WERNER Carl (1808-1894) The Old Courtyard, Venice. Watercolour and gouache. Inscribed. 23x16.5 inches.
39. ARMFIELD DianaVenice. ‘Morning in San Vio’.
Pastel. Signed.
11x8 inches. Framed 17x14 inches.
£875.
4. BARROW Julian (1939-2003) ‘Il Redentore’, Venice. Oil on canvas. Signed. Ex. Coll: James Lees-Milne. 6x8 inches. Framed: 10x11.5 inches. £975.
SICKERT Walter Richard R.A. N.E.A.C. (1860-1942)
Figure studies, Venice.
Black and white chalks. Circa 1903. Signed.
10.25x13.25 inches. Framed: 23x19.5 inches.
10. BOYD HARTE Glynn (1948-2003) ‘View from the Accademia’: Pensione Accademia Villa Maravege, Venice. Ink and watercolour. Signed. Inscribed verso. 24x18 inches. Framed: 32x26 inches.
BARROW Julian (1939-2003) ‘Il Redentore’, Venice. Oil on canvas. Signed. Ex. Coll: James Lees-Milne. 6x8 inches. Framed: 10x11.5 inches.
100. WERNER Carl (1808-1894) The Old Courtyard, Venice. Watercolour and gouache. Inscribed. 23x16.5 inches. £1,300.
72. SICKERT Walter Richard R.A. N.E.A.C. (1860-1942)
Figure studies, Venice.
Black and white chalks. Circa 1903. Signed.
10.25x13.25 inches. Framed: 23x19.5 inches.
ARMFIELD Diana Venice. ‘Morning in San Vio’. Pastel. Signed. 11x8 inches. Framed 17x14 inches.
WERNER Carl (1808-1894) CLICK HERE
BOYD HARTE Glynn (1948-2003) ‘View from the Accademia’: Pensione Accademia Villa Maravege, Venice. Ink and watercolour. Signed. Inscribed verso. 24x18 inches. Framed: 32x26 inches.
