IN THE – VIRTUAL – WINDOW
DIOR Christian Studio of (20th century) Design for a dress. Black ink, chalk, metallic paint and watercolour over printed base. With fabric sample. Inscribed ‘P.E’ (Ete) 1975. 12.5x8.75 inches. £675.
ARDIZZONE Edward R.A. (1900-1979) St Paul’s School, London. Pencil study for the lithograph. Signed. Inscribed by the artist and lightly squared. 10x14.25 inches. £775
COX David Jnr (1809-1859) Hever Castle from the Moat. Pencil and watercolour. Circa 1850. 17.25x14.25 inches £675.
MOORE Henry R.A. R.W.S. (1831-1895) Fishing boats off-shore. Watercolour. Signed and dated, 1887. 7.5x10.5 inches. £975.
HALL Patrick (1906-1992) ‘Pellestrina’. Watercolour and wax resist. Signed. Exhibited: Marjorie Parr Gallery. 13x21.25 inches. £675.
GRANT Sir Francis P.R.A. (1803-1878)
A mother and her daughters gathered at a drawing-room table.
Pen and ink. Signed. Circa 1835.
NEWBERRY John R.W.S. (b.1934) Kenya: the Watamu Beach Hotel beach. Watercolour. Signed. Inscribed and dated, 23rd March 2006, beneath the mount. 9x12.5 inches. £475.
RICHARDSON Edward (1810-1874)
‘Water-mill, Castletown of Braemar’.
Watercolour, gouache and gum Arabic. Signed and dated, 1856.
SMITH William James F.R.I.B.A. (1893-1979)
‘Proposed Golf Club House near Glasgow’.
Ink and watercolour. Signed and inscribed. Original labels. Design exhibited in 1937.
TURNER M.A. (Possibly Mary Ann Turner 1803-1874)
‘London from Greenwich Hill’.
Pencil and sepia wash. Signed, inscribed and dated verso ‘London from Greenwich Hill / Original sketch / M.A.T / 1824’.
Provenance: Direct descent from Dawson Turner (1775-1858)