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  • LIST 526
  • AVAILABLE STOCK
  • GROUPS and EXHIBITIONS
    • GROUPS
      • ROBERT BATES
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      • LEIGH COOKE
      • RICHARD COOPER
      • MILDRED ELDRIDGE
      • PAUL NASH
      • ANDREW NICHOLL – CEYLON 1848
      • STAINED GLASS
      • SICILY in the Year 1825
      • FRANCIS WISHART
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      • ANNE DESMET R.A.
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Desmet R.A., Anne (born 1964)
'Architectural Salvage, Hoxton'. Wood-engraving on Gampi Vellum paper. 1996. Signed, titled and editioned 20/40. 3x3.75 inches. Framed: 11.5x12.75 inches.

£350

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This work appears in the Exhibition: ANNE DESMET R.A. - 30 YEARS OF COLLAGE
  • LIST 526
  • AVAILABLE STOCK
  • GROUPS and EXHIBITIONS
    • GROUPS
      • ROBERT BATES
      • JOHN COPLEY
      • LEIGH COOKE
      • RICHARD COOPER
      • MILDRED ELDRIDGE
      • PAUL NASH
      • ANDREW NICHOLL – CEYLON 1848
      • STAINED GLASS
      • SICILY in the Year 1825
      • FRANCIS WISHART
    • EXHIBITIONS
      • ANNE DESMET R.A.
    • PAST EXHIBITIONS
  • SOLD ARCHIVE
  • YOUR FAVOURITES
  • SERVICES
    • BUYING FROM US
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ABBOTT and HOLDER Ltd

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James McAuslan

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ANNE DESMET - 30 YEARS OF COLLAGED ENGRAVINGONL ANNE DESMET - 30 YEARS OF COLLAGED ENGRAVINGONLINE NOW! (Link in bio)Private View - Tuesday 24th May 5-8pm ALL WELCOME!We will also be taking a selection of works by @anne_desmet to the @londonoriginalprintfair 26th-29th May @somersethouseAnne Desmet has lived in London continuously since 1990 (directly following a year in Rome as a Rome Scholar in Printmaking) and the city’s development and ongoing construction, degeneration and reconstruction has become an ongoing theme – from the British Museum’s extraordinary re-configured Great Court, from the early 2000s, through to the interior of the @royalacademyarts which houses (as sculptural wall decoration high up near the ceiling of its great Gallery 3) the original angel bas-reliefs on which her recent engravings and collages are directly based. Anne is only the 3rd ever artist elected as a wood engraver to the Royal Academy of Arts and these angels felt especially topical in the first year of the pandemic lockdown, when she began to make them, and they remain a poignant motif now.
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