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ABBOTT and HOLDER

ABBOTT and HOLDER

LIST 526
AVAILABLE STOCK
GROUPS and EXHIBITIONS
SOLD ARCHIVE
YOUR FAVOURITES
SERVICES
ABOUT US

LIST 526
AVAILABLE STOCK
GROUPS and EXHIBITIONS
SOLD ARCHIVE
YOUR FAVOURITES
SERVICES
ABOUT US

SPENCER Noel (1900-1986) - ‘Thames Craft’.

SPENCER Noel (1900-1986)

‘Thames Craft’. Etching. Signed and inscribed. 9.75x12.75 inches.

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LIST 526
AVAILABLE STOCK
GROUPS and EXHIBITIONS
SOLD ARCHIVE
YOUR FAVOURITES
SERVICES
ABOUT US

ABBOTT and HOLDER Ltd

Managing Director
Tom Edwards

Photography and Digital
James McAuslan

Operations
Lewis Langham

Gallery Assistant / Administrator
Hannah Dear

Framing
Mark Coakes

Accounts
Natalie Duff

Contact Details & Hours

THE GALLERY IS OPEN
10am-1pm and 2pm-5pm
MONDAY to SATURDAY

30 Museum Street
-opposite the British Museum-
London, WC1A 1LH
[email protected]
Tel: 020 7637 3981

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Picture Dealers and Conservators Est.1936 -
All works in stock unless marked ‘Sold Archive’

ANNE DESMET - 30 YEARS OF COLLAGED ENGRAVINGONL

ANNE DESMET - 30 YEARS OF COLLAGED ENGRAVINGONLINE NOW! (Link in bio)Private View - Tuesday 24th May 5-8pm
ALL WELCOME!We will also be taking a selection of works by @anne_desmet to the @londonoriginalprintfair 26th-29th May @somersethouseAnne Desmet has lived in London continuously since 1990 (directly following a year in Rome as a Rome Scholar in Printmaking) and the city’s development and ongoing construction, degeneration and reconstruction has become an ongoing theme – from the British Museum’s extraordinary re-configured Great Court, from the early 2000s, through to the interior of the @royalacademyarts which houses (as sculptural wall decoration high up near the ceiling of its great Gallery 3) the original angel bas-reliefs on which her recent engravings and collages are directly based. Anne is only the 3rd ever artist elected as a wood engraver to the Royal Academy of Arts and these angels felt especially topical in the first year of the pandemic lockdown, when she began to make them, and they remain a poignant motif now.

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