WERNER Carl (1808-1894) The Old Courtyard, Venice. Watercolour and gouache. Inscribed. 23x16.5 inches.
WERNER Carl (1808-1894) Italy. A view from the Roman walls of Norba south over the Pontine marshes towards San Felice Circeo. Watercolour. Signed and dated, 1856. 10.5x19 inches (arched top).
WERNER Carl Friedrich Heinrich (1808-1894) ‘Armoury, Wartburg’, Thuringia; looted by the Russians in 1946. Ink and watercolour. Signed, inscribed and dated 1861. 22x15 inches.
WERNER Carl (1808-1894) Italy. ‘Ninfa’ in the Pontine Marshes. Pencil. Signed, inscribed and dated 1843. 11x16 inches.
WERNER Carl (1808-1894) ‘Campagna di Roma’. Pencil and watercolour on blue grey paper. Signed, inscribed and dated 1840. 11x17 inches.
WERNER Carl (1808-1894) ‘G.Baty’ (sic). Pencil. Circa 1840. Signed and inscribed. Drawn in Italy. 7.25x7.25 inches.
WERNER Carl (1808-1894) Rome. The Colosseum with it’s Christian pulpit and 18th century Stations of the Cross. Pencil. Circa 1850. From a collection of Italian studies by Werner made in the 1840s and 1850s. 14x21.5 inches.
WERNER Carl (1808-1894) Italy; view from a villa on the edge of the Pontine Marshes. Pencil. Circa 1850. Inscribed ‘Keilitz/Kuhnache’. Verso inscribed with the names of artists and subjects. From a collection of Italian studies by Werner made in the 1840s and 1850s. 17x22.5 inches.
WERNER Carl (1808-1894) Sicily: ‘Cappella Palatina, Palermo’. Pencil study. Inscribed in ink by the artist. Circa 1850. Provenance: a group of the artist’s studies. 11.5x9 inches.
WERNER Carl Friedrich Heinrich (1808-1894) Sicily: ‘Rogerszimmer in Schloss Palermo’ (sic). Pencil study. Inscribed in ink by the artist. Circa 1850. Provenance: a group of the artist’s studies. 11.5x9 inches.