4. Afternoon tea in a ruined farmstead behind the British Lines in the Ypres District. Pen, brush, ink, grey wash and gouache. Signed. Inscribed verso: ‘Passed by the Censor Major A. Stuart, GHQ’. ‘No.36 June 1915’. Illustrated: The Sphere, London, 5th June, 1915, pp.240-241. Literature: Lucinda Gosling, Goodbye, Old Man: Matania’s Vision of the First World War, History Press, 2014, Ill. p.57. 13.5x20.75 inches.
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14. Eric Kennington R.A. (1888-1960)
‘An East Prussian Prisoner’.
Blue map chalk. Signed and inscribed by the artist.
Drawn in Northern France Aug/Sep 1917.
Inscribed by the Official Censor, Major Lee.
31x20cms. Framed: 52x40.5cms.
(Framed photo)

KENNINGTON Eric R.A. (1888-1960) ‘An East Prussian Prisoner’. Blue map chalk. Signed and inscribed by the artist. Drawn in Northern France Aug/Sep 1917. Inscribed by the Official Censor, Major Lee. 31x20cms. Framed: 52x40.5cms.

35. James Cowie R.S.A. (1886-1956)
Pastels. Signed. Circa 1935.
42x28cms. Framed: 65.5x49.5cms.
(Framed photo)

39. Jean Hippolyte Marchand (1883-1940)
Self-portrait.
Oil on canvas. Signed and dated 1910.
73x58cms.

James Cowie R.S.A. (1886-1956) Pastels. Signed. Circa 1935. 42x28cms. Framed: 65.5x49.5cms.