rudolf (b.1894 Vienna / Naturalised 25th November 1946 / Became Rudolf Walles 20.10.1947)
Presentation Design for an Austrian bed-sitting-room.
Ink and watercolour. Circa 1930. Signed.
10.75x13 inches.
WALLESZ Rudolf (b.1894 Vienna / Naturalised 25th November 1946 / Became Rudolf Walles 20.10.1947)
‘Zwei Familienhaus’: Set of four Presentation Elevations .
Ink, gouache and crayon on tracing paper. Each inscribed, dated ‘8.8.1929, identified as ‘Nord Ansicht’, ‘Sud Ansicht’, ‘Est Ansicht’ and ‘West Ansicht’. Each stamped: ‘Architekt Z.V. / Rudolf Wallesz / Wien 1, Schottenring 22’.
Original black paper mounts.
8.25x10.25 inches.
WALLIS Rosa (1857-c.1939) ‘Bath’. Watercolour. Prov: a sketchbook by the artist with Abbott and Holder in 1996. 4.5x6.75. Framed: 12x13.5 inches.
WALLIS Rosa (1857-c.1930) Landscape, probably in the Tyrol. Watercolour. Circa 1910. Provenance: a collection of the artist’s watercolour with A and H in 1996. 5x6.75 inches. Framed: 12x13.5 inches.
WALLIS George Augustus (1761-1847) Lady seated in a Park. Ink and watercolour. Signed and dated 1786. Ex. Collection: Walter Brandt (his Sale, Christies, 1987) 6.75x5.25 inches. Framed: 16.5x14.5 inches.
WALMSLEY Thomas (1763-1806) Capriccio. Gouache. Circa 1795. 16x21 inches.
WALMSLEY Thomas (1763-1805) ‘Melincourt Mill, S.Wales’. Gouache. Inscribed verso. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 9.5x12.5 inches.
WALMSLEY Thomas (1763-1805) (attributed to) Herdsmen and their cattle. Gouache. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 10.75x14 inches.
WALMSLEY Thomas (1763-1805) (attributed to) Capriccio: Castle and lake. Gouache. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 11x14 inches.
WALT DISNEY (Studios). 1949. From ‘Slide, Donald Slide’ – Donald Duck discovers a baseball game in the radio listings. Crayons. 1949. Animation by Bob Carlson, Volus Jones, Bill Justice and Judge Whitaker. Story by Nick George and Bill Berg. Exhibited: For the Love of Drawing: Drawings from an Oxfordshire Private Collection, Ashmolean Museum, Oxford, June 2002. Each 5.5x8 inches. Mounted and framed together. Framed: 19.5x14.5 inches.
WALTERS George Stanfield (1838-1894) ‘Entrance to (the harbour’, River Blyth’. Watercolour and gouache. Signed and dated, 1902. Inscribed verso. 6.75x9.75 inches.
WALTON Allan (1892-1948) Essex estuary. Oil on canvas board. Exhibited: no.10, ‘Allan Walton’, Sally Hunter Gallery, October, 1984. 16x12 inches. Framed: 16x20 inches.
WALTON Allan (1891-1948) Suffolk landscape: ‘Towards Newbourne’. Oil on canvas. Signed. Exhibited: Arthur Tooth. 17x21 inches. Framed: 24x28 inches.
WALTON Cecile (1891-1956) ‘Diana’. Oil on card. Signed and dated 1953. 21x16.5 inches.
WALTON Frank R.I. (1840-1928) ‘The pier at Gairloch, Wester Ross’. Watercolour and gouache. Signed. 9x12.5 inches.
WALTON Stuart (b.1933) ‘Rosebank View’, Leeds. Oil on canvas laid on board. Signed and dated 1973. 14x15 inches. Framed: 16.5x15.5 inches.
WALTON Elijah (1833-1880) ‘The Ratteau as seen from near the Plateau de Paris / Dauphine’ (sic). Watercolour and gouache. Signed, inscribed and dated 1865 verso. 26x19 inches. Framed: 34x26 inches.
WALTON Elijah (1832-1880) Switzerland. ‘The Gletchen Horn as seen from the slopes near Murren’. Watercolour and gouache. Signed, inscribed and dated, August 1874, verso. 6.5x4.5 inches.
WALTON Elijah (1832-1880) Switzerland: ‘The Silber Horn’. Watercolour and gouache. Signed and inscribed verso. Ex. Coll: Peter Mallalieu, Keeper of Pictures at the Alpine Club. 6.75x4.5 inches.
WARBURTON Joan (1920-1996) ‘Cedric Morris’s One Eyed Cat, Mrs Peace’. Watercolour. Exhibited: No.47. ‘Joan Warburton’, Michael Parkin Gallery, 1984. 10x14 inches. Framed: 16.75x20.75 inches.
Charlotte WARD Paintings on wood. CLICK HERE
WARD Samuel (1710-1778) Cartouche design. Pen and ink. 2x2.5 inches. Circa 1760. Prov: an album of the rope-maker / harbour masters work.
WARD Samuel of Great Yarmouth (1710-1778) Roman remains; after Wenceslas Hollar Pen and ink. Circa 1765. Provenance: Ward Album. 4x6.6 inches
WARD John C.B.E. (1917-2007) CLICK HERE
WARD John C.B.E. (1917-2007)
Eric Linklater (1899-1974) drinking Grant’s Whisky
Pen and ink study for a Grant’s Whisky ad campaign by Mather and Crowther. Circa 1955.
15.5x6 inches.
WARD John Stanton C.B.E. (1917-2007) Beach capriccio. Ink and watercolour. Signed, dedicated as a Christmas card, and dated, 1958. 9.25x12 inches.
WARD Stanton John (1917-2007) A Glass of Whisky. Pen, brush and ink study for a Grant’s Whisky advertisement, circa 1955. 18x13.25 inches.
WARD of Great Yarmouth, Samuel (1710-1778) Capriccio. Pen and ink. Signed, inscribed and dated ‘ Samuel Ward of Yarmouth Norfolk fecit August 11th 1767 and in the 57th year of his age’. 1.75x7 inches. Framed: 13.25x14.25 inches.
WARD of Great Yarmouth, Samuel (1710-1778) Capriccio. Pen and ink. Signed, inscribed and dated ‘Samuel Ward of Yarmouth Norfolk fecit December 7th 1767 in the 58th year of his age’. 4x5.25 inches oval. Framed: 13.25x14.5 inches.
WARD John (1917-2007)
Venice: the Doge's Palace from the Café Lavena: moonlight.
Ink and watercolour. Signed and dated, 1953.
12.25x6.5 inches.
WARD Charlotte (b.1957) ‘Castel del Aquila, Umbria’. Pastels on joined paper. Signed. 12x28.75 inches. Framed: 20x36.75 inches.
WARD Celia (b.1957) ‘Old Sheds at Corpusty’, Norfolk. Pencil and watercolour. Signed and dated, May 1984. 6x4 inches. Framed: 13x10 inches.
WARD James R.A. (1769-1859) Study for ‘The Ladies Elizabeth and Georgina Stanhope, daughters of the Earl of Chesterfield’ (Northampton Museums and Art Gallery). Pencil. Signed. Exhibited: Christopher Powney. 8.25x5.15 inches. Framed: 16.25x12 inches.
WARD James R.A. (1769-1859) Three watercolours. Exh: Covent Garden Gallery. CLICK HERE TO VIEW
WARLOW Herbert Gordon R.E. R.B.A. (1885-1942) Beauvais Cathedral. Etching. Signed and editioned, 4/50. 11.5x6.5 inches.
WARLOW Herbert Gordon R.I. (1885-1942) Rouen Cathedral. Etching. Signed and editioned 88/100. 8.5x6.5 inches.
WARREN William White (1832-1911)
Piazza San Marco, Venice.
Oil on canvas (trimmed). Circa 1865.
4.5x8 inches.
WARREN William White (1832-c.1912)
Palazzo del Capitanio, Padua.
Oil on paper laid on board. Circa 1875.
10.75x7.75 inches. Framed: 15x11.25
WARREN William White (1832-1915) The Roman amphitheatre at Italica, Spain. Oil on card. Circa 1865. 12x21 inches. Framed: 19x27 inches.
WARREN William White (1835-1915) The Riva Schiavoni, Venice. Oil on card. Circa 1880. Exh: Agnews. 7.25x13 inches. Framed: 19x13 inches.
WARREN William White (1831-1911) North Africa: the French flag. Oil on paper laid on card. 1870. Signed. 4.25x10.5 inches. Framed: 8.25x14.5 inches.
WARREN William White (1832-1915) Distant St Paul’s. London. Oil on paper. Dated ‘May 27 / (18)67’. 7x12.75 inches.
WARREN William White (1832-1911) San Giorgio Maggiore, Venice. Oil on paper. Signed, inscribed and dated, January 14th 1887. 6.5x13 inches.
WARREN William White (1832-c.1912)
Crowd by an (?Italian) lake.
Oil on paper. Signed and dated ‘March 1886’.
4.5x8 inches.
WARREN William White (1832-c.1912)
Venice at night: San Giorgio from the riva Schiavoni. Inscribed by the artist ‘June 2(18)78, 10 p.m’.
Oil on paper laid on canvas. Exhibited: Maas Gallery.
4x7 inches. Framed: 8.75x11.75 inches.
WARREN William White (1832-1911) Monuments, Westminster Abbey. Oil on paper. Provenance: Christopher Powney. 6.25x3 inches.
WASHINGTON William A.R.E. (1885-1956) ‘Ayes Chamber’, House of Commons. Copper engraving. 1944-1947. Abbott and Holder (2nd) edition of 75 printed from the original plates by the Artichoke Press in 1995. 14.5x10.5 inches. Signed: 25x20 inches.
WASHINGTON William (1885-1956) ‘The cricket bat maker’: Walter Warsop’s workshop, Danbury, Essex. Engraving. Signed and dated 1934. 11x8.5 inches.
WASHINGTON William A.R.E. (1885-1956) ‘Winter Fuel’. Engraving. 1944. Signed and inscribed. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 7.75x9.75 inches.
WASHINGTON William (1885-1956)
‘Cleft Chopping’.
Engraving. Signed and inscribed ‘Final state before edition. Printer’s proof’.
10x8.25 inches.
WASHINGTON William (1885-1956)
‘Quai de Conti, Paris’.
Copper engraving. Signed and inscribed.1931.
10.5x15 inches.
WASHINGTON William A.R.E. (1885-1956) ‘Black Bridge, Little Baddow’. Copper plate, steel faced. Circa 1930. 11x13.25 inches.
WASHINGTON William A.R.E. (1885-1956) ‘Cleft Chipping’. Copper plate, steel faced. Circa 1930. 10.5x8.5 inches.
WASHINGTON William A.R.E. (1885-1956) ‘Cour des Dames, La Rochelle’ Copper plate, steel faced. Circa 1930. 9x16.25 inches.
WASHINGTON William A.R.E. (1885-1956) ‘Winter Logs’. Copper plate, steel faced. Circa 1930.
WASHINGTON William A.R.E. (1885-1956) ‘St Etienne du Mont’. Copper plate, steel faced. Circa 1930. 14x9.5 inches.
WASHINGTON William A.R.E. (1885-1956) ‘St Olaves, Southwark’. Copper plate, steel faced. 1929. 14.75x12.5 inches.
WASHINGTON William A.R.E. (1885-1956) ‘Sawyer, Rye’. Copper plate, steel faced. Circa 1930. 7.75x10.5 inches.
WATERFORD Louisa Marchioness of (1818-1891) ‘There were shepherds watching their flocks by night’. Pencil and watercolour. Exh: Royal Academy, 18(9?)3, as owned by Constance, Marchioness of Lothian. 6x16 inches. Ex. Coll: General Sir R. Talbot.
WATERFORD Louisa Marchioness of (1818-1891) ‘The Prodigal Son’. Watercolour. Original carved frame. Exh: Exhibition of pictures by the late Louisa Marchioness of Waterford (label verso). Framed: 11.5x9.75 inches.
WATERFORD Louisa Marchioness of (1818-1891) ‘Dressing Up’. Watercolour. Inscribed (?Signed) verso. 7x4.5 inches.
WATERFORD Louisa Marchioness of (1818-1891) ‘’Chorus Singers’. Watercolour in original repousse brass mount and wooden frame. Exhibited: Exhibition of Pictures by the Late Louisa Marchioness of Waterford, no. 6 3.5x4.25 inches. Framed: 8.5x9.5 inches.
WATERFORD Louisa Marchioness of (1818-1891) The return of the Harvesters. Pencil and watercolour. Circa 1840. Provenance: from a group with Abbott and Holder in 1992. 11x15 inches.
WATERFORD Louisa Marchioness of (1818-1891) Putto with Garland, and Sleeping Child. Each: Ink and watercolour. Each: 3.75x3.25 inches. Framed together: 9.5x13.75 inches.
WATERFORD, Louisa Marchioness of (1818-1891) ‘Benedict’, in ‘Much Ado about Nothing’. Watercolour and gouache on tan paper. Inscribed in pencil ‘Benedict’. Once believed to be of her future husband 3rd Marquis of Waterford (1811-1859) at the Eglinton Tournament, where they met, in 1839. Reputedly exhibited: Stone Gallery, Newcastle. 10x7 inches.
WATERLOW Ernest R.A. P.R.W.S. (1850-1919) A Countryman. Pastel. Provenance: Verity Waterlow. Exhibited: The Court Gallery. 9.5x6 inches.
WATERS Billie (1896-1979)
‘Flower Piece’. Oil on canvas. Signed. Signed and inscribed with the artist’s address, 23 Oakley Street, verso. 16x14 inches. Framed: 21x19 inches.
WATSON John Dawson R.W.S. (1832-1892) ‘A Tyne Pilot’. Watercolour. Signed and inscribed. 10x8.5 inches.
WATSON Harry R.W.S. (1871-1936) The camp site. Pencil and watercolour. Artist’s studio stamp verso. 9x10.5 inches. Framed: 16.75x18 inches.
WATSON Charles John (1846-1927) Covent Garden Market. Pencil and gouache. Signed and dated 1873. 21x28 inches.
WATSON Charles John R.E. (1846-1927) French Cathedral. Drypoint. Pencil signed. 1905. 4.5x5.5 inches.
WATSON Rosmond (possibly Rosamund Marriott Watson, 1860-1911) London. ‘St Bartholomews, Smithfield’. Watercolour. Signed ‘Rosamond Watson’. 10x7 inches.
WATSON Tomas (b.1971)
‘By the Window, 2’.
Monoprint. Signed, inscribed and dated, 2001.
20x14 inches. Framed: 22.5.16.5 inches.
WATSON Tomas (b.1971) ‘In the Room’. Monoprint. Signed, inscribed and dated, 2001. Exhibited: Jill George Gallery. 9.25x7.5 inches. Framed: 22.5x16.5 inches.
WATSON Tomas (b.1971)
Back study. Cf. Nos. 109 and 111.
Charcoal and pastel. Signed. Exhibited: Jill George Gallery.
30x22.5 inches. Framed: 34x26 inches.
WATSON Tomas (Contemporary)
‘Foul bitten Back with pastel’.
Monoprint with pastel. Signed, inscribed and dated, 2006. Exhibited: Jill George Gallery.
22.5x18.5 inches. Framed: 32.5x25 inches.
WATT Alison (b.1965) Untitled. Screenprint. Signed and editioned ‘34/100’. Eleven printings on Velin Arches Blanc 300 gsm. Printed by Gresham Studio Ltd, 1997. From the Freud Museum’s 10th Anniversary Portfolio, published 1997. 20x16 inches.
WATTS George Frederick R.A. O.M. (1817-1904) Figure studies. Pen and ink on blue paper. 12.5x8 inches.
WATTS George Frederick O.M. R.A. (1817-1904) Pen and ink study for ‘Charity’, an oil painting Watts never executed. Authenticated and dated circa 1840 verso of frame by Richard Jefferies (Curator of the Watts Museum 1985-2006), October 2004. Signed and inscribed: ‘48 Cambridge Street’. 5.75x6 inches. Framed: 13x12.5 inches.
WATTS George Frederick O.M. R.A. (1817-1904)
Leg studies, possibly that of the housemaid ‘Long Mary’.
Black and white chalks on tan paper. Provenance: Lilian Mackintosh.
22x14.5 inches.
WATTS George Frederick OM (1817-1904) Studies of ‘Long Mary’, housemaid and life model. Black chalk on tan paper. Provenance: Lilian Mackintosh (Watts Estate) 22x14.5 inches.
WATTS George Frederick O.M. R.A. (1817-1904) Studies of a model, possibly ‘Miss S’. Black and white chalks on tan paper. 22x14.5 inches.
WATTS George Frederick O.M. R.A. (1817-1904) Figure study. Pen, brush and sepia wash. Prov: The Estate of Mrs Watts to Thomas Lowinsky, 1938. Lowinsky Collection Stamp.
WATTS Frederick Waters (1800-1870) View from Hampstead Heath towards Kenwood, with St Michaels’ Highgate and St John’s, Upper Holloway. Oil on board. Exhibited: Xanthus Gallery 9x15.5 inches. Framed 15.5x22 inches.
WEATHERILL George (1810-1890) Shipping off Whitby. Watercolour. Signed. 4.257.75 inches.
WEATHERILL George (1810-1890) ‘Whitby Harbour’. Ink and watercolour. Signed. 5.25x8.5 inches.
WEATHERSON Alexander (b.1930) ‘See you at Mabels’. Pen and ink to illustrate a story by Colin MacInnes published in Encounter, circa 1952. Prov: Margot Walmsley 5x6 inches. Framed: 13x14 inches.
WEBB Clifford R.E. (1895-1972) ‘Safari’. Woodcut printed in colours. 6/20. Signed and inscribed. 16.5x30 inches.
WEBB Joseph A.R.E. (1908-1962) ‘Anne Hathaway’s cottage, Shottery’. Etching. 1944. Signed and inscribed. 8x11.5 inches.
WEBB Joseph A.R.E. (1908-1962) ‘Kent Hop Oasts’. Etching. 1944. Signed and inscribed ‘1st State, Trial Proof’. 6.5x9.5 inches.
WEBB Clifford R.B.A. R.E. (1895-1972) Lounging Flapper. Pencil and blue crayon on sketchbook page. Circa 1930. 10x7.25 inches.
WEBB Clifford (1895-1972)
‘Black Swans’.
Linocut printed in colours. Signed, inscribed and editioned 5/20.
The Swans were a gift from the Government of Western Australia to Sir Winston Churchill.
16.5x13.75 inches.
WEBB Joseph (1908-1962) ‘Dream Barn’ (G.21). Etching and drypoint. 1st state, 50 impressions. 1929. Signed and inscribed. 7x15.5 inches
WEBB Harry George (1882-1914) ‘In the Ring’. Woodcut, from a Brangwyn drawing. Signed. 6x8.25 inches.
WEBSTER Thomas R.A. (1800-1886) ‘Children with ?Monstera’. Oil on card. Signed and inscribed on the original backing. 4.75x6.25 inches. Framed: 11x12.5 inches.
WEBSTER Norman R.E. (b.1924) ‘Farm in the Fens’. Etching. Signed, inscribed and dedicated ‘To Kenneth Holmes’. 6.75x8.75 inches.
WEBSTER Thomas R.A. (1800-1886) The Village Postman. Oil on card. Exhibited: Agnews. (No.41310) 7.5x9 inches. Framed: 12x15 inches.
WEBSTER Thomas R.A. (1800-1886) A Dawn Watch. Oil on card. Signed and dated, 1869. 5.25x6.24 inches. Framed: 12.5x13.75 inches.
WEDGWOOD Charlotte (Mrs Charles Langton) (1797-1862) Italy. View of Sorrento. Watercolour. Circa 1845. Provenance: family descent. 10x14.5 inches.
WEDGWOOD Circa 1790. Design for a Jasperware vase, possibly by Lady Diana Beauclerk (1734-1808). Pencil and watercolour, acquired in a paper wrapper bearing the inscription‘Jessie D Carr’s/Wedgwood Drawings’. Provenance: Jessie D Carr (Wedgwood descendent); Sabin Gallery. 10x5 inches.
WEDGWOOD Charlotte (Mrs Langton) (1797-1862) Varleyesque Caprice. Watercolour. Circa 1820. Prov: artist’s family by descent. 7.5x12.25 inches.
WEDGWOOD Geoffrey (1900-1977) ‘St Peter’s, Genoa’. Engraving and drypoint. Pencil signed, inscribed and dated 1927. 10x9.5 inches.
WEDGWOOD Geoffrey R.E. (1900-1977) ‘San Giovanni and Paolo, Rome’. Engraving. Signed, inscribed and dated, 1926. 7.75x10 inches.
WEDGWOOD Geoffrey R.E. (1900-1977) ‘Outside the Walls’. Engraving. Signed, inscribed and dated, 1934. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 10x8 inches.
WEDGWOOD Geoffrey R.E. (1900-1977) ‘Old Aldgate’. Etching. Signed, inscribed and dated 1924. 6x8.5 inches.
WEDGWOOD Geoffrey R.E. (1900-1977) ‘Trattoria Gatti, Rome’, via San Vernanzio. Engraving. Signed, inscribed and dated, 1930. 7x7 inches.
WEEKES William (1856-1909) ‘Wanted: A Young Man’. Oil on canvas. Signed. Inscribed on the stretcher. 14x10 inches.
WEIGHT Carel C.H. R.A. (1908-1997) Oil on board. Signed. 16x12 inches.
WEIGHT Carel R.A. (1908-1997)
‘H.E. and Edward Bawden in Ireland’.
Oil on card.
5.25x3 inches. Framed: 9x7 inches.
WEIGHT Carel R.A. (1908-1997) Evening Meeting. Pencil. Signed. 10x12 inches. Framed: 17x19 inches.
WEIGHT Carel R.A. (1908-1997) ‘The Sermon on the Mount’. Oil on canvas laid on board. Signed. 12.5x9 inches. Framed: 16x12.5 inches.
WEIGHT Carel C.H. (1908-1997) The Pink Rose. Oil on board. Signed. Exhibited: Leonie Jonleigh Studio, 1973. 16x9 inches. Framed: 21x14 inches.
WEIGHT Carel C.H. R.A. (1908-1997) ‘Breton Calvary’. Oil/anvas. Signed. Circa 1955. Exhibited: Agnews (No.19997) 20.25x24.25 inches. Framed: 34.25x31.25 inches.
WEIGHT Carel C.H. R.A. (1908-1997) ‘Rain in the Country’. Oil on canvas. Signed, indistinctly inscribed and dated, 1953, on stretcher. Label with typed inscription ’Looking at People Exhibition / USSR’. 12x20 inches. Framed: 15.5x23.5 inches. VIEW FRAMED
WEIGHT Carel R.A. (1908-1997) ‘Anger’; study for ‘The Seven Deadly Sins’. Pencil. Signed.
WELCH Denton (1915-1948) ‘Dog with Yellow Basket’ Oil on hardboard. Circa 1938. Signed and inscribed verso. Lit: James Methuen Campbell, ‘A Catalogue of Pictures’ in Denton Welch, 2004, p.251, no.37. 19x22 inches. Framed: 21.75x24.5 inches.
WELCH Denton (1915-1948) Orpheus. Ink and watercolour. Provenance: Denton Welch to Eric Oliver. Sothebys: Eric Oliver Estate Sale, 23.5.1984. Exhibited: Abbott and Holder, ‘Denton Welch’, 1984. 7x10 inches.
WELCH Denton (1915-1948) Sleeping Cat. Pencil. Provenance: Eric Oliver; Sothebys 23.5.1984. Exhibited: Milne and Moller. 9.75x11.5 inches.
71. WELCH Denton (1915-1948) The Couple. Pencil and pastel. Provenance: the artist to Eric Oliver. Geoffrey Dunn. Sothebys. Exhibited: No.51. ‘Denton Welch’, Abbott and Holder, 1984. 8x5.5 inches. Framed: 16x12.5 inches.
WELCH Denton (1915-1948)
‘Brenda, or her mother’.
Ink, chalk and watercolour. Inscribed verso. Provenance: Eric Oliver. Geoffrey Dunn. Sotheby’s 6.2.1985.
14.5x10 inches. Framed: 21x16 inches.
Denton Welch A.A.A. (1915-1948) Self-portrait. Pencil. Circa 1940. Prov: Eric Oliver; Geoffrey Dunn; Sotheby’s 6.2.1985. 20.5x14.5 inches. Framed: 29x22 inches.
WELCH Denton (1915-1948)
The Gateway.
Ink and watercolour. Provenance: Eric Oliver. Geoffrey Dunn. Sotheby’s 23.5.84.
14.75x10.5 inches
.
WELCH Denton (1915-1948)
The Back Garden.
Ink and watercolour. Circa 1935. Provenance: Eric Oliver, Geoffrey Dunn, Sotheby’s 23.5.1984.
14.25x10 inches.
WELCH Denton (1915-1948) Hadlow Tower, Kent. Pencil and watercolour. Provenance: Eric Oliver. Geoffrey Dunn. Sotheby's 6.2.1985. 14x9.5 inches. Framed: 22x17 inches.
WELCH Denton (1915-1948) ‘Bircham, August 5th’. Pencil and watercolour. Signed with initials and inscribed. Ex. Coll: Eric Oliver.
WELLINGTON Hubert (1879-1967) ‘Nancy making toast’. Pen and ink. 1920. Signed. Exh: Agnews (No.23952) 7.5x6 inches.
WELLINGTON Hubert (1879-1967) Bessy-sur-Cure, near Autumn’. Oil on canvas laid on card. Signed, inscribed and dated, 1928 verso. Exhibited: Hubert Wellington, Agnews, 1963, No.40. 10x13.5 inches.
WELLINGTON Hubert (1879-1967) ‘Dorset Stacks, Corfe’. Oil on panel. Inscribed and dated 1933 by artist verso. 8.75x10.75 inches.
WELLINGTON Hubert (1879-1967)
Dorset Farm.
Oil on card. Circa 1933. Provenance: a group of Wellingtons from Irene Wellington.
8.75x10.75 inches. Framed: 11.25x13 inches.
WELLINGTON Hubert (1879-1967) Woodland Path, Dorset. Oil on panel. Circa 1933. 8.5x10.5 inches.
WELLINGTON Hubert Lindsay (1879-1967)
‘51 Maple Street, 1919’.
Oil on card. Inscribed verso.
10.75x11.5 inches. Framed:15.5x16.5 inches.
WELLINGTON Hubert (1879-1967)
‘Hampstead’.
Pen, brush and ink. Inscribed beneath the mount and dated ‘1922 or 3’.
5.5x10.75 inches.
WELLINGTON Hubert (1879-1967)
London: ‘from a roof in Chelsea/ Rectory Chambers, 1901’.
Pen and ink. Inscribed. Rectory Chambers, Old Church Street, Chelsea.
5x10 inches.
WELLS Madeleine S.W.A. (d.1959) France. Eucalyptus trees at Les Baux. Watercolour and gouache. Circa 1920. Signed. 29x22 inches.
WELLS Margaret Bruce (1909-1998)
‘Ferns’.
Wood engraving. Signed, inscribed, dated 1958 and editioned 15/50.
9.25x 7 inches.
WELLS Margaret Bruce (1909-1998)
‘The Thrush’s Song’.
Wood engraving. Signed, inscribed, dated 1938 and editioned 39/50.
10.5x 7.5 inches.
WERNER Carl (1808-1894) Italy. The view from Norma towards Sermoneta, across the Pontine Marshes and towards Monte Felice. Pencil. Signed, inscribed and dated 1844. 10x17 inches.
WERNER Carl (1808-1894) CLICK HERE
WESSON Edward R.I. R.S.M.A. (1910-1983) ‘Low tide at Leigh on Sea’. Watercolour. Signed. Inscribed on artist’s label. 12.5x19.25 inches. Framed: 20x26 inches.
WESSON Edward (1910-1983) The South Downs near Lewes. Watercolour. Signed. 10x14 inches. Framed: 20x23.5 inches.
WESSON Edward (1910-1983) Norfolk. ‘Morston Quay’. Watercolour. 1971. Signed.
WEST Raphael Lamar (1766-1850) A study of Fury. Pen and ink, and pencil. Exhibited: Christopher Powney. 6.5x7 inches. £1500.
WESTALL William A.R.A. (1781-1850) London: Waterloo Bridge. Pencil and watercolour. Circa 1820. 7x10.5 inches.
WESTALL Richard R.A. (1765-1836) ‘Alashtar started back, before his eyes / The object of his search, the hidden serpent, lies! / Alashtar, Line 359’. Ink and watercolour. Signed. Inscribed on the original backing. Henry Gally Knight’s Alashtar, An Arabian Tale was published in 1817. 11.5x9.5 inches (image 9x7 inches).
WESTALL Richard R.A. (1765-1836) ‘The Woman of Samaria’. Pen, brush, watercolour and ink. Signed. 8.5x6.5 inches.
WESTALL William A.R.A. (1781-1850) Narcissus. Pen, brush and ink. 3.25x5.75 inches.
WESTALL Richard R.A. (1765-1836 Frontispiece for a volume of Poetry, or Music. Ink and watercolour. 5.5x4.75 inches. Framed: 12.75x 11.5 inches.
WESTALL William A.R.A. (1781-1850)
‘Approach of the Monsoon, Bombay Harbour’.
Watercolour. 1804. Aquatinted by Theodore Fielding as Plate 2 for Captain Robert Grindlay’s ‘Scenery, Costume and Architecture, chiefly on the Western Side of India’ (publ. Ackermann 1826-1830)
7.5x10.25 inches. Framed: 16x18.5 inches.
WESTALL Richard R.A. (1765-1836) A Woodlander Watercolour and gouache. Circa 1800. Signed. 14.5x10.75 inches.
WESTALL Richard R.A. (1765-1836) (Circle of) Faithful unto Death. Pen, brush and sepia ink heightened with gouache. 3.5x6 inches.
WESTMACOTT Sir Richard R.A. (1775-1856) Attributed to
Kiery Crags, near Blair Adam, Kinross.
Watercolour and ink on paper stretched on linen. Reputed provenance: the artist to the Blair Adam family while staying at Blair Adam House.
17.75x11 inches. Framed: 25x19 inches.
WESTMACOTT Richard Jnr R.A. (1799-1872)
‘Near Monmouth’.
Watercolour. Signed and inscribed. Inscribed verso: ‘Mr Parry’s nr. Monmouth (from my father’s pencil sketch)’.
9.5x15.75 inches
WESTON Robert Harris (Patrick) (1878-1936) ‘The Montmartre Cabaret, Aristide Bruant’s Cabaret, from memory’. Oil on board. Signed, inscribed and dated, November 1924 verso. 17x17 inches. Framed: 23.25x23.25 inches.
WHALE Lt James (1889-1957) (First Director of ‘Journey’s End’ and Hollywood Director)
‘Jug’: British POW at Holzminden, the WW1 German Camp.
Ink and watercolour. Signed, inscribed and dated, 1918.
Backing size: 19.75x12.75 inches.
WHALE Lt. James (1889-1957) (First Director of ‘Journey’s End’ and Hollywood Director)
‘Holzminden / From Early Morn to Dewy Eve’: British POWs at the WW1 German Camp.
Ink and watercolour. Signed, inscribed and dated, 1918.
Backing size: 19.75x12.75 inches.
WHEATLEY Grace N.E.A.C. (1888-1970) ‘The China Cupboard’. Oil on panel. Signed. Painted circa 1910. Exhibited: R.A. 1941. 20x16 inches.
WHEATLEY Francis R.A. (1747-1801) ‘La Belle Francaise’: a couple going to market. Ink and watercolour. Exhibited: Colnaghi. 9x8 inches. Framed: 17x16 inches.
WHEATLEY Francis R.A. (1747-1801) ‘La Belle Anglaise’, a Lady out riding with a groom. Ink and watercolour. Exhibited: Colnaghi. 9x8 inches. Framed: 17x16 inches.
WHEELER Edward J (c.1848-1933) ‘Shave a Pig’. Watercolour. Signed. Ill: ‘Mother Goose’, Routledge, 1895. 5.75x4 inches. Framed: 12x9.75 inches.
WICHELO John M (1784-1865) Windsor Great Park with the Castle in the distance. Watercolour. Signed and dated, 1825. 19x25 inches. Framed: 27x32.75 inches.
WHICHELO John M. (1784-1865) Moonlit caprice. Watercolour and gouache. Signed and indistinctly dated. Ex. Collection: Walter Brandt. 7x10.5 inches.
WHISTLER James Abbott McNeill (1834-1903) ‘Late Piquet’. Lithograph. 230x160 mm.
WHISTLER Rex (1905-1944) Archive of watercolours drawings and prints. Click here
WHISTLER James McNeill (1834-1903)
‘Drouet ; Sculpteur’ (K.55ii)
Etching and drypoint. 1859. Signed, dated 1859 and inscribed ‘Whistler Maitre Eaufortier’ in the plate. One of ?73 impressions.
Charles L Drouet (1836-1908) was a contemporary and friend of Whistler from 1855.
WHISTLER James Abbott McNeill Whistler (1834-1903) ‘La Marchande de Moutarde’ (K.22iii). Etching. Circa 1855. 6x3.5 inches.
WHISTLER Rex (1905-1944) ‘Young Hopeful’. Pen and ink, probably related to Whistler’s advertising work for Rothmans. Inscribed by the artist. 9.5x7.5 inches.
WHITE ( ?W ) Early 19th century.
‘The entrance to the Rajah’s garden at Tilinkeery(?) Nagpoor’.
Pen, brush and ink. Signed, inscribed and dated, 1819.
9.5x14.5 inches.
WHITE Clare (1902-1972) Barbados: a Bridgetown Bakery. Pencil and watercolour. Circa 1960. Signed. 14.5x19.5 inches.
WHITE Ethelbert S.W.E. N.E.A.C. (1891-1972) ‘The Port, Kyrenia, Cyprus’. Wood cut. Signed, inscribed and editioned 4/50. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 5.5x7 inches.
WHITE Colonel George Francis (1808-1898) ‘Village of Kandoo on the ascent to the Chor-Himalan Mountains’. Pencil. Signed, inscribed and dated, 1st May,1831. Provenance: Sothebys topographical sale 24.10.1990. 8x14 inches.
WHITE Colonel George Francis (1808-1898) ‘Cedar Bridge over the Jumna / Burkole / Himalayan Mountains’. Pencil. Inscribed and dated, 16th May, 1829. Provenance: Sothebys topographical sale 24.10.1990. 10x14.25 inches.
WHITE Colonel George Francis (1808-1898) ‘Village of (?) Kirsallee near (? Indescipherable)’ Himalayas. Pen and ink. Signed, inscribed and dated, 16th May 1829. 10x14.5 inches.
WHITE ABBOTT John (1763-1851) Bristol; ‘Clifton, Gloucestershire’. Ink and watercolour. Signed, inscribed and dated, 6th June 1829 verso. Original wash-line mount inscribed ‘xxxiii’. 10.5x7 inches. Framed: 18x15 inches.
WHITE Clare (1902-1977) Bridgetown, Barbados: ‘Pride and Industry’. Pencil and watercolour. Signed. 14x19.75 inches. Framed: 22x26 inches.
WHITE Clare (1903-1997) Boat building, Barbados. Pencil and watercolour. Signed. 14.5x19 inches. Framed: 22x26 inches.
WHITE Clare (1903-1997) The children on the street, Barbados. Pencil and watercolour. Signed. 14x19 inches. 21x26 inches.
WHITE Ethelbert R.W.S. S.W.E (1891-1972) CLICK HERE
WHITE Franklin (1892-1975) Spring at Shoreham. Pencil and watercolour. Signed and dated, 1936. 12x18.5 inches.
WHITE Gabriel (1902-1988) ‘Dieppe: window 0n St Jacques’. Etching. Proof. Ex. Collection: Michael Barker. 9.75x7 inches.
WHITE Gabriel (1902-1988) ‘Dieppe’. Etching. Signed and inscribed. Artist’s Proof. 7x11 inches.
WHITE Henry Hopley (1790-1867) ‘Melrose Abbey’. Watercolour. Signed. 8x11 inches. Framed: 15.5x18.25 inches.
WHITEREAD Rachel C.B.E. (b.1963)
‘Mausoleum under construction’.
Screenprint. 1992. Signed, inscribed and editioned 37/65.
28x34.5 inches. Framed: 30x37 inches.
WICART Nicolaas (1748-1815)
The river Nederrijn at ‘Amerongen’.
Watercolour painted en grisaille. Signed. Inscribed verso.
11.25x17 inches.
£975
WICHELO John M (1784-1865) 'The Chine, Alum Bay': Isle of Wight. Watercolour. Inscribed by the artist verso. Inscribed on the original mount. 9.5x13.5 inches.
WICHELO John M (1784-1865) 'The Arch and Stag Rocks, Freshwater Gate'; Isle of Wight. Watercolour. Inscribed and 'original sketch from nature by the artist verso. Inscribed and signed on the original mount. 9.5x13.5 inches.
WIDDRINGTON Shalcross Fitzherbert Jacson (1826-1917) San Giorgio Maggiore from the Campanile of St Marks. Pencil and watercolour. Circa 1855. Signed. 10x18 inches.
WIGAND Balthasar (1771-1846) Austria: ‘The Visit’. Gouache. Circa 1810. Signed. 7.25x9.75 inches.
WILCOX Frank Nelson (U.S.A. 1887-1964) Maine: ‘Boothbay Harbor (sic) after rain’. Watercolour. Signed. Inscribed verso. 14.5x19.5 inches.
WILCOX Graeme (b.c.1970)
‘Head Study 3’.
Oil on card. Signed and inscribed verso of backing.
6.25x6.25 inches. Framed: 12.5x12.5 inches.
WILCZYNSKI Katerina (1894-1978)
Studies of the Greek Scholar, Poet and Collector, Professor John Mavrogordato (1882-1970)
Pen and ink. 1942.
12x9.5 inches.
WILDE Gerald (1905-1986) ‘Brighton’. Ink, crayon and lithographic crayon. 1938. Signed. 8.75x6.75 inches.
WILFRID George (Mid-Nineteenth Century) ‘Ludgate Hill and St Pauls’. Watercolour and gouache. Signed and indistinctly dated. 18x13.75 inches.
WILKIE Sir David R.A. (1785-1841) ‘Mr B(xxx), Porter at Dulwich many years / sketched by Wilkie’. Pencil. Inscribed. 4.5x3.5 inches.
WILKIE Sir David R.A. (1785-1841) Sketch for ‘Peep O’Day Boy’s Cabin in the West of Ireland’ (Tate Britain). Pen, brush and ink. 1934-5. Ex. Colls: Sir Robert Witt; Robin Hamlyn. 6x4 inches. Framed: 15.5x13 inches.
WILKIE Sir David R.A. (1785-1841) Figure studies in costume. Pen and ink on both sides of the paper. Mounted and framed to show both sides. 7x5 inches the page. Framed: 15.5x13.5 inches.
WILKIE Sir David R.A. (1785-1841)
A ‘Punch and Judy’ Show.
Black and white chalks with watercolour on blue/grey paper. Signed and dated, 1824. We are grateful to Dr Nicholas Tromans for his confirmation of the Hand and subject.
7.5x10.25 inches.
WILKIE Sir David R.A. (1785-1841) Study for ‘Frederick Duke of York reading dispatches’ (London NPG). Pen and ink. 3.5x2.75 inches. Framed: 10.5x9.25 inches.
WILKIE Sir David R.A. (1785-1841) Traditionally believed to be Sir Walter Scott (1771-1832) Pencil, chalk and watercolour. 4.5x4 inches. Framed: 11.5x9.5 inches.
WILKINSON Norman P.R.I. (1878-1971) Landscape study, North Wales. Watercolour. Provenance: Artist’s Estate. 13.5x19.5 inches.
WILKINSON Rev. Joseph (1764-1831) Langdale Pikes. Pencil and watercolour. 9.5x13.5 inches.
WILKINSON Sir Nevile K.C.V.O. A.R.E. (1869-1940) ‘Shirley Temple: micro mosaic’. Watercolour. Signed and dated 1937. Prov: the artist’s descendant. 3.5x3.5 inches.
WILKINSON Gilbert (1891-c.1948) ‘The Offering’. Ink, watercolour and gouache cover design for ‘Passing Show’, 6th September 1926. Signed. Ex. Collection: Mr and Mrs George Walker. 10.5x9 inches. Framed: 18.5x16.5 inches.
WILLIAMS Hugh William ‘Grecian’ (1773-1829) ‘Ruins of Tusculum’. Pen and ink on blue paper. Inscribed and dated, September 29th 1817. Prov: 'The De La Hanty Album' of 120 drawings made by Williams on his 1816-1818 Continental Tour. Ex Coll: Probably William Douglas of Orchardton (?1784-1821) who paid for the Tour; ... ; Baron Dr. Cornelius Ver Heydon de Lancy (1889-1984) (m.Josephine De la Hanty before WWII); Stephen Somerville (the album broken up and exhibited 1988). See other examples of drawings from the album in the BM. 16.75x21.75 inches.
WILLIAM Hugh William ‘Grecian’ (1773-1829) ‘Ruins of Tusculum’. Pen, brush and ink on blue paper. 1817. Inscribed. Prov: 'The De La Hanty Album' of 120 drawings made by Williams on his 1816-1818 Continental Tour. Ex Coll: Probably William Douglas of Orchardton (?1784-1821) who paid for the Tour; ... ; Baron Dr. Cornelius Ver Heydon de Lancy (1889-1984) (m.Josephine De la Hanty before WWII); Stephen Somerville (the album broken up and exhibited 1988). See other examples of drawings from the album in the BM. 16x22 inches.
WILLIAM Hugh William ‘Grecian’ (1773-1829) ‘Tusculum – Amphitheatre dug out by L. Bonaparte’. Pen and ink on blue paper. 1817. Inscribed twice. Prov: 'The De La Hanty Album' of 120 drawings made by Williams on his 1816-1818 Continental Tour. Ex Coll: Probably William Douglas of Orchardton (?1784-1821) who paid for the Tour; ... ; Baron Dr. Cornelius Ver Heydon de Lancy (1889-1984) (m.Josephine De la Hanty before WWII); Stephen Somerville (the album broken up and exhibited 1988). See other examples of drawings from the album in the BM. 16.5x22 inches.
We are grateful to Dr Joe Rock for his help in cataloguing Nos.82-84.
WILLIAMS Miss (fl.1890s) ‘From our Verandah, Hillwood, Panchgani’. Oil on canvas. Signed, inscribed and dated 1897 on the stretcher. Original frame with makers label ‘Maneckji Pestonji’. 11.5x18.75 inches. Framed: 16x23.5 inches.
WILLIAMS Hugh William ‘Grecian’ (1773-1829) ‘Devils Bridge looking towards the sea – River Anda’. Watercolour. Circa 1818. Signed. Inscribed verso. 5x8.75 inches. Framed: 13x16 inches.
WILLIAMS Jolan Polatschek (1908-1988) Bavarian Beer Hall Lithograph. Proof. Circa 1935. Prov|: Artist’s Estate. 19x14 inches.
WILLIAMS Sir Kyffin R.A. (1918-2006) ‘Afon Menai’; Menai Straits. Pen, brush and ink. 12x18 inches. Signed. Inscribed by artist verso.
WILLIAMS Hugh William ‘Grecian’ (1773-1829) ‘Upon the River Bran seven miles above Dunkeld’. Watercolour. Inscribed verso. 7.5x9.5 inches.
WILLIAMS Penry (1802-1885) Wales. ‘Brecon, View of Ys-tred-fellsa’ (sic), Ystradfellte. Pencil. Signed. Inscribed verso. 4.5x6 inches.
WILLIAMS Penry (1802-1885) ‘Roma’. Watercolour. Signed, inscribed and dated, 1962. 8x5 inches. Framed:
WILLIAMS Hugh William ‘Grecian’ (1773-1829) ‘Between Albano and Lariccia’ (sic). Pen and ink on blue paper. Inscribed and dated, 1st October 1817. Prov: 'The De La Hanty Album' of 120 drawings made by Williams on his 1816-1818 Continental Tour. Ex Coll: Probably William Douglas of Orchardton (?1784-1821) who paid for the Tour; ... ; Baron Dr. Cornelius Ver Heydon de Lancy (1889-1984) (m.Josephine De la Hanty before WWII); Stephen Somerville (the album broken up and exhibited 1988). See other examples of drawings from the album in the BM. 16.5x22 inches.
WILLIAMS Hugh William ‘Grecian’ (1773-1829) ‘Grotto of Pausilippo (sic) Naples’. Pen and ink. Inscribed. Drawn in 1817. Prov: 'The De La Hanty Album' of 120 drawings made by Williams on his 1816-1818 Continental Tour. Ex Coll: Probably William Douglas of Orchardton (?1784-1821) who paid for the Tour; ... ; Baron Dr. Cornelius Ver Heydon de Lancy (1889-1984) (m.Josephine De la Hanty before WWII); Stephen Somerville (the album broken up and exhibited 1988). See other examples of drawings from the album in the BM. 11.25x16.5 inches.
WILLIAMS Hugh William ‘Grecian’ (1773-1829)
The tomb of Lafontaine, ‘In the Garden of the Petits Augustins, Paris’.
Pencil, pen and ink.1818. Inscribed.
11.25x16.75 inches.
WILLIAMS Hugh William ‘Grecian’ (1773-1829)
‘Tomb of Abelard and Heloise, in the Cloisters of the Petits Augustins, Paris’.
Pencil, pen and ink. 1818. Inscribed.
11x17 inches.
WILLIAMS Hugh William ‘Grecian’ (1773-1829) ‘Grotto of the Sibyl / at Cumae’. Pen and ink. Inscribed. Drawn in 1817. Prov: 'The De La Hanty Album' of 120 drawings made by Williams on his 1816-1818 Continental Tour. Ex Coll: Probably William Douglas of Orchardton (?1784-1821) who paid for the Tour; ... ; Baron Dr. Cornelius Ver Heydon de Lancy (1889-1984) (m.Josephine De la Hanty before WWII); Stephen Somerville (the album broken up and exhibited 1988). See other examples of drawings from the album in the BM. 11.25x17 inches.
WILLIAMS Evelyn (1929-2012) Girl with curly hair. Signed and dated, 1985. 28x21 inches. Framed: 36x28 inches.
WILLIAMS Sir Kyffin R.A. (1918-2006) Welsh farm. Brush and ink. Signed and dedicated ‘to PN’. 9.5x13 inches. Framed: 17x20.5 inches.
WILLIAMS Sir Kyffin R.A. (1918-2006) Welsh pony. Brush and ink. Signed. Exh: Teggfryn Art Gallery. 11.75x7 inches. Framed: 19.5x14.25 inches.
WILLIAMS Sir Kyffin R.A. (1918-2006) Mountains, Wales. Pen, brush and Indian ink. Signed. 11.5x17.25 inches.
WILLIAMS Hugh William ‘Grecian’ (1773-1829) Landscape. Watercolour. Circa 1810. 9x12 inches.
WILLIAMSON Harold (1898-1972) Portrait of a lady. Oil on board. Circa 1950. Signed. 26.5x21.5 inches. Framed: 33x28 inches.
WILLIAMSON Harold (1898-1972) Head of a Girl Oil on panel. Circa 1935. Signed. 14x11. Framed: 19.5x16 inches.
WILSON Scottie (1889-1972)
Birds, butterflies and fish.
Gouache on black paper. Signed.
18.75x14 inches. Framed: 26.25x21 inches.
WILSON Peter MacGregor R.S.W (1890-1928) Iran. ‘Sabsie Maidan, Teheran, Persia’. Watercolour. Signed and inscribed, and ‘Fresh Figs’. 7x10 inches.
WILSON STEER Philip O.M. (1860-1942) Monmouthshire. ‘The Bend in the River’, near Chepstow. Watercolour and gouache. Signed and dated, 1905. Exhibited: ‘Collection of the late Hugh Walpole’, Leicester Galleries, No.57. Ex. Collection: Mrs Gilbert Russell. 9.5x14.25 inches. Framed: 17.25x21.5 inches.
WILSON Muriel (fl.1930s) ‘Rye’. Wood cut printed in colours. Signed. Dated ‘Nov.20/35’ beneath mount. Ex. Coll: Sir John Stirling-Maxwell of Pollok (1866-1956) 12x14 inches.
WILSON Richard (1713-1782)
Italian Capriccio. c.1754.
Pen, ink, wash and white heightening.
Exhibited: L’Age d’Or de l’Aquarelle Anglaise, Fondation de l’Hermitage, Lausanne 1999, No.1.
7x8.5inches. Framed: 16.5x17.5 inches.
WILSON Richard R.A. (1714-1782) (Circle of) Capriccio landscape. Chalk, with some gouache. Circa 1780. 10.5x14.5 inches.
WILSON Richard R.A. (1714-1782) with repairs by Paul SANDBY R.A. (1731-1809) ‘Rich.d Wilson / a view at Tivoli / mounted for me by Paul Sandby’. Verso thus inscribed, signed and dated November (17)88 by Benjamin Booth. Also inscribed ‘Marianne Ford’ (Lady Ford, his daughter). Exhibited: No.81, ‘Richard Wilson’, Tate Gallery, 1925. 11x15.75 inches. Framed: 19.5x23.5 inches.
WILSON Scottie (1889-1970) The Swan Vase. Pastel and gouache. 11x8 inches. Signed.
WILSON STEER Philip N.E.A.C. (1860-1942) ‘Low Tide, Shirehampton’. Oil on canvas. Lit: Cat.no.582, p.155, ‘Philip Wilson Steer’, Laughton. Provenance: Christies 1942.Exhibited: Fine Art Society, 1946. 14x18 inches. Framed: 18x22 inches. £2250.CLICK HERE to view framed.
WILTON Joseph (1722-1803) Studies for architectural sculpture. Pen and ink. Ex. Collection Walter Brandt. 7.5x9 inches. Framed: 16.5x17.5 inches.
WINSLOW Henry (U.S.A. 1874-1955)
Santa Margherita Ligure.
Gouache. Signed and dated, 1924.
12.25 x16.25 inches.
SPENCER Sir Stanley (subject). 1921. WINSOR Arthur. ‘Drawing of Stanley Spencer drawing Gilbert’. Pencil. Signed, inscribed and dated, 28.8.21’. Provenance: Christies 6.12.2000, a folder of Winsor’s work. 11.25x8.5 inches.
WIRGMAN Charles (1832-1891) A Paris market. Pencil and watercolour. Exh: ‘Views and sights in Paris in the 1850s / Charles Wirgman’, No.31, Covent Garden Gallery, Autumn 1976. 3.75x6 inches.
WIRGMAN Charles (1832-1891) 'Commerce de Vins', Paris. Pencil and watercolour. c.1855. Provenance: A collection of Wirgman material, Bonhams, 1975. Exhibited: 'Charles Wirgam', Covent Garden Gallery (Bill Drummond), October / November 1976, No.34. 4.5x8.25 inches.
WIRTH-MILLER Denis (1915-2010)
‘Landscape’.
Oil on canvas. 1969. Exhibited: The New Art Centre.
16x16 inches. Framed: 19.25x19.25 inches.
WISE Derwent (1933-2003) Northumberland. ‘Cheviots’. Acrylic. Signed and dated 1995. Exhibited: Singer and Friedlander/Sunday Times Watercolour Competition, 1995. 17x27 inches. Framed: 26.5x36.25 inches.
WISHART Sylvia R.S.A. (1936-2008) Rackwick, Orkney. Oil on board. Signed and dated, 1968. Verso: Oil sketch of the interior of North House, bought by the artist in 1967. 16x34 inches.
WISHAW Anthony R.A. (b.1930) ‘Woman with folded arms’. Oil on canvas. Signed and dated, 1957. Exhibited: Roland, Browse and Delbanco. 32x31 inches. Framed: 34.5x33 inches.
WISHAW Anthony R.A. (b.1930)
‘Rock n’ Roll’.
Oil on canvas. Signed and dated verso. Exhibited: No.37, The Peter Davis Collection, Scottish National Gallery of Modern Art (label verso)
12x16 inches.
WISSING J. C. (attributed to) Cattle watering. Gouache. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 6.5x9.25 inches.
WOLEDGE Frederick William (f/1835-1895)
Rouen: ‘La Tour’.
Watercolour. 1835. Inscribed.
12.25x9 inches.
WOLEDGE Frederick William (fl.1835-1895)
‘Chapel in the Place de la Pucelle, Rouen’.
Pencil and watercolour. Inscribed and dated, June 1836.
9.5x6.25 inches.
WOLEDGE Frederick William (fl.1835-1895)
Rouen: Gateway to the Cathedral.
Ink and watercolour. 1835.
12.25x9.25 inches.
WOLEDGE Frederick William (fl.1830-1895) Dieppe: ‘Le Pollet’. Watercolour. Inscribed and dated May 27th 1836. Ex. Collection: Michael Barker 8.5x12.5 inches.
WOLEDGE Frederick William (fl.1840-1895) France. Dieppe. ‘Church of St Jacques’. Ink and watercolour. Circa 1840. Inscribed. Ex.Collection: Michael Barker. 12x9 inches.
WOLFE Edward L.G. 1897-1982 Head of a girl. Fibre tip pen. Circa 1960. Prov: Artist’s Estate. 10.5x7 inches.
WOLFE Edward R.A. (1897-1982) Head of a boy. Crayon, brush and ink. Provenance: the Artist’s Estate. 15x10 inches.
WOLFE Edward R.A. (1897-1982) ‘Man’s head, Ronda Café’. Blue crayon. Signed. Exhibited: ‘Edward Wolfe’, Millinary Works Gallery, 2003. 18x12 inches. Framed: 27.5x20 inches.
WOLFE Edward (1897-1982) Head of a Girl. Pencil. Circa 1960. Signed. 23x18.5 inches.
WOLFSFELD Erich (1884-1956) An Inn. Brush and sepia ink. Circa 1910. Indistinctly inscribed. Provenance: The Belgrave Gallery, circa 1975. 5.25x9 inches.
WOLFSFELD Erich (1885-1956) A cloaked beggar. Oil on paper. Circa 1910. Signed. 18x11 inches. £475
WOLFSFELD Erich (1884-1956) The Last Rites. Brush and sepia ink. Circa 1915. Indistinctly inscribed in German(?). 8x6.5 inches.
WOLFSFELD Erich (1885-1956) Hungry Man. Oil/paper. Signed. Provenance: Belgrave Gallery c.1975. 24x19 inches.
WOLFSFELD Erich (1884-1956) Travellers around a camp fire. Pencil. Circa 1910. Provenance: The Belgrave Gallery, circa 1975. 9x6.75 inches. £275
WOLSELEY Garnet Ruskin (1884-1967) Cornwall: ‘Off Newlyn’. Watercolour and gouache. Circa 1910. Signed. 9x11.5 inches.
WONNACOTT John C.B.E. (b.1940) ‘Estuary Window Sketch’. Pencil. Exhibited: Marlborough Fine Art (No.33482.6) 26x9.5 inches.
WOOD John Harold (fl.1950s) ‘Rover Sea Scout’, Jamaica. Pencil and watercolour. Signed. Possibly to illustrate ‘Jamaican Palette’, publ.1955. 14x9 inches.
WOOD Wilfrid Rene (1888-1976) Venice: the Rialto – a summer night. Watercolour. Signed and dated, 1922. 13.5x9.75 inches.
WOOD Christopher (1901-1930) Flowers in an Eiffel Tower Vase. Watercolour. 13x9 inches. Circa 1926. Exh: Redfern Gallery.
WOOD Christopher (1901-1930) Quayside, Concarneau. Pencil. 1929-1930. Prov: the artist’s sister. 9x12. Framed: 16.5x19.
WOOD Christopher (1901-1930) L’Enfant Terrible: ‘Jean Bourgoint asleep’ Pencil. Circa 1926. Signed and dedicated ‘a Jean B. / un souvenir d’une belle soiree’. Also inscribed ‘From H. J. Ede’. Exhibited: The Redfern Gallery (5th April 1937 to Anthony Buckley). 9.5x12.25 inches. Framed: 17x18.5 inches.
WOOD Christopher (1901 - 1930) Design for a projected Chinese Ballet. Gouache. 1929/1930 stage design for the Cochran Review. Provenance: Redfern Gallery (original label). 12x15.25 inches. Framed: 20x21 inches.
WOOD Frank (1904-1985) Back gardens, Co.Durham. Tempera on canvas. Signed and dated, 1946. 16.5x21 inches.
WOOD Frank (fl.1930s) ‘New Church, Ambleside’. Wood engraving. Signed and editioned 30/30. 6.5x5 inches.
WOOD John Harold (c.1900-c.1970) ‘Waterman’, Jamaica. Pencil and watercolour. Painted by the author of Jamaican Palette (1955). Signed. 15x10.5 inches.
WOOD John Harold (d. Circa 1965) ‘The Coalman’, Jamaica. Pencil and chalk. Drawn by the author of Jamaican Palette (1955). Signed and inscribed. 14.5x10.5 inches.
WOOD Christopher (1901-1930) ‘Cornish Harbour’. Pencil on sketchbook page. Circa 1928. Exhibited: Piccadilly Gallery, 1965 (to Jock Kennair), Ashgate Gallery, 1964. 13x16.5 inches. Framed: 19x22.75 inches.
WOOD Lewis John (1813-1901) East Heath Lane, Hampstead. Pencil and watercolour. Signed verso. 13x9 inches. Framed:20x15 inches.
WOOD Tom (b.1955) Dog and Form. Ink and ?acrylic. Signed and dated, 1988. 13x8.5 inches. Framed: 19.5x14 inches.
WOOD Wilfrid Rene (1888-1976) Spanish church. Woodcut. 17/50. Signed. 425x325 mm.
WOODCOCK John (b.1924) 'Harvest Mouse'. Wood-engraving. Signed, titled and numbered 5/150. 4.5x3 inches.
WOODFORDE Samuel R.A. (1763-1817) Rome. ‘View in the Coliseum’. Pencil, pen ink and sepia wash. Drawn between 1786 and 1791. Provenance: a collection of Woodforde sketches with A and H in 1984. 8x12 inches.
WOODFORDE Samuel R.A. (1763-1817) Italy. The Convent of Grotta Ferrata’, ancient Tusculum. Pencil and watercolour study for his 1805 R.A. exhibit (no.217). Exhibited: William Drummond. 10x15 inches. Framed: 17x21 inches.
WOODFORDE Samuel R.A. (1763-1817) The Arrival of a Messenger. Ink and watercolour to illustrate Xerxes’ invasion of Greece, 480 B.C. Ex. Collection: Earls of Yarborough, Brocklesby Park. 13.5x17.75 inches
WOODFORDE Samuel R.A. (1763-1817) Council of War. Ink and watercolour to illustrate Xerxes’ invasion of Greece, 480 B.C. Ex. Collection: Earls of Yarborough, Brocklesby Park. 13.5x17.75 inches
WOODFORDE Samuel R.A. (1763-1817) Ceiling roundel. After Veronese? Oil on paper. Exhibited: William Drummond / Covent Garden Gallery 10x10 inches circular. Framed: 17.5x17 inches.
WOODMAN Richard (1784-1859) The Globe. Pencil and watercolour. Signed and dated, 1841. 9x8 inches.
WOODWARD George ‘Moutard’ (1760-1809) Recto: A robust seduction. Pencil. Verso: ‘A Doctor beginning Business!!’. Etching with hand colouring by Woodward, published by W. Holland, Dec.1st 1802. CLICK HERE. 13.5x10 inches.
WOODWARD George Moutard (1760-1809) (Circle of) ‘Biblicus Furor, or, Nine to a Bible’. Ink and watercolour. Inscribed. 5.5x3.5 inches. Framed: 12x10 inches.
WOODWARD George Moutard (1760-1809) Captain Fitz-Clobber and Sir Felim O’Connor. Pen and ink. Signed and inscribed. Ex. Collection: Ronald Searle. 6x5 inches.
WOOLLS Henry William (b.c.1860) ‘Souvenir of Fete at Bourne End, August 1st 1908’, at New York Lodge. Buckinghamshire. To celebrate the success of the 1908 Olympics American millionaire and philanthropist George Kessler (1863-1920) employed Woolls and other theatre scene painters to recreate ancient Athens at his Thames-side house and held a firework-lit regatta and fete. Gouache. Signed, dated and inscribed. 19x29 inches. Framed: 26x35 inches.
WORLIDGE Thomas (1700-1766) The fur cap. Pencil. Circa 1750. Signed. 5x4 inches. Framed: 15x13 inches.
WORLIDGE Thomas (1700-1766) Mercury; sculpture study. Pencil. Signed. 10.5x5 inches. Framed: 19x13 inches.
WORSLEY Henry Francis (d.1876)
Palace Court, Plymouth. Now the site of the College of Art. Ink and watercolour. Signed and inscribed. Exhibited: Swan Gallery, Devon.
4.75x6.75 inches. Framed: 11.5x13.25 inches.
WRAGG Arthur (1903-1976) Washington Race Riot, August, 1963. Charcoal, gouache and fibre-tip pen. 1963. 12.5x10 inches.
WRAGG Arthur (1903-1976) ‘Song of Songs’. Pen and ink idea for his 1952 book cover/dust jacket. 10x8 inches.
WRAGG Arthur (1903-1976) ‘Death Opens The Ball / John R Benson’. Ink and watercolour design for a book cover / dust jacket. 11.5x7.5 inches.
WRAGG Arthur (1903-1976) ‘Humiliation with Honour / Vera Brittain’. Pen and ink design for the book’s 1942 cover/dust jacket. Artist’s notes verso. 9x6.75 inches.
WRAGG Arthur (1903-1976) ‘Nomad C.J. McCuen Esess’. Ink and watercolour design for a book cover/ dust jacket. 9x7 inches.
WRIGHT Henry Charles Seppings (1850-1937) ‘Galicia…Russian Troops in snow clad hills’. Ink and gouache painted en grisaille. Signed and extensively inscribed. Original label dated, March 13th 1916. 11x15.75 inches.
WRIGHT John Massey OWS (1777-1866) Count Ronsillion’s Palace: All’s Well that Ends Well, Act I, Scene III. Watercolour. Inscribed verso. Exhibited: British Art of Illustration 1780-1996, Chris Beetles, 1996. No.23. Framed: 17.5x18 inches.
WRIGHT Joseph (American 1756-1793) (Attributed to) Head of a Lady. Oil on canvas. Signed / inscribed on original label verso ‘Jo Wright Pinx / No.6 Titchfield Street / Oxford Market, London’. Indistinctly date ‘17?80’ on original stretcher. Wright was in England to study at the RA Schools from 1775-1781 when he and his mother, the American sculptress Patience Wright went to Paris before returning to America in 1782. 12.5x9.75 inches. Framed: 14.5x11.75 inches.
WRIGHT John Masey O.W.S. (1777-1866) ‘Ivanhoe’. Pencil and watercolour. 5x6 inches. Signed.
WRIGHT John Massey (1777-1866) The Poacher. Watercolour. Circa 1840. 7x8.25 inches.
WRIGHT John Masey O.W.S (1777-1866) ‘Much Ado About Nothing. Act III Scene III’. Watercolour. Inscribed on the backing. 6x4.5 inches. Framed: 14.5x10.5 inches.
WRIGHT Lawrence (1906-c.1985) ‘Hamilcar I, Netheravon, 1944’. Etching. Signed, inscribed, dated and editioned 14/50.
WRIGHT Lawrence (1906-c.1985) Runway at night. Mezzotint. Circa 1944. Signed and inscribed to ‘John Arlott’. 10x12 inches.
WRIGHT Richard Henry (1857-1930) Venice. Scuola Grande de San Marco. Watercolour. Signed. 7x10 inches.
WRIGHTSON Isabel (1890-1950) Scotland. ‘Loch Venacher and Ben Venue’. Watercolour and gouache. Signed. 11x15 inches.
WULFING Sulamith (1901-1989) The Frog King. Pencil, watercolour, gouache and ink. Signed and dated, 1938. Signed, inscribed and dated, 1939 on the original mount. 4.75x5 inches.
WURTTEMBERGERS ON SOMME 1914-1916 CLICK HERE
MONTAGU WYATT Kate (fl.1900s) London, Kensington: ‘Holland House’. Watercolour. Signed and inscribed verso. 9.5x13 inches. Framed: 17.5x20.5 inches.
WYATT Henry (1794-1840) An evening party. Pencil. Circa 1820. Provenance: A collection of Wyatt’s drawings with the Sabin Gallery. 3.25x4 inches.
WYATT Henry (1794-1840) Self-portrait at 25. Pencil, on paper watermarked (18)19. Exhibited: Sabin Gallery. 6x4.25 inches.
WYATT Sarah (1849-1916) Isle of Wight. Carisbrooke Castle from Furlong by an amateur whose portrait by Millais is in the Tate. Watercolour. Circa 1860. Signed on original mount. 9x13 inches.
WYETH Paul (1920-1983) Head of a girl. Red chalk. Provenance: Artist’s Estate. 17x14.75 inches.
WYLD William N.W.S. (1806-1889) Canal in Castello with the Campanile of S. Marco in the distance. Venice. Gouache on canvas. Signed and inscribed verso. 30x30 inches. Original frame: 30.5x40.5 inches.
WYLD William R.I. (1806-1889) Sunset on the Venetian lagoon. Watercolour. Signed. 6x6.5 inches.
WYLD William (1806-1889)
An entrance to the Bois de Boulogne.
Watercolour and gouache. Signed. Exhibited: Ruskin Gallery.
4.5x8 inches.
WYLLIE William Lionel (1851-1931) ‘Down stream’ from Tower bridge. Drypoint. Pencil signed. 11x7 inches.
WYLLIE William R.A. (1851-1931) ‘Greenwich from the river’. Etching, Signed. 3.5x13.75 inches.
WYLLIE William Lionel R.A. N.E.A.C. (1851-1931) ‘Tangier’. Watercolour. Signed and inscribed. 11x18 inches.
WYLLIE William Lionel R.A. (1851-1931) ‘Aberdeen, Where the Don meets the Dee’. Etching. Signed. 6.25x14.75 inches.
WYLLIE William Lionel R.A. R.E. (1851-1931) ‘Where the Don meets the Dee’. Etching and drypoint. Proof. 7.5x19.5 inches.
WYLLIE Charles (1853-1923) London: the busy Thames at Tower Bridge. Watercolour and gouache. Signed. Possibly for The Graphic, circa 1890.
WYLLIE William Lionel R.A. N.E.A.C. (1851-1931) Racing off shore, traditionally believed to be the Solent. Watercolour. 11.5x18 inches.
WYLLIE J. (fl.1930s) The Pass. Oil on card. Signed and dated, 1934. 14x18 inches. Framed: 19x23 inches.
WYLLIE William Lionel R.A. R.E. (1851-1931) Fishing boats landing on the Normandy Coast. Oil on card. Circa 1870s/early80s. Signed. Exh: Maas Gallery 3x6 inches. Framed: 9.5x13.5 inches.
WYLLIE William Lionel (1851-1931)
‘A Stumpy Barge at anchor off Osea Island in the Blackwater’.
Watercolour. No.33, Work by Wyllie from the Wyllie family Exhibition, Malcolm Henderson Gallery, Nov.1972.
4.25x9.5 inches.
WYLLIE William Lionel R.A. R.E. (1851-1931)
The Thames and Cannon Street.
Etching and aquatint. Signed.
4.75x12.75 inches.
WYLLIE William Lionel (1851-1931)
‘London Bridge with St Paul’s in the distance’.
Etching and drypoint. Signed.
9x14.75 inches.
49. WYLLIE William Lionel R.A. (1851-1931) ‘The Pool of London’. Drypoint. Circa 1915. Signed. 5x11.75 inches.
51. WYLLIE William Lionel R.A. (1851-1931) ‘St Pauls from the Thames’. Drypoint. Circa 1915. Signed. 4x13.75 inches.
WYSARD Anthony (1907-1984)
Maxim Gorky.
Pencil and watercolour. Provenance: the artist’s son.
10.25x8.25 inches. Framed: 10.5x10 inches.
YARROW- JONES Ernest (1872-1951)
Spring, Bormes. Hyeres.
Oil on canvas. Signed. Circa 1920. Provenance: Yarrow-Jones Studio Sale, Bonhams, 3.3.1993.
18x15 inches. Framed: 24x21 inches.
YARROW- JONES Ernest (1872-1951)
Landscape, Bormes. Hyeres.
Oil on canvas. Signed. Provenance: Yarrow-Jones Studio Sale, Bonhams, 3.3.1993.
18x13 inches. Framed: 24x19 inches.
YATES Gideon (fl.1827-1837)
Staines Bridge.
Ink and watercolour. Signed and dated, 1832.
10x18.75 inches.
YATES Harold (1916-2001) A Guards inspection. Ink and watercolour. Signed and dated, 1941. Exhibited: Belgrave Gallery, 1991. 4.75x6.5 inches. Framed: 11x12 inches.
YATES Fred (1922-2008) Village in Provence. Watercolour on card. Signed. 11.25x15.25 inches.
YEAMES William Frederick R.A. (1835-1918) ‘The Last Novel’. Pencil and crayon on tan paper. Inscribed. Signed with initials and inscribed ‘Mrs Calderon’ on original backing. Possibly the wife (nee Miss Stacy-Marks) of Philip Hermogenes Calderon R.A. 8x6.5 inches.
YEATS John Butler (1839-1922) ‘Stephen Lucius Gwynne’ (1864-1950), the Irish author and politician. Pencil. Signed and dated, October 1906. 12.5x9 inches.
YEHIA (Mahomed) Bakri (Ahmed) (RCA grad.1954) Design: necklace and bracelet. Pencil, ink and watercolour. Signed. Provenance: R.C.A. retirement gift to Professor Richard Guyatt in 1981. 18x11 inches.
YEOMAN Martin (b.1953) Nude and Studio Stove. Oil on canvas. Signed. 35x21 inches. Framed: 42x28 inches.
YEOMAN Martin (b.1953) Chrysanthemums. Oil on canvas. Inscribed verso. Exhibited: Royal Academy, 1989. 35.5x27.75 inches. Framed: 41.5x33.5 inches.
YHAP Laetitia (b.1941) Rainbow. Watercolour. Signed and dated, 1966. 23x14.5 inches.
YOSHIDA Hiroshi (1876-1950) ‘Willow and Stone Bridge’ Woodblock printed in colours. 1926. Signed and inscribed in pencil. Artist’s seal and stamp. 14.5x9.75 inches.
YOSHIDO Hiroshi (1876-1950) ‘Arashiyama’. Woodblock printed in colours. Signed and inscribed in pencil. Artist’s seal and stamp. 14.75x9.75 inches.
YOSHIDA Hiroshi (1876-1950) ‘Kameido Bridge’. Woodblock printed in colours. Signed and inscribed in pencil. Artist’s seal and stamp. 14.75x9.75 inches.
ZIEGLER Richard (1891-1992) Nude. Lithograph. Circa 1930. 11x9 inches. Framed: 21x17 inches.
ZINKEISEN Doris (1898-1991) ‘Nubian’. Oil on canvas. Signed. 24x20 inches.
ZINKEISEN Doris (1897-1991) Costume design for the Cochran’s 21st e Revue ‘Streamline’, 1934. Pencil, watercolour, gouache and glitter. Signed. 17.75x10.5 inches. Framed: 27x18 inches.
ZUBER Henri (1844-1909) Paris under snow. Watercolour. Signed. 10x14 inches.
